This is a gig or church service-ready arrangement of Kari Jobe and Cody Carnes's "The Blessing" for string quartet. A great addition to your gig book for weddings or your musical catalog for worship/church bands that feature strings. Included with the quartet score and parts is a slash/chord lead sheet if you wish to perform this with along with guitar, piano or full band.

The form follows pretty much exactly what is on the "Radio Version" of this tune, although you may cut and/or loop the repeated sections in order to tailor it to the performance time that you require. I have also taken the liberty of transposing this from the original key of B into the much more string and band-friendly key of C (you're welcome, cellists.) While I've added a couple fun harmonics and just a bit of "rhythmic interest" into some of the inner parts, I would describe this chart as 100% sight-readable for most professional players, and still well within the technical capability of high school or recreational ensembles with just a bit of practice.

Performance time - approximately 4:30 with repeats taken, 3:30 if you skip the verse/chorus repeat. Lots of other exit/entry points can be easily incorporated at most of the rehearsal marks.

Questions? Feel free to contact me via my website, www.kylepudenz.com/ or on the 'Insta @theviolinvagabond.

If you're looking for another bland, soul-less transcription of a pop song for strings to collect dust in the back of your gig book while you idle away your hours providing background music behind the potted palm, this is NOT the arrangement you are looking for.

However, if you are looking to liven up your ensemble's repertoire with a hip arrangement of the summer's biggest smash from the world's bubbliest boy band... then look no further: THIS is the tune you need to take your performance to the next level! This spicy new take on the Jonas Brothers' latest jam includes an extendable solo section (in case that wedding party is taking too long to make their appearance at cocktail hour), chopping grooves that will land your quartet securely "in the pocket," a couple slick reharminizations to keep the audience on the edge of their seats, and enough flashy licks to finally prove to all those naysaying guitar players that yes, string players can be real rockstars!!!

That being said, if your ensemble is already forward-thinking enough to have brokered peace with those fret-loving, stick-twirling showboats that we know & love, this arrangement also includes an optional rhythm section lead sheet for performing with additional musicians. So whether you're striking up the band for a showcase, or simply providing the ambience for your next dinner party, reception, or corporate function, this arrangement has everything you need to keep your audience, and your ensemble, entertained.

Performance time - 3:44 without vamping solos, 5:00 if you wanna take another round, or 9:35 if the head table starts yelling "Free Bird"

Questions? Feel free to contact me via my website, www.kylepudenz.com/ or on the 'Insta @theviolinvagabond

'The Crown' is an award winning Netflix series that has won the hearts of many people around the world. Hans Zimmer wrote the theme for the main title with Rupert Gregson-Williams, from Wiltshire, composing music for the first series, joined by Lorne Balfe, a Scottish composer for series two.


I have made an arrangement for String Quartet and hope to make more for different combinations of instruments and piano in the future.

As usual my arrangement can be played by professionals for concerts, weddings and events but also tackled by young people. The key is the original one, D minor, which is easy for strings, and younger players can make use of open strings and take as many bows as they need. I have included some bowing as a guide. Most of the double stopping includes one open string but less experienced players can leave out one of the notes where necessary, especially of it is doubled by one of the other players. I have included some 'commas' in this arrangement and recommend recovering the bow and watching the leader like a hawk!

The long ?piano? sections will need lots of crescendo and decrescendo markings to sound effective. I put down some ideas, but feel free to experiment. The main thing is that they grow and decay again, to keep up the tension. Without that movement, those soft passages might sound boring, albeit the chords are gorgeous.

I have included a crescendo in the penultimate bar before each new dynamic, but ideally a long crescendo is needed between each new dynamic marking. The texture becomes gradually thicker, which will help, but I am looking forward to Capriccio Quartet recording this one as they are so good at building up excitement.

There must be a great deal of drama at letters D and O. After a massive increase in dynamic I am hoping for a ?breath? at the comma, and a very sudden softness for the chords that follow. I also like harmonics for the viola at bars 21-22, giving way to a natural note on the fourth beat of 22. I would like the harmonic in viola to be almost imperceptible as the piece closes out. I haven?t marked it as such, and I couldn?t write a ?simile? on the page without clashes of staves or an extra page. I intended it to be a harmonic to the end though.

Please send me any recordings you make because I love to hear people playing my arrangements, even if it is a phone recording, and especially younger players! I am on facebook and I have a Youtube Channel too. Helen Marple-Horvat Songwriter, Arranger, Composer.