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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Ten Pieces for Organ
Non classifié
126
Piano & claviers
Orgue
221
Piano seul
45
2 Pianos, 4 mains
21
Piano, Voix et Guitare
14
Orgue, Trompette (duo)
13
Piano, Voix
11
Piano Facile
4
Orgue, Piano (duo)
4
Piano Quatuor: piano, violon, alto, violoncelle
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Piano Trio: piano, violon, violoncelle
1
Clavecin
1
Instruments en Do
1
+ 8 instrumentations
Retracter
Guitares
Guitare
5
Ukulele Baryton
4
Ligne De Mélodie, (Paroles) et Accords
3
Ukulele
2
Guitare notes et tablatures
2
Mandoline
2
+ 1 instrumentations
Retracter
Voix
Chorale SATB
23
Chorale 3 parties
7
Chorale TTBB
6
Voix duo, Piano
5
Chorale 2 parties
5
Chorale Unison
2
Voix duo, Orgue
1
Chorale SSAA
1
+ 3 instrumentations
Retracter
Vents
Quatuor de Saxophones: 4 saxophones
17
Clarinette et Piano
15
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
15
3 Saxophones (trio)
14
Saxophone Tenor et Piano
12
Saxophone Alto et Piano
11
2 Saxophones (duo)
10
Flûte traversière et Piano
10
Hautbois, Piano (duo)
7
Quatuor de Clarinettes: 4 clarinettes
6
Quintette de Saxophone: 5 saxophones
6
2 Clarinettes (duo)
5
Saxophone Soprano et Piano
5
Cor anglais, Piano
5
Clarinette
5
Quintette de Clarinettes: 5 clarinettes
3
2 Flûtes traversières (duo)
3
3 Clarinettes (trio)
3
Flûte, Hautbois, Clarinette, Basson
3
Ensemble de saxophones
2
Saxophone et Orgue
2
Trio de Flûtes: 3 flûtes
2
Saxophone Baryton, Piano
2
Flûte traversière
2
Ocarina
2
Quintette de Flûte : 5 flûtes
2
Ensemble de Clarinettes
2
2 Hautbois (duo)
1
Flûte, Hautbois, Clarinette (trio)
1
Cor anglais et Harpe (duo)
1
Ensemble de Hautbois
1
Saxophone Alto
1
Flûte à bec Alto, Piano
1
Quatuor de Flûtes à bec
1
Saxophone (partie séparée)
1
Harmonica
1
Hautbois, Clarinette, Basson (trio d'anches)
1
3 Flûtes à bec (trio)
1
Flûte irlandaise
1
2 Cors Anglais Et Pianoforte
1
Saxophone Tenor
1
Flûte à bec Soprano, Piano
1
+ 37 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
9
Trompette, Piano
6
Cor anglais, Piano
5
Cor et Piano
5
Trombone et Piano
4
Trompette
4
2 Trompettes (duo)
3
2 Tubas (duo)
2
2 Cors (duo)
2
2 Euphoniums (duo)
2
Tuba
2
2 Trombones (duo)
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Cor anglais et Harpe (duo)
1
3 Trompettes (trio)
1
Trombone, Orgue
1
Quatuor de Cuivres : 2 trompettes, trombone, tuba
1
Quatuor de cuivres: 4 cors
1
Euphonium, Piano (duo)
1
2 Cors Anglais Et Pianoforte
1
Trompette, Cor (duo)
1
Tuba et Piano
1
+ 17 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
31
Trio à Cordes: violon, alto, violoncelle
15
Violon et Piano
6
Alto, Piano
6
Violoncelle, Piano
5
Violoncelle
4
Harpe, Flûte (duo)
3
Violon, Violoncelle (duo)
3
2 Contrebasses (duo)
2
Contre Basse
2
Piano Trio: Violon, Alto, Piano
2
Violon
2
Trio à Cordes: 3 violoncelles
2
Harpe, Voix
2
Alto (partie séparée)
2
2 Violons (duo)
2
4 Violoncelles
1
Harpe
1
Violon, Orgue
1
Alto seul
1
Violoncelle, Orgue
1
+ 16 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
24
Orchestre d'harmonie
8
Jazz combo
7
Orchestre
7
Ensemble de cuivres
3
Orchestre de chambre
3
Cloches
3
Vibraphone
1
Marimba et Orgue
1
+ 4 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
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PIANO
SAXOPHONE
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Vous avez sélectionné:
Ten Pieces for Organ
Quatuor à cordes: 2 violons, alto, violoncelle
Partitions à imprimer
31 partitions trouvées
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1
26
Bull: Salvator mundi for String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
#
Dr
#
James M
#
Bull: Salvator mundi for Strin
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jmsgu3
#
SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1291367 Composed by Dr. John Bull. Arranged by James M. Guthrie. Chamber,Christian,...
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1291367 Composed by Dr. John Bull. Arranged by James M. Guthrie. Chamber,Christian,Historic,Religious,Renaissance. 26 pages. Jmsgu3 #882018. Published by jmsgu3 (A0.1291367). John Bull was an English composer, organist, virginalist, and organ builder who lived from 1562/63 to 1628. He was educated as a chorister of the Chapel Royal in London and later became a Doctor of Music at both Oxford and Cambridge Universities. Bull was one of the most famous composers of keyboard music of the early 17th century, and most of his compositions were written for the virginal, a keyboard instrument popular in the Renaissance period. He was known for his outstanding technical ability and keyboard virtuosity, and his music is distinguished by unfailing resourcefulness in devising new musical ideas. Bull's reputation rests on his extensive compositions for virginals and organ, some 150 extant pieces published in Musica Britannica. He was also one of the contributors to Parthenia, a collection of keyboard music published in 1611. Bull wrote an anthem, God the Father, God the Son, for the 1613 wedding of the princess and the Elector Palatine, in addition to his keyboard compositions, verse anthems, canons, and other works. Bull's music ranked among the foremost composers along with Byrd, Gibbons, and Tomkins.The significance of John Bull's Salvator Mundi lies in its historical and cultural importance as a musical composition. John Bull was a prominent English composer, and his work Salvator Mundi is part of the Fitzwilliam Virginal Book, a collection of keyboard music from the late Elizabethan and early Jacobean periods. Bull's music is highly regarded, placing him among the foremost composers of his time, along with Byrd, Gibbons, and Tomkins. The term Salvator Mundi also appears in a papal bull issued by Boniface VIII in the 14th century, which was a definitive statement of the late medieval theory of hierocracy, emphasizing the pope's supremacy. Salvator Mundi is also known as the title of a famous painting attributed to Leonardo da Vinci, which has been the subject of extensive investigation regarding its materials and techniques. Therefore, Salvator Mundi holds significance in music, history, and art.
$28.95
Mendelssohn: Prelude & Fugue in C Minor Op. 37 No. 1 for String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Felix Bartholdy Mendelssohn
#
James M
#
Mendelssohn: Prelude & Fug
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jmsgu3
#
SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1353485 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie. 19th...
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1353485 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. 36 pages. Jmsgu3 #938223. Published by jmsgu3 (A0.1353485). The Significance of Mendelssohn's Preludes and Fugues, Op. 37, lies in its role in developing the organ repertoire and reflecting Mendelssohn's compositional style. The work, written in 1837, consists of three preludes and fugues for organ. Here are some critical aspects of its significance: Mendelssohn's compositional style: The Preludes and Fugues, Op. 37, showcase Mendelssohn's unique style, characterized by a combination of Romantic expressiveness and Classical form. This style is evident in the structure, harmony, and melodic content.  Influence of J.S. Bach: Mendelssohn's Preludes and Fugues, Op. 37, are heavily influenced by the style of J.S. Bach, a composer Mendelssohn greatly admired. This influence can be seen in the pieces' counterpoint, harmonic language, and formal structure. Pedal technique: In Op. 37, Mendelssohn composed independent pedal parts that reveal a thorough understanding of the role of the pedals in organ music. For the first time, he composed pedal passages that required more than minimal competency, demonstrating his skill in writing for the organ. Expansion of the organ repertoire: Mendelssohn was an accomplished organist and wrote dozens of works for the instrument. The Preludes and Fugues, Op. 37, contribute to expanding the organ repertoire and demonstrate Mendelssohn's mastery of the medium. Historical context: The Preludes and Fugues, Op. 37, were written when Mendelssohn was also working on his Six Sonatas, Op. 65. This period of productivity and exploration of the organ medium further highlights the significance of Op. 37 in Mendelssohn's compositional output. In summary, Mendelssohn's Preludes and Fugues, Op. 37, are significant to music history due to their reflection of Mendelssohn's compositional style, influence by J.S. Bach, innovative pedal technique, contribution to the organ repertoire, and historical context within Mendelssohn's compositional output.
$32.95
Bull: A Gigge - Doctor Bull's my selfe for String Quartet - Score Only
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Quatuor à cordes: 2 violons, alto, violoncelle
#
FACILE
#
Dr
#
James M
#
Bull: A Gigge - Doctor Bull's
#
jmsgu3
#
SheetMusicPlus
String Quartet String Quartet - Level 2 - SKU: A0.1292744 Composed by Dr. John Bull. Arranged by James M.. Guthrie. Chamber,Contest,Early Music,Festival...
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String Quartet String Quartet - Level 2 - SKU: A0.1292744 Composed by Dr. John Bull. Arranged by James M.. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Renaissance. 3 pages. Jmsgu3 #883308. Published by jmsgu3 (A0.1292744). John Bull was an English composer, organist, virginalist, and organ builder who lived from 1562/63 to 1628. He was educated as a chorister of the Chapel Royal in London and later became a Doctor of Music at both Oxford and Cambridge Universities. Bull was one of the most famous composers of keyboard music of the early 17th century, and most of his compositions were written for the virginal, a keyboard instrument popular in the Renaissance period. He was known for his outstanding technical ability and keyboard virtuosity, and his music is distinguished by unfailing resourcefulness in devising new musical ideas. Bull's reputation rests on his extensive compositions for virginals and organ, some 150 extant pieces published in Musica Britannica. He was also one of the contributors to Parthenia, a collection of keyboard music published in 1611. Bull wrote an anthem, God the Father, God the Son, for the 1613 wedding of the princess and the Elector Palatine, in addition to his keyboard compositions, verse anthems, canons, and other works. Bull's music ranked among the foremost composers along with Byrd, Gibbons, and Tomkins.John Bull had several contemporaries who were also prominent composers during the Renaissance period. Some of these composers include:William Byrd: Byrd was an English composer and one of the most influential figures in English Renaissance music. He was a contemporary of John Bull and is considered one of the greatest composers of his time. Byrd's compositions include sacred choral music, keyboard works, and consort music.Orlando Gibbons: Gibbons was an English composer and organist who lived during the same period as John Bull. He was known for his sacred choral music, particularly his anthems and verse anthems. Gibbons' compositions are characterized by their expressive harmonies and intricate counterpoint.Thomas Tomkins: Tomkins was another English composer who was active during the same time as John Bull. He was known for his sacred choral music, including anthems and services. Tomkins' compositions are notable for their rich harmonies and expressive melodies.Jan Pieterszoon Sweelinck: Sweelinck was a Dutch composer and organist who was highly regarded during the Renaissance period. He was known for his keyboard music, particularly his variations and fantasias. Sweelinck's compositions had a significant influence on Bull and other composers of the time.These composers, along with John Bull, were influential figures in the development of Renaissance music and significantly contributed to the repertoire of keyboard and choral music during that era.
$21.95
Bull: In Nomine CXIX for String Quartet - Score Only
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
#
John Bull
#
James M
#
Bull: In Nomine CXIX for Strin
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jmsgu3
#
SheetMusicPlus
String Quartet String Quartet - Level 3 - SKU: A0.1292197 Composed by John Bull. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Hist...
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String Quartet String Quartet - Level 3 - SKU: A0.1292197 Composed by John Bull. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Renaissance. 13 pages. Jmsgu3 #882787. Published by jmsgu3 (A0.1292197). John Bull was an English composer, organist, virginalist, and organ builder who lived from 1562/63 to 1628. He was educated as a chorister of the Chapel Royal in London and later became a Doctor of Music at both Oxford and Cambridge Universities. Bull was one of the most famous composers of keyboard music of the early 17th century, and most of his compositions were written for the virginal, a keyboard instrument popular in the Renaissance period. He was known for his outstanding technical ability and keyboard virtuosity, and his music is distinguished by unfailing resourcefulness in devising new musical ideas. Bull's reputation rests on his extensive compositions for virginals and organ, some 150 extant pieces published in Musica Britannica. He was also one of the contributors to Parthenia, a collection of keyboard music published in 1611. Bull wrote an anthem, God the Father, God the Son, for the 1613 wedding of the princess and the Elector Palatine, in addition to his keyboard compositions, verse anthems, canons, and other works. Bull's music ranked among the foremost composers along with Byrd, Gibbons, and Tomkins.John Bull had several contemporaries who were also prominent composers during the Renaissance period. Some of these composers include:William Byrd: Byrd was an English composer and one of the most influential figures in English Renaissance music. He was a contemporary of John Bull and is considered one of the greatest composers of his time. Byrd's compositions include sacred choral music, keyboard works, and consort music.Orlando Gibbons: Gibbons was an English composer and organist who lived during the same period as John Bull. He was known for his sacred choral music, particularly his anthems and verse anthems. Gibbons' compositions are characterized by their expressive harmonies and intricate counterpoint.Thomas Tomkins: Tomkins was another English composer who was active during the same time as John Bull. He was known for his sacred choral music, including anthems and services. Tomkins' compositions are notable for their rich harmonies and expressive melodies.Jan Pieterszoon Sweelinck: Sweelinck was a Dutch composer and organist who was highly regarded during the Renaissance period. He was known for his keyboard music, particularly his variations and fantasias. Sweelinck's compositions had a significant influence on Bull and other composers of the time.These composers, along with John Bull, were influential figures in the development of Renaissance music and significantly contributed to the repertoire of keyboard and choral music during that era.
$24.95
Bull: A Gigge - Doctor Bull's my selfe for String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
#
FACILE
#
Dr
#
James M
#
Bull: A Gigge - Doctor Bull's
#
jmsgu3
#
SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 2 - SKU: A0.1292748 Composed by Dr. John Bull. Arranged by James M.. Guthrie. Chamber,Contest,E...
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String Quartet Cello,String Quartet,Viola,Violin - Level 2 - SKU: A0.1292748 Composed by Dr. John Bull. Arranged by James M.. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Renaissance. 7 pages. Jmsgu3 #883310. Published by jmsgu3 (A0.1292748). John Bull was an English composer, organist, virginalist, and organ builder who lived from 1562/63 to 1628. He was educated as a chorister of the Chapel Royal in London and later became a Doctor of Music at both Oxford and Cambridge Universities. Bull was one of the most famous composers of keyboard music of the early 17th century, and most of his compositions were written for the virginal, a keyboard instrument popular in the Renaissance period. He was known for his outstanding technical ability and keyboard virtuosity, and his music is distinguished by unfailing resourcefulness in devising new musical ideas. Bull's reputation rests on his extensive compositions for virginals and organ, some 150 extant pieces published in Musica Britannica. He was also one of the contributors to Parthenia, a collection of keyboard music published in 1611. Bull wrote an anthem, God the Father, God the Son, for the 1613 wedding of the princess and the Elector Palatine, in addition to his keyboard compositions, verse anthems, canons, and other works. Bull's music ranked among the foremost composers along with Byrd, Gibbons, and Tomkins.John Bull had several contemporaries who were also prominent composers during the Renaissance period. Some of these composers include:William Byrd: Byrd was an English composer and one of the most influential figures in English Renaissance music. He was a contemporary of John Bull and is considered one of the greatest composers of his time. Byrd's compositions include sacred choral music, keyboard works, and consort music.Orlando Gibbons: Gibbons was an English composer and organist who lived during the same period as John Bull. He was known for his sacred choral music, particularly his anthems and verse anthems. Their expressive harmonies and intricate counterpoint characterize Gibbons' compositions.Thomas Tomkins: Tomkins was another English composer who was active during the same time as John Bull. He was known for his sacred choral music, including anthems and services. Tomkins' compositions are notable for their rich harmonies and expressive melodies.Jan Pieterszoon Sweelinck: Sweelinck was a Dutch composer and organist highly regarded during the Renaissance period. He was known for his keyboard music, particularly his variations and fantasias. Sweelinck's compositions significantly influenced Bull and other composers of the time.These composers, along with John Bull, were influential figures in the development of Renaissance music and significantly contributed to the repertoire of keyboard and choral music during that era.
$24.95
Bull: Salvator mundi for String Quartet - Score Only
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Quatuor à cordes: 2 violons, alto, violoncelle
#
INTERMÉDIAIRE
#
Dr
#
James M
#
Bull: Salvator mundi for Strin
#
jmsgu3
#
SheetMusicPlus
String Quartet String Quartet - Level 3 - SKU: A0.1291365 Composed by Dr. John Bull. Arranged by James M. Guthrie. Chamber,Christian,Historic,Religious,...
(+)
String Quartet String Quartet - Level 3 - SKU: A0.1291365 Composed by Dr. John Bull. Arranged by James M. Guthrie. Chamber,Christian,Historic,Religious,Renaissance. 15 pages. Jmsgu3 #882016. Published by jmsgu3 (A0.1291365). John Bull was an English composer, organist, virginalist, and organ builder who lived from 1562/63 to 1628. He was educated as a chorister of the Chapel Royal in London and later became a Doctor of Music at both Oxford and Cambridge Universities. Bull was one of the most famous composers of keyboard music of the early 17th century, and most of his compositions were written for the virginal, a keyboard instrument popular in the Renaissance period. He was known for his outstanding technical ability and keyboard virtuosity, and his music is distinguished by unfailing resourcefulness in devising new musical ideas. Bull's reputation rests on his extensive compositions for virginals and organ, some 150 extant pieces published in Musica Britannica. He was also one of the contributors to Parthenia, a collection of keyboard music published in 1611. Bull wrote an anthem, God the Father, God the Son, for the 1613 wedding of the princess and the Elector Palatine, in addition to his keyboard compositions, verse anthems, canons, and other works. Bull's music ranked among the foremost composers along with Byrd, Gibbons, and Tomkins.John Bull had several contemporaries who were also prominent composers during the Renaissance period. Some of these composers include:William Byrd: Byrd was an English composer and one of the most influential figures in English Renaissance music. He was a contemporary of John Bull and is considered one of the greatest composers of his time. Byrd's compositions include sacred choral music, keyboard works, and consort music.Orlando Gibbons: Gibbons was an English composer and organist who lived during the same period as John Bull. He was known for his sacred choral music, particularly his anthems and verse anthems. Gibbons' compositions are characterized by their expressive harmonies and intricate counterpoint.Thomas Tomkins: Tomkins was another English composer who was active during the same time as John Bull. He was known for his sacred choral music, including anthems and services. Tomkins' compositions are notable for their rich harmonies and expressive melodies.Jan Pieterszoon Sweelinck: Sweelinck was a Dutch composer and organist who was highly regarded during the Renaissance period. He was known for his keyboard music, particularly his variations and fantasias. Sweelinck's compositions had a significant influence on Bull and other composers of the time.These composers, along with John Bull, were influential figures in the development of Renaissance music and significantly contributed to the repertoire of keyboard and choral music during that era.
$24.95
Bull: In Nomine CXIX for String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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John Bull
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James M
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Bull: In Nomine CXIX for Strin
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jmsgu3
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1292203 Composed by John Bull. Arranged by James M. Guthrie. Chamber,Contest,Early ...
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1292203 Composed by John Bull. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Renaissance. 28 pages. Jmsgu3 #882794. Published by jmsgu3 (A0.1292203). John Bull was an English composer, organist, virginalist, and organ builder who lived from 1562/63 to 1628. He was educated as a chorister of the Chapel Royal in London and later became a Doctor of Music at both Oxford and Cambridge Universities. Bull was one of the most famous composers of keyboard music of the early 17th century, and most of his compositions were written for the virginal, a keyboard instrument popular in the Renaissance period. He was known for his outstanding technical ability and keyboard virtuosity, and his music is distinguished by unfailing resourcefulness in devising new musical ideas. Bull's reputation rests on his extensive compositions for virginals and organ, some 150 extant pieces published in Musica Britannica. He was also one of the contributors to Parthenia, a collection of keyboard music published in 1611. Bull wrote an anthem, God the Father, God the Son, for the 1613 wedding of the princess and the Elector Palatine, in addition to his keyboard compositions, verse anthems, canons, and other works. Bull's music ranked among the foremost composers along with Byrd, Gibbons, and Tomkins.John Bull had several contemporaries who were also prominent composers during the Renaissance period. Some of these composers include:William Byrd: Byrd was an English composer and one of the most influential figures in English Renaissance music. He was a contemporary of John Bull and is considered one of the greatest composers of his time. Byrd's compositions include sacred choral music, keyboard works, and consort music.Orlando Gibbons: Gibbons was an English composer and organist who lived during the same period as John Bull. He was known for his sacred choral music, particularly his anthems and verse anthems. Their expressive harmonies and intricate counterpoints characterize Gibbons' compositions.Thomas Tomkins: Tomkins was another English composer active during the same time as John Bull. He was known for his sacred choral music, including anthems and services. Tomkins' compositions are notable for their rich harmonies and expressive melodies.Jan Pieterszoon Sweelinck: Sweelinck was a Dutch composer and organist highly regarded during the Renaissance period. He was known for his keyboard music, particularly his variations and fantasias. Sweelinck's compositions significantly influenced Bull and other composers of the time.These composers, along with John Bull, were influential figures in the development of Renaissance music and significantly contributed to the repertoire of keyboard and choral music during that era.
$28.95
Pachelbel: Canon in D for String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Classique
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Johann Pachelbel
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James M
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Pachelbel: Canon in D for Stri
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jmsgu3
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SheetMusicPlus
String Quartet String Quartet - Level 3 - SKU: A0.552063 Composed by Johann Pachelbel. Arranged by James M. Guthrie. Baroque,Instructional,Standards,Wed...
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String Quartet String Quartet - Level 3 - SKU: A0.552063 Composed by Johann Pachelbel. Arranged by James M. Guthrie. Baroque,Instructional,Standards,Wedding. Score and parts. 11 pages. Jmsgu3 #6105631. Published by jmsgu3 (A0.552063). Score: 6 pagesDuration: ca. 4:40. The famous Pachelbel Canon arranged for String Quartet A great choice for weddings & receptions! Pachelbel's Canon Pachelbel's Canon is, in fact, the traditional title for a composition by the German composer Johann Pachelbel. Other names for the work include namely: Canon and Gigue for 3 violins and basso continuo, Canon and Gigue in D, and of course Canon in D. We do not know when or why in particular it was written. The oldest copy is surprisingly from the 19th century. It is important to realize that it was a common routine for organists to practice improvisation on the chord progression underlying the canon. Pachelbel originally scored the Canon notably for three violins and continuo. He also in fact paired the Canon with a gigue. The movements are homotonal, to clarify, both are in the key of D major. History In due time, Pachelbel's Canon went out of style and remained in virtual oblivion for centuries. The Jean-François Paillard chamber orchestra, however, recorded an arrangement of it in 1968. As a result, it gained approval. Many ensembles began likewise to record the piece in the 1970s and by the 1980s became ubiquitous as background music. From the 1970s to the early 2000s, pop songs correspondingly used elements of the piece. The chord progression, in particular, was used this way. Also, since the 1980s, it has been not only wildly popular for weddings, but also for funeral ceremonies in the USA and Europe. Pachelbel Background Johann Pachelbel (1653 –1706) was a German composer, as well as an organist. He was furthermore instrumental in bringing the south German organ school to its apex. He wrote a large body of music, both sacred and, equally important, secular. In particular, he uniquely helped develop the chorale prelude and fugue. For this, he has, in fact, earned a rightful place in the company of the most significant composers of the mid-Baroque period. Works Pachelbel's music was certainly popular. With this in mind, he also consequently had many pupils. His music expressly developed into a model for south German composers. Nowadays, Pachelbel is most famous, particularly for the Canon in D, as well as the F minor Chaconne, the Toccata in E minor, and of course the Hexachordum Apollinis, a set of variations for the keyboard. Influences Johann Jakob Froberger and Johann Caspar Kerll were south German composers who significantly influenced Pachelbel. Furthermore, he was especially influenced by Italians such as Frescobaldi and Poglietti. He frequently preferred an articulate, simple contrapuntal style that highlighted clarity. His music is markedly less extravagant and harmonically adventurous than that of Dieterich Buxtehude. However, as a point often overlooked, like Buxtehude, Pachelbel experimented with different instrumental combinations in his chamber music. Legacy All in all, Pachelbel was most famous as a composer for the keyboard. He composed over two hundred pieces specifically for the instrument. Pachelbel was also surprisingly a prolific composer of vocal music. All in all, about a hundred vocal works survive, including 40 or so large-scale works.
$42.95
Byrd: Fantasia in A Minor for String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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William Byrd
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James M
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Byrd: Fantasia in A Minor for
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jmsgu3
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1289747 Composed by William Byrd. Arranged by James M. Guthrie. Chamber,Contest,Ear...
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1289747 Composed by William Byrd. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Renaissance. 44 pages. Jmsgu3 #880447. Published by jmsgu3 (A0.1289747). William Byrd was an English composer and organist who lived during the Renaissance period. He is considered one of the greatest composers of the era and had a profound influence on composers both from his native country and on the Continent. Byrd is best known for his development of the English madrigal and his ability to elevate the English keyboard style through his compositions for virginal and organ music.He was a pupil and protégé of the organist and composer Thomas Tallis, and his first authenticated appointment was as organist at Lincoln Cathedral in 1563. Byrd's output of about 470 compositions amply justifies his reputation as one of the great masters of European Renaissance music.He was adept at attracting sponsorship, and his most important patrons were Roman Catholic sympathizers. Byrd was responsible for publishing about ten volumes of songs by other composers, his role as publisher allowing him to play an even more prominent part in making both literary and musical composition much more broadly available to a public audience.William Byrd's Fantasias are considered to be highly important. Byrd, an English composer of the Renaissance, played a significant role in pioneering the development of the freely composed fantasia, which became an essential form of Jacobean and later composers. His array of sacred and secular compositions demonstrates a deeply sophisticated musical mind, blending technical prowess and emotional fervor. Byrd is regarded as one of the most prolific composers of the Renaissance, with over 600 of his pieces circulating. Therefore, the Fantasias of William Byrd hold great significance in the history of music.
$28.95
Bach: Prelude & Fugue in C Major BWV 553 for String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Prelude & Fugue in C
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jmsgu3
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 2 - SKU: A0.1124402 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Ch...
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String Quartet Cello,String Quartet,Viola,Violin - Level 2 - SKU: A0.1124402 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Contest,Festival,Instructional,Standards. 12 pages. Jmsgu3 #725148. Published by jmsgu3 (A0.1124402). Score: 5 pages. Duration: 3:20Johann Sebastian Bach's Prelude & Fugue in C Major BWV 553 is a work of great beauty and technical mastery. It is one of the most famous pieces in the organ repertoire, and is often referred to as the “Great†Prelude & Fugue. The prelude is in a highly ornate, contrapuntal style, and features a wide range of musical textures. It is characterized by rapid figuration, with themes and motifs that move between the voices in an almost playful manner. The fugue is equally impressive, with a powerful and driving counterpoint that culminates in a glorious, triumphant conclusion. The piece has been recorded by many of the world's leading organists, and has been performed in countless churches, concert halls, and other venues. It is a work that continues to captivate and inspire listeners, and will surely remain a beloved classic for generations to come.
$32.95
Schubler Chorales No.3 BWV.647 "Wer nur den lieben Gott lasst walten" for String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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Kamada, Mikio
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Schubler Chorales No.3 BWV.647
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ACORDO Sheet Music
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.777989 Composed by Johann Sebastian Bach. Arranged by Kamada, Mikio. Contemporary. ...
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.777989 Composed by Johann Sebastian Bach. Arranged by Kamada, Mikio. Contemporary. Score and parts. 7 pages. ACORDO Sheet Music #4758513. Published by ACORDO Sheet Music (A0.777989). Schubler Chorales are six chorale preludes composed for organ by Johann Sebastian Bach (BWV645-650). Schubler is the person who published these pieces. Five chorales are transcriptions from Bach’s cantatas (BWV645, 647-650). The original of this piece, BWV647, is Cantata No.93, movement 4, Who allows God alone to rule him.
$6.80
Bach: Prelude & Fugue in A Minor BWV 559 for String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Prelude & Fugue in A
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jmsgu3
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1126142 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Ch...
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1126142 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Classical,Contest,Festival,Wedding. 11 pages. Jmsgu3 #726845. Published by jmsgu3 (A0.1126142). Score: 5 pages. Duration: ca. 2:24. Johann Sebastian Bach's Prelude and Fugue in A Minor BWV 559 is a two-movement work for organ that is considered one of his finest compositions. It is believed to have been composed in 1723 and is one of his most often-played and recorded pieces.The Prelude is an impassioned and highly expressive movement that is filled with intricate counterpoint and a variety of textures. Its dynamic range is wide and it showcases Bach's mastery of harmonic and contrapuntal devices. The Fugue, on the other hand, is a highly contrapuntal movement that is based on a powerful and driving motif. Its harmonic structure is tightly constructed and its melodic lines are contoured with great finesse.Bach's Prelude and Fugue in A Minor BWV 559 is a testament to his remarkable skill as a composer and his mastery of counterpoint. Its structure, texture, and harmonic language are still captivating to modern audiences and it remains one of Bach's most beloved works.
$32.95
Brahms: Fugue, WoO 8, for String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Classique
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Johannes Brahms
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James M
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Brahms: Fugue, WoO 8, for Stri
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jmsgu3
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1416898 Composed by Johannes Brahms. Arranged by James M. Guthrie. 19th Century,Cha...
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1416898 Composed by Johannes Brahms. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. 17 pages. Jmsgu3 #998489. Published by jmsgu3 (A0.1416898). The Fugue in A-flat minor, WoO 8, is one of the early organ works by Brahms, composed around 1856-57. It is an intense, brooding fugue published without an opus number. The fugue is part of a small set of four early organ pieces by Brahms, including the chorale prelude and fugue O Traurigkeit, o Herzeleid (WoO 7). These early organ works demonstrate Brahms' mastery of counterpoint at a young age. While Brahms did not have a close personal relationship with the organ, the genre of the chorale prelude allowed him to pay homage to his musical heritage, following the conventions of the form by paraphrasing and elaborating on pre-existing Lutheran chorale melodies. The Fugue in A-flat minor is considered one of the most significant and high-quality of Brahms' early organ works. It was eventually assigned the posthumous opus number 122, which is still known today. So, in summary, the Fugue in A-flat minor is an essential early organ work by Brahms that demonstrates his mastery of counterpoint, even though the organ was not his primary instrument. It is considered a significant and high-quality piece within Brahms' overall organ output.
$32.95
String Quartet No 0 SCORE
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Colin Bayliss
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String Quartet No 0 SCORE
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Colin Bayliss
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SheetMusicPlus
String Quartet String Quartet - Level 4 - SKU: A0.938424 Composed by Colin Bayliss. 20th Century. Score and parts. 46 pages. Colin Bayliss #11309. Publi...
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String Quartet String Quartet - Level 4 - SKU: A0.938424 Composed by Colin Bayliss. 20th Century. Score and parts. 46 pages. Colin Bayliss #11309. Published by Colin Bayliss (A0.938424). The work was completed on February 2nd 1970 and is the first piece to be retained by the composer after he had destroyed all his earlier compositions. The parts are available as a separate download. The following is taken from the catalogue of the composer's works:- The photocopy of the MS is marked String Quartet No. 1, but is not regarded by the composer as part of his mature string quartet writing. The MS itself was lost in a fire at the home of Col. Robert Tong, formerly Registrar of Queen Mary College, University of London. A typesetting was made in November 2000 as the photocopy had faded so badly. The composer's sketch books suggest that the movements were written in the order 3,2,4,1. 1. Allegro 2. Scherzo (Allegro energico) Trio I - tempo di menuetto Trio II - no tempo indicated - [andante] 3. Andante con moto 4. Allegro ma non troppo Composer's note:- As the above suggests, I originally had no intention of publishing this early piece. The recording by the Lochrian String Quartet of the six numbered quartets, however , together with sleeve notes admitting the existence of this work, prompted me into revising my opinion and allowing its publication, so that anyone wishing to study this first effort may do so. It shows certain traits that I was to develop in the six quartets and others that I was to discard, and therefore is of musicological interest. It also has a few good, albeit imitative, tunes! Duration: Approx. 25 mins. COLIN BAYLISS was born in Mansfield, Nottinghamshire in 1948. His life-long love of music led him to compose from an early age and he now has a catalogue of over a hundred works including two operas, four symphonies, six string quartets and many other pieces for most instrumental and chamber groupings, over seventy of them published. He is a member of the British Academy of Composers and Songwriters, the North West Composers' Association and the Performing Rights Society. As well as writing music himself, he has also compiled annotated catalogues of the works of Anthony Hedges and Sir Peter Maxwell Davies. CDs of his piano music played by David Martin and complete organ music played by Ronald Frost are available on the New Century Classics label. Please feel free to use these biographical and programme notes in your concert programmes.
$10.00
String Quartet No 0 - PARTS
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Colin Bayliss
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String Quartet No 0 - PARTS
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Colin Bayliss
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SheetMusicPlus
String Quartet String Quartet - Level 4 - SKU: A0.938426 Composed by Colin Bayliss. 20th Century. Score and parts. 74 pages. Colin Bayliss #11311. Publi...
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String Quartet String Quartet - Level 4 - SKU: A0.938426 Composed by Colin Bayliss. 20th Century. Score and parts. 74 pages. Colin Bayliss #11311. Published by Colin Bayliss (A0.938426). The work was completed on February 2nd 1970 and is the first piece to be retained by the composer after he had destroyed all his earlier compositions. The Score is available as a separate download The following is taken from the catalogue of the composer's works:- The photocopy of the MS is marked String Quartet No. 1, but is not regarded by the composer as part of his mature string quartet writing. The MS itself was lost in a fire at the home of Col. Robert Tong, formerly Registrar of Queen Mary College, University of London. A typesetting was made in November 2000 as the photocopy had faded so badly. The composer's sketch books suggest that the movements were written in the order 3,2,4,1. 1. Allegro 2. Scherzo (Allegro energico) Trio I - tempo di menuetto Trio II - no tempo indicated - [andante] 3. Andante con moto 4. Allegro ma non troppo Composer's note:- As the above suggests, I originally had no intention of publishing this early piece. The recording by the Lochrian String Quartet of the six numbered quartets, however , together with sleeve notes admitting the existence of this work, prompted me into revising my opinion and allowing its publication, so that anyone wishing to study this first effort may do so. It shows certain traits that I was to develop in the six quartets and others that I was to discard, and therefore is of musicological interest. It also has a few good, albeit imitative, tunes! Duration: Approx. 25 mins. COLIN BAYLISS was born in Mansfield, Nottinghamshire in 1948. His life-long love of music led him to compose from an early age and he now has a catalogue of over a hundred works including two operas, four symphonies, six string quartets and many other pieces for most instrumental and chamber groupings, over seventy of them published. He is a member of the British Academy of Composers and Songwriters, the North West Composers' Association and the Performing Rights Society. As well as writing music himself, he has also compiled annotated catalogues of the works of Anthony Hedges and Sir Peter Maxwell Davies. CDs of his piano music played by David Martin and complete organ music played by Ronald Frost are available on the New Century Classics label. Please feel free to use these biographical and programme notes in your concert programmes.
$10.00
Faure Cantique de Jean Racine Op. 11 for String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Gabriel Faure
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Paul Wood
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Faure Cantique de Jean Racine
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MyMusicScores.com
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SheetMusicPlus
String Quartet String Quartet - Level 4 - SKU: A0.1218123 Composed by Gabriel Faure. Arranged by Paul Wood. Romantic Period,Wedding. 17 pages. MyMusicSc...
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String Quartet String Quartet - Level 4 - SKU: A0.1218123 Composed by Gabriel Faure. Arranged by Paul Wood. Romantic Period,Wedding. 17 pages. MyMusicScores.com #814638. Published by MyMusicScores.com (A0.1218123). Gabriel Faure's Cantique de Jean Racine, Op. 11, is a choral composition originally written for mixed choir and piano or organ. The text, a French paraphrase by Jean Racine of a Latin hymn, was set by the nineteen-year-old Faure in 1864-65 for a competition at the École Niedermeyer de Paris, where he studied. The composition won him the first prize and was first performed on August 4, 1866, with strings and organ accompanying the choir, and Faure himself playing the organ.The style of Cantique de Jean Racine bears similarities to Faure's later work, Requiem, and the two pieces are often performed together. Faure's training at the École Niedermeyer de Paris, under the guidance of his teacher Camille Saint-Saëns, included weekly choir singing as well as instruction in piano, theory, composition, and classical languages. Cantique de Jean Racine was published around 1875 or 1876The PDF contains the score and all parts.
$6.99
Sweelinck: Echo Fantasia No. 2 for String Quartet - Score Only
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Jan Pieterszoon Sweelinck was
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James M
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Sweelinck: Echo Fantasia No. 2
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jmsgu3
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SheetMusicPlus
String Quartet String Quartet - Level 3 - SKU: A0.1296215 Composed by Jan Pieterszoon Sweelinck was. Arranged by James M. Guthrie. Chamber,Contest,Early...
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String Quartet String Quartet - Level 3 - SKU: A0.1296215 Composed by Jan Pieterszoon Sweelinck was. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Renaissance. 7 pages. Jmsgu3 #886460. Published by jmsgu3 (A0.1296215). Jan Pieterszoon Sweelinck was a Dutch organist and composer who lived from April 1562 to October 16, 1621. He was born and died in Amsterdam, Netherlands. Sweelinck's first published works date from around 1592-94, and he composed a variety of music, including chansons and keyboard music. He was known for his keyboard playing and was a teacher to German composers Samuel Scheidt and Heinrich Scheidemann.  Sweelinck's Echo Fantasias are significant for several reasons:Innovative composition: Echo Fantasias were a unique form of composition during Sweelinck's time, blending elements of traditional fantasias with passages dedicated to echo effects. This experimental approach showcased Sweelinck's creativity and willingness to push the boundaries of musical expression. Emphasis on the moment: Unlike Sweelinck's larger fantasias, the construction of Echo Fantasias was less strict, focusing more on the immediate musical experience rather than the overall design. This emphasis on the moment allowed for greater freedom and spontaneity in the performance of these pieces. Stylistic range: Echo Fantasias encompassed a wide range of styles, juxtaposing fantasia-like elements with passages dedicated to echo effects. This stylistic diversity added depth and complexity to Sweelinck's compositions, making them engaging and intriguing for both performers and listeners.
$24.95
Sweelinck: Echo Fantasia No. 6 for String Quartet - Score Only
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Jan Pieterszoon Sweelinck
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James M
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Sweelinck: Echo Fantasia No. 6
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jmsgu3
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SheetMusicPlus
String Quartet String Quartet - Level 4 - SKU: A0.1297751 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Chamber,Contest,Early Mus...
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String Quartet String Quartet - Level 4 - SKU: A0.1297751 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Renaissance. 8 pages. Jmsgu3 #887726. Published by jmsgu3 (A0.1297751). Jan Pieterszoon Sweelinck was a Dutch organist and composer who lived from April 1562 to October 16, 1621. He was born and died in Amsterdam, Netherlands. Sweelinck's first published works date from around 1592-94, and he composed a variety of music, including chansons and keyboard music. He was known for his keyboard playing and was a teacher to German composers Samuel Scheidt and Heinrich Scheidemann. Sweelinck's Echo Fantasias are significant for several reasons:Innovative composition: Echo Fantasias were a unique form of composition during Sweelinck's time, blending elements of traditional fantasias with passages dedicated to echo effects. This experimental approach showcased Sweelinck's creativity and willingness to push the boundaries of musical expression. Emphasis on the moment: Unlike Sweelinck's larger fantasias, the construction of Echo Fantasias was less strict, focusing more on the immediate musical experience rather than the overall design. This emphasis on the moment allowed for greater freedom and spontaneity in the performance of these pieces. Stylistic range: Echo Fantasias encompassed a wide range of styles, juxtaposing fantasia-like elements with passages dedicated to echo effects. This stylistic diversity added depth and complexity to Sweelinck's compositions, making them engaging and intriguing for both performers and listeners.
$24.95
Sweelinck: Echo Fantasia No. 3 for String Quartet - Score Only
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Jan Pieterszoon Sweelinck
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James M
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Sweelinck: Echo Fantasia No. 3
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jmsgu3
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SheetMusicPlus
String Quartet String Quartet - Level 3 - SKU: A0.1296695 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Chamber,Contest,Early Mus...
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String Quartet String Quartet - Level 3 - SKU: A0.1296695 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Renaissance. 7 pages. Jmsgu3 #886848. Published by jmsgu3 (A0.1296695). Jan Pieterszoon Sweelinck was a Dutch organist and composer who lived from April 1562 to October 16, 1621. He was born and died in Amsterdam, Netherlands. Sweelinck's first published works date from around 1592-94, and he composed a variety of music, including chansons and keyboard music. He was known for his keyboard playing and was a teacher to German composers Samuel Scheidt and Heinrich Scheidemann.Sweelinck's Echo Fantasias are significant for several reasons:Innovative composition: Echo Fantasias were a unique form of composition during Sweelinck's time, blending elements of traditional fantasias with passages dedicated to echo effects. This experimental approach showcased Sweelinck's creativity and willingness to push the boundaries of musical expression. Emphasis on the moment: Unlike Sweelinck's larger fantasias, the construction of Echo Fantasias was less strict, focusing more on the immediate musical experience rather than the overall design. This emphasis on the moment allowed for greater freedom and spontaneity in the performance of these pieces. Stylistic range: Echo Fantasias encompassed a wide range of styles, juxtaposing fantasia-like elements with passages dedicated to echo effects. This stylistic diversity added depth and complexity to Sweelinck's compositions, making them engaging and intriguing for both performers and listeners.
$24.95
Sweelinck: Echo Fantasia No. 4 for String Quartet - Score Only
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Jan Pieterszoon Sweelinck
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James M
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Sweelinck: Echo Fantasia No. 4
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jmsgu3
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SheetMusicPlus
String Quartet String Quartet - Level 3 - SKU: A0.1297245 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Chamber,Contest,Early Mus...
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String Quartet String Quartet - Level 3 - SKU: A0.1297245 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Renaissance. 15 pages. Jmsgu3 #887319. Published by jmsgu3 (A0.1297245). Jan Pieterszoon Sweelinck was a Dutch organist and composer who lived from April 1562 to October 16, 1621. He was born and died in Amsterdam, Netherlands. Sweelinck's first published works date from around 1592-94, and he composed a variety of music, including chansons and keyboard music. He was known for his keyboard playing and was a teacher to German composers Samuel Scheidt and Heinrich Scheidemann. Sweelinck's Echo Fantasias are significant for several reasons:Innovative composition: Echo Fantasias were a unique form of composition during Sweelinck's time, blending elements of traditional fantasias with passages dedicated to echo effects. This experimental approach showcased Sweelinck's creativity and willingness to push the boundaries of musical expression. Emphasis on the moment: Unlike Sweelinck's larger fantasias, the construction of Echo Fantasias was less strict, focusing more on the immediate musical experience rather than the overall design. This emphasis on the moment allowed for greater freedom and spontaneity in the performance of these pieces. Stylistic range: Echo Fantasias encompassed a wide range of styles, juxtaposing fantasia-like elements with passages dedicated to echo effects. This stylistic diversity added depth and complexity to Sweelinck's compositions, making them engaging and intriguing for both performers and listeners.
$24.95
Sweelinck: Echo Fantasia No. 5 for String Quartet - Score Only
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Jan Pieterszoon Sweelinck
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James M
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Sweelinck: Echo Fantasia No. 5
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jmsgu3
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SheetMusicPlus
String Quartet String Quartet - Level 4 - SKU: A0.1297625 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Chamber,Contest,Early Mus...
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String Quartet String Quartet - Level 4 - SKU: A0.1297625 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Renaissance. 9 pages. Jmsgu3 #887626. Published by jmsgu3 (A0.1297625). Jan Pieterszoon Sweelinck was a Dutch organist and composer who lived from April 1562 to October 16, 1621. He was born and died in Amsterdam, Netherlands. Sweelinck's first published works date from around 1592-94, and he composed a variety of music, including chansons and keyboard music. He was known for his keyboard playing and was a teacher to German composers Samuel Scheidt and Heinrich Scheidemann. Sweelinck's Echo Fantasias are significant for several reasons:Innovative composition: Echo Fantasias were a unique form of composition during Sweelinck's time, blending elements of traditional fantasias with passages dedicated to echo effects. This experimental approach showcased Sweelinck's creativity and willingness to push the boundaries of musical expression. Emphasis on the moment: Unlike Sweelinck's larger fantasias, the construction of Echo Fantasias was less strict, focusing more on the immediate musical experience rather than the overall design. This emphasis on the moment allowed for greater freedom and spontaneity in the performance of these pieces. Stylistic range: Echo Fantasias encompassed a wide range of styles, juxtaposing fantasia-like elements with passages dedicated to echo effects. This stylistic diversity added depth and complexity to Sweelinck's compositions, making them engaging and intriguing for both performers and listeners.
$24.95
Sweelinck: Echo Fantasia No. 5 for String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Jan Pieterszoon Sweelinck
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James M
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Sweelinck: Echo Fantasia No. 5
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jmsgu3
#
SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1297629 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Chambe...
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1297629 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Renaissance. 19 pages. Jmsgu3 #887630. Published by jmsgu3 (A0.1297629). Jan Pieterszoon Sweelinck was a Dutch organist and composer who lived from April 1562 to October 16, 1621. He was born and died in Amsterdam, Netherlands. Sweelinck's first published works date from around 1592-94, and he composed a variety of music, including chansons and keyboard music. He was known for his keyboard playing and was a teacher to German composers Samuel Scheidt and Heinrich Scheidemann. Sweelinck's Echo Fantasias are significant for several reasons:Innovative composition: Echo Fantasias were a unique form of composition during Sweelinck's time, blending elements of traditional fantasias with passages dedicated to echo effects. This experimental approach showcased Sweelinck's creativity and willingness to push the boundaries of musical expression. Emphasis on the moment: Unlike Sweelinck's larger fantasias, the construction of Echo Fantasias was less strict, focusing more on the immediate musical experience rather than the overall design. This emphasis on the moment allowed for greater freedom and spontaneity in the performance of these pieces. Stylistic range: Echo Fantasias encompassed a wide range of styles, juxtaposing fantasia-like elements with passages dedicated to echo effects. This stylistic diversity added depth and complexity to Sweelinck's compositions, making them engaging and intriguing for both performers and listeners.
$28.95
Sweelinck: Echo Fantasia No. 2 for String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Jan Pieterszoon Sweelinck was
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James M
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Sweelinck: Echo Fantasia No. 2
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jmsgu3
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1296216 Composed by Jan Pieterszoon Sweelinck was. Arranged by James M. Guthrie. Ch...
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1296216 Composed by Jan Pieterszoon Sweelinck was. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Renaissance. 20 pages. Jmsgu3 #886461. Published by jmsgu3 (A0.1296216). Jan Pieterszoon Sweelinck was a Dutch organist and composer who lived from April 1562 to October 16, 1621. He was born and died in Amsterdam, Netherlands. Sweelinck's first published works date from around 1592-94, and he composed a variety of music, including chansons and keyboard music. He was known for his keyboard playing and was a teacher to German composers Samuel Scheidt and Heinrich Scheidemann. Sweelinck's Echo Fantasias are significant for several reasons:Innovative composition: Echo Fantasias were a unique form of composition during Sweelinck's time, blending elements of traditional fantasias with passages dedicated to echo effects. This experimental approach showcased Sweelinck's creativity and willingness to push the boundaries of musical expression. Emphasis on the moment: Unlike Sweelinck's larger fantasias, the construction of Echo Fantasias was less strict, focusing more on the immediate musical experience rather than the overall design. This emphasis on the moment allowed for greater freedom and spontaneity in the performance of these pieces. Stylistic range: Echo Fantasias encompassed a wide range of styles, juxtaposing fantasia-like elements with passages dedicated to echo effects. This stylistic diversity added depth and complexity to Sweelinck's compositions, making them engaging and intriguing for both performers and listeners.
$28.95
Sweelinck: Echo Fantasia No. 1 for String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Jan Pieterszoon Sweelinck
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James M
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Sweelinck: Echo Fantasia No. 1
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jmsgu3
#
SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1295690 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Chambe...
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1295690 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Renaissance. 29 pages. Jmsgu3 #885988. Published by jmsgu3 (A0.1295690). Jan Pieterszoon Sweelinck was a Dutch organist and composer who lived from April 1562 to October 16, 1621. He was born and died in Amsterdam, Netherlands. Sweelinck's first published works date from around 1592-94, and he composed a variety of music, including chansons and keyboard music. He was known for his keyboard playing and was a teacher to German composers Samuel Scheidt and Heinrich Scheidemann. Sweelinck's Echo Fantasias are significant for several reasons:Innovative composition: Echo Fantasias were a unique form of composition during Sweelinck's time, blending elements of traditional fantasias with passages dedicated to echo effects. This experimental approach showcased Sweelinck's creativity and willingness to push the boundaries of musical expression. Emphasis on the moment: Unlike Sweelinck's larger fantasias, the construction of Echo Fantasias was less strict, focusing more on the immediate musical experience rather than the overall design. This emphasis on the moment allowed for greater freedom and spontaneity in the performance of these pieces. Stylistic range: Echo Fantasias encompassed a wide range of styles, juxtaposing fantasia-like elements with passages dedicated to echo effects. This stylistic diversity added depth and complexity to Sweelinck's compositions, making them engaging and intriguing for both performers and listeners.
$28.95
Sweelinck: Echo Fantasia No. 3 for String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Jan Pieterszoon Sweelinck
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James M
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Sweelinck: Echo Fantasia No. 3
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jmsgu3
#
SheetMusicPlus
String Quartet String Quartet - Level 3 - SKU: A0.1296687 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Chamber,Contest,Early Mus...
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String Quartet String Quartet - Level 3 - SKU: A0.1296687 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Renaissance. 15 pages. Jmsgu3 #886850. Published by jmsgu3 (A0.1296687). Jan Pieterszoon Sweelinck was a Dutch organist and composer who lived from April 1562 to October 16, 1621. He was born and died in Amsterdam, Netherlands. Sweelinck's first published works date from around 1592-94, and he composed a variety of music, including chansons and keyboard music. He was known for his keyboard playing and was a teacher to German composers Samuel Scheidt and Heinrich Scheidemann.Sweelinck's Echo Fantasias are significant for several reasons:Innovative composition: Echo Fantasias were a unique form of composition during Sweelinck's time, blending elements of traditional fantasias with passages dedicated to echo effects. This experimental approach showcased Sweelinck's creativity and willingness to push the boundaries of musical expression. Emphasis on the moment: Unlike Sweelinck's larger fantasias, the construction of Echo Fantasias was less strict, focusing more on the immediate musical experience rather than the overall design. This emphasis on the moment allowed for greater freedom and spontaneity in the performance of these pieces. Stylistic range: Echo Fantasias encompassed a wide range of styles, juxtaposing fantasia-like elements with passages dedicated to echo effects. This stylistic diversity added depth and complexity to Sweelinck's compositions, making them engaging and intriguing for both performers and listeners.
$28.95
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Ten Pieces for Organ
