Partitions Numériques de The Song Heard 'Round the World - Timpani pour Quatuor à cordes: 2 violons, alto, violoncelle

Partitions numériques Accès après achat

Expédition postale Téléchargement

TRI ET FILTRES

Tri et filtres :

avec audio

avec vidéo

avec play-along

Non classifié 39

PIANO & CLAVIERS

Piano seul 11 Piano, Voix 5 Instruments en Do 3 Piano, Voix et Guitare 3 Piano Facile 2

Piano (partie séparée) 1

Instrumentations suivantes

Retracter

GUITARES

Guitare notes et tablatures 12 Ukulele 2 Paroles et Accords 1

VOIX

Pack Instrumental pour Chorale 34 Voix Alto, Piano 2 Chorale 3 parties 2 Chorale SATB 1 Chorale TTBB 1

VENTS

Quintette de Saxophone: 5 saxophones 4 Ensemble de saxophones 4 Ensemble de Clarinettes 2 Hautbois, Piano (duo) 2 Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 1

Flute (partie séparée) 1 Flûte, Violoncelle 1 Ensemble de Flûtes 1 Clarinette et Piano 1 Clarinette, Basson (duo) 1 Quintette de Flûte : 5 flûtes 1 Saxophone Tenor et Piano 1 Flûte traversière et Piano 1 Saxophone Alto et Piano 1 Saxophone Soprano et Piano 1 2 Saxophones (duo) 1 Flûte, Hautbois, Clarinette, Basson 1

Instrumentations suivantes

Retracter

CUIVRES

Quatuor de Cuivres: 2 trompettes, Cor, trombone 3 Quatuor de Cuivres : 2 trompettes, trombone, tuba 3 Ensemble de Trombones 2 Trombone et Piano 2 Trompette (partie séparée) 1

2 Euphoniums et 2 Tubas 1 Cor et Piano 1 Trompette, Piano 1

Instrumentations suivantes

Retracter

CORDES

Violon et Piano 3 Quatuor à cordes: 2 violons, alto, violoncelle 2 Trio à Cordes: 2 violons, violoncelle 1 Trio à Cordes: violon, alto, violoncelle 1 Violon 1

Violoncelle, Piano 1 Ensemble d'Altos 1 Alto, Piano 1 Harpe 1 Ensemble de Violons 1

Instrumentations suivantes

Retracter

PERCUSSIONS & ORCHESTRES

Jazz combo 8 Orchestre 6 Orchestre à Cordes 2 Ensemble de cuivres 2 Ensemble Jazz 1

Orchestre d'harmonie 1

Instrumentations suivantes

Retracter

AUTRES

Vous avez sélectionné:

The Song Heard 'Round the World - Timpani

Quatuor à cordes: 2 violons, alto, violoncelle

Partitions à imprimer

2 partitions trouvées

Everytime We Touch

Quatuor à cordes: 2 violons, alto, violoncelle

String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1…(+)

String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1494620 By Cascada. By Maggie Reilly, Peter Risavy, and Stuart Mackillop. Arranged by Sarah Cellobat Chaffee. Contemporary,Pop,Wedding. 23 pages. Sarah Cellobat Chaffee #1071209. Published by Sarah Cellobat Chaffee (A0.1494620). Originally released by Cascada in 2005, Everytime We Touch quickly became the Europop song heard round the world! As techno music gained more and more mainstream popularity, this catchy song quickly rose to the top of the charts in many countries, and cemented itself in the cultural zeitgeist of the time. Its sing-along-able vocal line and hard-hitting synth hooks made it an instant staple in every club -- and for millennials, this was definitely on the playlist at every school dance! This Cellobat arrangement for your string quartet was originally written for a wedding, but with early aughts nostalgia making a comeback, this one is sure to be a success at any of your gigs. Featuring the catchy melodies, layered harmonies, and hard-hitting beat of the original, this translates surprisingly well to strings, and it will definitely be as much fun to play as it is to listen to! Rated intermediate; this will be playable for students and sightreadable for professionals.Sarah “Cellobat” Chaffee is an in-demand acoustic & electric cellist and string arranger. You may have seen her onstage with legendary rock band Aerosmith as the cellist for their “Deuces Are Wild” residency, playing more than 50 sold-out shows with the Bad Boys from Boston; she is also the principal cellist for the Raiders House Band, playing for a crowd of 60,000 at all of the team's home games. She also plays and tours with many other world-renowned groups including the Femmes of Rock, Premiere Wedding Music, Bella Electric Strings, and David Perrico’s Pop Strings Orchestra. Sarah has made a number of TV appearances including the Billboard Music Awards, the Latin Grammy Awards, the iHeartRadio Music Festival, and the CBS reality show “Love Island”; she also played with Michael Bublé for his sold-out Resorts World residency and appeared with him on the Kelly Clarkson Show. Sarah has performed and recorded with a number of other artists including Disturbed, Mötley Crüe, Celine Dion, Halsey, Dionne Warwick, Sarah Brightman, and Sammy Hagar.Sarah is also an acclaimed string arranger with hundreds of arrangements published on Sheet Music Plus under her own label, Cellobat Charts. She is the exclusive arranger for several award-winning wedding and event companies across the United States, including Premiere Wedding Music, Las Vegas Music Oasis, and Impulse Strings, and she has created custom arrangements for many other ensembles worldwide. You can find her at:http://www.cellobat.comhttp://www.instagram.com/cellobathttps://www.youtube.com/@Cellobathttp://www.facebook.com/SarahCellobatChaffee

$16.99 15.53 € #Quatuor à cordes: 2 violons, alto, violoncelle #Cascada #Sarah Cellobat Chaffee #Everytime We Touch #Sarah Cellobat Chaffee #SheetMusicPlus

Wellerman

Quatuor à cordes: 2 violons, alto, violoncelle

String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1…(+)

String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1107440 By Nathan Evans. By Alexander Oriet, David Phelan, and Nathan Evans. Arranged by Joel Jacklich (A.S.C.A.P.). 19th Century,Folk,Multicultural,World. 12 pages. Joel Jacklich #710097. Published by Joel Jacklich (A0.1107440). New Zealand-based music teacher and folk music compiler Neil Colquhoun claimed to have collected the song around 1966 from one F. R. Woods. Woods, who was in his 80s at the time, had allegedly heard the song from his uncle. it was attributed to one D.H. Rogers. It has been speculated that Rogers was the uncle of Woods and that Rogers had worked as a teenage pirate or shore whaler in the early-to-mid 19th century, composing this and another song in his later years and eventually passing them on to his nephew as an old man. Nathan Evers recorded the work in 2021 during the COVID pandemic and it became a viral sensation with house-bound Tik-Tokers sparking a whole re-introduction of sea shanties in what was termed Shanty-Tok. This string quartet arrangement gives all instruments a chance at the melody, and adds the affectation of a foot-stomp and a shout at the ends of verses. The history of whaling in New Zealand stretches from the late eighteenth century to 1965. In 1831, the British-born Weller brothers Edward, George, and Joseph, who had emigrated to Sydney in 1829, founded a whaling station at Otakou near modern Dunedin in the South Island of New Zealand, seventeen years before Dunedin was established. The Weller brothers had on their voyage to New Zealand brought in the 'Lucy Ann' (the Weller brothers' barque) a good deal of rum and a good deal of gunpowder. From 1833, the Weller brothers sold provisions to whalers in New Zealand from their base at Otakou, which they had named Otago in approximation of the local MÄori pronunciation. The song's lyrics describe a whaling ship called the Billy o' Tea [Note: a billy is a pot in which water is boiled to make tea or coffee] and its hunt for a right whale. The song describes how the ship's crew hope for a wellerman to arrive and bring them supplies of luxuries. According to the song's listing on the website New Zealandfolk Song, the workers at these bay-whaling stations (shore whalers) were not paid wages, they were paid in slops (ready made clothing), spirits and tobacco. The chorus continues with the crew singing of their confidence that the tonguin' will be the last step of their plight. Tonguing in this context refers to the practice of cutting strips of whale blubber to render into oil. Subsequent verses detail the captain's determination to bring in the whale in question, even as time passes and the quartet of whaling boats is lost in the fight. In the last verse, the narrator conveys how the Billy o' Tea is still considered locked in an ongoing struggle with the whale, with the wellerman making his regular call to strengthen the captain and crew. Note from Wikipedia.

$12.99 11.88 € #Quatuor à cordes: 2 violons, alto, violoncelle #Nathan Evans #Joel Jacklich (A #Wellerman #Joel Jacklich #SheetMusicPlus