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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
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CLARINETTE
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COR
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So You Would Come
Non classifié
278
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71
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47
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Piano Quatuor: piano, violon, alto, violoncelle
1
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30
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14
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6
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5
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2
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1
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30
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20
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10
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10
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9
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4
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2
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1
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1
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Trio à Cordes: violon, alto, violoncelle
8
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7
Quatuor à cordes: 2 violons, alto, violoncelle
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3
Quintette à cordes: 2 violons, alto, violoncelle, basse
3
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2
2 Violons (duo)
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Violoncelle, Piano
2
Violon, Violoncelle (duo)
1
Trio à Cordes: 2 violons, violoncelle
1
Alto, Piano
1
Violoncelle
1
Harpe
1
Ensemble de Violoncelles
1
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Orchestre & Percussions
Orchestre à Cordes
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8
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6
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2
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
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FORMATION MUSI…
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PERCUSSION
PIANO
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Vous avez sélectionné:
So You Would Come
Quatuor à cordes: 2 violons, alto, violoncelle
Partitions à imprimer
7 partitions trouvées
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1
O COME EMMANUEL FOR THREE VIOLINS AND CELLO
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet String Quartet - Level 3 - Digital Download SKU: A0.749213 Composed …
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String Quartet String Quartet - Level 3 - Digital Download SKU: A0.749213 Composed by Traditional. Arranged by HELEN MARPLE-HORVAT. Christian,Christmas,Praise & Worship,Sacred. Score and parts. 13 pages. Helen Marple-Horvat #3559035. Published by Helen Marple-Horvat (A0.749213). https://www.youtube.com/watch?v=0qPdBFtww0Y I love carols in minor keys because there is so much scope for playing around with the harmony. I have re-arranged this carol for three violins instead of viola, as a flexible possibility. If you would like to watch a video of a professional quartet playing my arrangement on Youtube, look up my channel by typing Skinny Black Dogs, Capriccio Quartet, O Come Emmanuel. This version is almost identical, though Violin 3 sometimes goes up an octave and passes on the lower notes to the cellist who gets some double stopping! The quartet play it beautifully, but it could also be played by a very young quartet because most of the he double stopping includes one note on an open string. Grade 5 ABRSM could manage it, and possible Grade 3! It will sound mediaeval with the open strings ringing out. The key is a very easy one for strings. However there are a few surprises in the counting so watch out! It isn’t always obvious, but with a few rehearsals you will have a fresh take on a very old carol. It would be great for a string orchestra, or a quartet in an end of term carol service. If you perform it, take a video, even if on a phone, and send it to me on Facebook. I would love to see some young people enjoying it.
$20.00
18.44 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Traditional
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HELEN MARPLE-HORVAT
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O COME EMMANUEL FOR THREE VIOLINS AND CELLO
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Helen Marple-Horvat
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SheetMusicPlus
I Am Yours
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.1…
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.1250787 Composed by Andrew Grammer, Johan Carlsson, and Sean Douglas. Arranged by Sarah Cellobat Chaffee. Pop,Singer/Songwriter,Wedding. 16 pages. Sarah Cellobat Chaffee #845052. Published by Sarah Cellobat Chaffee (A0.1250787). I Am Yours was released by Andy Grammer as part of his fourth studio album in 2019. Grammer stated to the press that he hoped his album would inspire fans to find the beauty even in life's most painful situations, dedicating songs to his family and his mother who had recently passed away. I Am Yours fits perfectly with that theme, with love-struck lyrics like I knew I was put here to love you -- so it's no wonder this song has become a popular request for weddings and more! Originally written for a wedding ceremony, this Cellobat arrangement for your string quartet features the beautiful soaring melodies, dramatic octave leaps, emotionally charged chord progressions, and dynamic intensity of the original for a chart that's sure to pull on your audience's heartstrings! Rated advanced-intermediate for some tricky rhythms and some high notes in the violin parts (up to 4th position); this will be playable for more advanced students and sightreadable for professionals.Sarah “Cellobat†Chaffee is an in-demand acoustic & electric cellist and string arranger. Currently, she performs with legendary rock band Aerosmith in their “Deuces Are Wild†residency show, and she is the principal cellist for the Raiders House Band, playing for a crowd of 60,000 at all of the team's home games. She also plays with many other groups including Premiere Wedding Music, Bella Electric Strings, the Femmes Of Rock, and David Perrico’s Pop Strings Orchestra. Sarah has performed and recorded with numerous other artists including Disturbed, Mötley Crüe, Celine Dion, Halsey, Michael Bublé, Sarah Brightman, and Lady A. She is the exclusive arranger for a number of award-winning wedding and event companies all across the United States, including Premiere Wedding Music, Las Vegas Music Oasis, and Impulse Strings, and she has created custom arrangements for many other ensembles all over the world. You can find her at:http://www.cellobat.comhttp://www.instagram.com/cellobathttps://www.youtube.com/@Cellobat.
$16.99
15.66 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Andrew Grammer, Johan Carlsson, and Sean Douglas
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Sarah Cellobat Chaffee
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I Am Yours
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Sarah Cellobat Chaffee
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SheetMusicPlus
THREE ANCIENT CAROLS FOR STRING QUARTET
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.7…
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.749221 Composed by Traditional Carols. Arranged by HELEN MARPLE-HORVAT. Christian,Christmas,Classical,Praise & Worship,Sacred. Score and parts. 42 pages. Helen Marple-Horvat #4854417. Published by Helen Marple-Horvat (A0.749221). The Angel Gabriel, Coventry Carol, O Come Emmanuelhttps://www.youtube.com/watch?v=BCM1oh2jWA0 I have always enjoyed singing carols in minor keys, and when it comes to arranging, love the harmonic possibilities, especially for false relations. I have arranged three so far, and if you buy them as a bundle, the third one is discounted. You can watch the Youtube of The Angel Gabriel here, but you can also find the others by typing Helen Marple-Horvat, Songwriter, Arranger and Composer into Youtube, or research them on the Sheet Music Plus Site. In my arrangement of ‘Angel Gabriel’ I have included various harmonisations of the wonderful tune, and a short contrapuntal development section in the middle to add some interest. In both ‘Coventry Carol’ and ‘O Come Emmanuel’ there are a few surprises in the counting so watch out! It isn’t always obvious, but with a few rehearsals, will give you a fresh takes on these very old carols. Capriccio Quartet are professionals, and play in higher positions with few open strings, lots of vibrato and slurred bows. That would be fine for Grade 5 players and above. However, I don’t want younger players to feel daunted! All three carols are in good keys for strings, with the double stopping always including an open string. They can also use open strings freely without detracting from this ancient style, or try one note per bow, dropping the first violin down an octave. The recording of Coventry Carol is at a very fast pace which shows off the rhythmic drive of the arrangement. I also love it much slower so that the intense dissonance can be brought out.There are two short excerpts from Coventry Carol and O Come Emmanuel, but full recordings are available to view on the single titles on the Sheet Music Plus Catalogue Index under my name.
$45.00
41.49 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Traditional Carols
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HELEN MARPLE-HORVAT
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THREE ANCIENT CAROLS FOR STRING QUARTET
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Helen Marple-Horvat
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SheetMusicPlus
The Dove
Quatuor à cordes: 2 violons, alto, violoncelle
Tenor and string quartet - Digital Download SKU: S9.Q6385 Auf Texte aus der Bibe…
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Tenor and string quartet - Digital Download SKU: S9.Q6385 Auf Texte aus der Bibel. Composed by Naji Hakim. This edition: score and parts. Downloadable, Score and parts. Duration 7 minutes. Schott Music - Digital #Q6385. Published by Schott Music - Digital (S9.Q6385). German • English.This piece shows my hope to have our churches not only in peace but also in full communion. Naji Hakim Die Taube (The Dove) was commissioned by â€Kirchenmusik bei St. Anna Augsburg†to celebrate the 450th anniversary of the Augsburger Religionsfrieden (Religious peace of Augsburg). It is based on three biblical verses related to peace : Gen. 8/11, Luk. 1/79, Joh. 14/27. The music is through composed and develops the character of the verses with contrasted string textures, putting in relief the expressive vocal line, declamation of light and happiness. The work exists in three versions : 1. for Tenor and string quartet, 2. for Tenor and string orchestra, 3. for Tenor and organ. First performance : by Robert Sellier, Tenor, Capella St. Anna Streichquartett, St. Anna Augsburg, Festkonzert zum Hohen Friedensfest, 8 August 2005. Gen.8/11 : â€And the dove came in to him in the evening; and, lo, in her mouth was an olive leaf pluckt off. †Luk. 1/79 : â€To give light to them that sit in darkness and in the shadow of death, to guide our feet into the way of peace. †Joh.14/27 : â€Peace I leave with you, my peace I give unto you. †...to guide our feet into the way of peace. (Luke 1,79) Words and music bind people together to form fellowships which guide us into the way of peace. Singing or playing together combine bodies and souls, so that our rhythm and breathing becomes one - a sense of belonging to one another is created which instils the very nature of peace. So it is that by becoming an integral part of the music, our feet are guided 'into the way of peace'. In Luke chapter 1, both Maria and Zechariah are carried away, body and soul, in hymns of thanksgiving. They let God´s melody resound in their bodies. Ignatius, one of the Early Fathers of the Church, might have drawn his inspiration from them when he wrote to the Christians of Ephesus around the year 100, Let God´s melody resound in you. The melody of our life is a single voice within God´s great melody; an everlasting celestial melody, in which we join together as integral parts - with time, we are gradually shown which chords we are given to touch and which chords to form with one another. God´s inextinguishable melody has an infinite galaxy of variations. As you would know, a variation is rooted but limitless. At our christening, God gives us a variation - an inextinguishable variation because of his promise, I am with you always, even to the end of the age. (Matthew 28, 20). Deeply rooted as we are, God leads us through. He calls us to Life out of His Eternity, He lets his melody reverberate in us and finally calls us back, when we die, to His everlasting future. Let God´s melody resound in you and guide your feet into the way of peace. Pastor Hanne Margrethe Tougaard.
$22.99
21.19 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Naji Hakim
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The Dove
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Schott Music - Digital
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SheetMusicPlus
Levels
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.1…
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.1250748 By Avicii. By Ash Pournouri, Avicii, Etta James, Leroy Kirkland, and Pearl Woods. Arranged by Sarah Cellobat Chaffee. Contemporary,Pop,Wedding. 28 pages. Sarah Cellobat Chaffee #845025. Published by Sarah Cellobat Chaffee (A0.1250748). Before its release in October of 2011, even Avicii had no idea how popular his song Levels would soon become! The Swedish DJ originally wrote the song because he fell in love with a vocal line from an Etta James song, and the good feeling he got from the lyrics proved to translate well to his audience. Now a universally recognized EDM classic, the song was certified platinum in the US, 2x platinum in the UK, and 8x platinum in Sweden -- so there's no question your audience will love this one! This Cellobat arrangement for your string quartet is a joyous string adaptation of the original, featuring the catchy hooks, soaring melodic lines, bouncy beat, and layered harmonies that made the world fall in love with this song. Originally written for a wedding, this will also be perfect for receptions, cocktail parties, solo & ensemble contest, or any other occasion that you need to get your audience dancing! Rated advanced-intermediate for a handful of tricky rhythms and a few high notes in the violin parts; this will be learnable for students and easily sightreadable for professionals. Sarah “Cellobat†Chaffee is an in-demand acoustic & electric cellist and string arranger. Currently, she performs with legendary rock band Aerosmith in their “Deuces Are Wild†residency show, and she is the principal cellist for the Raiders House Band, playing for a crowd of 60,000 at all of the team's home games. She also plays with many other groups including Premiere Wedding Music, Bella Electric Strings, the Femmes Of Rock, and David Perrico’s Pop Strings Orchestra. Sarah has performed and recorded with numerous other artists including Disturbed, Mötley Crüe, Celine Dion, Halsey, Michael Bublé, Sarah Brightman, and Lady A. She is the exclusive arranger for a number of award-winning wedding and event companies all across the United States, including Premiere Wedding Music, Las Vegas Music Oasis, and Impulse Strings, and she has created custom arrangements for many other ensembles all over the world. You can find her at:http://www.cellobat.comhttp://www.instagram.com/cellobathttps://www.youtube.com/@Cellobat.
$16.99
15.66 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Avicii
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Sarah Cellobat Chaffee
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Levels
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Sarah Cellobat Chaffee
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SheetMusicPlus
Almost May Score and Parts
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,Double Bass,Piano,String Quartet,Viola,Violin - Level 3 - Digital Dow…
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String Quartet Cello,Double Bass,Piano,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1376321 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoie. Classical,Contemporary,Jazz,Pop,Singer/Songwriter. 15 pages. Heidi Savoie #960865. Published by Heidi Savoie (A0.1376321). This score is an arrangement for piano, violin I and II, viola, cello, bass with optional drums.Backstory: Years ago I wrote a simple piano piece for my students. As instrumental music can fully exist outside the confines of words, it can be difficult to find the right title for something that is pure sound and possibility. I took inspiration from the time of year in which I had composed it and stamped it, “Almost Mayâ€. Like springtime in the Northern Hemisphere, “Almost May†unfolds slowly and majestically, with ever-evolving layers for the senses to discover. What to listen for: ThemeThe main theme is first presented by the piano with minimal fanfare. This part was written to be easy enough for a child, which despite being sparing of notes, delivers rich harmonic content. Every note has been carefully curated for the optimal combination of accessibility and depth. Weaving chromatically into distantly-related keys, the melody takes small steps into contrasting musical spaces. In a wordless procession, the storyline plays out, as if the theme discovers that someone very different lives next door, and they slowly become inseparable. The piano is accompanied by an airy touch of brushes against a snare drum, like the pitter patter of soft feline steps. In the low frequency range, the upright bass supports and deepens the tonal palette with its earthy underpinnings. What to listen for: Variation I The unmistakable string section arrives like a breath of warm air. Lush, warm and reassuring like sunshine on your cheeks, the string parts begin with long tones. This broadness and stability will evolve into more layers of complexity throughout the section. While the role of the string section is background accompaniment, it undergoes textural changes which allow for some layers to briefly rise to the forefront as melody. Careful listening to the string parts will reveal an oceanic churning, a motion from background to foreground with expansions and contractions along the way. Floating overtop this density is the improvised piano solo, with ascending gestures that progress in detail and density. Each instrument enters a general unfolding and growth period in the first variation. The bass and drums include more fills than before, as the ensemble tends gradually toward more grandeur. What to listen for: Variation II The final variation opens with a decadent treatment of the melody. What was initially expressed by a soloist as a childlike plea is reimagined as a two-part conversation between the piano and lead viola. The obbligato voiced in the viola is a derivation of the melody that holds the space between phrases so the listener's attention is passed seamlessly between the piano and viola part. This dialogue features commentary on the original melody in the form of ornamentation and taking surprising pathways to expected destinations. The rhythm section (bass and drums) takes more liberties in creating a verdant soundscape as the ensemble rises to a final climax. Credits: I would like to thank Cole Canaday for the nuance, imagination and depth of understanding with which he brought this piece to life. I would also like to thank Blake Hamilton and Anastace for providing invaluable audio engineering feedback.
$24.99
23.04 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Heidi Savoie
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Heidi Savoie
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Almost May Score and Parts
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Heidi Savoie
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SheetMusicPlus
THE CROWN - FOR STRING QUARTET
Quatuor à cordes: 2 violons, alto, violoncelle
Violin, Viola, Cello, String Quartet - Advanced Intermediate - Digital Download By …
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Violin, Viola, Cello, String Quartet - Advanced Intermediate - Digital Download By Zimmer, Gregson-Williams, Balfe. Arranged by Helen Marple-Horvat. Score, Set of Parts. 22 pages. Published by Helen Marple-Horvat
'The Crown' is an award winning Netflix series that has won the hearts of many people around the world. Hans Zimmer wrote the theme for the main title with Rupert Gregson-Williams, from Wiltshire, composing music for the first series, joined by Lorne Balfe, a Scottish composer for series two.<br> <br> <br> I have made an arrangement for String Quartet and hope to make more for different combinations of instruments and piano in the future.<br> <br> As usual my arrangement can be played by professionals for concerts, weddings and events but also tackled by young people. The key is the original one, D minor, which is easy for strings, and younger players can make use of open strings and take as many bows as they need. I have included some bowing as a guide. Most of the double stopping includes one open string but less experienced players can leave out one of the notes where necessary, especially of it is doubled by one of the other players. I have included some 'commas' in this arrangement and recommend recovering the bow and watching the leader like a hawk!<br> <br> The long ‘piano’ sections will need lots of crescendo and decrescendo markings to sound effective. I put down some ideas, but feel free to experiment. The main thing is that they grow and decay again, to keep up the tension. Without that movement, those soft passages might sound boring, albeit the chords are gorgeous.<br> <br> I have included a crescendo in the penultimate bar before each new dynamic, but ideally a long crescendo is needed between each new dynamic marking. The texture becomes gradually thicker, which will help, but I am looking forward to Capriccio Quartet recording this one as they are so good at building up excitement.<br> <br> There must be a great deal of drama at letters D and O. After a massive increase in dynamic I am hoping for a ‘breath’ at the comma, and a very sudden softness for the chords that follow. I also like harmonics for the viola at bars 21-22, giving way to a natural note on the fourth beat of 22. I would like the harmonic in viola to be almost imperceptible as the piece closes out. I haven’t marked it as such, and I couldn’t write a ‘simile’ on the page without clashes of staves or an extra page. I intended it to be a harmonic to the end though.<br> <br> Please send me any recordings you make because I love to hear people playing my arrangements, even if it is a phone recording, and especially younger players! I am on facebook and I have a Youtube Channel too. Helen Marple-Horvat Songwriter, Arranger, Composer.'The Crown' is an award winning Netflix series that has won the hearts of many people around the world. Hans Zimmer wrote the theme for the main title with Rupert Gregson-Williams, from Wiltshire, composing music for the first series, joined by Lorne Balfe, a Scottish composer for series two.<br> <br> <br> I have made an arrangement for String Quartet and hope to make more for different combinations of instruments and piano in the future.<br> <br> As usual my arrangement can be played by professionals for concerts, weddings and events but also tackled by young people. The key is the original one, D minor, which is easy for strings, and younger players can make use of open strings and take as many bows as they need. I have included some bowing as a guide. Most of the double stopping includes one open string but less experienced players can leave out one of the notes where necessary, especially of it is doubled by one of the other players. I have included some 'commas' in this arrangement and recommend recovering the bow and watching the leader like a hawk!<br> <br> The long ‘piano’ sections will need lots of crescendo and decrescendo markings to sound effective. I put down some ideas, but feel free to experiment. The main thing is that they grow and decay again, to keep up the tension. Without that movement, those soft passages might sound boring, albeit the chords are gorgeous.<br> <br> I have included a crescendo in the penultimate bar before each new dynamic, but ideally a long crescendo is needed between each new dynamic marking. The texture becomes gradually thicker, which will help, but I am looking forward to Capriccio Quartet recording this one as they are so good at building up excitement.<br> <br> There must be a great deal of drama at letters D and O. After a massive increase in dynamic I am hoping for a ‘breath’ at the comma, and a very sudden softness for the chords that follow. I also like harmonics for the viola at bars 21-22, giving way to a natural note on the fourth beat of 22. I would like the harmonic in viola to be almost imperceptible as the piece closes out. I haven’t marked it as such, and I couldn’t write a ‘simile’ on the page without clashes of staves or an extra page. I intended it to be a harmonic to the end though.<br> <br> Please send me any recordings you make because I love to hear people playing my arrangements, even if it is a phone recording, and especially younger players! I am on facebook and I have a Youtube Channel too. Helen Marple-Horvat Songwriter, Arranger, Composer.
$20.00
18.44 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Zimmer, Gregson-Williams, Balfe
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Helen Marple-Horvat
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THE CROWN - FOR STRING QUARTET
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Helen Marple-Horvat
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