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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Rondo in A Minor
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Ukulele
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Vents
Flûte traversière et Piano
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3 Clarinettes (trio)
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Saxophone Soprano et Piano
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Saxophone Alto et Piano
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Flûte, Hautbois, Piano (trio)
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Clarinette et Piano
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Clarinette Basse, Piano
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Flûte traversière
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
1
Flûte et Guitare
1
2 Clarinettes (duo)
1
Ensemble de Flûtes
1
3 Saxophones (trio)
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Clarinette
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Saxophone Tenor et Piano
1
Trio de Flûtes: 3 flûtes
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Hautbois, Clarinette, Basson (trio d'anches)
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2 Flûtes traversières (duo)
1
Hautbois, Piano (duo)
1
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Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
2
Trombone et Piano
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
8
Alto, Piano
5
Violon et Piano
4
Trio à Cordes: violon, alto, violoncelle
4
Violoncelle, Piano
3
Contre Basse
2
Violon
2
2 Violons (duo)
2
2 Violoncelles (duo)
1
Violoncelle
1
Trio à Cordes: 3 violoncelles
1
+ 6 instrumentations
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FLUTE A DIX…
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
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Vous avez sélectionné:
Rondo in A Minor
SheetMusicPlus
Partitions à imprimer
8 partitions trouvées
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1
Beethoven: 'Pathetique' Sonata no.8, Rondo Allegro, for String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Ludwig van Beethoven
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Clara Obsidian
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Beethoven: 'Pathetique' Sonata
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Clara Obsidian
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.871391 Composed by Ludwig van Beethoven. Arranged by Clara Obsidian. Classical,Conc...
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.871391 Composed by Ludwig van Beethoven. Arranged by Clara Obsidian. Classical,Concert,Romantic Period,Standards. Score and parts. 29 pages. Clara Obsidian #6012895. Published by Clara Obsidian (A0.871391). Ludwig van Beethoven's Piano Sonata No. 8 in C minor, Op. 13, commonly known as Sonata Pathétique, was written in 1798 for solo piano at the age of 27 years, and was published in 1799. It has remained one of his most celebrated compositions.The 3rd Movement, Rondo: Allegro is arranged for String Quartet in the Original KeyPerfect for recitals and gigs, the melody is passed around various instruments for a variety of colours.Fun fact: This work by Beethoven was the inspiration for BanYa to arrange 'Beethoven Virus'!Full Score and Parts----
$8.99
Becker - String Quartet No.2 in G minor, Op.5
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Quatuor à cordes: 2 violons, alto, violoncelle
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Classique
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D
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J
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Becker - String Quartet No.2 i
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J.G. Cuco Barber
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - SKU: A0.1487443 Composed by D.G. Becker. Arranged by J.G. Cucó Barber. 19th Century,Chamber,Classica...
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String Quartet Cello,String Quartet,Viola,Violin - SKU: A0.1487443 Composed by D.G. Becker. Arranged by J.G. Cucó Barber. 19th Century,Chamber,Classical,Romantic Period. 75 pages. J.G. Cuco Barber #1064393. Published by J.G. Cuco Barber (A0.1487443). Work Title String Quartet No.2Composer Becker, D.G.Opus/Catalogue Number Op.5Key G minorMovements/Sections 4 movements: Allegro non troppo Andante (E♭ major) Menuetto. Allegro Rondo. Allegro non troppo First Publication 1857 – Leipzig: Friedrich HofmeisterDedication Emil Erlanger, Frankfurt a/MComposer Time Period RomanticPiece Style RomanticInstrumentation 2 violins, viola, cello.
$23.00
Matt Schwarz String Quartet 1 in D Minor Score
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Matt Schwarz
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Matt Schwarz String Quartet 1
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Matthew H Schwarz
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SheetMusicPlus
String Quartet String Quartet - Level 3 - SKU: A0.1011231 Composed by Matt Schwarz. Classical,Contemporary,Rock,World. Score and parts. 40 pages. Matthe...
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String Quartet String Quartet - Level 3 - SKU: A0.1011231 Composed by Matt Schwarz. Classical,Contemporary,Rock,World. Score and parts. 40 pages. Matthew H Schwarz #5720105. Published by Matthew H Schwarz (A0.1011231). A new string quartet in the classical style, with heavy metal and gypsy violin influences. Rather than follow new music trends in classical music, the composer's aim was to create something influenced by the music he likes - Beethoven, Vivaldi, European folk music, and heavy metal. Instead of (to some, unpleasant-sounding) extended techniques, dissonant harmonies, and lack of clear rhythms and melodies, Schwarz has modernized his classical music with driving rhythms and harmony guitar influences of heavy metal, while still attempting to feature elements of true classical music such as counterpoint, development, chamber music dialogue, and forms such as sonata-allegro, scherzo, and rondo. Something you can enjoy at first listen but still get more out of with repeated attention.
$10.00
Serenade No. 11
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Wolfgang Amadeus Mozart
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Stephen Levintow
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Serenade No. 11
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Cypress Publishing
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SheetMusicPlus
String Quintet Cello,Viola,Violin - Level 4 - SKU: A0.1447120 Composed by Wolfgang Amadeus Mozart. Arranged by Stephen Levintow. Classical. 69 pages. Cy...
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String Quintet Cello,Viola,Violin - Level 4 - SKU: A0.1447120 Composed by Wolfgang Amadeus Mozart. Arranged by Stephen Levintow. Classical. 69 pages. Cypress Publishing #1026899. Published by Cypress Publishing (A0.1447120). Soon after moving to Vienna in 1781, Mozart wrote what turned out to be his last, and finest, three serenades for wind ensemble. He himself arranged the one in c minor, Köchel 388, for string quintet (2 violins, 2 violas and cello), and that version is known as K. 406. Most of the serenade in B-Flat Major, K 361, sometimes called Gran Partita or Serenade for 13 Instruments, was also arranged for the same quintet combination, apparently by someone else, with the movements divided up between Quintets No. 6 and 7 in the second volume of the standard Peters Edition set of parts for Mozart’s string quintets. The remaining serenade, K. 375, is appearing in a string quintet arrangement for the first time that I know of. While it does not have the dramatic intensity of K. 388/406 or the grand sweep of K. 361, it is a worthy companion to the other two works. He composed it “carefully”, as he explained in a letter to his father, and the piece is full of striking details that show this. In the first movement, the second subject is surprisingly in a dark minor key, and the development is based on it. But it does not appear in the recapitulation, replaced instead by a new major key theme. The first of the two minuets also has a brooding trio in minor. The heart of the work is the Adagio, one of Mozart’s great slow movements, and it should be better known. The long-spun overlapping melodies work particularly well for strings. The finale starts as a conventional Rondo, but breaks off into an extended fugal section (again starting in a minor key!) that gives the movement weight and power beyond a typical formula rondo. This arrangement transposes the original E-Flat Major to D Major, to take advantage of string sonority while making some of the passage work lie better for the instruments. Score and parts follow the current convention of listing the composer’s middle name as Amadeus, even though he did not favor it: His only recorded use was a letter he signed Wolfgangus Amadeus Mozartus, clearly intended as a joke. He preferred the Italian or French versions, Amadeo or Amadé, of his German given name Gottlieb (which he also rarely if ever used). CYPRESS PUBLISHING is pleased to be the imprint for arrangements for string ensemble by Stephen Levintow. He is a free lance professional violist and violinist specializing in chamber music, who began making string quartet and trio arrangements for wedding, party and corporate events, to expand the repertory or to improve on existing versions. Selections include unusual pieces by both familiar and lesser-known composers, plus standard classical and popular favorites.The goal is to produce high-quality, musically satisfying arrangements faithful to the composer’s original material, yet sight-readable in most cases by working professionals or intermediate to advanced students. The full range of normal string technique is employed, while avoiding unnecessary technical complexity. Melodic material is distributed throughout the four voices where appropriate, to maintain listener and performer interest. All parts and scores are set in Sibelius© software format, with careful attention to legibility and page turns.
$15.00
String Quartet No. 2 ('Locomotion') - Score Only
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Robert A
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String Quartet No. 2
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Robert A. Howard
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SheetMusicPlus
String Quartet String Quartet - Level 4 - SKU: A0.1402959 Composed by Robert A. Howard. 21st Century,Chamber,Classical,Contemporary,Contest,Festival. 95...
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String Quartet String Quartet - Level 4 - SKU: A0.1402959 Composed by Robert A. Howard. 21st Century,Chamber,Classical,Contemporary,Contest,Festival. 95 pages. Robert A. Howard #986178. Published by Robert A. Howard (A0.1402959). This Second String Quartet is in four movements, and runs to over 30 minutes long. The work uses the traditionally expected forms for each movement, as a framework or starting point for departure, but also uses a conceptual title for the work as a whole. In this case 'Locomotion', or the conveying of motion (especially with regards to train travel), was used as a compositional stimulus in creating extended pattern-based textures, as well as the development, or journey, of motifs and themes. Otherwise, there is no particular attempt to evoke the sound of particular modes of transportation, or certain landscapes or scenes. Such imagery is left at the discretion of the listener. Formally, the work begins with a loose sonata form first movement, based around E (modal minor). The second movement, on A, bears the hallmarks of a busy scherzo, while the sentimental slow movement in D minor that follows is based on ground basses, in a ternary form of two varied themes. The extended finale grows out of the previous movement, with a jig-like rondo theme on another ground bass. Contrasting episodes feature modulating material, as well as a secondary theme in C. The final section sees a cyclic return of the first movement's first theme, now at the finale's faster tempo, and in the closing key of G minor. The work as a whole sees much use of canonic, or heterophonic textures, within a broadly minimalist style.  Duration: 32 minutes.Registered with PRS (Performing Rights Society, UK).Composer's website: www.roberthowardmusic.co.uk
$24.99
Mozart: Sonata K. 284 “Durnitz” for String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Classique
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W
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James M
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Mozart: Sonata K. 284 “D
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jmsgu3
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1202033 Composed by W. A. Mozart (1756 – 1791). Arranged by James M. Guthrie...
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1202033 Composed by W. A. Mozart (1756 – 1791). Arranged by James M. Guthrie, ASCAP. Chamber,Classical,Contest,Festival,Traditional,Wedding. 94 pages. Jmsgu3 #800635. Published by jmsgu3 (A0.1202033). Sonata No. 6, “Durnitz†for String Quartet Mozart's Sonata in D major, K. 284, also known as the Durnitz Sonata, is a solo piano piece by Wolfgang Amadeus Mozart in 1775. It is one of Mozart's more complex and ambitious sonatas and is generally regarded as one of his greatest works for the instrument.The sonata is divided into three movements:1.   Allegro - The first movement is a fast-paced and energetic sonata-allegro form characterized by its lively theme and virtuosic passages. The movement begins with a bold and dramatic opening statement, followed by contrasting themes and variations. The development section explores new harmonic and rhythmic territory, while the recapitulation brings the movement full circle with a restatement of the main themes.2.   Rondeau en Polonaise - The second movement is a graceful and elegant rondo in the style of a polonaise, a popular dance of the time. The central theme is a lilting melody first presented by the right hand and then repeated with variations throughout the movement. The middle section features a contrasting theme in a minor key, which is then developed and expanded upon in the latter half of the movement.3.   Theme and Variations - The final movement is a set of six variations on a theme, which is introduced at the beginning of the movement. Each variation explores a different aspect of the theme, from playful embellishments to dramatic flourishes. The final variation brings the piece to a rousing and triumphant close.Overall, Mozart's Sonata in D major, K. 284, is a masterful example of the composer's virtuosity and innovation and remains a beloved and influential work in the piano repertoire. Mozart's Sonata in D major, K. 284 is also known as the Dürnitz Sonata because it is believed to have been composed for Count Johann Joseph Anton von Dürnitz, an accomplished amateur flutist who was a patron of Mozart. Mozart was in Munich in 1775, and he met Dürnitz there. According to Mozart's letters to his father, Dürnitz played the flute very well, and Mozart was impressed by his abilities. It is believed that Mozart composed this sonata specifically for Dürnitz, who may have performed it with Mozart accompanying him on the piano. No concrete evidence supports the theory that the sonata was named after Dürnitz, but it is widely accepted as the most likely explanation for the nickname. In any case, the sonata remains one of Mozart's most popular and beloved works.
$44.95
String Quartet No. 5 From The Frieze Of Life (parts)
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Colin Bayliss
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String Quartet No. 5 From The
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Colin Bayliss
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SheetMusicPlus
String Quartet String Quartet - Level 4 - SKU: A0.938388 Composed by Colin Bayliss. 20th Century,Contemporary. Score and parts. 29 pages. Colin Bayliss ...
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String Quartet String Quartet - Level 4 - SKU: A0.938388 Composed by Colin Bayliss. 20th Century,Contemporary. Score and parts. 29 pages. Colin Bayliss #6141. Published by Colin Bayliss (A0.938388). This work was written in 1999 for an international competition for quartets reflecting in music the visions in three of Edvard Munch's paintings. It is dedicated to the composer's wife, Rayna. 1. The Scream - Moderato - There are 51 versions of The Scream and the movement is in 51 sections grouped roughly into sonata form. The development is largely textural, and the movement hinges about a chord formed of open fifths a major third apart which will also re-appear in the other movements to give the quartet its sense of unity. The screaming is both audible and silent, and the footsteps on the bridge are portrayed both in a sense of passing by and also of running away. 2. Melancholy - Andante - Munch gave other titles to this painting, namely Jappe by the Shore and Jealousy . As jealousy and melancholy are retrospective emotions, tonal and modal music is employed, using the Norwegian folk song Millom bakkar og berg ut met havet set in a minor key for the first section. The A-B-A form then partially loses tonality for Jealousy, while returning to it for Melancholy itself. 3. The Dance of Life - Allegro - This movement is in rondo form, with hints of Norwegian country dances for the dancers in the painting. The two women are portrayed as one looking nostalgically to the light-heartedness of the old waltz and the other brooding on the darkness and latent sexuality of the new tango, the melodies for both of which are also corruptions of the country dances. The Munch chord alters the perspective on the scene as the movement progresses and eventually dissolves at the end as though the onlooker is passing on to another, equally unresolved future. The Score and Parts are available on this site as separate downloads The sound sample is the second movement - performed by the Lochrian Ensemble The complete 6 string quartets performed by the Lochrian Ensemble are available on itunes: see: http://www.dwsolo.com/colinbayliss/.
$10.00
String Quartet No. 5 From The Frieze Of Life (score and parts)
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Colin Bayliss
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String Quartet No. 5 From The
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Colin Bayliss
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SheetMusicPlus
String Quartet String Quartet - Level 4 - SKU: A0.938387 Composed by Colin Bayliss. 20th Century,Contemporary. Score and parts. 66 pages. Colin Bayliss ...
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String Quartet String Quartet - Level 4 - SKU: A0.938387 Composed by Colin Bayliss. 20th Century,Contemporary. Score and parts. 66 pages. Colin Bayliss #6139. Published by Colin Bayliss (A0.938387). This work was written in 1999 for an international competition for quartets reflecting in music the visions in three of Edvard Munch's paintings. It is dedicated to the composer's wife, Rayna. 1. The Scream - Moderato - There are 51 versions of The Scream and the movement is in 51 sections grouped roughly into sonata form. The development is largely textural, and the movement hinges about a chord formed of open fifths a major third apart which will also re-appear in the other movements to give the quartet its sense of unity. The screaming is both audible and silent, and the footsteps on the bridge are portrayed both in a sense of passing by and also of running away. 2. Melancholy - Andante - Munch gave other titles to this painting, namely Jappe by the Shore and Jealousy . As jealousy and melancholy are retrospective emotions, tonal and modal music is employed, using the Norwegian folk song Millom bakkar og berg ut met havet set in a minor key for the first section. The A-B-A form then partially loses tonality for Jealousy, while returning to it for Melancholy itself. 3. The Dance of Life - Allegro - This movement is in rondo form, with hints of Norwegian country dances for the dancers in the painting. The two women are portrayed as one looking nostalgically to the light-heartedness of the old waltz and the other brooding on the darkness and latent sexuality of the new tango, the melodies for both of which are also corruptions of the country dances. The Munch chord alters the perspective on the scene as the movement progresses and eventually dissolves at the end as though the onlooker is passing on to another, equally unresolved future. The Score and Parts are available on this site as separate downloads The sound sample is the second movement - performed by the Lochrian Ensemble The complete 6 string quartets performed by the Lochrian Ensemble are available on itunes: see: http://www.dwsolo.com/colinbayliss/.
$15.00
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Rondo in A Minor
