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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Summary
Non classifié
32
Piano & claviers
Piano seul
13
Piano, Voix et Guitare
4
Piano, Voix
3
Orgue
1
Piano Facile
1
1 Piano, 4 mains
1
+ 1 instrumentations
Retracter
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Guitare
6
Guitare notes et tablatures
3
Ukulele
1
Voix
Chorale 3 parties
4
Chorale SATB
2
Vents
Flûte traversière et Piano
8
Saxophone Alto et Piano
6
Clarinette et Piano
5
Cor anglais, Piano
5
Saxophone Tenor et Piano
5
Saxophone Soprano et Piano
5
Saxophone Baryton, Piano
5
Quatuor de Saxophones: 4 saxophones
3
Clarinette
3
Hautbois, Piano (duo)
3
Clarinette Basse, Piano
3
Quatuor de Clarinettes: 4 clarinettes
2
Piccolo, Piano
1
Hautbois (partie séparée)
1
Flûte, Clarinette, Piano (trio)
1
3 Clarinettes (trio)
1
+ 11 instrumentations
Retracter
Cuivres
Cor et Piano
7
Euphonium, Piano (duo)
6
Cor anglais, Piano
5
Trombone et Piano
4
Trompette
4
Trompette, Piano
2
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
2
2 Cors (duo)
1
+ 3 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
15
Violon et Piano
6
Violoncelle, Piano
6
Alto, Piano
5
Harpe
4
Trio à Cordes: violon, alto, violoncelle
1
2 Violons (duo)
1
+ 2 instrumentations
Retracter
Orchestre & Percussions
Caisse Claire
1
Orchestre d'harmonie
1
Fanfare
1
Ensemble Jazz
1
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Formation musicale - Solfège
21
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Instruments
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CLARINETTE
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CONTREBASSE
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COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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ASIE
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CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
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EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
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GOSPEL - SPIRITUEL -…
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MEDIEVAL - RENAISSAN…
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METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
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Vous avez sélectionné:
Summary
Quatuor à cordes: 2 violons, alto, violoncelle
Partitions à imprimer
15 partitions trouvées
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Tu scendi dalle stelle (From Starry Skies Thou Comest) for String Quartet
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1…
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1510579 Composed by Saint Alphonsus Liguori. Arranged by James M. Guthrie. Chamber,Christmas,Historic,Standards,Traditional. 19 pages. Jmsgu3 #1085779. Published by jmsgu3 (A0.1510579). Tu scendi dalle stelle is an essential and beloved Italian Christmas carol with several notable aspects: Origins and ComposerThe carol was written in 1732 by Saint Alphonsus Liguori, a prominent Neapolitan priest, philosopher, and founder of the Redemptorist missionary order. Liguori composed the melody and original lyrics while staying at a convent in Deliceto, Italy. Popularity and TraditionIt has become one of Italy's most popular and widely sung Christmas carols. For many Italian families, singing this carol on Christmas Eve is a beloved tradition.Musical Style and PerformanceThe carol was written in the musical style of a pastorale. While it has been arranged in various ways, it is traditionally associated with the zampogna, a large Italian bagpipe instrument. Lyrical ContentThe lyrics poetically describe Jesus descending from the stars as the King of Heaven to be born in a cold, frosty cave. They reflect on the poverty and humility of Christ's birth and emphasize the sacrificial love shown through the Incarnation. Cultural ImpactTu scendi dalle stelle has had a lasting influence on Italian Christmas traditions and culture. It has been recorded by many artists and adapted into different musical arrangements over the years. The carol has also inspired variations and arrangements by classical composers like Domenico Scarlatti and Ottorino Respighi. In summary, Tu scendi dalle stelle is significant as a cherished Italian Christmas tradition, a reflection of Catholic theology and devotion, and an enduring piece of sacred music composed by an important religious figure.
$34.95
32.22 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Saint Alphonsus Liguori
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James M
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Tu scendi dalle stelle
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jmsgu3
#
SheetMusicPlus
Infant Holy, Infant Lowly for String Quartet
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,String Quartet,Viola,Violin - Level 2 - Digital Download SKU: A0.1…
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String Quartet Cello,String Quartet,Viola,Violin - Level 2 - Digital Download SKU: A0.1498820 Composed by Traditional. Arranged by James M. Guthrie. Chamber,Christian,Christmas,Historic,Traditional. 12 pages. Jmsgu3 #1074992. Published by jmsgu3 (A0.1498820). Infant Holy, Infant Lowly is an important Christmas carol with several notable aspects: Origins and History.This carol originated as a Polish Christmas hymn from the 16th century called W Żłobie Leży. It is believed to have been written by Piotr Powęski, a Polish Jesuit priest and preacher born in 1532. Edith Margaret Gellibrand Reed, who discovered it in a Polish hymnal published in 1908, later translated it into English in 1920.Musical CharacteristicsThe carol exemplifies some typical features of Polish religious songs: Strophic formMonophonic melodyAsymmetrical time signaturesAmbiguous modality that shifts between major, minor, and modal qualitiesThese musical elements give the carol a distinctive Polish flavor while still accessible to English-speaking audiences. Lyrical ContentThe lyrics poetically describe the nativity scene, contrasting Christ's humble birth circumstances with his divine nature: First Verse:Infant holy, infant lowly, for his bed a cattle stall;Oxen lowing, little knowing Christ the babe is Lord of all.This verse emphasizes the paradox of the incarnation - the Lord of all creation born in a lowly stable.Cultural SignificanceAs one of the few Polish carols widely known in English, Infant Holy, Infant Lowly is an essential cultural bridge. It introduces English-speaking audiences to the rich tradition of Polish Christmas music, known as kolędy. The carol's popularity helps preserve and share an aspect of Polish Christmas traditions internationally. In summary, Infant Holy, Infant Lowly is important for its historical origins, distinctive musical qualities, poetic lyrics, and role in sharing Polish Christmas culture with a broader audience.
$34.95
32.22 €
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Quatuor à cordes: 2 violons, alto, violoncelle
#
Traditional
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James M
#
Infant Holy, Infant Lowly for String Quartet
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jmsgu3
#
SheetMusicPlus
O Christmas Tree for String Quartet
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1…
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1500348 Composed by Traditional. Arranged by James M. Guthrie. Chamber,Christmas,Historic,Holiday,Traditional. 16 pages. Jmsgu3 #1076427. Published by jmsgu3 (A0.1500348). O Christmas Tree, originally known as O Tannenbaum, is a significant holiday carol with deep cultural and historical roots. Here are some key points regarding its importance: Origins and EvolutionGerman Roots: The carol originated in Germany, where O Tannenbaum was a traditional folk song that celebrated the fir tree's beauty and symbolized faithfulness and endurance. The melody dates back to the 16th century, and the modern lyrics were adapted by German composer Ernst Anschütz in 1824.Cultural Adaptation: In the 19th century, the song transitioned into English as O Christmas Tree, aligning with the growing Christmas tree tradition in Western cultures, particularly in the UK and the US. This adaptation reflects the broader cultural exchange and the incorporation of German customs into English-speaking Christmas celebrations.SymbolismEvergreen Significance: The lyrics of O Christmas Tree emphasize the tree's evergreen nature, which serves as a metaphor for reliability and hope. The fir tree is celebrated for its beauty and ability to remain vibrant throughout the seasons, symbolizing steadfastness and renewal.Christmas Tradition: The song has become synonymous with Christmas celebrations, marking the festive season for many families. It encapsulates the joy and warmth associated with decorating Christmas trees, a practice that has become a worldwide central aspect of holiday traditions.Musical and Cultural ImpactWidespread Popularity: O Christmas Tree is one of the most recognized Christmas carols, performed in various versions across different cultures. Its melody and themes resonate with audiences, making it a staple in holiday music repertoires.Educational Value: The carol serves as an educational tool, introducing children to concepts of cultural heritage, music history, and the significance of seasonal traditions. It allows for discussions about the evolution of holiday practices and the blending of cultural influences.In summary, O Christmas Tree is important as a beloved holiday song and a cultural artifact that reflects historical traditions, symbolism, and the spirit of Christmas.
$34.95
32.22 €
#
Quatuor à cordes: 2 violons, alto, violoncelle
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Traditional
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James M
#
O Christmas Tree for String Quartet
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jmsgu3
#
SheetMusicPlus
The Twelve Days of Christmas for String Quartet
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1…
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1504108 Composed by English Traditional. Arranged by James M. Guthrie. Chamber,Christmas,Historic,Standards,Traditional. 15 pages. Jmsgu3 #1079563. Published by jmsgu3 (A0.1504108). The 12 Days of Christmas is significant for its cultural and religious implications. This period, also known as Twelvetide, spans from December 25 (Christmas Day) to January 6 (Epiphany), marking the time between the birth of Jesus and the arrival of the Magi. Historical ContextThe tradition of the 12 days was formalized by the Council of Tours in 567, which proclaimed this time a sacred season, emphasizing the importance of celebration and reflection during this period. Each day is associated with various saints and religious observances, making it a time of spiritual significance for many Christians.The Carol and Its MeaningThe well-known carol The Twelve Days of Christmas lists a series of increasingly extravagant gifts given on each of the twelve days. Although it is often perceived as a simple festive song, there are theories about its deeper meanings. One popular but debunked theory suggests that the gifts symbolize elements of the Christian faith, serving as a secret catechism for Catholics during times of persecution. However, this interpretation lacks substantial historical evidence and is considered more of a myth than fact. Cultural PracticesCulturally, the 12 Days of Christmas have evolved into various traditions, including gift-giving, feasting, and festive gatherings. In some cultures, gifts are exchanged on January 6, celebrated as Three Kings Day, while others may celebrate throughout twelve days. The carol likely originated as a memory game for children, intended to be fun and engaging rather than a severe religious text. In summary, the 12 Days of Christmas represent a blend of religious significance, historical tradition, and cultural celebration, making it an enduring aspect of the Christmas season.
$34.95
32.22 €
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Quatuor à cordes: 2 violons, alto, violoncelle
#
English Traditional
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James M
#
The Twelve Days of Christmas for String Quartet
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jmsgu3
#
SheetMusicPlus
Guthrie: Carol of the Bells for String Quartet
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1…
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1489376 Composed by Traditional. Arranged by James M. Guthrie. Chamber,Christmas,Historic,Standards,Traditional. 16 pages. Jmsgu3 #1066238. Published by jmsgu3 (A0.1489376). Carol of the Bells is a well-known Christmas carol with a rich history rooted in Ukrainian culture. Here are the key points to understand about this iconic piece:Original Composition: The melody of Carol of the Bells is derived from a Ukrainian folk song called Shchedryk, which Mykola Leontovych composed in 1914. Shchedryk, which translates to The Little Swallow, was originally a New Year's song celebrating the arrival of spring and good fortune.Cultural Context: The song's origins are tied to Ukrainian traditions, where it was sung by young girls going door-to-door on New Year's Eve, wishing families prosperity and good luck for the coming year. The swallow in the song symbolizes the arrival of spring and abundance.English Lyrics: In 1936, American composer Peter Wilhousky adapted the melody for Christmas, writing new lyrics that emphasized bells and Christmas cheer themes. This version transformed Shchedryk into Carol of the Bells, quickly gaining popularity in the United States and becoming a staple of Christmas music.Musical Structure: The carol features a distinctive four-note ostinato and is metrically bistable, allowing listeners to perceive the rhythm differently. It is typically arranged in 3/4 time and has a lively and festive feel, contributing to its widespread appeal.Widespread Adaptations: Carol of the Bells has been recorded in over 150 versions across various musical genres, including classical, jazz, rock, and heavy metal. Notable adaptations include those by Mannheim Steamroller and John Williams, which have helped to cement its status as a Christmas classic.Cultural Significance: The song's association with Christmas has overshadowed its Ukrainian roots, leading to a complex relationship with its cultural identity. In recent years, there has been a movement to reclaim Shchedryk as a significant part of Ukrainian heritage, especially amid ongoing geopolitical tensions.Modern Recognition: The song is frequently featured in films, television shows, and holiday concerts, making it a beloved part of the Christmas season. Its ability to evoke joy and nostalgia resonates with audiences worldwide.In summary, Carol of the Bells is not just a Christmas carol but a piece with deep cultural roots and a fascinating history of transformation from a Ukrainian folk song to a global holiday favorite.
$34.94
32.21 €
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Quatuor à cordes: 2 violons, alto, violoncelle
#
Traditional
#
James M
#
Guthrie: Carol of the Bells for String Quartet
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jmsgu3
#
SheetMusicPlus
Guthrie: I Saw Three Ships for String Quartet
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.1…
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.1491680 Composed by Traditional. Arranged by James M. Guthrie. Chamber,Christmas,Historic,Holiday,Traditional. 14 pages. Jmsgu3 #1068354. Published by jmsgu3 (A0.1491680). I Saw Three Ships is a traditional English Christmas carol that has gained popularity for its melodic simplicity and festive themes. Here are some key points about its significance:Historical ContextOrigins: The earliest known printed version of I Saw Three Ships dates back to the 17th century, with a notable publication by William Sandys in 1833. The song was likely known earlier under As I Sat On a Sunny Bank, particularly popular in Cornwall.Cultural Relevance: The carol reflects a period when maritime themes were prominent in English culture, coinciding with the Age of Exploration. This context made the imagery of ships particularly resonant for audiences of the time.Symbolism and InterpretationThe Ships: The lyrics describe three ships arriving on Christmas Day, which has led to various interpretations. One common belief is that the ships symbolize the three vessels that carried the relics of the Magi to Cologne Cathedral in the 12th century. Alternatively, they may represent the camels used by the Magi, often referred to as ships of the desert due to their role in transporting the wise men to Bethlehem.Bethlehem's Geography: The song mentions ships sailing into Bethlehem, which raises questions, as the nearest body of water is the Dead Sea, about 20 miles away. This discrepancy has prompted interpretations that focus on the symbolic rather than literal meaning of the ships.Musical LegacyPopularity: I Saw Three Ships has been embraced by various artists across genres, with notable recordings by musicians such as Sting, Glen Campbell, and Sufjan Stevens. Its enduring appeal makes it a staple in Christmas music repertoires.Lyric Variations: Different song versions have emerged over the years, reflecting local traditions and interpretations. Some variations even change the context from Christmas to other celebrations, demonstrating the carol's flexibility in cultural contexts.In summary, I Saw Three Ships is significant as a cherished Christmas carol and a cultural artifact that encapsulates historical maritime themes, religious symbolism, and the evolution of folk music traditions.
$34.95
32.22 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Traditional
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James M
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Guthrie: I Saw Three Ships for String Quartet
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jmsgu3
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SheetMusicPlus
Schumann: Fugue 1 from Six Fugues on BACH for String Quartet
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1…
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1422774 Composed by Robert Schumann. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. 15 pages. Jmsgu3 #1004127. Published by jmsgu3 (A0.1422774). The Six Fugues on the Name BACH, Op. 60 was Schumann's only work composed explicitly for the organ (or the pedal piano). Schumann composed this work in 1845, late in his career, as he turned to more conventional musical forms like the fugue with encouragement from his wife, Clara. The work uses the four-note B-A-C-H motive, which Schumann used to incorporate Bach's name into the music symbolically. The fugues demonstrate Schumann's mastery of the fugal form despite his reputation as a quintessential Romantic composer. Analysts have noted Schumann's innovative use of time and structure in the fugues, such as potential references to the golden section.In summary, Schumann's Op. 60 is an essential late-career work that showcases his command of the fugal form and innovative approaches to musical structure, all while incorporating the symbolic B-A-C-H motive.
$42.95
39.6 €
#
Quatuor à cordes: 2 violons, alto, violoncelle
#
Robert Schumann
#
James M
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Schumann: Fugue 1 from Six Fugues on BACH for String Quartet
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jmsgu3
#
SheetMusicPlus
Schumann: Fugue 3 from Six Fugues on BACH, Op. 60, for String Quartet
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1…
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1424210 Composed by Robert Schumann. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. 9 pages. Jmsgu3 #1005396. Published by jmsgu3 (A0.1424210). The Six Fugues on the Name BACH, Op. 60 was Schumann's only work composed explicitly for the organ (or the pedal piano). Schumann composed this work in 1845, late in his career, as he turned to more conventional musical forms like the fugue with encouragement from his wife, Clara. The work uses the four-note B-A-C-H motive, which Schumann used to incorporate Bach's name into the music symbolically. The fugues demonstrate Schumann's mastery of the fugal form despite his reputation as a quintessential Romantic composer. Analysts have noted Schumann's innovative use of time and structure in the fugues, such as potential references to the golden section.In summary, Schumann's Op. 60 is an essential late-career work that showcases his command of the fugal form and innovative approaches to musical structure, all while incorporating the symbolic B-A-C-H motive.
$42.95
39.6 €
#
Quatuor à cordes: 2 violons, alto, violoncelle
#
Robert Schumann
#
James M
#
Schumann: Fugue 3 from Six Fugues on BACH, Op. 60, for String Quartet
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jmsgu3
#
SheetMusicPlus
Schumann: Fugue 2 from Six Fugues on BACH for String Quartet
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.1…
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.1424141 Composed by Robert Schumann. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. 23 pages. Jmsgu3 #1005325. Published by jmsgu3 (A0.1424141). The Six Fugues on the Name BACH, Op. 60 was Schumann's only work composed explicitly for the organ (or the pedal piano). Schumann composed this work in 1845, late in his career, as he turned to more conventional musical forms like the fugue with encouragement from his wife, Clara. The work uses the four-note B-A-C-H motive, which Schumann used to incorporate Bach's name into the music symbolically. The fugues demonstrate Schumann's mastery of the fugal form despite his reputation as a quintessential Romantic composer. Analysts have noted Schumann's innovative use of time and structure in the fugues, such as potential references to the golden section.In summary, Schumann's Op. 60 is an essential late-career work that showcases his command of the fugal form and innovative approaches to musical structure, all while incorporating the symbolic B-A-C-H motive.
$42.95
39.6 €
#
Quatuor à cordes: 2 violons, alto, violoncelle
#
Robert Schumann
#
James M
#
Schumann: Fugue 2 from Six Fugues on BACH for String Quartet
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jmsgu3
#
SheetMusicPlus
Schumann: Fugue 4 from Six Fugues on BACH, Op. 60, for String Quartet
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1…
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1427547 Composed by Robert Schumann. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. 16 pages. Jmsgu3 #1008279. Published by jmsgu3 (A0.1427547). The Six Fugues on the Name BACH, Op. 60 was Schumann's only work composed explicitly for the organ (or the pedal piano). Schumann composed this work in 1845, late in his career, as he turned to more conventional musical forms like the fugue with encouragement from his wife, Clara. The work uses the four-note B-A-C-H motive, which Schumann used to incorporate Bach's name into the music symbolically. The fugues demonstrate Schumann's mastery of the fugal form despite his reputation as a quintessential Romantic composer. Analysts have noted Schumann's innovative use of time and structure in the fugues, such as potential references to the golden section. In summary, Schumann's Op. 60 is an essential late-career work that showcases his command of the fugal form and innovative approaches to musical structure, all while incorporating the symbolic B-A-C-H motive.
$42.95
39.6 €
#
Quatuor à cordes: 2 violons, alto, violoncelle
#
Robert Schumann
#
James M
#
Schumann: Fugue 4 from Six Fugues on BACH, Op. 60, for String Quartet
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jmsgu3
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SheetMusicPlus
Schumann: Fugue 5 from Six Fugues on BACH for String Quartet
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.1…
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.1428102 Composed by Robert Schumann. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. 15 pages. Jmsgu3 #1008910. Published by jmsgu3 (A0.1428102). The Six Fugues on the Name BACH, Op. 60 was Schumann's only work composed explicitly for the organ (or the pedal piano). Schumann composed this work in 1845, late in his career, as he turned to more conventional musical forms like the fugue with encouragement from his wife, Clara. The work uses the four-note B-A-C-H motive, which Schumann used to incorporate Bach's name into the music symbolically. The fugues demonstrate Schumann's mastery of the fugal form despite his reputation as a quintessential Romantic composer. Analysts have noted Schumann's innovative use of time and structure in the fugues, such as potential references to the golden section. In summary, Schumann's Op. 60 is an essential late-career work that showcases his command of the fugal form and innovative approaches to musical structure, all while incorporating the symbolic B-A-C-H motive.
$42.95
39.6 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Robert Schumann
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James M
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Schumann: Fugue 5 from Six Fugues on BACH for String Quartet
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jmsgu3
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SheetMusicPlus
Schumann: Six Fugues on the name BACH Op. 60 Complete for String Quartet
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.1…
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.1429486 Composed by Robert Schumann. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. 114 pages. Jmsgu3 #1010181. Published by jmsgu3 (A0.1429486). The Six Fugues on the Name BACH, Op. 60 was Schumann's only work composed explicitly for the organ (or the pedal piano). Schumann composed this work in 1845, late in his career, as he turned to more conventional musical forms like the fugue with encouragement from his wife, Clara. The work uses the four-note B-A-C-H motive, which Schumann used to incorporate Bach's name into the music symbolically. The fugues demonstrate Schumann's mastery of the fugal form despite his reputation as a quintessential Romantic composer. Analysts have noted Schumann's innovative use of time and structure in the fugues, such as potential references to the golden section. In summary, Schumann's Op. 60 is an essential late-career work that showcases his command of the fugal form and innovative approaches to musical structure, all while incorporating the symbolic B-A-C-H motive. YouTube Playlist Link: https://www.youtube.com/playlist?list=PLT9KtY0S7DRBZOVDKAJZAWv5auRCmS-6v.
$82.95
76.47 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Robert Schumann
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James M
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Schumann: Six Fugues on the name BACH Op. 60 Complete for String Quartet
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jmsgu3
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SheetMusicPlus
Schumann: Fugue 6 from Six Fugues on BACH Op. 60 for String Quartet
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.1…
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.1429451 Composed by Robert Schumann. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. 36 pages. Jmsgu3 #1010138. Published by jmsgu3 (A0.1429451). The Six Fugues on the Name BACH, Op. 60 was Schumann's only work composed explicitly for the organ (or the pedal piano). Schumann composed this work in 1845, late in his career, as he turned to more conventional musical forms like the fugue with encouragement from his wife, Clara. The work uses the four-note B-A-C-H motive, which Schumann used to incorporate Bach's name into the music symbolically. The fugues demonstrate Schumann's mastery of the fugal form despite his reputation as a quintessential Romantic composer. Analysts have noted Schumann's innovative use of time and structure in the fugues, such as potential references to the golden section. In summary, Schumann's Op. 60 is an essential late-career work that showcases his command of the fugal form and innovative approaches to musical structure, all while incorporating the symbolic B-A-C-H motive.
$42.95
39.6 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Robert Schumann
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James M
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Schumann: Fugue 6 from Six Fugues on BACH Op. 60 for String Quartet
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jmsgu3
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SheetMusicPlus
Brahms: Fugue, WoO 8, for String Quartet
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1…
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1416898 Composed by Johannes Brahms. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. 17 pages. Jmsgu3 #998489. Published by jmsgu3 (A0.1416898). The Fugue in A-flat minor, WoO 8, is one of the early organ works by Brahms, composed around 1856-57. It is an intense, brooding fugue published without an opus number. The fugue is part of a small set of four early organ pieces by Brahms, including the chorale prelude and fugue O Traurigkeit, o Herzeleid (WoO 7). These early organ works demonstrate Brahms' mastery of counterpoint at a young age. While Brahms did not have a close personal relationship with the organ, the genre of the chorale prelude allowed him to pay homage to his musical heritage, following the conventions of the form by paraphrasing and elaborating on pre-existing Lutheran chorale melodies. The Fugue in A-flat minor is considered one of the most significant and high-quality of Brahms' early organ works. It was eventually assigned the posthumous opus number 122, which is still known today. So, in summary, the Fugue in A-flat minor is an essential early organ work by Brahms that demonstrates his mastery of counterpoint, even though the organ was not his primary instrument. It is considered a significant and high-quality piece within Brahms' overall organ output.
$32.95
30.38 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Johannes Brahms
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James M
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Brahms: Fugue, WoO 8, for String Quartet
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jmsgu3
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SheetMusicPlus
Mendelssohn: Prelude & Fugue in C Minor Op. 37 No. 1 for String Quartet
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.1…
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.1353485 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. 36 pages. Jmsgu3 #938223. Published by jmsgu3 (A0.1353485). The Significance of Mendelssohn's Preludes and Fugues, Op. 37, lies in its role in developing the organ repertoire and reflecting Mendelssohn's compositional style. The work, written in 1837, consists of three preludes and fugues for organ. Here are some critical aspects of its significance: Mendelssohn's compositional style: The Preludes and Fugues, Op. 37, showcase Mendelssohn's unique style, characterized by a combination of Romantic expressiveness and Classical form. This style is evident in the structure, harmony, and melodic content.  Influence of J.S. Bach: Mendelssohn's Preludes and Fugues, Op. 37, are heavily influenced by the style of J.S. Bach, a composer Mendelssohn greatly admired. This influence can be seen in the pieces' counterpoint, harmonic language, and formal structure. Pedal technique: In Op. 37, Mendelssohn composed independent pedal parts that reveal a thorough understanding of the role of the pedals in organ music. For the first time, he composed pedal passages that required more than minimal competency, demonstrating his skill in writing for the organ. Expansion of the organ repertoire: Mendelssohn was an accomplished organist and wrote dozens of works for the instrument. The Preludes and Fugues, Op. 37, contribute to expanding the organ repertoire and demonstrate Mendelssohn's mastery of the medium. Historical context: The Preludes and Fugues, Op. 37, were written when Mendelssohn was also working on his Six Sonatas, Op. 65. This period of productivity and exploration of the organ medium further highlights the significance of Op. 37 in Mendelssohn's compositional output. In summary, Mendelssohn's Preludes and Fugues, Op. 37, are significant to music history due to their reflection of Mendelssohn's compositional style, influence by J.S. Bach, innovative pedal technique, contribution to the organ repertoire, and historical context within Mendelssohn's compositional output.
$32.95
30.38 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Prelude & Fugue in C Minor Op. 37 No. 1 for String Quartet
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jmsgu3
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SheetMusicPlus
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