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--INSTRUMENTS--
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ALTO
AUTOHARPE
BANJO
BASSE
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BATTERIE
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The Next Right Thing
Non classifié
37
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28
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Quatuor à cordes: 2 violons, alto, violoncelle
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4
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1
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1
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1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
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FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
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TROMPETTE
TUBA
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Crtitères actifs :
The Next Right Thing
Quatuor à cordes: 2 violons, alto, violoncelle
Partitions à imprimer
9 partitions trouvées
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1
Thank U, Next
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Ariana Grande
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Sarah Cellobat Chaffee
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Thank U, Next
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Sarah Cellobat Chaffee
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1125718 By Ariana Grande. By Ariana Grande, Charles Anderson, Kimberly Krysiuk, Mic...
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1125718 By Ariana Grande. By Ariana Grande, Charles Anderson, Kimberly Krysiuk, Michael Foster, Tayla Parx, Tommy Brown, and Victoria McCants. Arranged by Sarah Cellobat Chaffee. Contemporary,Pop,Wedding. 19 pages. Sarah Cellobat Chaffee #726453. Published by Sarah Cellobat Chaffee (A0.1125718). Ariana Grande's massive hit song Thank U, Next is nothing short of a cultural phenomenon. Released as a surprise single in 2018, the song is a tongue-in-cheek ode to all of the singer's ex-boyfriends and the experiences with them that turned her into the woman she is today. With massive critical acclaim for the song's catchy melodies and positive message of self-love, the song spent seven straight weeks at the top of the Billboard charts, broke numerous streaming records, and was named as one of Billboards songs that defined the decade. So you really can't go wrong having this one in your gig books! This Cellobat arrangement for your string quartet has something for everyone. With the song's beautiful soaring melodies, lush harmonies, and underlying groove passed around from player to player, this will be as much fun for you to play as it is to listen to. Rated advanced-intermediate mainly for some tricky rhythms; this will be learnable for students and sightreadable for professionals. Sarah “Cellobat†Chaffee is an in-demand acoustic & electric cellist and string arranger. Currently, she performs with legendary rock band Aerosmith in their “Deuces Are Wild†residency show, and she is the principal cellist for the Raiders House Band, playing for a crowd of 60,000 at all of the team's home games. She also plays with many other groups including Premiere Wedding Music, Bella Electric Strings, the Femmes Of Rock, and David Perrico’s Pop Strings Orchestra. Sarah has performed and recorded with numerous other artists including Disturbed, Mötley Crüe, Celine Dion, Halsey, Michael Bublé, Sarah Brightman, and Lady A. She is the exclusive arranger for a number of award-winning wedding and event companies all across the United States, including Premiere Wedding Music, Las Vegas Music Oasis, and Impulse Strings, and she has created custom arrangements for many other ensembles all over the world. You can find her at:http://www.cellobat.comhttp://www.instagram.com/cellobathttps://www.youtube.com/@Cellobat.
$16.99
The Next Right Thing (from Frozen 2) - Cello
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Quatuor à cordes: 2 violons, alto, violoncelle
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Film Walt Disney
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Enfant
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Darren Lord
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The Next Right Thing
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Hal Leonard - Digital
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SheetMusicPlus
String Quartet String Quartet - SKU: HX.1158880 Arranged by Darren Lord. This edition: scorch. Children,Disney,Pop. 3 pages. Duration 230. Hal Leonard -...
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String Quartet String Quartet - SKU: HX.1158880 Arranged by Darren Lord. This edition: scorch. Children,Disney,Pop. 3 pages. Duration 230. Hal Leonard - Digital #316765. Published by Hal Leonard - Digital (HX.1158880).
$6.00
The Next Right Thing (from Frozen 2) - Conductor Score (Full Score)
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Quatuor à cordes: 2 violons, alto, violoncelle
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Film Walt Disney
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Enfant
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Darren Lord
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The Next Right Thing
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Hal Leonard - Digital
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SheetMusicPlus
String Quartet String Quartet - SKU: HX.1158876 Arranged by Darren Lord. This edition: scorch. Children,Disney,Pop. 7 pages. Duration 230. Hal Leonard -...
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String Quartet String Quartet - SKU: HX.1158876 Arranged by Darren Lord. This edition: scorch. Children,Disney,Pop. 7 pages. Duration 230. Hal Leonard - Digital #316765. Published by Hal Leonard - Digital (HX.1158876).
$6.00
The Next Right Thing (from Frozen 2) - Viola
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Quatuor à cordes: 2 violons, alto, violoncelle
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Film Walt Disney
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Enfant
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Darren Lord
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The Next Right Thing
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Hal Leonard - Digital
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SheetMusicPlus
String Quartet String Quartet - SKU: HX.1158879 Arranged by Darren Lord. This edition: scorch. Children,Disney,Pop. 3 pages. Duration 230. Hal Leonard -...
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String Quartet String Quartet - SKU: HX.1158879 Arranged by Darren Lord. This edition: scorch. Children,Disney,Pop. 3 pages. Duration 230. Hal Leonard - Digital #316765. Published by Hal Leonard - Digital (HX.1158879).
$6.00
A Night In Tunisia
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Jazz
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Dizzy Gillespie
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Keith Terrett
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A Night In Tunisia
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Keith Terrett
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SheetMusicPlus
String Quartet Cello,Double Bass,String Quartet,Viola,Violin - Level 3 - SKU: A0.746989 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arra...
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String Quartet Cello,Double Bass,String Quartet,Viola,Violin - Level 3 - SKU: A0.746989 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. 13 pages. Keith Terrett #5820835. Published by Keith Terrett (A0.746989). A great sounding arrangement of A Night in Tunisia, your String Orchestra will love it!A jazz solo is written out for you, if you wish you can improvise on the given chord symbols!A Night in Tunisia is a musical composition written by Dizzy Gillespie around 1941–42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard.It is also known as Interlude. Gillespie called the tune Interlude and said some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. A Night in Tunisia was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can. The audience laughs, but Blakey responds, Seriously. The liner notes say, The Texas department of sanitation can take a low bow.The complex ostinato bass line in the A section is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard Alone Together, causing the V chord to lead back into the Sub V of the A section.Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections - in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.
$14.99
Almost May Score and Parts
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Heidi Savoie
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Heidi Savoie
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Almost May Score and Parts
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Heidi Savoie
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SheetMusicPlus
String Quartet Cello,Double Bass,Piano,String Quartet,Viola,Violin - Level 3 - SKU: A0.1376321 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoi...
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String Quartet Cello,Double Bass,Piano,String Quartet,Viola,Violin - Level 3 - SKU: A0.1376321 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoie. Classical,Contemporary,Jazz,Pop,Singer/Songwriter. 15 pages. Heidi Savoie #960865. Published by Heidi Savoie (A0.1376321). This score is an arrangement for piano, violin I and II, viola, cello, bass with optional drums.Backstory: Years ago I wrote a simple piano piece for my students. As instrumental music can fully exist outside the confines of words, it can be difficult to find the right title for something that is pure sound and possibility. I took inspiration from the time of year in which I had composed it and stamped it, “Almost Mayâ€. Like springtime in the Northern Hemisphere, “Almost May†unfolds slowly and majestically, with ever-evolving layers for the senses to discover. What to listen for: ThemeThe main theme is first presented by the piano with minimal fanfare. This part was written to be easy enough for a child, which despite being sparing of notes, delivers rich harmonic content. Every note has been carefully curated for the optimal combination of accessibility and depth. Weaving chromatically into distantly-related keys, the melody takes small steps into contrasting musical spaces. In a wordless procession, the storyline plays out, as if the theme discovers that someone very different lives next door, and they slowly become inseparable. The piano is accompanied by an airy touch of brushes against a snare drum, like the pitter patter of soft feline steps. In the low frequency range, the upright bass supports and deepens the tonal palette with its earthy underpinnings. What to listen for: Variation I The unmistakable string section arrives like a breath of warm air. Lush, warm and reassuring like sunshine on your cheeks, the string parts begin with long tones. This broadness and stability will evolve into more layers of complexity throughout the section. While the role of the string section is background accompaniment, it undergoes textural changes which allow for some layers to briefly rise to the forefront as melody. Careful listening to the string parts will reveal an oceanic churning, a motion from background to foreground with expansions and contractions along the way. Floating overtop this density is the improvised piano solo, with ascending gestures that progress in detail and density. Each instrument enters a general unfolding and growth period in the first variation. The bass and drums include more fills than before, as the ensemble tends gradually toward more grandeur. What to listen for: Variation II The final variation opens with a decadent treatment of the melody. What was initially expressed by a soloist as a childlike plea is reimagined as a two-part conversation between the piano and lead viola. The obbligato voiced in the viola is a derivation of the melody that holds the space between phrases so the listener's attention is passed seamlessly between the piano and viola part. This dialogue features commentary on the original melody in the form of ornamentation and taking surprising pathways to expected destinations. The rhythm section (bass and drums) takes more liberties in creating a verdant soundscape as the ensemble rises to a final climax. Credits: I would like to thank Cole Canaday for the nuance, imagination and depth of understanding with which he brought this piece to life. I would also like to thank Blake Hamilton and Anastace for providing invaluable audio engineering feedback.
$24.99
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The Next Right Thing
