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BASSE
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Notable - Brass Quartet
Quatuor à cordes: 2 violons, alto, violoncelle
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Tennessee Whiskey - String Quartet - Chris Stapleton arr. Cellobat
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet - Advanced Intermediate - Digital Download By Chris Stapleton, George …
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String Quartet - Advanced Intermediate - Digital Download By Chris Stapleton, George Jones. Arranged by Sarah Cellobat Chaffee. Score, Set of Parts. 17 pages. Published by Sarah Chaffee
"Tennessee Whiskey" was originally written by Dean Dillon and Linda Hargrove in 1981. It has since been recorded by several notable country artists, but the most commercially successful of these was Chris Stapleton, whose version shot to the top of the charts and was certified platinum after he performed it with Justin Timberlake at the Country Music Association awards. This Cellobat arrangement for string quartetwas originally commissioned for a wedding ceremony, and it maintains the beautiful melodic lines, lush harmonic layers, passionate dynamic changes, and steady groove of the original. This sweet and slow country love song describes how love can lift you out of a dark place in your life, so of course it will be perfect not just for weddings, but for receptions, proposals, cocktail hour, parties, and any other occasion you want your audience to start slow-dancing! Rated advanced-intermediate for some complex, almost improvisational-sounding rhythms in the violin parts; the viola and cello parts are more of an early-intermediate level."Tennessee Whiskey" was originally written by Dean Dillon and Linda Hargrove in 1981. It has since been recorded by several notable country artists, but the most commercially successful of these was Chris Stapleton, whose version shot to the top of the charts and was certified platinum after he performed it with Justin Timberlake at the Country Music Association awards. This Cellobat arrangement for string quartetwas originally commissioned for a wedding ceremony, and it maintains the beautiful melodic lines, lush harmonic layers, passionate dynamic changes, and steady groove of the original. This sweet and slow country love song describes how love can lift you out of a dark place in your life, so of course it will be perfect not just for weddings, but for receptions, proposals, cocktail hour, parties, and any other occasion you want your audience to start slow-dancing! Rated advanced-intermediate for some complex, almost improvisational-sounding rhythms in the violin parts; the viola and cello parts are more of an early-intermediate level.
$16.99
15.66 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Chris Stapleton, George Jones
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Sarah Cellobat Chaffee
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Tennessee Whiskey - String Quartet - Chris Stapleton arr. Cellobat
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SheetMusicPlus
Billings: Africa for String Quartet
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1…
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1502724 Composed by William Billings. Arranged by James M. Guthrie. 19th Century,Chamber,Early Music,Historic,Traditional. 22 pages. Jmsgu3 #1078394. Published by jmsgu3 (A0.1502724). William Billings' hymn Africa is a notable composition in early American music history. Here are some key points about its significance: Musical CharacteristicsAfrica is one of Billings' most ecstatic and stirring hymns. It showcases his distinctive style of four-part choral writing, typically performed as a cappella. The piece likely features Billings' characteristic use of forceful harmonies and elaborate fugal sections. Historical ContextAs part of Billings' repertoire, Africa represents an important milestone in American musical development: It was composed during the late 18th century when Billings established himself as America's first professional composer. The hymn was likely included in one of Billings' published collections, such as The New England Psalm-Singer (1770) or The Singing Master's Assistant (1776).Cultural ImpactAfrica contributed to Billings' reputation as a pioneering figure in American music, helping popularize his work throughout the Northern and Middle States.The hymn was likely performed in church choirs and singing schools, critical cultural institutions of the time. As part of Billings' body of work, Africa played a role in establishing a distinctly American musical tradition separate from European influences.Enduring LegacyWhile Billings' popularity waned during his lifetime, his music, including Africa, has experienced a revival: It remains part of the repertoire performed by American choral groups, particularly those specializing in early music. Africa is listed among Billings' notable works in modern references, indicating its continued recognition. Africa stands as an example of Billings' innovative and influential contributions to early American sacred music.
$34.95
32.22 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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William Billings
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James M
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Billings: Africa for String Quartet
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jmsgu3
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SheetMusicPlus
Guthrie: I Saw Three Ships for String Quartet
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.1…
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.1491680 Composed by Traditional. Arranged by James M. Guthrie. Chamber,Christmas,Historic,Holiday,Traditional. 14 pages. Jmsgu3 #1068354. Published by jmsgu3 (A0.1491680). I Saw Three Ships is a traditional English Christmas carol that has gained popularity for its melodic simplicity and festive themes. Here are some key points about its significance:Historical ContextOrigins: The earliest known printed version of I Saw Three Ships dates back to the 17th century, with a notable publication by William Sandys in 1833. The song was likely known earlier under As I Sat On a Sunny Bank, particularly popular in Cornwall.Cultural Relevance: The carol reflects a period when maritime themes were prominent in English culture, coinciding with the Age of Exploration. This context made the imagery of ships particularly resonant for audiences of the time.Symbolism and InterpretationThe Ships: The lyrics describe three ships arriving on Christmas Day, which has led to various interpretations. One common belief is that the ships symbolize the three vessels that carried the relics of the Magi to Cologne Cathedral in the 12th century. Alternatively, they may represent the camels used by the Magi, often referred to as ships of the desert due to their role in transporting the wise men to Bethlehem.Bethlehem's Geography: The song mentions ships sailing into Bethlehem, which raises questions, as the nearest body of water is the Dead Sea, about 20 miles away. This discrepancy has prompted interpretations that focus on the symbolic rather than literal meaning of the ships.Musical LegacyPopularity: I Saw Three Ships has been embraced by various artists across genres, with notable recordings by musicians such as Sting, Glen Campbell, and Sufjan Stevens. Its enduring appeal makes it a staple in Christmas music repertoires.Lyric Variations: Different song versions have emerged over the years, reflecting local traditions and interpretations. Some variations even change the context from Christmas to other celebrations, demonstrating the carol's flexibility in cultural contexts.In summary, I Saw Three Ships is significant as a cherished Christmas carol and a cultural artifact that encapsulates historical maritime themes, religious symbolism, and the evolution of folk music traditions.
$34.95
32.22 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Traditional
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James M
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Guthrie: I Saw Three Ships for String Quartet
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jmsgu3
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SheetMusicPlus
Guthrie: In the Bleak Midwinter for String Quartet
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,String Quartet,Viola,Violin - Level 2 - Digital Download SKU: A0.1…
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String Quartet Cello,String Quartet,Viola,Violin - Level 2 - Digital Download SKU: A0.1496962 Composed by Traditional. Arranged by James M. Guthrie. Chamber,Christmas,Historic,Standards,Traditional. 9 pages. Jmsgu3 #1073376. Published by jmsgu3 (A0.1496962). In the Bleak Midwinter is an essential and beloved Christmas carol with several notable aspects.Origins and AuthorshipThe carol originated as a poem titled A Christmas Carol, written by Christina Rossetti, a prominent English poet, in 1872. Rossetti was known for combining deep Christian faith with rich artistic sensibility in her works. Musical SettingsThe poem was set to music multiple times, with two versions becoming particularly popular: Gustav Holst's hymn tune Cranham in 1906, which is more straightforward and suitable for congregational singing. Harold Darke's more complex choral setting from 1911 was named the best Christmas carol in a 2008 poll of choirmasters and choral experts.Poetic and Theological SignificanceThe carol is notable for its stark imagery, contrasting the harsh winter landscape with the divine incarnation—the paradoxical juxtaposition of earthly elements with the ineffable nature of Christ's birth. Profound theological insights are conveyed through simple language—reflection on the meaning of gift-giving about Christ's birth.Cultural ImpactIn the Bleak Midwinter has become a beloved part of Christmas traditions. Choirs perform it widely, and various artists record it.Many music experts consider The carol one of the greatest Christmas songs. Its imagery and themes have inspired reflection on rest, renewal, and the deeper meaning of the winter season. The enduring popularity of In the Bleak Midwinter stems from its beautiful blend of evocative poetry, rich theological content, and dynamic musical settings, making it a cherished part of Christmas celebrations for many.
$32.95
30.38 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Traditional
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James M
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Guthrie: In the Bleak Midwinter for String Quartet
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jmsgu3
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SheetMusicPlus
Notable - String Quartet
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet String Quartet - Level 3 - Digital Download SKU: A0.824684 Composed …
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String Quartet String Quartet - Level 3 - Digital Download SKU: A0.824684 Composed by Phil Rawle. Concert,Contemporary. Score and parts. 9 pages. Phillip Rawle #6352457. Published by Phillip Rawle (A0.824684). A soothing, lyrical piece with plenty of rhythmic interchanges and interesting harmonies for string quartet. Not too difficult.
$5.00
4.61 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Phil Rawle
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Notable - String Quartet
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Phillip Rawle
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SheetMusicPlus
Pizzicati for String Quartet
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.5…
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.528175 Composed by Leo Delibes. Arranged by Diego Marani. Classical,Concert,Instructional,Romantic Period,Standards. Score and parts. 8 pages. Diego Marani #5022289. Published by Diego Marani (A0.528175). Sylvia, originally Sylvia, ou La nymphe de Diane, is a full-length ballet in two or three acts, first choreographed by Louis Mérante to music by Léo Delibes in 1876. Sylvia is a typical classical ballet in many respects, yet it has many interesting features that make it unique. The prelude to the first act and the pizzicati in the third are the significantly more famous sections of this already notable score. The latter, the more famous, is a well-known example of pizzicato style. This section is, according to The New Grove Dictionary of Music and Musicians, traditionally played in a halting, hesitant style that appears to have been no part of Delibes's conception.This arrangement for string quartet includes the following parts: Violin I, Violin II, Viola, Cello.
$9.90
9.13 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Leo Delibes
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Diego Marani
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Pizzicati for String Quartet
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Diego Marani
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SheetMusicPlus
Italian Polka for String Quartet
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.6…
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.657043 Composed by Sergei Rachmaninoff. Arranged by Diego Marani. 20th Century,Classical,Instructional,Romantic Period,Standards. Score and parts. 16 pages. Diego Marani #266132. Published by Diego Marani (A0.657043). Sergei Vasilyevich Rachmaninoff was a Russian composer, virtuoso pianist, and conductor. Rachmaninoff is widely considered one of the finest pianists of his day and, as a composer, one of the last great representatives of Romanticism in Russian classical music. Early influences of Tchaikovsky, Rimsky-Korsakov, and other Russian composers gave way to a thoroughly personal idiom notable for its song-like melodicism, expressiveness and rich orchestral colours. The Polka Italienne (Italian Polka) is originally a piano work for two pianos. This funny arrangement for string quartet is suitable for classroom, repertoire and recital.
$9.99
9.21 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Sergei Rachmaninoff
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Diego Marani
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Italian Polka for String Quartet
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Diego Marani
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SheetMusicPlus
Tu scendi dalle stelle (From Starry Skies Thou Comest) for String Quartet
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1…
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1510579 Composed by Saint Alphonsus Liguori. Arranged by James M. Guthrie. Chamber,Christmas,Historic,Standards,Traditional. 19 pages. Jmsgu3 #1085779. Published by jmsgu3 (A0.1510579). Tu scendi dalle stelle is an essential and beloved Italian Christmas carol with several notable aspects: Origins and ComposerThe carol was written in 1732 by Saint Alphonsus Liguori, a prominent Neapolitan priest, philosopher, and founder of the Redemptorist missionary order. Liguori composed the melody and original lyrics while staying at a convent in Deliceto, Italy. Popularity and TraditionIt has become one of Italy's most popular and widely sung Christmas carols. For many Italian families, singing this carol on Christmas Eve is a beloved tradition.Musical Style and PerformanceThe carol was written in the musical style of a pastorale. While it has been arranged in various ways, it is traditionally associated with the zampogna, a large Italian bagpipe instrument. Lyrical ContentThe lyrics poetically describe Jesus descending from the stars as the King of Heaven to be born in a cold, frosty cave. They reflect on the poverty and humility of Christ's birth and emphasize the sacrificial love shown through the Incarnation. Cultural ImpactTu scendi dalle stelle has had a lasting influence on Italian Christmas traditions and culture. It has been recorded by many artists and adapted into different musical arrangements over the years. The carol has also inspired variations and arrangements by classical composers like Domenico Scarlatti and Ottorino Respighi. In summary, Tu scendi dalle stelle is significant as a cherished Italian Christmas tradition, a reflection of Catholic theology and devotion, and an enduring piece of sacred music composed by an important religious figure.
$34.95
32.22 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Saint Alphonsus Liguori
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James M
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Tu scendi dalle stelle
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jmsgu3
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SheetMusicPlus
Infant Holy, Infant Lowly for String Quartet
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,String Quartet,Viola,Violin - Level 2 - Digital Download SKU: A0.1…
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String Quartet Cello,String Quartet,Viola,Violin - Level 2 - Digital Download SKU: A0.1498820 Composed by Traditional. Arranged by James M. Guthrie. Chamber,Christian,Christmas,Historic,Traditional. 12 pages. Jmsgu3 #1074992. Published by jmsgu3 (A0.1498820). Infant Holy, Infant Lowly is an important Christmas carol with several notable aspects: Origins and History.This carol originated as a Polish Christmas hymn from the 16th century called W Żłobie Leży. It is believed to have been written by Piotr Powęski, a Polish Jesuit priest and preacher born in 1532. Edith Margaret Gellibrand Reed, who discovered it in a Polish hymnal published in 1908, later translated it into English in 1920.Musical CharacteristicsThe carol exemplifies some typical features of Polish religious songs: Strophic formMonophonic melodyAsymmetrical time signaturesAmbiguous modality that shifts between major, minor, and modal qualitiesThese musical elements give the carol a distinctive Polish flavor while still accessible to English-speaking audiences. Lyrical ContentThe lyrics poetically describe the nativity scene, contrasting Christ's humble birth circumstances with his divine nature: First Verse:Infant holy, infant lowly, for his bed a cattle stall;Oxen lowing, little knowing Christ the babe is Lord of all.This verse emphasizes the paradox of the incarnation - the Lord of all creation born in a lowly stable.Cultural SignificanceAs one of the few Polish carols widely known in English, Infant Holy, Infant Lowly is an essential cultural bridge. It introduces English-speaking audiences to the rich tradition of Polish Christmas music, known as kolędy. The carol's popularity helps preserve and share an aspect of Polish Christmas traditions internationally. In summary, Infant Holy, Infant Lowly is important for its historical origins, distinctive musical qualities, poetic lyrics, and role in sharing Polish Christmas culture with a broader audience.
$34.95
32.22 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Traditional
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James M
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Infant Holy, Infant Lowly for String Quartet
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jmsgu3
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SheetMusicPlus
Patapan for String Quartet
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1…
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1503264 Composed by Traditional French. Arranged by James M. Guthrie. Chamber,Christmas,Historic,Holiday,Traditional. 18 pages. Jmsgu3 #1078752. Published by jmsgu3 (A0.1503264). Patapan is a significant French Christmas carol with a rich history and cultural importance. Here are some critical aspects of its significance:Historical ImportancePatapan is an old French carol that dates back to at least 1701. Its longevity demonstrates its enduring appeal and cultural relevance over the centuries.Musical CharacteristicsThe carol is known for its lively and rhythmic nature, which sets it apart from many other Christmas songs. Its distinctive pat-a-pan rhythm, which imitates the sound of a drum, has made it memorable and popular.Cultural InfluencePatapan has had a significant influence on other Christmas music:It may have inspired the more famous carol The Little Drummer Boy. While this connection is debated, the similarities in theme and rhythm are notable.Various artists and composers have adapted and reinterpreted the carol's rhythm, demonstrating its versatility and lasting appeal.Lyrical SignificanceThe lyrics of Patapan are noteworthy for several reasons: They feature characters Guillô and Robin, which are common in old French carols.The carol celebrates the act of caroling itself, making it a meta-commentary on the Christmas music tradition. It incorporates themes of reconciliation between God and humanity, reflecting important Christian theological concepts.Musical EducationPatapan is often used in music education and performances: Its simple rhythm makes it accessible for children to learn and perform.The carol is frequently arranged for various vocal and instrumental ensembles, as evidenced by its availability through multiple music publishers.In conclusion, Patapan is important not only as a beloved Christmas carol but also as a piece of cultural heritage that has influenced other music, reflected theological ideas, and continued to be performed and adapted for over three centuries.
$34.95
32.22 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Traditional French
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James M
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Patapan for String Quartet
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jmsgu3
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SheetMusicPlus
Quelle Est Cette Odeur Agréable for String Quartet
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1…
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1503690 Composed by French Traditional. Arranged by James M. Guthrie. Chamber,Christmas,Historic,Holiday,Traditional. 22 pages. Jmsgu3 #1079195. Published by jmsgu3 (A0.1503690). Quelle Est Cette Odeur Agréable is a significant traditional French Christmas carol with several notable aspects:Origin and HistoryThis carol originated in 17th-century France. In English, its title translates to What is this lovely fragrance? or Whence is that goodly fragrance flowing? The song describes the wonder of Christ's coming to Earth, using the metaphor of a pleasant fragrance.Musical SignificanceThe carol has gained recognition in the classical and choral music world:Renowned composers, including Sir David Willcocks, have arranged it. Acclaimed vocal ensembles like VOCES8 have performed and recorded this piece.The carol has been adapted for various instruments and arrangements, including guitar performances by artists like Craig Ogden.Versatility and AdaptationsQuelle Est Cette Odeur Agreable has shown remarkable versatility:It has been translated into English, often called Whence Is That Goodly Fragrance Flowing? The piece has been arranged for different vocal configurations, including SATB (Soprano, Alto, Tenor, Bass) with organ accompaniment. It has been adapted for instrumental performances, showcasing its melodic appeal beyond vocal arrangements.Cultural ImpactThe carol continues to be an important part of the Christmas music repertoire: It is featured in contemporary Christmas albums and performances.The piece is often included in choral concerts and recordings, especially during Advent. Its enduring popularity is evidenced by its inclusion in various music publications and available arrangements.
$34.95
32.22 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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French Traditional
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James M
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Quelle Est Cette Odeur Agréable for String Quartet
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jmsgu3
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SheetMusicPlus
The Coventry Carol for String Quartet
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1…
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1505206 Composed by Traditional. Arranged by James M. Guthrie. Chamber,Christmas,Historic,Renaissance,Traditional. 14 pages. Jmsgu3 #1080594. Published by jmsgu3 (A0.1505206). The Coventry Carol is an essential and historically significant English Christmas carol with several notable aspects: Origins and HistoryIt originated in the 16th century in Coventry, England.The carol was part of a medieval mystery play called The Pageant of the Shearmen and Tailors.It was performed annually by local trade guilds as part of religious community events that told Bible stories.Unique Subject MatterUnlike most Christmas carols, it does not celebrate the birth of Jesus but instead commemorates the Massacre of the Innocents.The lyrics are from the perspective of mothers in Bethlehem mourning their children who are about to be killed by King Herod's soldiers.Musical CharacteristicsIt has a haunting, plaintive melody in a minor key, which adds to its somber mood.The original medieval melody has been lost, but the current tune dates back to at least 1591.Historical PreservationThe carol narrowly survived being lost to history. The original manuscript was destroyed in a fire in 1879 but was preserved thanks to earlier transcriptions by scholars. It gained renewed popularity after being broadcast from the bombed ruins of Coventry Cathedral in 1940 during World War II.Cultural ImpactWhile not as widely known as some carols, it remains an important part of English Christmas musical traditions.Its poignant lyrics and melody have made it a powerful and moving piece for many listeners.Thus, The Coventry Carol represents an important piece of medieval English musical and theatrical history and a unique perspective on the Christmas story that has endured for centuries.
$34.95
32.22 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Traditional
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James M
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The Coventry Carol for String Quartet
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jmsgu3
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SheetMusicPlus
Guthrie: Carol of the Bells for String Quartet
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1…
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1489376 Composed by Traditional. Arranged by James M. Guthrie. Chamber,Christmas,Historic,Standards,Traditional. 16 pages. Jmsgu3 #1066238. Published by jmsgu3 (A0.1489376). Carol of the Bells is a well-known Christmas carol with a rich history rooted in Ukrainian culture. Here are the key points to understand about this iconic piece:Original Composition: The melody of Carol of the Bells is derived from a Ukrainian folk song called Shchedryk, which Mykola Leontovych composed in 1914. Shchedryk, which translates to The Little Swallow, was originally a New Year's song celebrating the arrival of spring and good fortune.Cultural Context: The song's origins are tied to Ukrainian traditions, where it was sung by young girls going door-to-door on New Year's Eve, wishing families prosperity and good luck for the coming year. The swallow in the song symbolizes the arrival of spring and abundance.English Lyrics: In 1936, American composer Peter Wilhousky adapted the melody for Christmas, writing new lyrics that emphasized bells and Christmas cheer themes. This version transformed Shchedryk into Carol of the Bells, quickly gaining popularity in the United States and becoming a staple of Christmas music.Musical Structure: The carol features a distinctive four-note ostinato and is metrically bistable, allowing listeners to perceive the rhythm differently. It is typically arranged in 3/4 time and has a lively and festive feel, contributing to its widespread appeal.Widespread Adaptations: Carol of the Bells has been recorded in over 150 versions across various musical genres, including classical, jazz, rock, and heavy metal. Notable adaptations include those by Mannheim Steamroller and John Williams, which have helped to cement its status as a Christmas classic.Cultural Significance: The song's association with Christmas has overshadowed its Ukrainian roots, leading to a complex relationship with its cultural identity. In recent years, there has been a movement to reclaim Shchedryk as a significant part of Ukrainian heritage, especially amid ongoing geopolitical tensions.Modern Recognition: The song is frequently featured in films, television shows, and holiday concerts, making it a beloved part of the Christmas season. Its ability to evoke joy and nostalgia resonates with audiences worldwide.In summary, Carol of the Bells is not just a Christmas carol but a piece with deep cultural roots and a fascinating history of transformation from a Ukrainian folk song to a global holiday favorite.
$34.94
32.21 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Traditional
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James M
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Guthrie: Carol of the Bells for String Quartet
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jmsgu3
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SheetMusicPlus
Bull: A Gigge - Doctor Bull's my selfe for String Quartet - Score Only
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet String Quartet - Level 2 - Digital Download SKU: A0.1292744 Composed…
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String Quartet String Quartet - Level 2 - Digital Download SKU: A0.1292744 Composed by Dr. John Bull. Arranged by James M.. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Renaissance. 3 pages. Jmsgu3 #883308. Published by jmsgu3 (A0.1292744). John Bull was an English composer, organist, virginalist, and organ builder who lived from 1562/63 to 1628. He was educated as a chorister of the Chapel Royal in London and later became a Doctor of Music at both Oxford and Cambridge Universities. Bull was one of the most famous composers of keyboard music of the early 17th century, and most of his compositions were written for the virginal, a keyboard instrument popular in the Renaissance period. He was known for his outstanding technical ability and keyboard virtuosity, and his music is distinguished by unfailing resourcefulness in devising new musical ideas. Bull's reputation rests on his extensive compositions for virginals and organ, some 150 extant pieces published in Musica Britannica. He was also one of the contributors to Parthenia, a collection of keyboard music published in 1611. Bull wrote an anthem, God the Father, God the Son, for the 1613 wedding of the princess and the Elector Palatine, in addition to his keyboard compositions, verse anthems, canons, and other works. Bull's music ranked among the foremost composers along with Byrd, Gibbons, and Tomkins.John Bull had several contemporaries who were also prominent composers during the Renaissance period. Some of these composers include:William Byrd: Byrd was an English composer and one of the most influential figures in English Renaissance music. He was a contemporary of John Bull and is considered one of the greatest composers of his time. Byrd's compositions include sacred choral music, keyboard works, and consort music.Orlando Gibbons: Gibbons was an English composer and organist who lived during the same period as John Bull. He was known for his sacred choral music, particularly his anthems and verse anthems. Gibbons' compositions are characterized by their expressive harmonies and intricate counterpoint.Thomas Tomkins: Tomkins was another English composer who was active during the same time as John Bull. He was known for his sacred choral music, including anthems and services. Tomkins' compositions are notable for their rich harmonies and expressive melodies.Jan Pieterszoon Sweelinck: Sweelinck was a Dutch composer and organist who was highly regarded during the Renaissance period. He was known for his keyboard music, particularly his variations and fantasias. Sweelinck's compositions had a significant influence on Bull and other composers of the time.These composers, along with John Bull, were influential figures in the development of Renaissance music and significantly contributed to the repertoire of keyboard and choral music during that era.
$21.95
20.24 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Dr
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James M
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Bull: A Gigge - Doctor Bull's my selfe for String Quartet - Score Only
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jmsgu3
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SheetMusicPlus
Farnaby: Fantasia CXXIX for String Quartet - Score Only
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet String Quartet - Level 4 - Digital Download SKU: A0.1298204 Composed…
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String Quartet String Quartet - Level 4 - Digital Download SKU: A0.1298204 Composed by Giles Farnaby. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Renaissance. 11 pages. Jmsgu3 #888177. Published by jmsgu3 (A0.1298204). Giles Farnaby was an English composer and virginalist during the late 16th and early 17th centuries. He is known for his contributions to Elizabethan and Jacobean music. He was born around 1560, and he lived during the reigns of Queen Elizabeth I and King James I. He was a contemporary of other notable English composers such as William Byrd and John Dowland. Farnaby's compositions are known for their variety of styles. He wrote pieces that ranged from lively dance tunes to more intricate and introspective works. His music often featured elements of English folk melodies and dance rhythms.Giles Farnaby's Fantasias are significant for their role in the development of keyboard music, their influence on later composers, and their historical documentation of musical practices in late Renaissance England. Farnaby's music often displays a lively and whimsical character, with syncopations, rapid passagework, and playful ornamentation. His style was influenced by the continental keyboard music of his time, especially that of the English virginalists like John Bull and William Byrd. However, Farnaby's compositions also have a distinct character, marked by their dance-like rhythms and catchy melodies.Although Farnaby's music fell out of favor during the Baroque period, there has been a resurgence of interest in his works in the modern era. Musicians and scholars have rediscovered and recorded his compositions, helping to revive his legacy.
$24.95
23 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Giles Farnaby
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James M
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Farnaby: Fantasia CXXIX for String Quartet - Score Only
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jmsgu3
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SheetMusicPlus
Beethoven: Bagatelle Op. 33 No. 6 for String Quartet
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1…
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1208541 Composed by Ludwig van Beethoven (1770 – 1827). Arranged by James M. Guthrie, ASCAP. 19th Century,Chamber,Classical,Contest,Festival,Wedding. 12 pages. Jmsgu3 #806654. Published by jmsgu3 (A0.1208541). 6. Allegretto quasi andante.Beethoven's Bagatelles Op. 33 are quite typical of his early style, retaining many compositional features of the early Classical period.  The first bagatelle in particular is arguably one of Beethoven's most well-known pieces. While they may seem light-hearted and not to be taken too seriously, they are still well-crafted works that embody the younger Beethoven's style. The Bagatelles Op. 33 were composed by Beethoven in 1801-02 and published in 1803. Bagatelles are shorter and less complex than sonatas, often consisting of a single movement. They were intended to be played as light entertainment or as encores at the end of a concert.Bagatelle No. 6 of Beethoven's Op. 33 is a short Allegretto that is characterized by its playful and light-hearted nature. The piece is in the key of D major and is written in a binary form, consisting of two sections that are repeated. The first section is in a brisk andante tempo and features a playful melody that is accompanied by a simple, yet effective, harmonic progression. The second section is more subdued and features a more lyrical melody that is accompanied by a more complex harmonic progression. The piece is notable for its use of syncopation, which adds to its playful character. Overall, Bagatelle No. 6 is a charming and delightful piece that showcases Beethoven's skill as a composer of small-scale works.
$24.95
23 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Ludwig van Beethoven
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James M
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Beethoven: Bagatelle Op. 33 No. 6 for String Quartet
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jmsgu3
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SheetMusicPlus
Bull: In Nomine CXIX for String Quartet - Score Only
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet String Quartet - Level 3 - Digital Download SKU: A0.1292197 Composed…
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String Quartet String Quartet - Level 3 - Digital Download SKU: A0.1292197 Composed by John Bull. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Renaissance. 13 pages. Jmsgu3 #882787. Published by jmsgu3 (A0.1292197). John Bull was an English composer, organist, virginalist, and organ builder who lived from 1562/63 to 1628. He was educated as a chorister of the Chapel Royal in London and later became a Doctor of Music at both Oxford and Cambridge Universities. Bull was one of the most famous composers of keyboard music of the early 17th century, and most of his compositions were written for the virginal, a keyboard instrument popular in the Renaissance period. He was known for his outstanding technical ability and keyboard virtuosity, and his music is distinguished by unfailing resourcefulness in devising new musical ideas. Bull's reputation rests on his extensive compositions for virginals and organ, some 150 extant pieces published in Musica Britannica. He was also one of the contributors to Parthenia, a collection of keyboard music published in 1611. Bull wrote an anthem, God the Father, God the Son, for the 1613 wedding of the princess and the Elector Palatine, in addition to his keyboard compositions, verse anthems, canons, and other works. Bull's music ranked among the foremost composers along with Byrd, Gibbons, and Tomkins.John Bull had several contemporaries who were also prominent composers during the Renaissance period. Some of these composers include:William Byrd: Byrd was an English composer and one of the most influential figures in English Renaissance music. He was a contemporary of John Bull and is considered one of the greatest composers of his time. Byrd's compositions include sacred choral music, keyboard works, and consort music.Orlando Gibbons: Gibbons was an English composer and organist who lived during the same period as John Bull. He was known for his sacred choral music, particularly his anthems and verse anthems. Gibbons' compositions are characterized by their expressive harmonies and intricate counterpoint.Thomas Tomkins: Tomkins was another English composer who was active during the same time as John Bull. He was known for his sacred choral music, including anthems and services. Tomkins' compositions are notable for their rich harmonies and expressive melodies.Jan Pieterszoon Sweelinck: Sweelinck was a Dutch composer and organist who was highly regarded during the Renaissance period. He was known for his keyboard music, particularly his variations and fantasias. Sweelinck's compositions had a significant influence on Bull and other composers of the time.These composers, along with John Bull, were influential figures in the development of Renaissance music and significantly contributed to the repertoire of keyboard and choral music during that era.
$24.95
23 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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John Bull
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James M
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Bull: In Nomine CXIX for String Quartet - Score Only
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jmsgu3
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SheetMusicPlus
Bull: A Gigge - Doctor Bull's my selfe for String Quartet
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,String Quartet,Viola,Violin - Level 2 - Digital Download SKU: A0.1…
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String Quartet Cello,String Quartet,Viola,Violin - Level 2 - Digital Download SKU: A0.1292748 Composed by Dr. John Bull. Arranged by James M.. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Renaissance. 7 pages. Jmsgu3 #883310. Published by jmsgu3 (A0.1292748). John Bull was an English composer, organist, virginalist, and organ builder who lived from 1562/63 to 1628. He was educated as a chorister of the Chapel Royal in London and later became a Doctor of Music at both Oxford and Cambridge Universities. Bull was one of the most famous composers of keyboard music of the early 17th century, and most of his compositions were written for the virginal, a keyboard instrument popular in the Renaissance period. He was known for his outstanding technical ability and keyboard virtuosity, and his music is distinguished by unfailing resourcefulness in devising new musical ideas. Bull's reputation rests on his extensive compositions for virginals and organ, some 150 extant pieces published in Musica Britannica. He was also one of the contributors to Parthenia, a collection of keyboard music published in 1611. Bull wrote an anthem, God the Father, God the Son, for the 1613 wedding of the princess and the Elector Palatine, in addition to his keyboard compositions, verse anthems, canons, and other works. Bull's music ranked among the foremost composers along with Byrd, Gibbons, and Tomkins.John Bull had several contemporaries who were also prominent composers during the Renaissance period. Some of these composers include:William Byrd: Byrd was an English composer and one of the most influential figures in English Renaissance music. He was a contemporary of John Bull and is considered one of the greatest composers of his time. Byrd's compositions include sacred choral music, keyboard works, and consort music.Orlando Gibbons: Gibbons was an English composer and organist who lived during the same period as John Bull. He was known for his sacred choral music, particularly his anthems and verse anthems. Their expressive harmonies and intricate counterpoint characterize Gibbons' compositions.Thomas Tomkins: Tomkins was another English composer who was active during the same time as John Bull. He was known for his sacred choral music, including anthems and services. Tomkins' compositions are notable for their rich harmonies and expressive melodies.Jan Pieterszoon Sweelinck: Sweelinck was a Dutch composer and organist highly regarded during the Renaissance period. He was known for his keyboard music, particularly his variations and fantasias. Sweelinck's compositions significantly influenced Bull and other composers of the time.These composers, along with John Bull, were influential figures in the development of Renaissance music and significantly contributed to the repertoire of keyboard and choral music during that era.
$24.95
23 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Dr
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James M
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Bull: A Gigge - Doctor Bull's my selfe for String Quartet
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jmsgu3
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SheetMusicPlus
Bull: Salvator mundi for String Quartet - Score Only
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet String Quartet - Level 3 - Digital Download SKU: A0.1291365 Composed…
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String Quartet String Quartet - Level 3 - Digital Download SKU: A0.1291365 Composed by Dr. John Bull. Arranged by James M. Guthrie. Chamber,Christian,Historic,Religious,Renaissance. 15 pages. Jmsgu3 #882016. Published by jmsgu3 (A0.1291365). John Bull was an English composer, organist, virginalist, and organ builder who lived from 1562/63 to 1628. He was educated as a chorister of the Chapel Royal in London and later became a Doctor of Music at both Oxford and Cambridge Universities. Bull was one of the most famous composers of keyboard music of the early 17th century, and most of his compositions were written for the virginal, a keyboard instrument popular in the Renaissance period. He was known for his outstanding technical ability and keyboard virtuosity, and his music is distinguished by unfailing resourcefulness in devising new musical ideas. Bull's reputation rests on his extensive compositions for virginals and organ, some 150 extant pieces published in Musica Britannica. He was also one of the contributors to Parthenia, a collection of keyboard music published in 1611. Bull wrote an anthem, God the Father, God the Son, for the 1613 wedding of the princess and the Elector Palatine, in addition to his keyboard compositions, verse anthems, canons, and other works. Bull's music ranked among the foremost composers along with Byrd, Gibbons, and Tomkins.John Bull had several contemporaries who were also prominent composers during the Renaissance period. Some of these composers include:William Byrd: Byrd was an English composer and one of the most influential figures in English Renaissance music. He was a contemporary of John Bull and is considered one of the greatest composers of his time. Byrd's compositions include sacred choral music, keyboard works, and consort music.Orlando Gibbons: Gibbons was an English composer and organist who lived during the same period as John Bull. He was known for his sacred choral music, particularly his anthems and verse anthems. Gibbons' compositions are characterized by their expressive harmonies and intricate counterpoint.Thomas Tomkins: Tomkins was another English composer who was active during the same time as John Bull. He was known for his sacred choral music, including anthems and services. Tomkins' compositions are notable for their rich harmonies and expressive melodies.Jan Pieterszoon Sweelinck: Sweelinck was a Dutch composer and organist who was highly regarded during the Renaissance period. He was known for his keyboard music, particularly his variations and fantasias. Sweelinck's compositions had a significant influence on Bull and other composers of the time.These composers, along with John Bull, were influential figures in the development of Renaissance music and significantly contributed to the repertoire of keyboard and choral music during that era.
$24.95
23 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Dr
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James M
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Bull: Salvator mundi for String Quartet - Score Only
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jmsgu3
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SheetMusicPlus
Bull: In Nomine CXIX for String Quartet
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1…
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1292203 Composed by John Bull. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Renaissance. 28 pages. Jmsgu3 #882794. Published by jmsgu3 (A0.1292203). John Bull was an English composer, organist, virginalist, and organ builder who lived from 1562/63 to 1628. He was educated as a chorister of the Chapel Royal in London and later became a Doctor of Music at both Oxford and Cambridge Universities. Bull was one of the most famous composers of keyboard music of the early 17th century, and most of his compositions were written for the virginal, a keyboard instrument popular in the Renaissance period. He was known for his outstanding technical ability and keyboard virtuosity, and his music is distinguished by unfailing resourcefulness in devising new musical ideas. Bull's reputation rests on his extensive compositions for virginals and organ, some 150 extant pieces published in Musica Britannica. He was also one of the contributors to Parthenia, a collection of keyboard music published in 1611. Bull wrote an anthem, God the Father, God the Son, for the 1613 wedding of the princess and the Elector Palatine, in addition to his keyboard compositions, verse anthems, canons, and other works. Bull's music ranked among the foremost composers along with Byrd, Gibbons, and Tomkins.John Bull had several contemporaries who were also prominent composers during the Renaissance period. Some of these composers include:William Byrd: Byrd was an English composer and one of the most influential figures in English Renaissance music. He was a contemporary of John Bull and is considered one of the greatest composers of his time. Byrd's compositions include sacred choral music, keyboard works, and consort music.Orlando Gibbons: Gibbons was an English composer and organist who lived during the same period as John Bull. He was known for his sacred choral music, particularly his anthems and verse anthems. Their expressive harmonies and intricate counterpoints characterize Gibbons' compositions.Thomas Tomkins: Tomkins was another English composer active during the same time as John Bull. He was known for his sacred choral music, including anthems and services. Tomkins' compositions are notable for their rich harmonies and expressive melodies.Jan Pieterszoon Sweelinck: Sweelinck was a Dutch composer and organist highly regarded during the Renaissance period. He was known for his keyboard music, particularly his variations and fantasias. Sweelinck's compositions significantly influenced Bull and other composers of the time.These composers, along with John Bull, were influential figures in the development of Renaissance music and significantly contributed to the repertoire of keyboard and choral music during that era.
$28.95
26.69 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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John Bull
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James M
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Bull: In Nomine CXIX for String Quartet
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jmsgu3
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SheetMusicPlus
Grieg: Notturno Op. 54 No. 4 for String Quartet
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet String Quartet - Level 3 - Digital Download SKU: A0.550047 Composed …
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String Quartet String Quartet - Level 3 - Digital Download SKU: A0.550047 Composed by Edvard Grieg. Arranged by James M. Guthrie. Contemporary,Multicultural,Romantic Period,Standards,World. 14 pages. Jmsgu3 #4582345. Published by jmsgu3 (A0.550047). Edvard Grieg's Notturno Op. 54, No. 4 is a piano piece from his Lyric Pieces, a collection of short piano pieces. The significance of this piece lies in its tranquil and evocative nature. It is described as a calming and almost surreal composition, blending elements of both sadness and happiness. Grieg's Notturno is part of the Lyric Suite, orchestrating four of the six piano pieces from Book V of his Lyric Pieces, Op. 54. Grieg conducted the Lyric Suite several times in the last years of his life, and it has been recorded and performed by other conductors. The piece is known for its serene and reflective character, making it a notable contribution to Grieg's work.
$32.95
30.38 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Edvard Grieg
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James M
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Grieg: Notturno Op. 54 No. 4 for String Quartet
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jmsgu3
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SheetMusicPlus
GAVOTTE – STRING QUARTET
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,Double Bass,String Quartet,Viola,Violin - Level 2 - Digital Download …
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String Quartet Cello,Double Bass,String Quartet,Viola,Violin - Level 2 - Digital Download SKU: A0.1428523 Composed by F-J. Gossec (1734-1829). Arranged by RUSSELL T. KING. Chamber,Classical,Contest,Festival. 11 pages. EMK Music #1009310. Published by EMK Music (A0.1428523). Scored for 2 Violins, Viola and Violoncello. There is an alternative part for Violin 3 (Viola) and an optional part for Contrabass so the piece may be performed by a String Orchestra.This piece is excellent for practising ensemble skills as well as for filling that small gap in your program with something light and entertaining. You can use as much rubato as you like.François-Joseph Gossec (1734 – 1829) was a French composer of operas, string quartets, symphonies, and choral works. His Gavotte, from his opera Rosine, ou L'épouse abandonnée (1786), remains familiar in popular culture because Carl Stalling and Charles M. Jones used arrangements of it in several Warner Brothers cartoons. Arguably the most notable of these is Porky Pig's dance to an uncredited version of Gossec's Gavotte in Jones’ Porky's Cafe (1942). (Wikipedia).
$14.00
12.91 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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F-J
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RUSSELL T
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GAVOTTE – STRING QUARTET
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EMK Music
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SheetMusicPlus
A Night In Tunisia
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,Double Bass,String Quartet,Viola,Violin - Level 3 - Digital Download …
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String Quartet Cello,Double Bass,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.746989 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. 13 pages. Keith Terrett #5820835. Published by Keith Terrett (A0.746989). A great sounding arrangement of A Night in Tunisia, your String Orchestra will love it!A jazz solo is written out for you, if you wish you can improvise on the given chord symbols!A Night in Tunisia is a musical composition written by Dizzy Gillespie around 1941–42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard.It is also known as Interlude. Gillespie called the tune Interlude and said some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. A Night in Tunisia was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can. The audience laughs, but Blakey responds, Seriously. The liner notes say, The Texas department of sanitation can take a low bow.The complex ostinato bass line in the A section is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard Alone Together, causing the V chord to lead back into the Sub V of the A section.Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections - in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.
$14.99
13.82 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Dizzy Gillespie
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Keith Terrett
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A Night In Tunisia
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Keith Terrett
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SheetMusicPlus
Striking Feathers
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,String Quartet,Viola,Violin - Digital Download SKU: A0.1501537…
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String Quartet Cello,String Quartet,Viola,Violin - Digital Download SKU: A0.1501537 Composed by Klaus Wegner Hamilton. 21st Century,Classical,Contemporary. 12 pages. Klaus Wegner Hamilton #1077477. Published by Klaus Wegner Hamilton (A0.1501537). This is a piece I wrote for String Quartet, taken from the 2024 Guildhall Composition Summer Course End-of-Course Concert. I was really obsessed with the pelog scale when I wrote this piece; I would sit at the piano, just running the scale up and down over and over again, absorbing the colours. I kept thinking about the first Gamelan theme in Poulenc's Concerto for two pianos, which I have directly quoted in this piece. I ended up taking this piece in a much different direction however, contrasting the playful with both the overbearingly bright and the ominous. I really learned a lot about writing for String Quartet and strings in general through this piece. Note:There are some differences between the linked performance and the score being provided. Aside from some minor engraving changes as well as minor musical adjustments, the most notable change is that the piece has been moved from E Major to D Major to aid playability. Despite these changes, the recording is functionally the same as the score being provided.
$4.99
4.6 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Klaus Wegner Hamilton
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Striking Feathers
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Klaus Wegner Hamilton
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SheetMusicPlus
We Can Work It Out
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,String Quartet,Viola,Violin - Level 2 - Digital Download SKU: A0.1…
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String Quartet Cello,String Quartet,Viola,Violin - Level 2 - Digital Download SKU: A0.1042755 By The Beatles. By John Lennon and Paul McCartney. Arranged by Ray Thompson. Pop,Rock. 7 pages. RayThompsonMusic #647539. Published by RayThompsonMusic (A0.1042755). We Can Work It Out is a song by the English rock band the Beatles, written by Paul McCartney and John Lennon.It was first issued as a double A-side single with Day Tripper in December 1965.It also appeared on the 1966 US release Yesterday and Today.The release marked the first time in Britain that both tracks on an artist's single were promoted as joint A-sides.The song was recorded during the sessions for the band's Rubber Soul album. The single was number 1 in Britain (where it won the Ivor Novello Award for the top-selling A-side of 1965), the United States, Australia, Canada and Ireland. In the UK, it was the seventh highest selling single of the 1960s.We Can Work It Out is a comparatively rare example of a Lennon–McCartney collaboration from this period in the Beatles' career, in that it recalls the level of collaboration the two songwriters had shared when writing the group's hit singles of 1963. This song, A Day in the Life, Baby, You're a Rich Man and I've Got a Feeling, are among the notable exceptions.Arranged string quartet Video is the clarinet quartet version.
$14.99
13.82 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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The Beatles
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Ray Thompson
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We Can Work It Out
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RayThompsonMusic
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SheetMusicPlus
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