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Vous avez sélectionné:
Joao-Pernambuco
Quatuor à cordes: 2 violons, alto, violoncelle
Partitions à imprimer
2 partitions trouvées
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Luar Do Sertao
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Quatuor à cordes: 2 violons, alto, violoncelle
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FACILE
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Contemporain
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Baden Powell De Aquino
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Inacio Saldanha
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Luar Do Sertao
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Inacio Saldanha
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SheetMusicPlus
String Quartet String Quartet - Level 2 - SKU: A0.798135 By Baden Powell De Aquino. By Joao Teixeira Guimaraes. Arranged by Inacio Saldanha. Contemporar...
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String Quartet String Quartet - Level 2 - SKU: A0.798135 By Baden Powell De Aquino. By Joao Teixeira Guimaraes. Arranged by Inacio Saldanha. Contemporary. Score and parts. 9 pages. Inacio Saldanha #6358491. Published by Inacio Saldanha (A0.798135). Luar do Sertão (Hinterlands Moonlight in English) is a popular Brazilian song. Its verses are simple and naive praising the life in sertão. Sertão is a Portuguese word for hinterlands, countryside or outback. It was originally a coco under the title Engenho de Humaitá (Humaitá's mill). Catulo da Paixão Cearense argued to be the unique composer of the song, however, nowadays the credit is given to João Pernambuco (1883-1947). It is one of the most recorded Brazilian songs of all time.Arranged for String Quartet. Key of A. Early Intermediate.
$14.99
Pagode Russo
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Quatuor à cordes: 2 violons, alto, violoncelle
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FACILE
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Contemporain
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Luiz Gonzaga
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Inacio Saldanha
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Pagode Russo
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Inacio Saldanha
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SheetMusicPlus
String Quartet String Quartet - Level 2 - SKU: A0.798110 By Luiz Gonzaga. By Joao Leocadio Da Silva and Luiz Gonzaga Do Nascimento. Arranged by Inacio S...
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String Quartet String Quartet - Level 2 - SKU: A0.798110 By Luiz Gonzaga. By Joao Leocadio Da Silva and Luiz Gonzaga Do Nascimento. Arranged by Inacio Saldanha. Contemporary. Score and parts. 9 pages. Inacio Saldanha #5210673. Published by Inacio Saldanha (A0.798110). Pagode Russo is configured as a song in a happy tone typical of Northeastern festivities. When announcing the famous Cossack dance, the music ends up showing the Pernambuco frevo, pointing to one of the main similarities between the two dances: the juggling jumps or the falls don't fall. It therefore addresses the cultural approaches between different peoples. In this way, we understand that lyrics (verbal aspect) and music (melodic aspect) are worked in order to reinforce the meaning of each other. Both emphasize the modalization of a / doing / and express the joy and euphoria of an enunciating subject in line with his values, in this case, the cultural values ​​of his people, his land. (Text of LÃllian da Cruz Régis and Maria de Fátima B. de Mesquita Batista¹)Arranged for String Quartet. Key of G minor. Early intermediate.¹Source: (http://www.sbpcnet.org.br/livro/64ra/resumos/resumos/7269.htm)
$14.99
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