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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
It's Not Unusual
Non classifié
53
Piano & claviers
Piano seul
23
Piano, Voix et Guitare
9
Instruments en Do
5
Piano Facile
5
Piano, Voix
4
Piano grosses notes
3
Orgue
2
Piano Quatuor: piano, violon, alto, violoncelle
2
Accordéon
1
+ 4 instrumentations
Retracter
Guitares
Guitare
10
Ukulele
6
Ligne De Mélodie, (Paroles) et Accords
3
Guitare notes et tablatures
2
Banjo
1
4 Guitares (Quatuor)
1
+ 1 instrumentations
Retracter
Voix
Chorale SATB
12
Chorale TTBB
2
Voix duo
1
Chorale Unison
1
Chorale SSAA
1
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
14
Quatuor de Saxophones: 4 saxophones
11
Flûte, Hautbois, Clarinette, Basson
6
Quatuor de Clarinettes: 4 clarinettes
5
Quintette de Saxophone: 5 saxophones
4
Hautbois, Piano (duo)
3
Quatuor de Flûtes : 4 flûtes
3
Flûte traversière et Piano
2
Clarinette et Piano
2
Saxophone Soprano et Piano
1
Cor anglais, Piano
1
Saxophone Baryton, Piano
1
Ensemble de Clarinettes
1
Flûte et Guitare
1
Clarinette
1
Clarinette Basse, Piano
1
3 Saxophones (trio)
1
Ensemble de saxophones
1
2 Saxophones (duo)
1
Saxophone Tenor et Piano
1
Saxophone Alto et Piano
1
Quintette de Clarinettes: 5 clarinettes
1
+ 17 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
9
Quatuor de Cuivres : 2 trompettes, trombone, tuba
3
Euphonium, Piano (duo)
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Quatuor de cuivres: 4 trombones
1
Cor anglais, Piano
1
Quatuor de Cuivres
1
Trompette
1
Trio de Cuivres
1
Trompette, Piano
1
+ 5 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
22
Violon et Piano
7
Violoncelle, Piano
2
Alto, Piano
2
Harpe
1
Trio à Cordes: 2 violons, violoncelle
1
4 Violoncelles
1
Harpe, Flûte (duo)
1
Trio à Cordes: 3 violoncelles
1
Violon (partie séparée)
1
+ 5 instrumentations
Retracter
Orchestre & Percussions
Ensemble Jazz
8
Orchestre
8
Jazz combo
5
Ensemble de cuivres
4
Cloches
3
Orchestre à Cordes
3
Orchestre de chambre
2
Orchestre d'harmonie
2
Batterie (partie séparée)
1
Batterie
1
+ 5 instrumentations
Retracter
Autres
Instruments
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CHANT - CHO…
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CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
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TRI ET FILTRES
TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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Vous avez sélectionné:
It's Not Unusual
Quatuor à cordes: 2 violons, alto, violoncelle
Partitions à imprimer
22 partitions trouvées
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1
Just Another Night Music (Mozart´s Little Night Music in a Latin Version)
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Wolfgang Amadeus Mozart
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Augustin Lehfuss
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the piece
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Just Another Night Music
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Gustfuss Records
#
SheetMusicPlus
String Quartet String Quartet - Level 4 - SKU: A0.876883 Composed by Wolfgang Amadeus Mozart. Arranged by Augustin Lehfuss. Baroque,Contemporary,Jazz. S...
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String Quartet String Quartet - Level 4 - SKU: A0.876883 Composed by Wolfgang Amadeus Mozart. Arranged by Augustin Lehfuss. Baroque,Contemporary,Jazz. Score and parts. 23 pages. Gustfuss Records #3036639. Published by Gustfuss Records (A0.876883). This is a „take another crossroad version of Mozart´s famous Little Night Music, written by Austrian Arranger and Composer Augustin Lehfuss – a wild and funny arrangement for string quartet in a unusual latin style. Everybody knows the triad motive at the beginning of Mozart´s original composition, which reappears several times throughout the piece. The idea was, that the performing quartet, while playing the original work of Mozart – tired of always playing the same classical music – „turns left any time the characteristic motive appears, and switches to the latin version which is sold here. Then it runs wild for a while and enjoys Mozart´s theme in a crazy latin style, bevor, finally disciplinized again, finishes in Mozart´s original ending of his „Little Night Music. From the „turn out of Mozart´s original piece until the original ending the latin arrangement lasts about three minutes . For this arrangement starts with the famous triad motive, it can also be played as a stand alone version, though recognizable for the audience. There are phrasings and dynamics indicated in this arrangement, but every quartet should feel free to choose their own phrasings. This arrangement was written for students of a musical university, so it requires a little bit more advanced players – but it should not be taken too serious..visit also the arranger's hompagewww.lehfuss.com Please visit also the arrangers facebook and twitter accounts https://www.facebook.com/pg/Augustin-Lehfuss-Singer-and-Songwriter-694559137266782/about/?ref=page_i..... https://twitter.com/AugustinLehfuss
$11.95
I'm Not In Love
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Quatuor à cordes: 2 violons, alto, violoncelle
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FACILE
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Contemporain
#
10cc
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Jeff Tincher
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I'm Not In Love
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Jeff Tincher
#
SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 2 - SKU: A0.585339 By 10cc. By Eric Stewart and Graham Gouldman. Arranged by Jeff Tincher. Cont...
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String Quartet Cello,String Quartet,Viola,Violin - Level 2 - SKU: A0.585339 By 10cc. By Eric Stewart and Graham Gouldman. Arranged by Jeff Tincher. Contemporary. 30 pages. Jeff Tincher #6244891. Published by Jeff Tincher (A0.585339). This is the song that made 10cc an 70's icon. In the original key from their The Original Soundtrack LP, this song was unusual for it's time with the use of synths, a detached center section and whispering. This arrangement is the LP version with the Night Of The Proms 2019 live ending. Duration = 6:21. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing/.
$12.99
Why Does It Hurt When I Pee
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Quatuor à cordes: 2 violons, alto, violoncelle
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FACILE
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Rock
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Frank Zappa
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Jeff Tincher
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Why Does It Hurt When I Pee
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Jeff Tincher
#
SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 2 - SKU: A0.586290 By Frank Zappa. By Frank Zappa. Arranged by Jeff Tincher. Rock. Score and pa...
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String Quartet Cello,String Quartet,Viola,Violin - Level 2 - SKU: A0.586290 By Frank Zappa. By Frank Zappa. Arranged by Jeff Tincher. Rock. Score and parts. 13 pages. Jeff Tincher #6669513. Published by Jeff Tincher (A0.586290). Here is another unusual, amusing song from Frank Zappa. In the original key from his Joe's Garage Acts I, II, III LP. Duration = 2:24. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing.
$12.99
Serenade No. 11
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Classique
#
Wolfgang Amadeus Mozart
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Stephen Levintow
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Serenade No. 11
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Cypress Publishing
#
SheetMusicPlus
String Quintet Cello,Viola,Violin - Level 4 - SKU: A0.1447120 Composed by Wolfgang Amadeus Mozart. Arranged by Stephen Levintow. Classical. 69 pages. Cy...
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String Quintet Cello,Viola,Violin - Level 4 - SKU: A0.1447120 Composed by Wolfgang Amadeus Mozart. Arranged by Stephen Levintow. Classical. 69 pages. Cypress Publishing #1026899. Published by Cypress Publishing (A0.1447120). Soon after moving to Vienna in 1781, Mozart wrote what turned out to be his last, and finest, three serenades for wind ensemble. He himself arranged the one in c minor, Köchel 388, for string quintet (2 violins, 2 violas and cello), and that version is known as K. 406. Most of the serenade in B-Flat Major, K 361, sometimes called Gran Partita or Serenade for 13 Instruments, was also arranged for the same quintet combination, apparently by someone else, with the movements divided up between Quintets No. 6 and 7 in the second volume of the standard Peters Edition set of parts for Mozart’s string quintets. The remaining serenade, K. 375, is appearing in a string quintet arrangement for the first time that I know of. While it does not have the dramatic intensity of K. 388/406 or the grand sweep of K. 361, it is a worthy companion to the other two works. He composed it “carefully”, as he explained in a letter to his father, and the piece is full of striking details that show this. In the first movement, the second subject is surprisingly in a dark minor key, and the development is based on it. But it does not appear in the recapitulation, replaced instead by a new major key theme. The first of the two minuets also has a brooding trio in minor. The heart of the work is the Adagio, one of Mozart’s great slow movements, and it should be better known. The long-spun overlapping melodies work particularly well for strings. The finale starts as a conventional Rondo, but breaks off into an extended fugal section (again starting in a minor key!) that gives the movement weight and power beyond a typical formula rondo. This arrangement transposes the original E-Flat Major to D Major, to take advantage of string sonority while making some of the passage work lie better for the instruments. Score and parts follow the current convention of listing the composer’s middle name as Amadeus, even though he did not favor it: His only recorded use was a letter he signed Wolfgangus Amadeus Mozartus, clearly intended as a joke. He preferred the Italian or French versions, Amadeo or Amadé, of his German given name Gottlieb (which he also rarely if ever used). CYPRESS PUBLISHING is pleased to be the imprint for arrangements for string ensemble by Stephen Levintow. He is a free lance professional violist and violinist specializing in chamber music, who began making string quartet and trio arrangements for wedding, party and corporate events, to expand the repertory or to improve on existing versions. Selections include unusual pieces by both familiar and lesser-known composers, plus standard classical and popular favorites.The goal is to produce high-quality, musically satisfying arrangements faithful to the composer’s original material, yet sight-readable in most cases by working professionals or intermediate to advanced students. The full range of normal string technique is employed, while avoiding unnecessary technical complexity. Melodic material is distributed throughout the four voices where appropriate, to maintain listener and performer interest. All parts and scores are set in Sibelius© software format, with careful attention to legibility and page turns.
$15.00
Prelude and Allegro, "Urbanalia"
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Joshua A
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Prelude and Allegro, "Urb
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Joshua A Idio
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SheetMusicPlus
String Quartet String Quartet - Level 3 - SKU: A0.1074907 Composed by Joshua A. Idio. 20th Century,Classical,Contest,Festival,Multicultural,Standards,Wo...
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String Quartet String Quartet - Level 3 - SKU: A0.1074907 Composed by Joshua A. Idio. 20th Century,Classical,Contest,Festival,Multicultural,Standards,World. Score and parts. 55 pages. Joshua A Idio #679162. Published by Joshua A Idio (A0.1074907). Composed by Joshua A. Idio. Chamber Music. String Quartet. This is a two-movement piece comprising of a prelude and an allegro. The entire piece is meant to convey a simple story of witnessing the change of different lifestyles, from the peaceful and simple rural life to the electrifying grandeur of urban city life. The prelude, signifying the rural atmosphere, begins with unsettling chords that feel seasonal and constantly moving. The different string melodies are as lovingly soothing as playing in the grassy fields and mountains. They are fun, pleasant, and whimsical, and they express the rather playful and tranquil setting of rural living. The beginning chords may feel unusually active, but it also adds to the color of this calming tranquility. Life couldn't be any better. In contrast to the fun and joyful theme of the prelude, the allegro embodies the absolute hustle and bustle of the big city. Explosive harmonies progress through the movement. Melodies from the prelude now intertwine with this new faster theme, playing more lively and vigorous. The mood has changed. Everything seems fast-paced and maybe overloading. But, maybe that's not a bad thing. A bit into the movement, as the hustle and bustle finally slow down, the essence of the prelude returns to calm the music. Homesickness mixed with overwhelming emotions is just as powerful of an expression as joy or anger. Filled with confidence and resolve, the music quickens back into its fast theme. The nature of intense focus, inspired by the urban surroundings, mixes with the joy and fun of the old ways. Everything now seems not just more familiar and comforting, but lively as well. As the music reaches its end, those unsettling chords from the prelude return to once again remind us that the rural lifestyle will always be a part of us. Maybe this city life won't be such a bad thing. We experience the best life when it comes with change. While I never lived in a rural community myself, I can empathize with the experience of people who have from their own stories and emotions. And when they move into the overwhelming cityscape, they sometimes either break down or build up. In the end, though, I can never really understand what it is like until I move into a rural community. But I know nothing will ever change how they grew up there, as the experiences always seem to follow them into the next chapter of their adventures. And it is because of that kind of beautiful resolve, did I nickname this Prelude and Allegro Urbanalia. When life meets change it opens up a whole new story.
$45.00
Open My Eyes
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
#
Contemporain
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Todd Rundgren
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Jeff Tincher
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Open My Eyes
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Jeff Tincher
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.583676 By Todd Rundgren. By Todd Rundgren. Arranged by Jeff Tincher. Contemporary. ...
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.583676 By Todd Rundgren. By Todd Rundgren. Arranged by Jeff Tincher. Contemporary. Score and parts. 17 pages. Jeff Tincher #4643497. Published by Jeff Tincher (A0.583676). This is the first single and opening number of a lesser known group that Todd Rundgren fronted, Nazz. I actually liked this group, even though they were not commercially successful. This song was released as a single. However it fell short, mainly because the B-Side was accepted better, Hello, It's Me. This song is a rocker and a typical 60s rock song. Rock was beginning to take hold, however, a lot of bands added a smooth section in their songs to get more appeal. This song is no exception to that rule. The song is unusual in that the section that leads to the final chorus has several time signature changes, which was not the norm for the time. This song still rocks with the best of them. Duration = 2:51. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing .
$12.99
Nimrod, from Enigma Variations
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Classique
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Sir Edward Elgar
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Stephen Levintow
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Company
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Nimrod, from Enigma Variations
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Cypress Publishing
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1458677 Composed by Sir Edward Elgar (1857-1934). Arranged by Stephen Levintow. 19t...
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1458677 Composed by Sir Edward Elgar (1857-1934). Arranged by Stephen Levintow. 19th Century,Romantic Period,Wedding. 6 pages. Cypress Publishing #1037607. Published by Cypress Publishing (A0.1458677). Sir Edward Elgar’s Variations on an Original Theme, commonly known as Enigma Variations, may be the most wonderful musical tribute to friendship ever composed. Each of the fourteen variations is headed with initials or a code name of a family member or friend, with the last one being Elgar himself. The best known variation is the ninth, entitled Nimrod. It represents Augustus Jaeger, Elgar’s close friend and editor at his publisher Novello & Company. In the Bible, Nimrod is referred to as “the mighty hunter”, thus identifying with Jaeger (Jäger), meaning “hunter” in German. The stately and serene variation expresses the depth of the composer’s feelings for his friend, and is often performed separately on solemn occasions. This arrangement is based on the original orchestral score, and Elgar’s own piano reduction, both published by Novello in 1899. Technically it is not too difficult, though with some double stopping to complete the harmonies and for fullness of sound.CYPRESS PUBLISHING is pleased to be the imprint for arrangements for string ensemble by Stephen Levintow. He is a free lance professional violist and violinist specializing in chamber music, who began making string quartet and trio arrangements for wedding, party and corporate events, to expand the repertory or to improve on existing versions. Selections include unusual pieces by both familiar and lesser-known composers, plus standard classical and popular favorites. The goal is to produce high-quality, musically satisfying arrangements faithful to the composer’s original material, yet sight-readable in most cases by working professionals or intermediate to advanced students. The full range of normal string technique is employed, while avoiding unnecessary technical complexity. Melodic material is distributed throughout the four voices where appropriate, to maintain listener and performer interest. All parts and scores are set in Sibelius© software format, with careful attention to legibility and page turns.
$5.00
Bach: Prelude and Fugue BWV 531 for String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Johann Sebastian Bach
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James M
#
Bach: Prelude and Fugue BWV 53
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jmsgu3
#
SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1518460 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Ch...
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1518460 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Historic,Standards,Traditional. 25 pages. Jmsgu3 #1092559. Published by jmsgu3 (A0.1518460). BWV 531, the Prelude and Fugue in C major, is an essential early organ work by Johann Sebastian Bach. Here are some key points about this composition:Composition and ContextIt was written around 1707 when Bach was in Arnstadt, making it one of his earlier organ works. It was composed during Bach's time as a church organist at the Neue Kirche (now called Bachkirche) in Arnstadt.Musical StructurePreludeIt opens with nine measures of solo pedals, featuring a recurring sixteenth-note figure and an unusual pedal trill. The manuals enter with a sixteenth-note figure in measure 10. It contains a 5-measure phrase of diatonic parallel sixths in the manuals with a pedal tone. It concludes with a fast, fantasia-like passage in the right hand, ending in a loud C major chord.FugueThe subject is introduced in the soprano voice and is two measures long, consisting entirely of sixteenth notes. It is also presented in the alto voice (transposed down a fifth) and tenor voice (down a fourth). Notably, the pedals never play the complete subject as initially introduced, only fragments of it.SignificanceThis piece is essential as an early example of Bach's organ writing. It showcases his developing counterpoint skill and ability to create complex, multi-layered compositions. The unusual features, such as the intro's pedal trill and the subject's treatment in the fugue, demonstrate Bach's innovative approach to organ composition even at this early stage in his career.
$34.95
Machaut: La Messe de Nostre Dame for String Quartet - Score Only
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Quatuor à cordes: 2 violons, alto, violoncelle
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FACILE
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Guillaume de Machaut, 1300-137
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James M
#
Machaut: La Messe de Nostre Da
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jmsgu3
#
SheetMusicPlus
String Quartet String Quartet - Level 2 - SKU: A0.1257044 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie, ASCAP. Chamber,Cont...
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String Quartet String Quartet - Level 2 - SKU: A0.1257044 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie, ASCAP. Chamber,Contest,Early Music,Festival,Historic,Medieval. 38 pages. Jmsgu3 #850380. Published by jmsgu3 (A0.1257044). 1. Kyrie2. Gloria3. Credo4. Sanctus5. Agnus dei6. Ite missa estGuillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon, a permanent clergy member. According to a rubric found at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Guillaume de Machaut's Messe de Nostre Dame is significant in the history of music for several reasons: It is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. It was composed in four voices, which was unusual at the time. The texts of both Gloria and Credo are quite lengthy, and therefore Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, both ending with long, rhapsodic sections for the final word, Amen. Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for the sake of uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. The Gloria and Credo have no apparent chant basis, although they are stylistically related to one another. The mass is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was an important part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval music and of all religious music.
$49.95
Machaut: La Messe de Nostre Dame for String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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FACILE
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Guillaume de Machaut, 1300-137
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James M
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Machaut: La Messe de Nostre Da
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jmsgu3
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 2 - SKU: A0.1257127 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie, ...
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String Quartet Cello,String Quartet,Viola,Violin - Level 2 - SKU: A0.1257127 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie, ASCAP. Chamber,Contest,Early Music,Festival,Historic,Medieval. 84 pages. Jmsgu3 #850426. Published by jmsgu3 (A0.1257127). 1. Kyrie2. Gloria3. Credo4. Sanctus5. Agnus dei6. Ite missa estGuillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon, a permanent clergy member. According to a rubric found at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Guillaume de Machaut's Messe de Nostre Dame is significant in the history of music for several reasons: It is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. It was composed in four voices, which was unusual at the time. The texts of both Gloria and Credo are quite lengthy, and therefore Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, both ending with long, rhapsodic sections for the final word, Amen. Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for the sake of uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. The Gloria and Credo have no apparent chant basis, although they are stylistically related to one another. The mass is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was an important part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval music and of all religious music.
$74.95
Canon in D
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Classique
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far the best known work of ear
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Johann Pachelbel
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Stephen Levintow
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Canon in D
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Cypress Publishing
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1385858 Composed by Johann Pachelbel. Arranged by Stephen Levintow. Baroque,Standar...
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1385858 Composed by Johann Pachelbel. Arranged by Stephen Levintow. Baroque,Standards,Wedding. 13 pages. Cypress Publishing #969800. Published by Cypress Publishing (A0.1385858). By far the best known work of early baroque master Johann Pachelbel, this piece has become one of the most popular pieces from the classical music tradition around the world. It is a particular favorite for wedding ceremonies, with its gradually shifting texture over an unchanging bass line. A full cadence every two bars makes it a perfect processional. Originally written for three violins and bass instrument, this arrangement has both the original notes and optional ossias in the 3rd part if desired to avoid the highest passages for viola. Suggestions for tempo, dynamics and articulation are included, as the original does not have any.CYPRESS PUBLISHING is pleased to be the imprint for arrangements for string ensemble by Stephen Levintow. He is a free lance professional violist and violinist specializing in chamber music, who began making string quartet and trio arrangements for wedding, party and corporate events, to expand the repertory or to improve on existing versions. Selections include unusual pieces by both familiar and lesser-known composers, plus standard classical and popular favorites. The goal is to produce high-quality, musically satisfying arrangements faithful to the composer’s original material, yet sight-readable in most cases by working professionals or intermediate to advanced students. The full range of normal string technique is employed, while avoiding unnecessary technical complexity. Melodic material is distributed throughout the four voices where appropriate, to maintain listener and performer interest. All parts and scores are set in Sibelius© software format, with careful attention to legibility and page turns.
$4.00
Jingle Bells for String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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FACILE
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James Pierpont
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James M
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Jingle Bells for String Quarte
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jmsgu3
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 2 - SKU: A0.1510819 Composed by James Pierpont. Arranged by James M. Guthrie. 19th Century,Cham...
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String Quartet Cello,String Quartet,Viola,Violin - Level 2 - SKU: A0.1510819 Composed by James Pierpont. Arranged by James M. Guthrie. 19th Century,Chamber,Christmas,Historic,Traditional. 10 pages. Jmsgu3 #1086025. Published by jmsgu3 (A0.1510819). Jingle Bells is a song with a rich and somewhat controversial history, making it an essential piece of American musical culture. Here are some key points about its significance: Origins and EvolutionInitial Composition: Written by James Lord Pierpont in 1857, the song was initially titled One Horse Open Sleigh. It was conceived as a lively tune celebrating sleigh rides, inspired by the famous sleigh races of the time, particularly in Medford, Massachusetts.Thanksgiving RootsInterestingly, Jingle Bells was initially intended as a Thanksgiving song and did not mention Christmas in its original lyrics. Its association with Christmas developed later when it was performed during holiday celebrations.Cultural ImpactGlobal Popularity: Over the years, Jingle Bells has become one of the most recognized and performed secular holiday songs worldwide. It is frequently sung during Christmas festivities and has been recorded by numerous artists, including Bing Crosby, Frank Sinatra, and even The Beatles.First Song in Space: The song gained an unusual distinction as the first tune broadcast from space when astronauts played it on harmonica aboard Gemini 6 in December 1965, adding to its cultural lore.Controversial AspectsMinstrel Show Roots: The song's first public performance was at a minstrel show, which has led to discussions about its origins and the implications of its performance context. This aspect has sparked debate about whether the song should continue to be part of children's repertoires in schools today.Pierpont's Life: Pierpont himself had a complicated life; he was a widower who moved to Georgia after abandoning his children in Boston and later became involved with the Confederacy during the Civil War. His life experiences have colored interpretations of his work and its legacy.ConclusionDespite its controversial past, Jingle Bells remains a beloved holiday classic. Its catchy melody and festive spirit resonate with audiences worldwide, making it an enduring symbol of holiday cheer.
$34.95
Four Melodies by Clara Schumann
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Quatuor à cordes: 2 violons, alto, violoncelle
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Clara Wieck-Schumann
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Stephen Levintow
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Four Melodies by Clara Schuman
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Cypress Publishing
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - SKU: A0.1511369 Composed by Clara Wieck-Schumann. Arranged by Stephen Levintow. 19th Century,Romantic...
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String Quartet Cello,String Quartet,Viola,Violin - SKU: A0.1511369 Composed by Clara Wieck-Schumann. Arranged by Stephen Levintow. 19th Century,Romantic Period. 32 pages. Cypress Publishing #1086543. Published by Cypress Publishing (A0.1511369). Appreciation for the quality and charm of Clara Schumann’s music has increased in recent years as it has become better known. She was the daughter and prize pupil of the celebrated piano teacher Friedrich Wieck, and she toured internationally by her early teens. Wieck also taught Robert Schumann, but bitterly opposed the liaison of Robert and Clara, aware that it would cause him to lose control of her career and the income it generated. The two were able to marry only after a long court battle with Wieck.In the 40 years that Clara survived Robert, she composed very little, devoting her energy to performance, and to securing Robert’s musical legacy. Nobody can blame her for this, especially as performing was a far more secure way to support her large family. But we can still regret that she did not compose more, given the excellence of the small body of work we have. This set includes arrangements of two piano pieces from her Opus 15, Vier flüchtige Stücke (Four Fleeting Pieces), and two Lieder for voice and piano from her Opus 13, Der Mond kommt still gegangen (The Moon Comes Quietly) and Liebeszauber (Love’s Spell). Clara’s musical forms are generally more conventional than Robert’s, but she is capable of bold harmonies and modulations, often in the middle sections of her piano pieces. Opus 15, No. 3, the third of this set, is an example, with some rhythmic challenges to the quartet. Cypress Publishing offers other works by Clara Schumann arranged for string quartet under “Two Pieces by Clara Schumann” (from Op. 15 and Op. 21), and her wonderful song Liebst du um Schönheit (If You Love for Beauty), paired with Robert’s great Mondnacht (Moonlit Night) as “Two Songs by the Schumanns”.CYPRESS PUBLISHING is pleased to be the imprint for arrangements for string ensemble by Stephen Levintow. He is a free lance professional violist and violinist specializing in chamber music, who began making string quartet and trio arrangements for wedding, party and corporate events, to expand the repertory or to improve on existing versions. Selections include unusual pieces by both familiar and lesser-known composers, plus standard classical and popular favorites. The goal is to produce high-quality, musically satisfying arrangements faithful to the composer’s original material, yet sight-readable in most cases by working professionals or intermediate to advanced students. The full range of normal string technique is employed, while avoiding unnecessary technical complexity. Melodic material is distributed throughout the four voices where appropriate, to maintain listener and performer interest. All parts and scores are set in Sibelius© software format, with careful attention to legibility and page turns.
$9.00
Four Songs by Johannes Brahms
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johannes Brahms
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Stephen Levintow
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Four Songs by Johannes Brahms
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Cypress Publishing
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1474698 Composed by Johannes Brahms (1833-1897). Arranged by Stephen Levintow. 19th...
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1474698 Composed by Johannes Brahms (1833-1897). Arranged by Stephen Levintow. 19th Century,Romantic Period. 24 pages. Cypress Publishing #1052264. Published by Cypress Publishing (A0.1474698). Johannes Brahms is best known for his symphonies, concerti and large scale chamber works, but his catalog of over 200 Lieder shows he was also a master of small forms and intimate expression. Wiegenlied (Lullaby), included in this set of arrangements for string quartet, is one of the best known and most loved melodies ever written. His original gently syncopated accompaniment, reproduced here, makes an elegant backdrop for it. The set opens with Sapphische Ode (Sapphic Ode), whose title is not directly connected to the ancient Greek poet Sappho of Lesbos, but refers to the verse form of the poem Brahms set, that bears her name. The melody resembles the theme of the slow movement from Brahms’s violin concerto, written a few years earlier. Following it is Wenn du nur zuweilen lächelst (If you only sometimes smile), a fine example of the mood of longing and melancholy that Brahms often depicted in both songs and instrumental music. The music moves back and forth between major and minor, and the flowing 9/8 meter occasionally varies the 3+3+3 pulse to 2+2+2+3 in a natural-seeming way.Brahms never wrote an opera, but Von ewiger Liebe (Of Eternal Love), which builds from a somber opening, through a stormy middle section to a powerful climax, gives us a sense of what a Brahms operatic scene, in this case a love duet, might have sounded like. It is one of his most famous songs, and rightly so.CYPRESS PUBLISHING is pleased to be the imprint for arrangements for string ensemble by Stephen Levintow. He is a free lance professional violist and violinist specializing in chamber music, who began making string quartet and trio arrangements for wedding, party and corporate events, to expand the repertory or to improve on existing versions. Selections include unusual pieces by both familiar and lesser-known composers, plus standard classical and popular favorites. The goal is to produce high-quality, musically satisfying arrangements faithful to the composer’s original material, yet sight-readable in most cases by working professionals or intermediate to advanced students. The full range of normal string technique is employed, while avoiding unnecessary technical complexity. Melodic material is distributed throughout the four voices where appropriate, to maintain listener and performer interest. All parts and scores are set in Sibelius© software format, with careful attention to legibility and page turns.
$8.00
Four Songs by Felix and Fanny Mendelssohn
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Classique
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Felix Mendelssohn
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Stephen Levintow
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Four Songs by Felix and Fanny
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Cypress Publishing
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1403057 Composed by Felix Mendelssohn (1809-1847), Fanny Mendelssohn Hensel (1805-1...
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1403057 Composed by Felix Mendelssohn (1809-1847), Fanny Mendelssohn Hensel (1805-1847). Arranged by Stephen Levintow. 19th Century,Romantic Period. 29 pages. Cypress Publishing #986241. Published by Cypress Publishing (A0.1403057). The Lieder for voice and piano by Felix Mendelssohn, while of high quality, have mostly been overshadowed by those of his contemporary and friend Robert Schumann. But his Lieder ohne Worte (Songs Without Words) for piano solo with no vocal text, were and remain immensely popular, and had a great influence on his fellow composers, creating a genre of short poetic pieces for piano accessible to skilled amateurs and students as well as professionals.This set of four arrangements for string quartet begins with the best known and most loved of his vocal songs, Auf Flügeln des Gesanges (On Wings of Song), a setting of a poem by Heinrich Heine. Following are two Songs Without Words, a fine untitled one in G Major, and the famous Frühlingslied (Spring Song).In between them is a piece by his older sister, Fanny Mendelssohn Hensel, an accomplished composer with a catalog of over 450 works, some of which were originally published under Felix’s name. Like Felix, she wrote Lieder both with a sung text, and with no words, which she called Lieder für das Pianoforte. This little jewel is one of the latter, from her Opus 8. She gave it the title Lied (Lenau), a reference to the poet Nikolaus Lenau (1802-1850). But with neither sung text nor poem title indicated, it is a little mysterious. A gentle sinuous melody leads to some bold modulations before returning, not in the expected tonic key but on the dominant. Only in the last few bars does it resolve to the home key. The arrangement transposes the original D-Flat Major to D Major, which lies better for strings. CYPRESS PUBLISHING is pleased to be the imprint for arrangements for string ensemble by Stephen Levintow. He is a free lance professional violist and violinist specializing in chamber music, who began making string quartet and trio arrangements for wedding, party and corporate events, to expand the repertory or to improve on existing versions. Selections include unusual pieces by both familiar and lesser-known composers, plus standard classical and popular favorites. The goal is to produce high-quality, musically satisfying arrangements faithful to the composer’s original material, yet sight-readable in most cases by working professionals or intermediate to advanced students. The full range of normal string technique is employed, while avoiding unnecessary technical complexity. Melodic material is distributed throughout the four voices where appropriate, to maintain listener and performer interest. All parts and scores are set in Sibelius© software format, with careful attention to legibility and page turns.
$8.00
Head Over Heels
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Tears For Fears
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Sarah Cellobat Chaffee
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ensemble contest, and more
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Head Over Heels
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Sarah Cellobat Chaffee
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1241430 By Tears For Fears. By Curt Smith and Roland Orzabal. Arranged by Sarah Cel...
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1241430 By Tears For Fears. By Curt Smith and Roland Orzabal. Arranged by Sarah Cellobat Chaffee. Contemporary,Film/TV,Pop,Rock,Wedding. 20 pages. Sarah Cellobat Chaffee #836795. Published by Sarah Cellobat Chaffee (A0.1241430). Head Over Heels was released in 1985 by British rock band Tears For Fears as a single from their second studio album, Songs from the Big Chair. Described by their singer as a romance song that goes a bit perverse at the end, this incredibly catchy song proved to be successful with audiences all over the globe -- not only did it reach the top 5 on the US Billboard charts, but it also charted in the top 40 in the UK and several other countries! Head Over Heels remains a very popular track to this day, thanks in part to a feature in the cult classic film Donnie Darko, so you really can't go wrong adding this one to your gig books. This Cellobat arrangement for your string quartet features the soaring melodies, catchy synth hooks, unusual and intriguing harmonies, and danceable beat of the original for a chart your group will love to play! Originally written for a wedding ceremony, this will also be perfect for cocktail hour, receptions, parties, proposals, solo & ensemble contest, and more. Rated intermediate; this will be playable for students and easily sightreadable for professionals.Sarah “Cellobat†Chaffee is an in-demand acoustic & electric cellist and string arranger. Currently, she performs with legendary rock band Aerosmith in their “Deuces Are Wild†residency show, and she is the principal cellist for the Raiders House Band, playing for a crowd of 60,000 at all of the team's home games. She also plays with many other groups including Premiere Wedding Music, Bella Electric Strings, the Femmes Of Rock, and David Perrico’s Pop Strings Orchestra. Sarah has performed and recorded with numerous other artists including Disturbed, Mötley Crüe, Celine Dion, Halsey, Michael Bublé, Sarah Brightman, and Lady A. She is the exclusive arranger for a number of award-winning wedding and event companies all across the United States, including Premiere Wedding Music, Las Vegas Music Oasis, and Impulse Strings, and she has created custom arrangements for many other ensembles all over the world. You can find her at:http://www.cellobat.comhttp://www.instagram.com/cellobathttps://www.youtube.com/@Cellobat.
$16.99
Polka from "The Bartered Bride"
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Opera
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Classique
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Bedřich Smetana
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Stephen Levintow
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Polka from "The Bartered
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Cypress Publishing
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SheetMusicPlus
String Quartet String Quartet - Level 4 - SKU: A0.1333584 Composed by Bedřich Smetana (1824-1884). Arranged by Stephen Levintow. 19th Century,Opera,...
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String Quartet String Quartet - Level 4 - SKU: A0.1333584 Composed by Bedřich Smetana (1824-1884). Arranged by Stephen Levintow. 19th Century,Opera,Romantic Period. 16 pages. Cypress Publishing #919658. Published by Cypress Publishing (A0.1333584). Smetana, a virtuoso pianist who did not write an opera until middle age, is regarded as the founder of Czech national music with his comic masterpiece The Bartered Bride. This brilliant polka is one of a set of national dances that has helped keep the opera on the world's stages since it was composed.CYPRESS PUBLISHING is pleased to be the imprint for arrangements for string ensemble by Stephen Levintow. He is a free lance professional violist and violinist specializing in chamber music, who began making string quartet and trio arrangements for wedding, party and corporate events, to expand the repertory or to improve on existing versions. Selections include unusual pieces by both familiar and lesser-known composers, plus standard classical and popular favorites. The goal is to produce high-quality, musically satisfying arrangements faithful to the composer’s original material, yet sight-readable in most cases by working professionals or intermediate to advanced students. The full range of normal string technique is employed, while avoiding unnecessary technical complexity. Melodic material is distributed throughout the four voices where appropriate, to maintain listener and performer interest. All parts and scores are set in Sibelius© software format, with careful attention to legibility and page turns.
$4.00
Die Mozartisten
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Quatuor à cordes: 2 violons, alto, violoncelle
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AVANCÉ
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Opera
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Classique
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Joseph Lanner
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Stephen Levintow
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Die Mozartisten
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Cypress Publishing
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SheetMusicPlus
String Quartet String Quartet - Level 5 - SKU: A0.1335178 Composed by Joseph Lanner (1801-1843). Arranged by Stephen Levintow. 19th Century,Chamber,Oper...
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String Quartet String Quartet - Level 5 - SKU: A0.1335178 Composed by Joseph Lanner (1801-1843). Arranged by Stephen Levintow. 19th Century,Chamber,Opera,Romantic Period. 55 pages. Cypress Publishing #921020. Published by Cypress Publishing (A0.1335178). Lanner, along with his colleague (and later rival) Johann Strauss the Elder, led the first great flowering of dance music specialist composers in Vienna. This wonderful curiosity is Lanner's homage to Mozart, setting some of his most famous opera melodies in waltz time, introduced by a medley of other Mozart opera hits. The finale, a waltz rendition of the overture to Die Zauberflöte, is not to be missed! The 3rd waltz includes a section where Lanner, a brilliant violinist, wrote out what sounds like the sort of improvisation he would have made in performance. It is marked with an optional cut in the arrangement.CYPRESS PUBLISHING is pleased to be the imprint for arrangements for string ensemble by Stephen Levintow. He is a free lance professional violist and violinist specializing in chamber music, who began making string quartet and trio arrangements for wedding, party and corporate events, to expand the repertory or to improve on existing versions. Selections include unusual pieces by both familiar and lesser-known composers, plus standard classical and popular favorites. The goal is to produce high-quality, musically satisfying arrangements faithful to the composer’s original material, yet sight-readable in most cases by working professionals or intermediate to advanced students. The full range of normal string technique is employed, while avoiding unnecessary technical complexity. Melodic material is distributed throughout the four voices where appropriate, to maintain listener and performer interest. All parts and scores are set in Sibelius© software format, with careful attention to legibility and page turns.
$10.00
Wedding Day at Troldhaugen
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Mariage/Ballade
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Edvard Grieg
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Stephen Levintow
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Wedding Day at Troldhaugen
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Cypress Publishing
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1383690 Composed by Edvard Grieg (1843-1907). Arranged by Stephen Levintow. 19th Ce...
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1383690 Composed by Edvard Grieg (1843-1907). Arranged by Stephen Levintow. 19th Century,Romantic Period,Wedding. 24 pages. Cypress Publishing #968146. Published by Cypress Publishing (A0.1383690). Troldhaugen (Troll-hill) was the name Grieg gave to the home he and his wife shared for the last 22 years of his life. This delightful number, joyful with a tender central section, may or may not commemorate a specific event, but has become a wedding favorite. Originally written for piano solo as one of his many Lyric Pieces, it seems almost to have been composed with string sound in mind. CYPRESS PUBLISHING is pleased to be the imprint for arrangements for string ensemble by Stephen Levintow. He is a free lance professional violist and violinist specializing in chamber music, who began making string quartet and trio arrangements for wedding, party and corporate events, to expand the repertory or to improve on existing versions. Selections include unusual pieces by both familiar and lesser-known composers, plus standard classical and popular favorites. The goal is to produce high-quality, musically satisfying arrangements faithful to the composerâ??s original material, yet sight-readable in most cases by working professionals or intermediate to advanced students. The full range of normal string technique is employed, while avoiding unnecessary technical complexity. Melodic material is distributed throughout the four voices where appropriate, to maintain listener and performer interest. All parts and scores are set in Sibelius© software format, with careful attention to legibility and page turns.
$6.00
Etude Opus 10 No. 3
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Classique
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Frederic Chopin
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Stephen Levintow
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Etude Opus 10 No. 3
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Cypress Publishing
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SheetMusicPlus
String Quartet String Quartet - Level 3 - SKU: A0.1335305 Composed by Frederic Chopin (1810-1849). Arranged by Stephen Levintow. 19th Century,Romantic P...
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String Quartet String Quartet - Level 3 - SKU: A0.1335305 Composed by Frederic Chopin (1810-1849). Arranged by Stephen Levintow. 19th Century,Romantic Period. 12 pages. Cypress Publishing #921135. Published by Cypress Publishing (A0.1335305). Most Chopin études are whirlwinds of piano technique, but this one is a slow long-spun theme that is well adapted for strings. Chopin himself said he never wrote another melody like it. Also available in an arrangement for string trio.CYPRESS PUBLISHING is pleased to be the imprint for arrangements for string ensemble by Stephen Levintow. He is a free lance professional violist and violinist specializing in chamber music, who began making string quartet and trio arrangements for wedding, party and corporate events, to expand the repertory or to improve on existing versions. Selections include unusual pieces by both familiar and lesser-known composers, plus standard classical and popular favorites. The goal is to produce high-quality, musically satisfying arrangements faithful to the composer’s original material, yet sight-readable in most cases by working professionals or intermediate to advanced students. The full range of normal string technique is employed, while avoiding unnecessary technical complexity. Melodic material is distributed throughout the four voices where appropriate, to maintain listener and performer interest. All parts and scores are set in Sibelius© software format, with careful attention to legibility and page turns.
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