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Quarter Note Dance
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7
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15
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7
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Quatuor à cordes: 2 violons, alto, violoncelle
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
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OCARINA
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ORGUE
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Vous avez sélectionné:
Quarter Note Dance
Quatuor à cordes: 2 violons, alto, violoncelle
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2 partitions trouvées
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Classic Dance
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Quatuor à cordes: 2 violons, alto, violoncelle
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FACILE
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Contemporain
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Kenneth Baird
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Classic Dance
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Kenneth Baird Music
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SheetMusicPlus
String Quartet String Quartet - Level 2 - SKU: A0.726395 Composed by Kenneth Baird. Classical,Contemporary. Score and parts. 23 pages. Kenneth Baird Mus...
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String Quartet String Quartet - Level 2 - SKU: A0.726395 Composed by Kenneth Baird. Classical,Contemporary. Score and parts. 23 pages. Kenneth Baird Music #3094827. Published by Kenneth Baird Music (A0.726395). Imagine an 18th century palace as it comes to life with the sounds of a ball being held in honor of visiting royalty. Classic Dance by Kenneth Baird recreates this stately traditional highly formal style of dance music. Enjoyable parts for all, a variety of basic bowings (two-note slurs, staccato quarter notes, slurred staccato), and a variety of dynamics make this an excellent choice for developing ensemble precision with early intermediate string orchestras. Entirely in first position (except for bass), Classic Dance could also provide a rewarding challenge for the final concert of the year for an outstanding beginning string orchestra. As was common in 18th century orchestra music, the cello and bass parts are virtually identical making Classic Dance musically satisfying even when performed without bass, whether by a string quartet or by a small string orchestra lacking basses. An optional violin III part is also provided for ensembles that are short-handed in viola. A rehearsal piano part is also included. String Orchestra (also suitable for string quartet). Early Intermediate or end of 1st year.
$30.00
String Quartet - William and Mary
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Quatuor à cordes: 2 violons, alto, violoncelle
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AVANCÉ
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Mike Strand, ASCAP <
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Mike Strand
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String Quartet - William and M
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Michael M. Strand
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SheetMusicPlus
String Quartet String Quartet - Level 5 - SKU: A0.970731 Composed by Mike Strand. Contemporary,Jazz,World. Score and parts. 36 pages. Michael M. Strand ...
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String Quartet String Quartet - Level 5 - SKU: A0.970731 Composed by Mike Strand. Contemporary,Jazz,World. Score and parts. 36 pages. Michael M. Strand #4837117. Published by Michael M. Strand (A0.970731). By Mike Strand, ASCAP I wrote this String Quartet in a composition class at the College of William and Mary in 2010. It is brief and rich with variety, and it involves a technique of mine called fracturing (see note* below). This causes the dissonance you'll hear in parts of this work.On one occasion, when I felt stressed, I enjoyed listening to Morton Feldman's String Quartet II (1983), which lasts about 6 hours. This quiet but lovely music soothed and pacified me. On the other hand, if you want something to energize and alert you in less than 11 minutes, this quartet may be for you -- whenever you acquire a recording of it by some lucky quartet ensemble. Have a cup of coffee with it, for insurance!In the meantime, enjoy the audio sample, Movement I of my quartet. This alone may suffice to get you going, in only two and a half minutes. String Quartet - William and Mary: Four movements, total time 10:45: I. Allegro moderato (2:32) A tango-like dance movement: Preface, Introduction, A, B, A’, C, Coda (two variations). II. Lento (2:44) Counting to twenty in 5-4, 4-4, and 12-8 time. 5-4 time predominates (five groups of four measures each), then 4-4 (two groups of five measures each) and 12-8 (one group of five measures). Throughout there are 72 counts per minute, with quarter notes counted in the 5-4 and 4-4 time signatures, and with dotted quarter notes counted in the 12-8 time signature. The five measures of 12-8 also introduce the theme for movement III.Fun with three different time signatures! III. Allegro (2:11) Variations on a Scottish-like folk tune and fragments of it. One variation is an example of tonal pointillism. The closing measures are an extended coda based on a transformed version of the original tune. IV. Swing (3:18) West Coast swing tempo for the Introduction and Part A; triple swing tempo for Part B. Note* on the fracturing technique This is my method to produce systematically new types of dissonance and corresponding modifications and resolutions. Fracturing consists of changing pitches in a melody or chord as follows: (a) Decide on the root note position within the staff or line of music. (b) Represent the applicable chord in half-step notation, with the root given the value 0. (c) Alternatively subtract and add a prescribed number of half steps from, and to, each successive number in the annotated chord (except for the root). (d) Use the new fractured annotation to define the new pitches. The actual or implied root of the chord (tonal center) remains unchanged. The resulting new chord or melody is thus related or resolvable to the parent tonal harmony or chord. Fracturing appears mainly in the first and third movements, with spare use in the second and fourth movements.
$7.00
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Quarter Note Dance
