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Sunshine on My Back
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Quatuor à cordes: 2 violons, alto, violoncelle
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Vous avez sélectionné:
Sunshine on My Back
SheetMusicPlus
Partitions à imprimer
3 partitions trouvées
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Sunshine On My Shoulders
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Rock
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John Denver
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Sherry Lewis
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Sunshine On My Shoulders
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Sherry Lewis Publishing
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.521680 By John Denver. By Dick Kniss, John Denver, and Mike Taylor. Arranged by She...
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.521680 By John Denver. By Dick Kniss, John Denver, and Mike Taylor. Arranged by Sherry Lewis. Rock. 16 pages. Sherry Lewis Publishing #6345397. Published by Sherry Lewis Publishing (A0.521680). SUNSHINE ON MY SHOULDERSSTRING QUARTET, Intermediate Level for 2 violins, viola and celloScore: YesParts: 6 pagesTime: 5:15MY QUARTET VERSIONS, in short notice work fine for solo, two parts and three parts however I also offer individual versions for one, two and three parts that are more detailed for these ensembles.Please visit https://www.sheetmusicplus.com/search?Ntt=sherry+lewis+publishing for all of the titles I offer.If you can’t find a title then contact me through https://baysbest.com/contact/and I’ll give you the link back to Sheet Music Plus’s listing. Sherry Lewis is a professional arranger and musician residing in Northern California. Thank you for your purchase!
$12.99
Almost May Score and Parts
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Heidi Savoie
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Heidi Savoie
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Almost May Score and Parts
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Heidi Savoie
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SheetMusicPlus
String Quartet Cello,Double Bass,Piano,String Quartet,Viola,Violin - Level 3 - SKU: A0.1376321 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoi...
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String Quartet Cello,Double Bass,Piano,String Quartet,Viola,Violin - Level 3 - SKU: A0.1376321 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoie. Classical,Contemporary,Jazz,Pop,Singer/Songwriter. 15 pages. Heidi Savoie #960865. Published by Heidi Savoie (A0.1376321). This score is an arrangement for piano, violin I and II, viola, cello, bass with optional drums.Backstory: Years ago I wrote a simple piano piece for my students. As instrumental music can fully exist outside the confines of words, it can be difficult to find the right title for something that is pure sound and possibility. I took inspiration from the time of year in which I had composed it and stamped it, “Almost Mayâ€. Like springtime in the Northern Hemisphere, “Almost May†unfolds slowly and majestically, with ever-evolving layers for the senses to discover. What to listen for: ThemeThe main theme is first presented by the piano with minimal fanfare. This part was written to be easy enough for a child, which despite being sparing of notes, delivers rich harmonic content. Every note has been carefully curated for the optimal combination of accessibility and depth. Weaving chromatically into distantly-related keys, the melody takes small steps into contrasting musical spaces. In a wordless procession, the storyline plays out, as if the theme discovers that someone very different lives next door, and they slowly become inseparable. The piano is accompanied by an airy touch of brushes against a snare drum, like the pitter patter of soft feline steps. In the low frequency range, the upright bass supports and deepens the tonal palette with its earthy underpinnings. What to listen for: Variation I The unmistakable string section arrives like a breath of warm air. Lush, warm and reassuring like sunshine on your cheeks, the string parts begin with long tones. This broadness and stability will evolve into more layers of complexity throughout the section. While the role of the string section is background accompaniment, it undergoes textural changes which allow for some layers to briefly rise to the forefront as melody. Careful listening to the string parts will reveal an oceanic churning, a motion from background to foreground with expansions and contractions along the way. Floating overtop this density is the improvised piano solo, with ascending gestures that progress in detail and density. Each instrument enters a general unfolding and growth period in the first variation. The bass and drums include more fills than before, as the ensemble tends gradually toward more grandeur. What to listen for: Variation II The final variation opens with a decadent treatment of the melody. What was initially expressed by a soloist as a childlike plea is reimagined as a two-part conversation between the piano and lead viola. The obbligato voiced in the viola is a derivation of the melody that holds the space between phrases so the listener's attention is passed seamlessly between the piano and viola part. This dialogue features commentary on the original melody in the form of ornamentation and taking surprising pathways to expected destinations. The rhythm section (bass and drums) takes more liberties in creating a verdant soundscape as the ensemble rises to a final climax. Credits: I would like to thank Cole Canaday for the nuance, imagination and depth of understanding with which he brought this piece to life. I would also like to thank Blake Hamilton and Anastace for providing invaluable audio engineering feedback.
$24.99
Easy
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Quatuor à cordes: 2 violons, alto, violoncelle
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AVANCÉ
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The Commodores
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Kyle Pudenz
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Easy
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ViolinVagabond Music
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 5 - SKU: A0.845966 By The Commodores. By Lionel Richie. Arranged by Kyle Pudenz. Contemporary,H...
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String Quartet Cello,String Quartet,Viola,Violin - Level 5 - SKU: A0.845966 By The Commodores. By Lionel Richie. Arranged by Kyle Pudenz. Contemporary,Hip-Hop,Pop,R & B,Rock. Score and parts. 21 pages. ViolinVagabond Music #4967807. Published by ViolinVagabond Music (A0.845966). Finally, the slow-dance number that your gig book has been missing for all these years! Dim the lights, pop a fresh bottle of bubbly, and melt your audience's troubles away with this jazzy rendition of one of the quintessential crooner, Lionel Richie's, most magnificent masterworks.A few tasteful reharminizations and backbeat chopping rhythms give this arrangement a groove that you can really lay back into. Feel free to repeat the solo section and throw down your best improv, or just let the Commodores' original signature solo set the Sunday morning scene; the guitar solo is printed in the parts. Did I mention I added a key change at the end? Oh no he didn't... OH YES I DID! You can almost feel the sunshine streaming down upon your face, folks. Chill. Vibes. For. Days. Thanks to the power of chopping and pizzicato bass lines, this arrangement can stand alone with absolutely no need for additional rhythm instruments. However, in the interest of inclusion, I have attached a rhythm section lead sheet so that all of your friends, whether they have bows, picks, or sticks, can join in on the fun.Prove your worth as an ensemble by tastefully caressing your listeners' ears with this sultry soliloquy; a reminder that the space between the notes can be the most important part of a captivating performance.If you love this arrangement, try upping the ante even more by pairing it with my arrangement of Brick House for an epic Commodores medley that's a surefire bet to wow the crowd! The optional transition is included in the parts.Brick House available at: https://www.sheetmusicplus.com/title/brick-house-jazz-string-quartet-digital-sheet-music/21498631?ac....Performance time: 3 minutes. Optionally, vamp the solo section and/or trade with other musicians if you need to stretch it out.Questions? Feel free to contact me via my website, www.kylepudenz.com/ or on the 'Insta @theviolinvagabond
$19.99
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Sunshine on My Back
