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Vous avez sélectionné:
Sonata No.2 1 Allegro
Quatuor à cordes: 2 violons, alto, violoncelle
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Mozart: Sonata K. 284 “Durnitz” for String Quartet
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.1…
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.1202033 Composed by W. A. Mozart (1756 – 1791). Arranged by James M. Guthrie, ASCAP. Chamber,Classical,Contest,Festival,Traditional,Wedding. 94 pages. Jmsgu3 #800635. Published by jmsgu3 (A0.1202033). Sonata No. 6, “Durnitz†for String Quartet Mozart's Sonata in D major, K. 284, also known as the Durnitz Sonata, is a solo piano piece by Wolfgang Amadeus Mozart in 1775. It is one of Mozart's more complex and ambitious sonatas and is generally regarded as one of his greatest works for the instrument.The sonata is divided into three movements:1.   Allegro - The first movement is a fast-paced and energetic sonata-allegro form characterized by its lively theme and virtuosic passages. The movement begins with a bold and dramatic opening statement, followed by contrasting themes and variations. The development section explores new harmonic and rhythmic territory, while the recapitulation brings the movement full circle with a restatement of the main themes.2.   Rondeau en Polonaise - The second movement is a graceful and elegant rondo in the style of a polonaise, a popular dance of the time. The central theme is a lilting melody first presented by the right hand and then repeated with variations throughout the movement. The middle section features a contrasting theme in a minor key, which is then developed and expanded upon in the latter half of the movement.3.   Theme and Variations - The final movement is a set of six variations on a theme, which is introduced at the beginning of the movement. Each variation explores a different aspect of the theme, from playful embellishments to dramatic flourishes. The final variation brings the piece to a rousing and triumphant close.Overall, Mozart's Sonata in D major, K. 284, is a masterful example of the composer's virtuosity and innovation and remains a beloved and influential work in the piano repertoire. Mozart's Sonata in D major, K. 284 is also known as the Dürnitz Sonata because it is believed to have been composed for Count Johann Joseph Anton von Dürnitz, an accomplished amateur flutist who was a patron of Mozart. Mozart was in Munich in 1775, and he met Dürnitz there. According to Mozart's letters to his father, Dürnitz played the flute very well, and Mozart was impressed by his abilities. It is believed that Mozart composed this sonata specifically for Dürnitz, who may have performed it with Mozart accompanying him on the piano. No concrete evidence supports the theory that the sonata was named after Dürnitz, but it is widely accepted as the most likely explanation for the nickname. In any case, the sonata remains one of Mozart's most popular and beloved works.
$44.95
40.64 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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James M
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Mozart: Sonata K. 284 “Durnitz” for String Quartet
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jmsgu3
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SheetMusicPlus
String Quartet No. 6 (Lochrian) (score)
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet String Quartet - Level 5 - Digital Download SKU: A0.938389 Composed …
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String Quartet String Quartet - Level 5 - Digital Download SKU: A0.938389 Composed by Colin Bayliss. 20th Century,Contemporary. Score and parts. 46 pages. Colin Bayliss #6143. Published by Colin Bayliss (A0.938389). This was written in the summer of 2000 for the Lochrian Ensemble who were beginning to plan the recording of the complete string quartets. In the context of the other string quartets, here there is a reversion to the classical form, thus giving a balance between the classical quartets nos. 1, 2 and 6 and the kaleidoscopic quartets nos. 3, 4 and 5. It is in the conventional four movements:- 1. Allegro - This movement is in single subject sonata form using one figure. There is much use of quasimodal writing, especially using the Lochrian and Superlochrian modes, based both on E and C and the Mixolydian mode on E, giving a sort of tonality in which the constructional remainder notes of the serial row can be used sparingly. The pull towards a tonality of F is therefore established quickly. Each section is rounded off by the metamorphosis of the figure into a sentimental tune, but contrary to expectation, it evolves in the coda into something completely different - the opening of Beethoven's F minor string quartet Op. 95. 2. Scherzo - Wobblefunk and Tango After the last movement's ending has dispelled any seriousness, the stage is set for an outrageous scherzo. After the tango, the wobblefunk section is repeated bar by bar in reverse. Why not? It doesn't make any sense the right way round! Historical note: the term wobblefunk was invented by the composer's son Edmund to describe a type of subdued electronic crossover style music which he had written. In keeping with the family sense of humour, the thought of incorporating such a movement into a serious string quartet appealed to both parties. 3. Adagio - This movement is tonal and melodic, but introduced by a discordant motif which re-appears as if to remind the listener of their own mortality. The movement progresses through the cycle of fifths and then dissolves into a sinister coda related to the notes of the discord. 4. Allegro - This movement can be summed up as accepting life's problems but getting on with enjoying the good things as well - in the spirit of the last movement of Beethoven's string quartet Op.135. Must it be? It must be! Even if it includes a textural fugue! The ending, however, is decidedly not as clear-cut as Beethoven's ....... The Score and Parts are available on this site as separate downloads The sound sample is the third movement - performed by the Lochrian Ensemble The complete 6 string quartets performed by the Lochrian Ensemble are available on itunes: see: http://www.dwsolo.com/colinbayliss/ and - for this 6th quartet: https://itunes.apple.com/us/album/bayliss-string-quartet-no.-6/id573669350.
$8.00
7.23 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Colin Bayliss
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String Quartet No. 6
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Colin Bayliss
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SheetMusicPlus
String Quartet No. 6 (Lochrian) (parts)
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet String Quartet - Level 5 - Digital Download SKU: A0.938391 Composed …
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String Quartet String Quartet - Level 5 - Digital Download SKU: A0.938391 Composed by Colin Bayliss. 20th Century,Contemporary. Score and parts. 57 pages. Colin Bayliss #6145. Published by Colin Bayliss (A0.938391). This was written in the summer of 2000 for the Lochrian Ensemble who were beginning to plan the recording of the complete string quartets. In the context of the other string quartets, here there is a reversion to the classical form, thus giving a balance between the classical quartets nos. 1, 2 and 6 and the kaleidoscopic quartets nos. 3, 4 and 5. It is in the conventional four movements:- 1. Allegro - This movement is in single subject sonata form using one figure. There is much use of quasimodal writing, especially using the Lochrian and Superlochrian modes, based both on E and C and the Mixolydian mode on E, giving a sort of tonality in which the constructional remainder notes of the serial row can be used sparingly. The pull towards a tonality of F is therefore established quickly. Each section is rounded off by the metamorphosis of the figure into a sentimental tune, but contrary to expectation, it evolves in the coda into something completely different - the opening of Beethoven's F minor string quartet Op. 95. 2. Scherzo - Wobblefunk and Tango After the last movement's ending has dispelled any seriousness, the stage is set for an outrageous scherzo. After the tango, the wobblefunk section is repeated bar by bar in reverse. Why not? It doesn't make any sense the right way round! Historical note: the term wobblefunk was invented by the composer's son Edmund to describe a type of subdued electronic crossover style music which he had written. In keeping with the family sense of humour, the thought of incorporating such a movement into a serious string quartet appealed to both parties. 3. Adagio - This movement is tonal and melodic, but introduced by a discordant motif which re-appears as if to remind the listener of their own mortality. The movement progresses through the cycle of fifths and then dissolves into a sinister coda related to the notes of the discord. 4. Allegro - This movement can be summed up as accepting life's problems but getting on with enjoying the good things as well - in the spirit of the last movement of Beethoven's string quartet Op.135. Must it be? It must be! Even if it includes a textural fugue! The ending, however, is decidedly not as clear-cut as Beethoven's ....... The Score and Parts are available on this site as separate downloads The sound sample is the third movement - performed by the Lochrian Ensemble The complete 6 string quartets performed by the Lochrian Ensemble are available on itunes: see: http://www.dwsolo.com/colinbayliss/ and - for this 6th quartet: https://itunes.apple.com/us/album/bayliss-string-quartet-no.-6/id573669350.
$10.00
9.04 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Colin Bayliss
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String Quartet No. 6
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Colin Bayliss
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SheetMusicPlus
String Quartet No. 1, op. 12
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet String Quartet - Level 4 - Digital Download SKU: A0.1004707 Composed…
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String Quartet String Quartet - Level 4 - Digital Download SKU: A0.1004707 Composed by Adrian Gagiu. 20th Century,Contemporary. Score and parts. 132 pages. Adrian Gagiu #5038243. Published by Adrian Gagiu (A0.1004707). String Quartet No. 1 in A minor, op. 12 (1999), a cyclic composition in Neo-Classical style, partly influenced by Romanian folk music, Shostakovich and Bartok. Its compositional language, while not avant-garde and not exceedingly difficult, might help students with some aspects of modern music and liberties taken with classical forms. The first movement (Larghetto - Allegro non troppo) presents first dramatically and mysteriously the core motifs and themes of the entire composition, followed by a surprisingly relaxed sonata movement in the relative key of C major. The following Scherzo (Allegro assai), in E major, plays humorously and vigorously with derived motifs, and the third movement (Adagio assai), in F sharp minor, is treated in variations on the Romanian Christmas carol La Vitleem colo jos ('Down at Bethlehem'). The dramatic and expanding sonata form of the fourth movement (Allegro con brio - Larghetto) returns finally to the A minor of the introduction, then dissolving into the transcendent, slow coda. The mp3 audio clip is a recording of the finale. Total duration 26 min. Performing Rights Organization: SOCAN.
$27.95
25.27 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Adrian Gagiu
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String Quartet No. 1, op. 12
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Adrian Gagiu
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SheetMusicPlus
String Quartet No. 5 From The Frieze Of Life (parts)
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet String Quartet - Level 4 - Digital Download SKU: A0.938388 Composed …
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String Quartet String Quartet - Level 4 - Digital Download SKU: A0.938388 Composed by Colin Bayliss. 20th Century,Contemporary. Score and parts. 29 pages. Colin Bayliss #6141. Published by Colin Bayliss (A0.938388). This work was written in 1999 for an international competition for quartets reflecting in music the visions in three of Edvard Munch's paintings. It is dedicated to the composer's wife, Rayna. 1. The Scream - Moderato - There are 51 versions of The Scream and the movement is in 51 sections grouped roughly into sonata form. The development is largely textural, and the movement hinges about a chord formed of open fifths a major third apart which will also re-appear in the other movements to give the quartet its sense of unity. The screaming is both audible and silent, and the footsteps on the bridge are portrayed both in a sense of passing by and also of running away. 2. Melancholy - Andante - Munch gave other titles to this painting, namely Jappe by the Shore and Jealousy . As jealousy and melancholy are retrospective emotions, tonal and modal music is employed, using the Norwegian folk song Millom bakkar og berg ut met havet set in a minor key for the first section. The A-B-A form then partially loses tonality for Jealousy, while returning to it for Melancholy itself. 3. The Dance of Life - Allegro - This movement is in rondo form, with hints of Norwegian country dances for the dancers in the painting. The two women are portrayed as one looking nostalgically to the light-heartedness of the old waltz and the other brooding on the darkness and latent sexuality of the new tango, the melodies for both of which are also corruptions of the country dances. The Munch chord alters the perspective on the scene as the movement progresses and eventually dissolves at the end as though the onlooker is passing on to another, equally unresolved future. The Score and Parts are available on this site as separate downloads The sound sample is the second movement - performed by the Lochrian Ensemble The complete 6 string quartets performed by the Lochrian Ensemble are available on itunes: see: http://www.dwsolo.com/colinbayliss/.
$10.00
9.04 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Colin Bayliss
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String Quartet No. 5 From The Frieze Of Life
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Colin Bayliss
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SheetMusicPlus
String Quartet No. 5 From The Frieze Of Life (score and parts)
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet String Quartet - Level 4 - Digital Download SKU: A0.938387 Composed …
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String Quartet String Quartet - Level 4 - Digital Download SKU: A0.938387 Composed by Colin Bayliss. 20th Century,Contemporary. Score and parts. 66 pages. Colin Bayliss #6139. Published by Colin Bayliss (A0.938387). This work was written in 1999 for an international competition for quartets reflecting in music the visions in three of Edvard Munch's paintings. It is dedicated to the composer's wife, Rayna. 1. The Scream - Moderato - There are 51 versions of The Scream and the movement is in 51 sections grouped roughly into sonata form. The development is largely textural, and the movement hinges about a chord formed of open fifths a major third apart which will also re-appear in the other movements to give the quartet its sense of unity. The screaming is both audible and silent, and the footsteps on the bridge are portrayed both in a sense of passing by and also of running away. 2. Melancholy - Andante - Munch gave other titles to this painting, namely Jappe by the Shore and Jealousy . As jealousy and melancholy are retrospective emotions, tonal and modal music is employed, using the Norwegian folk song Millom bakkar og berg ut met havet set in a minor key for the first section. The A-B-A form then partially loses tonality for Jealousy, while returning to it for Melancholy itself. 3. The Dance of Life - Allegro - This movement is in rondo form, with hints of Norwegian country dances for the dancers in the painting. The two women are portrayed as one looking nostalgically to the light-heartedness of the old waltz and the other brooding on the darkness and latent sexuality of the new tango, the melodies for both of which are also corruptions of the country dances. The Munch chord alters the perspective on the scene as the movement progresses and eventually dissolves at the end as though the onlooker is passing on to another, equally unresolved future. The Score and Parts are available on this site as separate downloads The sound sample is the second movement - performed by the Lochrian Ensemble The complete 6 string quartets performed by the Lochrian Ensemble are available on itunes: see: http://www.dwsolo.com/colinbayliss/.
$15.00
13.56 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Colin Bayliss
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String Quartet No. 5 From The Frieze Of Life
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Colin Bayliss
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SheetMusicPlus
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