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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Oboe Duo.
Sheetmusicplus
Non classifié
733
Piano & claviers
2 Pianos, 4 mains
21
Orgue, Trompette (duo)
3
Piano Trio: piano, violon, violoncelle
3
2 Pianos, 8 mains
1
Piano seul
1
Piano Quatuor: piano, violon, alto, violoncelle
1
+ 1 instrumentations
Retracter
Guitares
2 Guitares (duo)
8
Guitare
1
Voix
Voix duo
17
Voix duo, Piano
9
Vents
Hautbois, Piano (duo)
7 261
2 Hautbois (duo)
1 278
Hautbois, Basson (duo)
1 047
Hautbois, Clarinette (duo)
796
Flûte, Hautbois (duo)
494
Hautbois, violon (duo)
219
Hautbois, Guitare (duo)
122
Hautbois, Trompette (duo)
102
Hautbois, Flûte
83
2 Saxophones (duo)
78
Hautbois et alto (duo)
77
2 Flûtes traversières (duo)
72
2 Clarinettes (duo)
61
Hautbois, trombone (duo)
48
2 Flûte à bec (duo)
33
Hautbois, Violoncelle
25
Flûte, Clarinette (duo)
10
Flûte, Hautbois, Clarinette, Basson
9
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
8
Flûte, Violon
6
Trio de Flûtes: 3 flûtes
6
Clarinette, Guitare (duo)
5
Clarinette, Harpe (duo)
4
Clarinette, Violon (duo)
4
Flûte, Hautbois, Piano (trio)
3
Cor anglais, Guitare (duo)
3
Flûte, Hautbois, Basson
3
Clarinette, Basson (duo)
3
Hautbois (partie séparée)
3
Quatuor de Clarinettes: 4 clarinettes
2
Flute, harpe et violon
2
Flûte et Guitare
2
Hautbois, Harpe
1
Flûte traversière, Orgue (duo)
1
Cor anglais et Harpe (duo)
1
Flûte, Hautbois, Clarinette (trio)
1
Clarinette
1
Flûte traversière
1
Clarinette et Piano
1
Ensemble De Flûte à bec
1
3 Clarinettes (trio)
1
2 Hautbois, Piano
1
Flûte traversière et Piano
1
Clarinette et Alto
1
+ 39 instrumentations
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Cuivres
2 Trompettes (duo)
27
2 Trombones (duo)
22
2 Cors (duo)
22
2 Tubas (duo)
19
Euphonium, Piano (duo)
6
Cor anglais, Guitare (duo)
3
Trombone, Violon (duo)
3
Cor et Harpe
1
Cor et Piano
1
Trompette, Cor (duo)
1
Trompette, Trombone (duo)
1
Trombone, Cor (duo)
1
Cor anglais et Harpe (duo)
1
+ 8 instrumentations
Retracter
Cordes
2 Violons (duo)
41
2 Altos (duo)
25
Harpe, Flûte (duo)
24
2 Violoncelles (duo)
20
Violon, Alto (duo)
19
Harpe, Violon (duo)
18
Contrebasse, Piano (duo)
17
Violon, Violoncelle (duo)
17
2 Contrebasses (duo)
16
Harpe, Violoncelle (duo)
14
Violon et Piano
9
Violon, Guitare (duo)
6
2 Harpes (duo)
6
Flûte, Contrebasse (duo)
5
Violon
5
Alto, Violoncelle (duo)
3
Alto, Piano
3
Violoncelle, Piano
2
Piano Trio: Violon, Alto, Piano
2
Quatuor à cordes: 2 violons, alto, violoncelle
2
Violoncelle , Guitare (duo)
1
Alto seul
1
Trio à Cordes: violon, alto, violoncelle
1
Harpe
1
Alto, Guitare (duo)
1
+ 20 instrumentations
Retracter
Orchestre & Percussions
Orchestre de chambre
29
Orchestre d'harmonie
13
Orchestre
3
Marimba
2
Piano et Orchestre
1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
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ORGUE
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Vous avez sélectionné:
Oboe Duo.
SheetMusicPlus
Partitions à imprimer
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Morango ... almost a tango, full score
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Tango
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Thomas Oboe Lee
#
Morango ... almost a tango, fu
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Thomas Oboe Lee
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SheetMusicPlus
String Quartet String Quartet - Level 4 - SKU: A0.869118 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Jazz,Latin. Score and parts. 16 pages. T...
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String Quartet String Quartet - Level 4 - SKU: A0.869118 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Jazz,Latin. Score and parts. 16 pages. Thomas Oboe Lee #1914305. Published by Thomas Oboe Lee (A0.869118). Morango ... almost a tango (1983) is the most popular piece of music from my portfolio of over 150 works!!! It is amazing that the work was conceived thirty years ago!!! Originally, it was just a 32-bar jazz tune I performed every Sunday night with the Moon Unit at the 1369 Jazz Club in Cambridge, Massachusetts, 1980-1984. The string quartet version, although written for the Kronos Quartet, was premiered at Concert X by the Composers in Red Sneakers in Sanders Theater, Cambridge, Massachusetts, on July 21, 1983. The Red Sneakers String Quartet comprised of Thal Aylward, Melissa Howe, Frank Grimes and Sandy Kiefer. Richard Buell reported in the Boston Globe a few days later that the doleful Morango ... almost a tango got a lot of mileage out of a stubborn, almost unchanging cello line and the elaborations above it. The original program note read, Last summer in Vermont I met Gustavo Moretto, an Argentine composer, who taught me the finer and more beautiful aspects of the Tango. In my modest way, as someone looking in from the outside, I created Morango ... almost a tango - a bastardized version of the 'real thing.' Morango ... is also intrinsically connected to Kate Moran, a sometimes painter ... to whom it is dedicated. The work is played con sordino throughout. I hope the sirens next door don't intrude too much. But then again, John Cage would be delighted. Eventually, the Kronos got around to performing it on tour in Europe in 1986. When they played it as an encore in Italy at the American Academy in Rome, Mya Tannenbaum of the Corriere Della Sera wrote, Non sono mancati i bis. Un richiamo al sex appeal del vecchio tango da parte di un giovane «premio Roma», Tom Lee. Soon after, back in the States, the Kronos performed it at the Brooklyn Academy of Music in New York. John Rockwell wrote in the New York Times, ... a soulfully beautiful score by Thomas Oboe Lee. Three months later the Kronos recorded it on their Nonesuch CD, White Man Sleeps. Many other string quartets, both here and abroad, have since added the work to their repertory. The Lydian String Quartet, especially, have taken the work on their concert tours in the United States, Europe and the former Soviet Union. It appears on a CD recorded by the Lyds in Moscow on MCA Classics. As interest in the work grew, other ensembles have requested arrangements of Morango ... There are now three other versions of the work: one for big band jazz ensemble by Ken Schaphorst, another for string orchestra commissioned by Aram Gharabekian and Sinfonova, and the third for violin and piano commissioned by the Paul Chou-Paul Salerni Duo. Of the string orchestra version, Richard Dyer of the Boston Globe wrote, Lee's piece, Morango ... almost a tango, is a transcription of atmospheric and elegant music originally composed for string quartet; it is as sultry as Faith Domergue in a film noir, and it steams. Audio link: https://thomasoboelee.bandcamp.com/album/morango-almost-a-tango-1983Video link: https://youtu.be/Ksd9mDtRSBU
$9.99
Gaúcho - Corta Jaca (Brazilian Music)
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Quatuor à cordes: 2 violons, alto, violoncelle
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Chiquinha Gonzaga
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Renato Esteves
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Gaúcho - Corta Jaca
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Renato Esteves
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SheetMusicPlus
String Quartet String Quartet - SKU: A0.508952 Composed by Chiquinha Gonzaga. Arranged by Renato Esteves. Multicultural,World. Score and parts. 16 pages...
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String Quartet String Quartet - SKU: A0.508952 Composed by Chiquinha Gonzaga. Arranged by Renato Esteves. Multicultural,World. Score and parts. 16 pages. Published by Renato Esteves (A0.508952). The famous Corta-jaca, the name with which the Gaucho tango became popular, is one of the most recorded and known songs by Chiquinha Gonzaga, alongside Ó abre alas, Lua Branca and Atraente. He was born on the stages of musical theaters, where he was danced in the final scene of the burlesque operetta of national customs Zizinha Maxixe, imitated from French by an anonymous author, performed at Teatro Éden Lavradio, in August 1895. Actor Machado Careca (José Machado Pinheiro e Costa ), anonymous author of the play, ended up putting verses in Corta-jaca's music, helping to popularize it, especially after its version was recorded on disk by the duo Os Geraldos. Throughout history, Corta-jaca attended other stages and repertoires: coffee-singers, beer-beauties, choro circles… But it was at the Palácio do Catete, in 1914, that it reached its glory. Performed on the guitar by First Lady Nair de Teffé, it caused political scandal and ended up calling the administration Hermes da Fonseca. The reaction can be measured by the impassioned speech that Senator Rui Barbosa delivered from the gallery. When inquiring what the cut-jaca that he had heard so much about is, he concludes: “The lowest, the most foul, the rudest of all wild dances, the twin sister of batuque, cateretê and samba. But at presidential receptions, the cut-jaca is performed with all the honors of Wagner's music, and we don't want the conscience of this country to revolt, our faces redden and the youth to laugh!†Never before in the history of Brazil has eminently popular music been performed in the seat of government, in front of the diplomatic corps and the country's elite. Corta-jaca became a classic of the great repertoire of Brazilian instrumental music, deserving recordings, among others, by Abel Ferreira, Altamiro Carrilho, Antonio Adolfo, Artur Moreira Lima, Clara Sverner, Conjunto Regional do Donga, Eudóxia de Barros, Guio de Morais, Itamar Assieré, Leandro Braga, Marcus Viana, Maria Teresa Madeira, Marcelo Verzoni, Paulo Moura, Radamés Gnatalli, Rosária Gatti, Talitha Peres, TurÃbio Santos, numerous bands and some sung versions. It was also written by the conductor for singing and piano and for a small orchestra: oboe, viola, timpani, horns (fá), bassoon. Edinha Diniz, 2011.
$20.00
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