Page d'accueil
Parcourir Free-scores.com
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Sia
Non classifié
3 041
Piano & claviers
Piano seul
2 697
Piano Facile
691
Piano, Voix
661
Piano, Voix et Guitare
598
Orgue
328
Instruments en Do
125
Accordéon
89
1 Piano, 4 mains
82
Piano Trio: piano, violon, violoncelle
37
Piano grosses notes
31
2 Pianos, 4 mains
30
Accompagnement Piano
24
Piano (partie séparée)
8
Orgue, Piano (duo)
7
Piano Quatuor: piano, violon, alto, violoncelle
5
Piano Quatuor: piano, 2 violons, violoncelle
4
Ligne De Mélodie, Piano
4
Piano Quintette: piano, 2 violons, alto, violoncelle
3
1 Piano, 6 mains
3
Orgue, Trompette (duo)
3
Clavecin
2
Orgue, Voix
1
2 Orgues (duo)
1
2 Pianos, 8 mains
1
Clavier
1
2 Accordéons
1
Accordéon, Voix
1
+ 22 instrumentations
Retracter
Guitares
Guitare
261
Guitare notes et tablatures
260
Ligne De Mélodie, (Paroles) et Accords
164
Piano, Guitare (duo)
125
Ukulele
72
Paroles et Accords
46
Basse electrique
35
2 Guitares (duo)
35
4 Guitares (Quatuor)
12
Ukulele Baryton
4
Dulcimer
4
Mandoline
3
3 Guitares (trio)
3
Basse électrique (partie séparée)
2
Banjo
2
Ensemble de guitares
2
Ensemble de Ukulélés
2
Partitions De Groupes
2
Mandoline, Piano (duo)
1
Guitare (partie séparée)
1
Guitare, Violon, Violoncelle (trio)
1
Guitare, Quatuor à cordes
1
Orchestre à Plectres
1
+ 18 instrumentations
Retracter
Voix
Chorale SATB
775
Chorale 3 parties
279
Chorale 2 parties
139
Chorale SSAA
90
Chorale TTBB
79
Voix seule
78
Pack Instrumental pour Chorale
78
Chorale Unison
63
Voix duo, Piano
40
Chorale
40
Voix haute
26
Voix duo
25
Voix Soprano, Piano
16
Voix Alto, Piano
15
Voix Tenor, Piano
7
Voix Mezzo-Soprano, Piano
6
Voix moyenne, Piano
6
Voix basse
5
Voix Baryton, Piano
5
Voix Soprano
3
Chorale SSAATTBB
3
Voix basse, Piano
2
Chorale SSATTB
2
Chorale SSAB a cappella
2
Male Voice
1
Voix, Guitare
1
Chorale SATTB
1
Chorale SSATB
1
+ 23 instrumentations
Retracter
Vents
Flûte traversière et Piano
392
Clarinette et Piano
371
Hautbois, Piano (duo)
302
Saxophone Alto et Piano
259
Flûte traversière
241
Saxophone Tenor et Piano
215
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
201
Quatuor de Saxophones: 4 saxophones
195
Clarinette
174
Saxophone (partie séparée)
155
Flûte, Hautbois, Clarinette, Basson
146
Saxophone
144
Clarinette (partie séparée)
131
Quatuor de Clarinettes: 4 clarinettes
127
2 Saxophones (duo)
124
Quintette de Saxophone: 5 saxophones
116
Saxophone Alto
111
2 Flûtes traversières (duo)
102
Saxophone Tenor
77
Saxophone Soprano et Piano
76
Quatuor de Flûtes : 4 flûtes
76
Hautbois (partie séparée)
71
Ensemble de Flûtes
67
Ensemble de Clarinettes
67
2 Clarinettes (duo)
55
Ensemble de saxophones
48
Flute (partie séparée)
40
3 Clarinettes (trio)
37
Saxophone Baryton, Piano
36
Flûte, Clarinette (duo)
35
Quatuor de Flûtes à bec
33
2 Flûte à bec (duo)
31
Trio de Flûtes: 3 flûtes
28
3 Saxophones (trio)
26
Hautbois
25
Cor anglais, Piano
24
Clarinette Basse, Piano
22
Quintette de Clarinettes: 5 clarinettes
22
2 Hautbois (duo)
20
Hautbois, Basson (duo)
20
Saxophone, Clarinette (duo)
19
Flûte à Bec
18
Clarinette, Violon (duo)
16
Quintette de Flûte : 5 flûtes
15
Flûte à bec Soprano
15
Flûte, Violon
14
Instruments en Mib
13
Clarinette, Trompette (duo)
12
Hautbois, Clarinette (duo)
12
Clarinette, Basson (duo)
11
Flûte et Guitare
11
Flute, harpe et violon
10
5 Flûtes à bec
10
Clarinette et Alto
10
Piccolo
10
Flûte, Violoncelle
10
Flûte, Violon, Piano
9
Flûte, Hautbois, Clarinette (trio)
9
Saxophone Soprano
9
Clarinette, Guitare (duo)
9
3 Flûtes à bec (trio)
9
Flûte, Alto (duo)
9
Flûte à bec Alto
8
Flûte, Saxophone (duo)
8
Flûte, Clarinette et Basson
8
Hautbois, Flûte
7
Saxophone et Piano
7
Flûte, Hautbois (duo)
6
Cor Anglais
6
Ensemble De Flûte à bec
5
Hautbois, Violoncelle
5
Flûte, Trompette (duo)
5
Flûte, Hautbois, Basson
5
Clarinette, Violoncelle, Piano (trio)
4
Clarinette, Violoncelle (duo)
4
Piccolo, Piano
4
Harmonica
4
Hautbois, Clarinette, Basson (trio d'anches)
4
Flûte, Alto et Piano
4
Flûte traversière, Orgue (duo)
4
Clarinette Basse
3
Hautbois et alto (duo)
3
2 Flûtes traversières, Piano
3
Flûte à bec Soprano, Piano
3
Flûte, Violoncelle, Piano (trio)
3
Flûte, Violon et Violoncelle
3
Clarinette, Harpe (duo)
3
2 Clarinettes, Basson
3
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
2
Ocarina
2
Flûte irlandaise
2
Flûte, Clarinette, Cor, Basson (Quartet)
2
Flûte, Basson et Piano
2
Hautbois, violon (duo)
2
3 Hautbois
2
Saxophone Baryton
2
Flûte à bec Alto, Piano
2
Flûte et Trio à cordes
2
Flûte, Hautbois, Piano (trio)
2
Saxophone et Orgue
2
2 Saxophones, Piano
2
Flûte, Harpe et Violoncelle
2
Hautbois, Harpe
2
Flûte, Clarinette, Piano (trio)
2
2 Clarinettes, Piano
1
Flûte, Clarinette, Violon (trio)
1
Flûte à bec, Guitare (duo)
1
Clarinette, Basson, Piano (trio)
1
Flûte traversière, Orchestre
1
2 Flûtes à bec, Guitare
1
Flute, Cor (duo)
1
Harmonica, Piano
1
Saxophone et Guitare
1
2 Flûtes à bec, Piano
1
Hautbois, Violon, Piano
1
Flûte traversière, Basse continue
1
Clarinette, Trombone (duo)
1
Flûte, Violon, Violoncelle et Piano
1
Clarinette, Alto et Piano (trio)
1
Flûte et Quatuor à Cordes
1
Hautbois, Violoncelle et Piano
1
Flûte, Alto et Violoncelle
1
Cor anglais, Guitare (duo)
1
+ 118 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
249
Trompette
238
Trombone et Piano
232
Trompette, Piano
173
Quatuor de Cuivres : 2 trompettes, trombone, tuba
154
Trombone
140
Trompette (partie séparée)
131
Trombone (partie séparée)
128
Cor (partie séparée)
62
Cor
61
Cor et Piano
55
Quatuor de Cuivres: 2 trompettes, Cor, trombone
51
2 Trompettes (duo)
41
Euphonium, Piano (duo)
40
Tuba et Piano
38
Tuba
34
Tuba (partie séparée)
33
Ensemble de Trombones
26
Cor anglais, Piano
24
2 Trombones (duo)
23
Quatuor de Cuivres
21
Trompette, Trombone (duo)
21
Ensemble de Trompettes
21
Quatuor de cuivres: 4 trombones
21
Euphonium
16
Trompette, Saxophone (duo)
14
Quatuor de cuivres: 4 cors
14
Bass Clef Instruments
13
Instruments en Sib
10
2 Euphoniums et 2 Tubas
10
2 Cors (duo)
8
4 Tubas
7
Quatuor de cuivres: 4 trompettes
6
Cor Anglais
6
Trompette, Cor (duo)
5
Ensemble de Cors
5
2 Tubas (duo)
3
Trio de Cuivres
3
Trombone basse et Piano
3
Cornet A Pistons
3
3 Trombones (trio)
3
Instruments en Fa
3
Trombone, Cor (duo)
3
3 Trompettes (trio)
2
2 Trombones, Piano
2
Trombone, Tuba (duo)
2
Trompette, Violoncelle (duo)
2
Cor, Tuba (duo)
2
Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib
1
Cor, Violoncelle (duo)
1
Cor et Basson (duo)
1
Trombone basse
1
Trompette, Basson (duo)
1
3 Cors (trio)
1
Trompette, Euphonium (duo)
1
Clarinette, Cor (duo)
1
4 Euphoniums
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Cor anglais, Guitare (duo)
1
Tuba ou Euphonium ou Saxhorn
1
+ 55 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
568
Violon et Piano
466
Violoncelle, Piano
324
Alto, Piano
304
Violon
302
Violoncelle
196
Violon, Violoncelle (duo)
144
Alto seul
133
Trio à Cordes: violon, alto, violoncelle
100
Violon (partie séparée)
92
Harpe
74
2 Violons (duo)
70
Alto (partie séparée)
51
2 Violoncelles (duo)
40
Violon, Alto (duo)
34
Quintette à cordes: 2 violons, alto, violoncelle, basse
32
Contrebasse (partie séparée)
32
Violoncelle (partie séparée)
30
2 Altos (duo)
27
Contre Basse
27
Contrebasse, Piano (duo)
26
4 Violoncelles
24
Quatuor à cordes: 4 violons
14
Trio à Cordes: 2 violons, violoncelle
13
2 Harpes (duo)
12
Ensemble de Violons
11
Quatuor à cordes : 4 altos
11
Ensemble d'Altos
10
Alto, Violoncelle (duo)
10
Trio à cordes: 3 violins
10
Piano Trio: Violon, Alto, Piano
9
Trio à Cordes: 3 violoncelles
7
2 Contrebasses (duo)
7
Harpe, Violon (duo)
6
Violoncelle , Guitare (duo)
6
Harpe, Flûte (duo)
6
Violon, Guitare (duo)
6
Trio à cordes: 3 altos
5
Alto, Guitare (duo)
5
Trio à Cordes: 2 violons, alto
5
Trio à cordes
4
Alto et Basson
3
Violoncelle, Contrebasse (duo)
3
4 Contrebasses
3
2 Violons, Piano
3
Violon, Basson (duo)
3
Ensemble de Violoncelles
3
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
2 Violoncelles, Piano
2
Harpe, Voix
2
Violon, Orgue
2
Flûte, Contrebasse (duo)
2
Violon, Clarinette, Piano (trio)
1
Alto, Orgue
1
Quintette à cordes : 2 violons, alto et 2 violoncelles
1
Violoncelle, Orchestre
1
Harpe, Violon, Violoncelle
1
+ 52 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
978
Orchestre à Cordes
327
Orchestre
312
Batterie
119
Orchestre de chambre
116
Ensemble de cuivres
99
Ensemble Jazz
94
Percussion (partie séparée)
70
Cloches
66
Fanfare
49
Timbales (partie séparée)
23
Percussion
18
Ensemble de Percussions
17
Jazz combo
13
Batterie (partie séparée)
9
Marimba
9
Xylophone
8
Xylophone, Piano
6
Vibraphone
4
Quintette à Vent
4
Orchestre, Violon
3
Timbales
3
Xylophone (partie séparée)
2
Piano et Orchestre
2
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
2
2 Xylophones
2
Instrumentation Flexible
1
2 Marimbas
1
Quatuor à Vent : 4 instruments à vents
1
+ 24 instrumentations
Retracter
Autres
Partitions Gratuites
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Instrumentations
Top Téléchargements
Compositeurs
Nouveautés
Partitions de Noël
Genres Musicaux
Genres Musicaux
Autres Services
Autres Services
Top 100
Annuaire Web
Portées musicales
Metronome
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
€
€
EUR €
USD $
GBP £
CAD $
CNY ¥
English
Partitions Gratuites
145
Partitions Numériques
568
Librairie Musicale
395
Matériel de Musique
1 083
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Vous avez sélectionné:
Sia
Quatuor à cordes: 2 violons, alto, violoncelle
Partitions à imprimer
568 partitions trouvées
<
1
26
51
....
551
Cheap Thrills - Sia - for String Quartet [Score and Parts]
#
Quatuor à cordes: 2 violons, alto, violoncelle
#
FACILE
#
Rock
#
Sia feat
#
Marcelo Onetta Fermiano
#
Cheap Thrills - Sia - for Stri
#
Marcelo Onetta Fermiano
#
SheetMusicPlus
String Quartet - Early Intermediate - Digital Download By Sia feat. Sean Paul. Arranged by Marcelo Onetta Fermiano. Score, Set of Parts. 16 pages. Pu...
(+)
String Quartet - Early Intermediate - Digital Download By Sia feat. Sean Paul. Arranged by Marcelo Onetta Fermiano. Score, Set of Parts. 16 pages. Published by Marcelo Onetta Fermiano
Cheap Thrills - Sia - Sheet Music for String Quartet [Score and Parts]
File type: PDF
Key: A
Total Pages: 16 (Score and Parts)
**{Score: 8 pages}
**{Violin I: 1 page}
**{Violin II: 1 page}
**{Viola: 2 pages}
**{Violoncello: 1 page}
Parts: Violin I - Violin II - Viola - Violoncello.
$12.99
Sweelinck: Echo Fantasia No. 2 for String Quartet - Score Only
#
Quatuor à cordes: 2 violons, alto, violoncelle
#
INTERMÉDIAIRE
#
Jan Pieterszoon Sweelinck was
#
James M
#
Sweelinck: Echo Fantasia No. 2
#
jmsgu3
#
SheetMusicPlus
String Quartet String Quartet - Level 3 - SKU: A0.1296215 Composed by Jan Pieterszoon Sweelinck was. Arranged by James M. Guthrie. Chamber,Contest,Early...
(+)
String Quartet String Quartet - Level 3 - SKU: A0.1296215 Composed by Jan Pieterszoon Sweelinck was. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Renaissance. 7 pages. Jmsgu3 #886460. Published by jmsgu3 (A0.1296215). Jan Pieterszoon Sweelinck was a Dutch organist and composer who lived from April 1562 to October 16, 1621. He was born and died in Amsterdam, Netherlands. Sweelinck's first published works date from around 1592-94, and he composed a variety of music, including chansons and keyboard music. He was known for his keyboard playing and was a teacher to German composers Samuel Scheidt and Heinrich Scheidemann.  Sweelinck's Echo Fantasias are significant for several reasons:Innovative composition: Echo Fantasias were a unique form of composition during Sweelinck's time, blending elements of traditional fantasias with passages dedicated to echo effects. This experimental approach showcased Sweelinck's creativity and willingness to push the boundaries of musical expression. Emphasis on the moment: Unlike Sweelinck's larger fantasias, the construction of Echo Fantasias was less strict, focusing more on the immediate musical experience rather than the overall design. This emphasis on the moment allowed for greater freedom and spontaneity in the performance of these pieces. Stylistic range: Echo Fantasias encompassed a wide range of styles, juxtaposing fantasia-like elements with passages dedicated to echo effects. This stylistic diversity added depth and complexity to Sweelinck's compositions, making them engaging and intriguing for both performers and listeners.
$24.95
Sweelinck: Echo Fantasia No. 1 for String Quartet - Score Only
#
Quatuor à cordes: 2 violons, alto, violoncelle
#
INTERMÉDIAIRE/AVANCÉ
#
Jan Pieterszoon Sweelinck
#
James M
#
Sweelinck: Echo Fantasia No. 1
#
jmsgu3
#
SheetMusicPlus
String Quartet String Quartet - Level 4 - SKU: A0.1295687 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Chamber,Contest,Early Mus...
(+)
String Quartet String Quartet - Level 4 - SKU: A0.1295687 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Renaissance. 14 pages. Jmsgu3 #885985. Published by jmsgu3 (A0.1295687). Jan Pieterszoon Sweelinck was a Dutch organist and composer who lived from April 1562 to October 16, 1621. He was born and died in Amsterdam, Netherlands. Sweelinck's first published works date from around 1592-94, and he composed a variety of music, including chansons and keyboard music. He was known for his keyboard playing and was a teacher to German composers Samuel Scheidt and Heinrich Scheidemann. Jan Pieterszoon Sweelinck's Echo Fantasias are significant for several reasons:Innovative composition: Echo Fantasias were a unique form of composition during Sweelinck's time, blending elements of traditional fantasias with passages dedicated to echo effects. This experimental approach showcased Sweelinck's creativity and willingness to push the boundaries of musical expression. Emphasis on the moment: Unlike Sweelinck's larger fantasias, the construction of Echo Fantasias was less strict, focusing more on the immediate musical experience rather than the overall design. This emphasis on the moment allowed for greater freedom and spontaneity in the performance of these pieces. Stylistic range: Echo Fantasias encompassed a wide range of styles, juxtaposing fantasia-like elements with passages dedicated to echo effects. This stylistic diversity added depth and complexity to Sweelinck's.
$24.95
Sweelinck: Echo Fantasia No. 6 for String Quartet - Score Only
#
Quatuor à cordes: 2 violons, alto, violoncelle
#
INTERMÉDIAIRE/AVANCÉ
#
Jan Pieterszoon Sweelinck
#
James M
#
Sweelinck: Echo Fantasia No. 6
#
jmsgu3
#
SheetMusicPlus
String Quartet String Quartet - Level 4 - SKU: A0.1297751 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Chamber,Contest,Early Mus...
(+)
String Quartet String Quartet - Level 4 - SKU: A0.1297751 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Renaissance. 8 pages. Jmsgu3 #887726. Published by jmsgu3 (A0.1297751). Jan Pieterszoon Sweelinck was a Dutch organist and composer who lived from April 1562 to October 16, 1621. He was born and died in Amsterdam, Netherlands. Sweelinck's first published works date from around 1592-94, and he composed a variety of music, including chansons and keyboard music. He was known for his keyboard playing and was a teacher to German composers Samuel Scheidt and Heinrich Scheidemann. Sweelinck's Echo Fantasias are significant for several reasons:Innovative composition: Echo Fantasias were a unique form of composition during Sweelinck's time, blending elements of traditional fantasias with passages dedicated to echo effects. This experimental approach showcased Sweelinck's creativity and willingness to push the boundaries of musical expression. Emphasis on the moment: Unlike Sweelinck's larger fantasias, the construction of Echo Fantasias was less strict, focusing more on the immediate musical experience rather than the overall design. This emphasis on the moment allowed for greater freedom and spontaneity in the performance of these pieces. Stylistic range: Echo Fantasias encompassed a wide range of styles, juxtaposing fantasia-like elements with passages dedicated to echo effects. This stylistic diversity added depth and complexity to Sweelinck's compositions, making them engaging and intriguing for both performers and listeners.
$24.95
Sweelinck: Echo Fantasia No. 3 for String Quartet - Score Only
#
Quatuor à cordes: 2 violons, alto, violoncelle
#
INTERMÉDIAIRE
#
Jan Pieterszoon Sweelinck
#
James M
#
Sweelinck: Echo Fantasia No. 3
#
jmsgu3
#
SheetMusicPlus
String Quartet String Quartet - Level 3 - SKU: A0.1296695 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Chamber,Contest,Early Mus...
(+)
String Quartet String Quartet - Level 3 - SKU: A0.1296695 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Renaissance. 7 pages. Jmsgu3 #886848. Published by jmsgu3 (A0.1296695). Jan Pieterszoon Sweelinck was a Dutch organist and composer who lived from April 1562 to October 16, 1621. He was born and died in Amsterdam, Netherlands. Sweelinck's first published works date from around 1592-94, and he composed a variety of music, including chansons and keyboard music. He was known for his keyboard playing and was a teacher to German composers Samuel Scheidt and Heinrich Scheidemann.Sweelinck's Echo Fantasias are significant for several reasons:Innovative composition: Echo Fantasias were a unique form of composition during Sweelinck's time, blending elements of traditional fantasias with passages dedicated to echo effects. This experimental approach showcased Sweelinck's creativity and willingness to push the boundaries of musical expression. Emphasis on the moment: Unlike Sweelinck's larger fantasias, the construction of Echo Fantasias was less strict, focusing more on the immediate musical experience rather than the overall design. This emphasis on the moment allowed for greater freedom and spontaneity in the performance of these pieces. Stylistic range: Echo Fantasias encompassed a wide range of styles, juxtaposing fantasia-like elements with passages dedicated to echo effects. This stylistic diversity added depth and complexity to Sweelinck's compositions, making them engaging and intriguing for both performers and listeners.
$24.95
Sweelinck: Echo Fantasia No. 4 for String Quartet - Score Only
#
Quatuor à cordes: 2 violons, alto, violoncelle
#
INTERMÉDIAIRE
#
Jan Pieterszoon Sweelinck
#
James M
#
Sweelinck: Echo Fantasia No. 4
#
jmsgu3
#
SheetMusicPlus
String Quartet String Quartet - Level 3 - SKU: A0.1297245 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Chamber,Contest,Early Mus...
(+)
String Quartet String Quartet - Level 3 - SKU: A0.1297245 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Renaissance. 15 pages. Jmsgu3 #887319. Published by jmsgu3 (A0.1297245). Jan Pieterszoon Sweelinck was a Dutch organist and composer who lived from April 1562 to October 16, 1621. He was born and died in Amsterdam, Netherlands. Sweelinck's first published works date from around 1592-94, and he composed a variety of music, including chansons and keyboard music. He was known for his keyboard playing and was a teacher to German composers Samuel Scheidt and Heinrich Scheidemann. Sweelinck's Echo Fantasias are significant for several reasons:Innovative composition: Echo Fantasias were a unique form of composition during Sweelinck's time, blending elements of traditional fantasias with passages dedicated to echo effects. This experimental approach showcased Sweelinck's creativity and willingness to push the boundaries of musical expression. Emphasis on the moment: Unlike Sweelinck's larger fantasias, the construction of Echo Fantasias was less strict, focusing more on the immediate musical experience rather than the overall design. This emphasis on the moment allowed for greater freedom and spontaneity in the performance of these pieces. Stylistic range: Echo Fantasias encompassed a wide range of styles, juxtaposing fantasia-like elements with passages dedicated to echo effects. This stylistic diversity added depth and complexity to Sweelinck's compositions, making them engaging and intriguing for both performers and listeners.
$24.95
Sweelinck: Echo Fantasia No. 5 for String Quartet - Score Only
#
Quatuor à cordes: 2 violons, alto, violoncelle
#
INTERMÉDIAIRE/AVANCÉ
#
Jan Pieterszoon Sweelinck
#
James M
#
Sweelinck: Echo Fantasia No. 5
#
jmsgu3
#
SheetMusicPlus
String Quartet String Quartet - Level 4 - SKU: A0.1297625 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Chamber,Contest,Early Mus...
(+)
String Quartet String Quartet - Level 4 - SKU: A0.1297625 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Renaissance. 9 pages. Jmsgu3 #887626. Published by jmsgu3 (A0.1297625). Jan Pieterszoon Sweelinck was a Dutch organist and composer who lived from April 1562 to October 16, 1621. He was born and died in Amsterdam, Netherlands. Sweelinck's first published works date from around 1592-94, and he composed a variety of music, including chansons and keyboard music. He was known for his keyboard playing and was a teacher to German composers Samuel Scheidt and Heinrich Scheidemann. Sweelinck's Echo Fantasias are significant for several reasons:Innovative composition: Echo Fantasias were a unique form of composition during Sweelinck's time, blending elements of traditional fantasias with passages dedicated to echo effects. This experimental approach showcased Sweelinck's creativity and willingness to push the boundaries of musical expression. Emphasis on the moment: Unlike Sweelinck's larger fantasias, the construction of Echo Fantasias was less strict, focusing more on the immediate musical experience rather than the overall design. This emphasis on the moment allowed for greater freedom and spontaneity in the performance of these pieces. Stylistic range: Echo Fantasias encompassed a wide range of styles, juxtaposing fantasia-like elements with passages dedicated to echo effects. This stylistic diversity added depth and complexity to Sweelinck's compositions, making them engaging and intriguing for both performers and listeners.
$24.95
Sweelinck: Echo Fantasia No. 5 for String Quartet
#
Quatuor à cordes: 2 violons, alto, violoncelle
#
INTERMÉDIAIRE/AVANCÉ
#
Jan Pieterszoon Sweelinck
#
James M
#
Sweelinck: Echo Fantasia No. 5
#
jmsgu3
#
SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1297629 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Chambe...
(+)
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1297629 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Renaissance. 19 pages. Jmsgu3 #887630. Published by jmsgu3 (A0.1297629). Jan Pieterszoon Sweelinck was a Dutch organist and composer who lived from April 1562 to October 16, 1621. He was born and died in Amsterdam, Netherlands. Sweelinck's first published works date from around 1592-94, and he composed a variety of music, including chansons and keyboard music. He was known for his keyboard playing and was a teacher to German composers Samuel Scheidt and Heinrich Scheidemann. Sweelinck's Echo Fantasias are significant for several reasons:Innovative composition: Echo Fantasias were a unique form of composition during Sweelinck's time, blending elements of traditional fantasias with passages dedicated to echo effects. This experimental approach showcased Sweelinck's creativity and willingness to push the boundaries of musical expression. Emphasis on the moment: Unlike Sweelinck's larger fantasias, the construction of Echo Fantasias was less strict, focusing more on the immediate musical experience rather than the overall design. This emphasis on the moment allowed for greater freedom and spontaneity in the performance of these pieces. Stylistic range: Echo Fantasias encompassed a wide range of styles, juxtaposing fantasia-like elements with passages dedicated to echo effects. This stylistic diversity added depth and complexity to Sweelinck's compositions, making them engaging and intriguing for both performers and listeners.
$28.95
Sweelinck: Echo Fantasia No. 2 for String Quartet
#
Quatuor à cordes: 2 violons, alto, violoncelle
#
INTERMÉDIAIRE
#
Jan Pieterszoon Sweelinck was
#
James M
#
Sweelinck: Echo Fantasia No. 2
#
jmsgu3
#
SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1296216 Composed by Jan Pieterszoon Sweelinck was. Arranged by James M. Guthrie. Ch...
(+)
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1296216 Composed by Jan Pieterszoon Sweelinck was. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Renaissance. 20 pages. Jmsgu3 #886461. Published by jmsgu3 (A0.1296216). Jan Pieterszoon Sweelinck was a Dutch organist and composer who lived from April 1562 to October 16, 1621. He was born and died in Amsterdam, Netherlands. Sweelinck's first published works date from around 1592-94, and he composed a variety of music, including chansons and keyboard music. He was known for his keyboard playing and was a teacher to German composers Samuel Scheidt and Heinrich Scheidemann. Sweelinck's Echo Fantasias are significant for several reasons:Innovative composition: Echo Fantasias were a unique form of composition during Sweelinck's time, blending elements of traditional fantasias with passages dedicated to echo effects. This experimental approach showcased Sweelinck's creativity and willingness to push the boundaries of musical expression. Emphasis on the moment: Unlike Sweelinck's larger fantasias, the construction of Echo Fantasias was less strict, focusing more on the immediate musical experience rather than the overall design. This emphasis on the moment allowed for greater freedom and spontaneity in the performance of these pieces. Stylistic range: Echo Fantasias encompassed a wide range of styles, juxtaposing fantasia-like elements with passages dedicated to echo effects. This stylistic diversity added depth and complexity to Sweelinck's compositions, making them engaging and intriguing for both performers and listeners.
$28.95
Sweelinck: Echo Fantasia No. 1 for String Quartet
#
Quatuor à cordes: 2 violons, alto, violoncelle
#
INTERMÉDIAIRE/AVANCÉ
#
Jan Pieterszoon Sweelinck
#
James M
#
Sweelinck: Echo Fantasia No. 1
#
jmsgu3
#
SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1295690 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Chambe...
(+)
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1295690 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Renaissance. 29 pages. Jmsgu3 #885988. Published by jmsgu3 (A0.1295690). Jan Pieterszoon Sweelinck was a Dutch organist and composer who lived from April 1562 to October 16, 1621. He was born and died in Amsterdam, Netherlands. Sweelinck's first published works date from around 1592-94, and he composed a variety of music, including chansons and keyboard music. He was known for his keyboard playing and was a teacher to German composers Samuel Scheidt and Heinrich Scheidemann. Sweelinck's Echo Fantasias are significant for several reasons:Innovative composition: Echo Fantasias were a unique form of composition during Sweelinck's time, blending elements of traditional fantasias with passages dedicated to echo effects. This experimental approach showcased Sweelinck's creativity and willingness to push the boundaries of musical expression. Emphasis on the moment: Unlike Sweelinck's larger fantasias, the construction of Echo Fantasias was less strict, focusing more on the immediate musical experience rather than the overall design. This emphasis on the moment allowed for greater freedom and spontaneity in the performance of these pieces. Stylistic range: Echo Fantasias encompassed a wide range of styles, juxtaposing fantasia-like elements with passages dedicated to echo effects. This stylistic diversity added depth and complexity to Sweelinck's compositions, making them engaging and intriguing for both performers and listeners.
$28.95
Sweelinck: Echo Fantasia No. 3 for String Quartet
#
Quatuor à cordes: 2 violons, alto, violoncelle
#
INTERMÉDIAIRE
#
Jan Pieterszoon Sweelinck
#
James M
#
Sweelinck: Echo Fantasia No. 3
#
jmsgu3
#
SheetMusicPlus
String Quartet String Quartet - Level 3 - SKU: A0.1296687 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Chamber,Contest,Early Mus...
(+)
String Quartet String Quartet - Level 3 - SKU: A0.1296687 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Renaissance. 15 pages. Jmsgu3 #886850. Published by jmsgu3 (A0.1296687). Jan Pieterszoon Sweelinck was a Dutch organist and composer who lived from April 1562 to October 16, 1621. He was born and died in Amsterdam, Netherlands. Sweelinck's first published works date from around 1592-94, and he composed a variety of music, including chansons and keyboard music. He was known for his keyboard playing and was a teacher to German composers Samuel Scheidt and Heinrich Scheidemann.Sweelinck's Echo Fantasias are significant for several reasons:Innovative composition: Echo Fantasias were a unique form of composition during Sweelinck's time, blending elements of traditional fantasias with passages dedicated to echo effects. This experimental approach showcased Sweelinck's creativity and willingness to push the boundaries of musical expression. Emphasis on the moment: Unlike Sweelinck's larger fantasias, the construction of Echo Fantasias was less strict, focusing more on the immediate musical experience rather than the overall design. This emphasis on the moment allowed for greater freedom and spontaneity in the performance of these pieces. Stylistic range: Echo Fantasias encompassed a wide range of styles, juxtaposing fantasia-like elements with passages dedicated to echo effects. This stylistic diversity added depth and complexity to Sweelinck's compositions, making them engaging and intriguing for both performers and listeners.
$28.95
Sweelinck: Echo Fantasia No. 4 for String Quartet
#
Quatuor à cordes: 2 violons, alto, violoncelle
#
INTERMÉDIAIRE
#
Jan Pieterszoon Sweelinck
#
James M
#
Sweelinck: Echo Fantasia No. 4
#
jmsgu3
#
SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1297509 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Chambe...
(+)
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1297509 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Renaissance. 31 pages. Jmsgu3 #887551. Published by jmsgu3 (A0.1297509). Jan Pieterszoon Sweelinck was a Dutch organist and composer who lived from April 1562 to October 16, 1621. He was born and died in Amsterdam, Netherlands. Sweelinck's first published works date from around 1592-94, and he composed a variety of music, including chansons and keyboard music. He was known for his keyboard playing and was a teacher to German composers Samuel Scheidt and Heinrich Scheidemann. Sweelinck's Echo Fantasias are significant for several reasons:Innovative composition: Echo Fantasias were a unique form of composition during Sweelinck's time, blending elements of traditional fantasias with passages dedicated to echo effects. This experimental approach showcased Sweelinck's creativity and willingness to push the boundaries of musical expression. Emphasis on the moment: Unlike Sweelinck's larger fantasias, the construction of Echo Fantasias was less strict, focusing more on the immediate musical experience rather than the overall design. This emphasis on the moment allowed for greater freedom and spontaneity in the performance of these pieces. Stylistic range: Echo Fantasias encompassed a wide range of styles, juxtaposing fantasia-like elements with passages dedicated to echo effects. This stylistic diversity added depth and complexity to Sweelinck's compositions, making them engaging and intriguing for both performers and listeners.
$28.95
Sweelinck: Six Echo Fantasias Complete for String Quartet - Score Only
#
Quatuor à cordes: 2 violons, alto, violoncelle
#
INTERMÉDIAIRE/AVANCÉ
#
Jan Pieterszoon Sweelinck
#
James M
#
Sweelinck: Six Echo Fantasias
#
jmsgu3
#
SheetMusicPlus
String Quartet String Quartet - Level 4 - SKU: A0.1298017 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Chamber,Contest,Early Mus...
(+)
String Quartet String Quartet - Level 4 - SKU: A0.1298017 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Instructional. 60 pages. Jmsgu3 #887918. Published by jmsgu3 (A0.1298017). Jan Pieterszoon Sweelinck was a Dutch organist and composer who lived from April 1562 to October 16, 1621. He was born and died in Amsterdam, Netherlands. Sweelinck's first published works date from around 1592-94, and he composed a variety of music, including chansons and keyboard music. He was known for his keyboard playing and was a teacher to German composers Samuel Scheidt and Heinrich Scheidemann. Sweelinck's Echo Fantasias are significant for several reasons:Innovative composition: Echo Fantasias were a unique form of composition during Sweelinck's time, blending elements of traditional fantasias with passages dedicated to echo effects. This experimental approach showcased Sweelinck's creativity and willingness to push the boundaries of musical expression. Emphasis on the moment: Unlike Sweelinck's larger fantasias, the construction of Echo Fantasias was less strict, focusing more on the immediate musical experience rather than the overall design. This emphasis on the moment allowed for greater freedom and spontaneity in the performance of these pieces. Stylistic range: Echo Fantasias encompassed a wide range of styles, juxtaposing fantasia-like elements with passages dedicated to echo effects. This stylistic diversity added depth and complexity to Sweelinck's compositions, making them engaging and intriguing for both performers and listeners.
$74.95
Sweelinck: Six Echo Fantasias Complete for String Quartet
#
Quatuor à cordes: 2 violons, alto, violoncelle
#
INTERMÉDIAIRE/AVANCÉ
#
Jan Pieterszoon Sweelinck
#
James M
#
Sweelinck: Six Echo Fantasias
#
jmsgu3
#
SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1298019 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Chambe...
(+)
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1298019 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Renaissance. 131 pages. Jmsgu3 #887920. Published by jmsgu3 (A0.1298019). Jan Pieterszoon Sweelinck was a Dutch organist and composer who lived from April 1562 to October 16, 1621. He was born and died in Amsterdam, Netherlands. Sweelinck's first published works date from around 1592-94, and he composed a variety of music, including chansons and keyboard music. He was known for his keyboard playing and was a teacher to German composers Samuel Scheidt and Heinrich Scheidemann. Sweelinck's Echo Fantasias are significant for several reasons:Innovative composition: Echo Fantasias were a unique form of composition during Sweelinck's time, blending elements of traditional fantasias with passages dedicated to echo effects. This experimental approach showcased Sweelinck's creativity and willingness to push the boundaries of musical expression. Emphasis on the moment: Unlike Sweelinck's larger fantasias, the construction of Echo Fantasias was less strict, focusing more on the immediate musical experience rather than the overall design. This emphasis on the moment allowed for greater freedom and spontaneity in the performance of these pieces. Stylistic range: Echo Fantasias encompassed a wide range of styles, juxtaposing fantasia-like elements with passages dedicated to echo effects. This stylistic diversity added depth and complexity to Sweelinck's compositions, making them engaging and intriguing for both performers and listeners.
$86.85
Byrd: Fantasia in A Minor for String Quartet
#
Quatuor à cordes: 2 violons, alto, violoncelle
#
INTERMÉDIAIRE
#
William Byrd
#
James M
#
Byrd: Fantasia in A Minor for
#
jmsgu3
#
SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1289747 Composed by William Byrd. Arranged by James M. Guthrie. Chamber,Contest,Ear...
(+)
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1289747 Composed by William Byrd. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Renaissance. 44 pages. Jmsgu3 #880447. Published by jmsgu3 (A0.1289747). William Byrd was an English composer and organist who lived during the Renaissance period. He is considered one of the greatest composers of the era and had a profound influence on composers both from his native country and on the Continent. Byrd is best known for his development of the English madrigal and his ability to elevate the English keyboard style through his compositions for virginal and organ music.He was a pupil and protégé of the organist and composer Thomas Tallis, and his first authenticated appointment was as organist at Lincoln Cathedral in 1563. Byrd's output of about 470 compositions amply justifies his reputation as one of the great masters of European Renaissance music.He was adept at attracting sponsorship, and his most important patrons were Roman Catholic sympathizers. Byrd was responsible for publishing about ten volumes of songs by other composers, his role as publisher allowing him to play an even more prominent part in making both literary and musical composition much more broadly available to a public audience.William Byrd's Fantasias are considered to be highly important. Byrd, an English composer of the Renaissance, played a significant role in pioneering the development of the freely composed fantasia, which became an essential form of Jacobean and later composers. His array of sacred and secular compositions demonstrates a deeply sophisticated musical mind, blending technical prowess and emotional fervor. Byrd is regarded as one of the most prolific composers of the Renaissance, with over 600 of his pieces circulating. Therefore, the Fantasias of William Byrd hold great significance in the history of music.
$28.95
Chandelier - Sia - for String Quartet [Score and Parts]
#
Quatuor à cordes: 2 violons, alto, violoncelle
#
INTERMÉDIAIRE/AVANCÉ
#
Rock
#
Sia
#
Marcelo Onetta Fermiano
#
Chandelier - Sia - for String
#
SheetMusicPlus
String Quartet - Advanced Intermediate - Digital Download By Sia. Arranged by Marcelo Onetta Fermiano. Score, Set of Parts. 18 pages. Published by Ma...
(+)
String Quartet - Advanced Intermediate - Digital Download By Sia. Arranged by Marcelo Onetta Fermiano. Score, Set of Parts. 18 pages. Published by Marcelo Onetta Fermiano
File type: PDF
Key: Bm
Total Pages: 18 (Score and Parts)
**{Score: 10 pages}
**{Violin I: 1 page}
**{Violin II: 1 page}
**{Violin III: 1 page} (Viola in Treble Clef)
**{Viola: 1 page}
**{Violoncello: 1 page}
Parts: Violin I - Violin II - Viola* - Violoncello
*In addition to the viola, there is a violin 3 part. This one has been adapted from the viola part.
$12.99
Chandelier - Sia - For String Quartet
#
Quatuor à cordes: 2 violons, alto, violoncelle
#
INTERMÉDIAIRE
#
Rock
#
Sia
#
Daniel de la Rosa Oliva
#
Chandelier - Sia - For String
#
Daniel de la Rosa Oliva
#
SheetMusicPlus
Violin, Viola, String Quartet - Intermediate - Digital Download By Sia. Arranged by Daniel de la Rosa Oliva. 17 pages. Published by Daniel de la Rosa...
(+)
Violin, Viola, String Quartet - Intermediate - Digital Download By Sia. Arranged by Daniel de la Rosa Oliva. 17 pages. Published by Daniel de la Rosa Oliva
For String Quartet.
$15.00
Chandelier - Sia - String Quartet (Full Score and Parts)
#
Quatuor à cordes: 2 violons, alto, violoncelle
#
AVANCÉ
#
Rock
#
Sia
#
Daniel de la Rosa Oliva
#
Chandelier - Sia - String Quar
#
Daniel de la Rosa Oliva
#
SheetMusicPlus
String Quartet - Advanced - By Sia. Arranged by Daniel de la Rosa Oliva. Individual Part, Score. 17 pages. Published by Daniel de la Rosa Oliva...
(+)
String Quartet - Advanced - By Sia. Arranged by Daniel de la Rosa Oliva. Individual Part, Score. 17 pages. Published by Daniel de la Rosa Oliva
Full Score and Parts.
$20.00
Haydn - String Quartet in F major, Hob.III:48 ; Op.50 No.5 · "Prussian Quartet No.5 - Dream"
#
Quatuor à cordes: 2 violons, alto, violoncelle
#
Classique
#
Franz Joseph Haydn
#
J
#
Prussian Quartet No
#
Haydn - String Quartet in F ma
#
J.G. Cuco Barber
#
SheetMusicPlus
String Quartet String Quartet - SKU: A0.1091676 Composed by Franz Joseph Haydn. Arranged by J.G. Cucó Barber. Classical. Score and parts. 36 pages. J...
(+)
String Quartet String Quartet - SKU: A0.1091676 Composed by Franz Joseph Haydn. Arranged by J.G. Cucó Barber. Classical. Score and parts. 36 pages. J.G. Cuco Barber #695831. Published by J.G. Cuco Barber (A0.1091676). Work Title String Quartet in F major Alternative Title String Quartet No.48 ; Prussian Quartet No.5, Dream Composer Haydn, Joseph Opus/Catalogue Number Hob.III:48 ; Op.50 No.5 Key F major Movements/Sections 4 movements 1. Allegro moderato (F major) 2. Poco adagio (B-flat major) 3. Minuet (F major) - Trio (F minor) 4. Finale. Vivace (F major) Year/Date of Composition 1787 First Publication 1787 in String Quartets, Op.50 (No.5) Dedication Friedrich Wilhelm II, King of Prussia Composer Time Period Classical Piece Style Classical Instrumentation 2 violins, viola, cello.
$23.00
Haydn - String Quartet in C major, Hob.III:45 ; Op.50 No.2 · "Prussian Quartet No.2"
#
Quatuor à cordes: 2 violons, alto, violoncelle
#
Classique
#
Franz Joseph Haydn
#
J
#
Prussian Quartet No
#
Haydn - String Quartet in C ma
#
J.G. Cuco Barber
#
SheetMusicPlus
String Quartet String Quartet - SKU: A0.1090937 Composed by Franz Joseph Haydn. Arranged by J.G. Cucó Barber. Classical. Score and parts. 46 pages. J...
(+)
String Quartet String Quartet - SKU: A0.1090937 Composed by Franz Joseph Haydn. Arranged by J.G. Cucó Barber. Classical. Score and parts. 46 pages. J.G. Cuco Barber #695085. Published by J.G. Cuco Barber (A0.1090937). Work Title String Quartet in C major Alternative Title String Quartet No.45 ; Prussian Quartet No.2 Composer Haydn, Joseph Opus/Catalogue Number Hob.III:45 ; Op.50 No.2 Key C major Movements/Sections 4 movements 1. Vivace (C major) 2. Adagio cantabile (F major) 3. Minuet - Trio (C major) 4. Finale. Vivace assai (C major) Year/Date of Composition 1787 First Publication 1787 in String Quartets, Op.50 (No.2) Dedication Friedrich Wilhelm II, King of Prussia Average Duration 24 minutes Composer Time Period Classical Piece Style Classical Instrumentation 2 violins, viola, cello.
$23.00
Haydn - String Quartet in E flat major, Hob.III:46 ; Op.50 No.3 · "Prussian Quartet No.3"
#
Quatuor à cordes: 2 violons, alto, violoncelle
#
Classique
#
Franz Joseph Haydn
#
J
#
Prussian Quartet No
#
Haydn - String Quartet in E fl
#
J.G. Cuco Barber
#
SheetMusicPlus
String Quartet String Quartet - SKU: A0.1091226 Composed by Franz Joseph Haydn. Arranged by J.G. Cucó Barber. Classical. Score and parts. 40 pages. J...
(+)
String Quartet String Quartet - SKU: A0.1091226 Composed by Franz Joseph Haydn. Arranged by J.G. Cucó Barber. Classical. Score and parts. 40 pages. J.G. Cuco Barber #695390. Published by J.G. Cuco Barber (A0.1091226). Work Title String Quartet in E-flat major Alternative Title String Quartet No.46 ; Prussian Quartet No.3 Composer Haydn, Joseph Opus/Catalogue Number Hob.III:46 ; Op.50 No.3 Key E-flat major Movements/Sections 4 movements 1. Allegro con brio (E-flat major, 133 bars) 2. Andante più tosto allegretto (B-flat major, 137 bars) 3. Minuet - Trio (E-flat major, 85 bars) 4. Finale. Presto (E-flat major, 203 bars) Year/Date of Composition 1787 First Publication 1787 in String Quartets, Op.50 (No.3) Dedication Friedrich Wilhelm II, King of Prussia Average Duration 21 minutes Composer Time Period Classical Piece Style Classical Instrumentation 2 violins, viola, cello.
$23.00
Haydn - String Quartet in F sharp minor, Hob.III:47 ; Op.50 No.4 · "Prussian Quartet No.4"
#
Quatuor à cordes: 2 violons, alto, violoncelle
#
Classique
#
Franz Joseph Haydn
#
J
#
Prussian Quartet No
#
Haydn - String Quartet in F sh
#
J.G. Cuco Barber
#
SheetMusicPlus
String Quartet String Quartet - SKU: A0.1091473 Composed by Franz Joseph Haydn. Arranged by J.G. Cucó Barber. Classical. Score and parts. 38 pages. J...
(+)
String Quartet String Quartet - SKU: A0.1091473 Composed by Franz Joseph Haydn. Arranged by J.G. Cucó Barber. Classical. Score and parts. 38 pages. J.G. Cuco Barber #695655. Published by J.G. Cuco Barber (A0.1091473). Work Title String Quartet in F-sharp minor Alternative Title String Quartet No.47 ; Prussian Quartet No.4 Composer Haydn, Joseph Opus/Catalogue Number Hob.III:47 ; Op.50 No.4 Key F-sharp minor Movements/Sections 4 movements 1. Allegro spiritoso (F-sharp minor) 2. Andante (A major) 3. Minuet (F-sharp major) - Trio (F-sharp minor) 4. Fuga. Allegro moderato (F-sharp minor) Year/Date of Composition 1787 First Publication 1787 in String Quartets, Op.50 (No.4) Dedication Friedrich Wilhelm II, King of Prussia Composer Time Period Classical Piece Style Classical Instrumentation 2 violins, viola, cello.
$23.00
Haydn - String Quartet in D major, Hob.III:49 ; Op.50 No.6 · "Prussian Quartet No.6 - The Frog"
#
Quatuor à cordes: 2 violons, alto, violoncelle
#
Classique
#
Franz Joseph Haydn
#
J
#
Prussian Quartet No
#
Haydn - String Quartet in D ma
#
J.G. Cuco Barber
#
SheetMusicPlus
String Quartet String Quartet - SKU: A0.1092064 Composed by Franz Joseph Haydn. Arranged by J.G. Cucó Barber. Classical. Score and parts. 50 pages. J...
(+)
String Quartet String Quartet - SKU: A0.1092064 Composed by Franz Joseph Haydn. Arranged by J.G. Cucó Barber. Classical. Score and parts. 50 pages. J.G. Cuco Barber #696200. Published by J.G. Cuco Barber (A0.1092064). Work Title String Quartet in D major Alternative Title String Quartet No.49 ; Prussian Quartet No.6, The Frog Composer Haydn, Joseph Opus/Catalogue Number Hob.III:49 ; Op.50 No.6 Key D major Movements/Sections 4 movements 1. Allegro (D major) 2. Poco adagio (D minor) 3. Minuet. Allegretto - Trio (D major) 4. Finale. Allegro con spirito (D major) Year/Date of Composition 1787 First Publication 1787 in String Quartets, Op.50 (No.6) Dedication Friedrich Wilhelm II, King of Prussia Composer Time Period Classical Piece Style Classical Instrumentation 2 violins, viola, cello.
$23.00
Haydn - String Quartet in B flat major, Hob.III:44 ; Op.50 No.1 · "Prussian Quartet No.1"
#
Quatuor à cordes: 2 violons, alto, violoncelle
#
Classique
#
Franz Joseph Haydn
#
J
#
Prussian Quartet No
#
Haydn - String Quartet in B fl
#
J.G. Cuco Barber
#
SheetMusicPlus
String Quartet String Quartet - SKU: A0.1090739 Composed by Franz Joseph Haydn. Arranged by J.G. Cucó Barber. Classical. Score and parts. 42 pages. J...
(+)
String Quartet String Quartet - SKU: A0.1090739 Composed by Franz Joseph Haydn. Arranged by J.G. Cucó Barber. Classical. Score and parts. 42 pages. J.G. Cuco Barber #694888. Published by J.G. Cuco Barber (A0.1090739). Work Title String Quartet in B-flat major Alternative Title String Quartet No.44 ; Prussian Quartet No.1 Composer Haydn, Joseph Opus/Catalogue Number Hob.III:44 ; Op.50 No.1 Key B-flat major Movements/Sections 4 movements 1. Allegro (B-flat major, 164 bars) 2. Adagio non lento (E-flat major, 61 bars) 3. Minuet - Trio (B-flat major, 65 bars) 4. Finale. Vivace (B-flat major, 245 bars) Year/Date of Composition 1787 First Publication 1787 in String Quartets, Op.50 (No.1) Dedication Friedrich Wilhelm II, King of Prussia Average Duration 23 minutes Composer Time Period Classical Piece Style Classical Instrumentation 2 violins, viola, cello.
$23.00
Farnaby: Fantasia CXXIX for String Quartet - Score Only
#
Quatuor à cordes: 2 violons, alto, violoncelle
#
INTERMÉDIAIRE/AVANCÉ
#
Giles Farnaby
#
James M
#
Farnaby: Fantasia CXXIX for St
#
jmsgu3
#
SheetMusicPlus
String Quartet String Quartet - Level 4 - SKU: A0.1298204 Composed by Giles Farnaby. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,...
(+)
String Quartet String Quartet - Level 4 - SKU: A0.1298204 Composed by Giles Farnaby. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Renaissance. 11 pages. Jmsgu3 #888177. Published by jmsgu3 (A0.1298204). Giles Farnaby was an English composer and virginalist during the late 16th and early 17th centuries. He is known for his contributions to Elizabethan and Jacobean music. He was born around 1560, and he lived during the reigns of Queen Elizabeth I and King James I. He was a contemporary of other notable English composers such as William Byrd and John Dowland. Farnaby's compositions are known for their variety of styles. He wrote pieces that ranged from lively dance tunes to more intricate and introspective works. His music often featured elements of English folk melodies and dance rhythms.Giles Farnaby's Fantasias are significant for their role in the development of keyboard music, their influence on later composers, and their historical documentation of musical practices in late Renaissance England. Farnaby's music often displays a lively and whimsical character, with syncopations, rapid passagework, and playful ornamentation. His style was influenced by the continental keyboard music of his time, especially that of the English virginalists like John Bull and William Byrd. However, Farnaby's compositions also have a distinct character, marked by their dance-like rhythms and catchy melodies.Although Farnaby's music fell out of favor during the Baroque period, there has been a resurgence of interest in his works in the modern era. Musicians and scholars have rediscovered and recorded his compositions, helping to revive his legacy.
$24.95
<
1
26
51
....
551
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
Sia
