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The String Trio: Vol. I(a)
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Vous avez sélectionné:
The String Trio: Vol. I(a)
Quatuor à cordes: 2 violons, alto, violoncelle
Partitions à imprimer
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Jacques Leguerney: String Quartet in D for two violins, viola and cello
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Quatuor à cordes: 2 violons, alto, violoncelle
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AVANCÉ
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Contemporain
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Jacques Leguerney
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II. Intermezzo
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Jacques Leguerney: String Quar
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Musik Fabrik Music Publishing
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 5 - SKU: A0.534402 Composed by Jacques Leguerney. 20th Century,Standards. Score and parts. 125 ...
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String Quartet Cello,String Quartet,Viola,Violin - Level 5 - SKU: A0.534402 Composed by Jacques Leguerney. 20th Century,Standards. Score and parts. 125 pages. Musik Fabrik Music Publishing #3457403. Published by Musik Fabrik Music Publishing (A0.534402). Jacques Leguerney (1906-1997) composed two string quartets. The Premier Quatuor à cordes was composed in 1925 during Leguerneyâ??s private piano and composition study with French pianist Thérèse Cahen. His second quartet, subject of this publication by Musik Fabrik, was written between November 1947 and September 1948. The four movements are: I. Allegro moderato; II. Intermezzo; III. Scherzando; IV. Presto-Andantino. This work was, in part, Leguerneyâ??s response to the Premier Quatuor à cordes (inédit) by his colleague, Henri Sauguet. Leguerney stated in a personal interview with Patrick Choukroun (18 May 1989) that: â??I wrote it a bit in opposition to Sauguetâ??s Premier Quatuor. It seemed to me that his quartet was without interest: just scratchings! I wanted to express my way of looking at it from the classical viewpoint of the past: it is almost in the spirit of Mozart, except for the harmonic language, of course. In fact, I wanted to fight against everything that has been done to a quartet since Beethovenâ??s last ones.â? The premiere of the Quatuor à cordes en ré mineur was by the Quatuor Pro Arte at the Abbaye de Royaumont. Before this performance, Poulenc sent Leguerney the following note: â??Fortunate man for whom twelve strings are enough to charm people, I wish you good luck and respectfully embrace you.â? (Handwritten letter, Reims, 4 September 1959). Leguerney was appointed artistic director of the Lumen recording company in 1951, and remained in this position until 1959. He produced four recordings of his music, including the Quatuor Pro Arteâ??s recording of the Quatuor à cordes en ré mineur (1947-1948) (Lumen, LD 2.440, 1958). This disc won the Grand Prix du Disque de lâ??Académie Charles Cros on 13 March 1959. The Pro Arteâ??s members were Suzanne Plazonich, Violin I; Chantal Beylier, Violin II; Nicole Gendreau, Viola; and Micheline Burtin, Cello. Francis Poulenc wrote to Leguerney concerning this recording: â??It is very good Leguerney. Of course, frivolous as I am and shall always remain, it is the 2nd movement that I prefer. Between us, I am like you: I prefer the scherzos after the andantes; that way one is not forced to write a Finale allegro. Yours pleases me very much, in fact, so to my ears it is III-IV-I-II, in the order of pleasure.â? (Manuscript letter, Bagnols, 14 October 1959) The radio station France I broadcast the Quatuor with on 11 July 1959 on the program Schola of the series Concert de musique contemporaine, again with the Quatuor Pro Arte. An archive recording of this broadcast exists on magnetic tape. Critic Claude Rostand wrote: â??Jacques Leguerney does not seem to have looked for special innovations either in form or language. His basic thought seems especially to have written a quartet, that is to say on one hand to have used the four voices with elegance and originality, clarity and homogeneity (four-part writing seems to always have come naturally to him, even at the piano), and on the other hand to exploit all of the supple cushioning that can result from the caress of a bow on a string.â? Critic Emile Vuillermoz wrote: â??His only ambition is to expresses clear and affectionate melodic ideas, in a highly distinguished, elegant and refined language, meaning an homage, in the beginning of our century, to the trios of the greatest stylists of our time. In fact, it is from the vocabulary of Fauré, Debussy and Ravel that he takes his grammar and syntax and that with which he carries out with his this harmonic writing that is both supple and sparse, that is so congenial to the association of four string instruments. This quartet, whose first movement is of a rare perfection, is a delicate enchantment.â? The Musik Fabrik edition of the Quatuor à cordes en ré mineur is taken from a photocopy of the composerâ??s manuscript of the full score. We also had access to the quartet parts found in Leg.
$38.95
La fille aux cheveux de lin (The Girl with Flaxen Hair)
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Quatuor à cordes: 2 violons, alto, violoncelle
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Claude Debussy
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Stephen Levintow
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La fille aux cheveux de lin
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Cypress Publishing
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - SKU: A0.1455189 Composed by Claude Debussy (1862-1918). Arranged by Stephen Levintow. 20th Century,Ro...
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String Quartet Cello,String Quartet,Viola,Violin - SKU: A0.1455189 Composed by Claude Debussy (1862-1918). Arranged by Stephen Levintow. 20th Century,Romantic Period. 6 pages. Cypress Publishing #1034275. Published by Cypress Publishing (A0.1455189). This lovely short work was composed by Debussy in 1910 as number 8 in volume I of his Préludes for solo piano. The texture and harmony are more simple and straightforward than most of his other work of the period, and it opens with a memorable melody, likely the reasons for its enduring popularity. A quiet and gentle piece, only once does it rise as high as mezzo-forte, but only for one measure before returning to piano. CYPRESS PUBLISHING is pleased to be the imprint for arrangements for string ensemble by Stephen Levintow. He is a free lance professional violist and violinist specializing in chamber music, who began making string quartet and trio arrangements for wedding, party and corporate events, to expand the repertory or to improve on existing versions. Selections include unusual pieces by both familiar and lesser-known composers, plus standard classical and popular favorites. The goal is to produce high-quality, musically satisfying arrangements faithful to the composer’s original material, yet sight-readable in most cases by working professionals or intermediate to advanced students. The full range of normal string technique is employed, while avoiding unnecessary technical complexity. Melodic material is distributed throughout the four voices where appropriate, to maintain listener and performer interest. All parts and scores are set in Sibelius© software format, with careful attention to legibility and page turns.
$5.00
What Was I Made For?
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Quatuor à cordes: 2 violons, alto, violoncelle
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FACILE
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Pop musique
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Billie Eilish
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Danielle Tavolacci
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What Was I Made For?
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Danielle Tavolacci
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 2 - SKU: A0.1265207 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arrange...
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String Quartet Cello,String Quartet,Viola,Violin - Level 2 - SKU: A0.1265207 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Danielle Tavolacci. Pop. 16 pages. Danielle Tavolacci #858052. Published by Danielle Tavolacci (A0.1265207). What Was I Made For? From the Barbie Movie SoundtrackArranged for String Quartet, but can be modified to a trio.
$12.99
I Will Follow You Into The Dark
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Quatuor à cordes: 2 violons, alto, violoncelle
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FACILE
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Death Cab For Cutie
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Thomas Strauch
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I Will Follow You Into The Dar
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Purple Pedagogy Publishing
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SheetMusicPlus
String Quartet String Quartet - Level 2 - SKU: A0.815468 By Death Cab For Cutie. By Benjamin Gibbard. Arranged by Thomas Strauch. Contemporary,Folk,Pop,...
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String Quartet String Quartet - Level 2 - SKU: A0.815468 By Death Cab For Cutie. By Benjamin Gibbard. Arranged by Thomas Strauch. Contemporary,Folk,Pop,Rock,Wedding. Score and parts. 16 pages. Purple Pedagogy Publishing #4643485. Published by Purple Pedagogy Publishing (A0.815468). This sweet song was a special arrangement for the daughter of a dear friend for her wedding. It is also great for prelude, reception, or a special occasion. The 1st violin part is high enough to be heard outdoors. The accompanying pizzicato could be bowed for more volume. This also works for violin, viola, and cello trio.
$14.99
Serenade No. 11
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Wolfgang Amadeus Mozart
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Stephen Levintow
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Serenade No. 11
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Cypress Publishing
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SheetMusicPlus
String Quintet Cello,Viola,Violin - Level 4 - SKU: A0.1447120 Composed by Wolfgang Amadeus Mozart. Arranged by Stephen Levintow. Classical. 69 pages. Cy...
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String Quintet Cello,Viola,Violin - Level 4 - SKU: A0.1447120 Composed by Wolfgang Amadeus Mozart. Arranged by Stephen Levintow. Classical. 69 pages. Cypress Publishing #1026899. Published by Cypress Publishing (A0.1447120). Soon after moving to Vienna in 1781, Mozart wrote what turned out to be his last, and finest, three serenades for wind ensemble. He himself arranged the one in c minor, Köchel 388, for string quintet (2 violins, 2 violas and cello), and that version is known as K. 406. Most of the serenade in B-Flat Major, K 361, sometimes called Gran Partita or Serenade for 13 Instruments, was also arranged for the same quintet combination, apparently by someone else, with the movements divided up between Quintets No. 6 and 7 in the second volume of the standard Peters Edition set of parts for Mozart’s string quintets. The remaining serenade, K. 375, is appearing in a string quintet arrangement for the first time that I know of. While it does not have the dramatic intensity of K. 388/406 or the grand sweep of K. 361, it is a worthy companion to the other two works. He composed it “carefully”, as he explained in a letter to his father, and the piece is full of striking details that show this. In the first movement, the second subject is surprisingly in a dark minor key, and the development is based on it. But it does not appear in the recapitulation, replaced instead by a new major key theme. The first of the two minuets also has a brooding trio in minor. The heart of the work is the Adagio, one of Mozart’s great slow movements, and it should be better known. The long-spun overlapping melodies work particularly well for strings. The finale starts as a conventional Rondo, but breaks off into an extended fugal section (again starting in a minor key!) that gives the movement weight and power beyond a typical formula rondo. This arrangement transposes the original E-Flat Major to D Major, to take advantage of string sonority while making some of the passage work lie better for the instruments. Score and parts follow the current convention of listing the composer’s middle name as Amadeus, even though he did not favor it: His only recorded use was a letter he signed Wolfgangus Amadeus Mozartus, clearly intended as a joke. He preferred the Italian or French versions, Amadeo or Amadé, of his German given name Gottlieb (which he also rarely if ever used). CYPRESS PUBLISHING is pleased to be the imprint for arrangements for string ensemble by Stephen Levintow. He is a free lance professional violist and violinist specializing in chamber music, who began making string quartet and trio arrangements for wedding, party and corporate events, to expand the repertory or to improve on existing versions. Selections include unusual pieces by both familiar and lesser-known composers, plus standard classical and popular favorites.The goal is to produce high-quality, musically satisfying arrangements faithful to the composer’s original material, yet sight-readable in most cases by working professionals or intermediate to advanced students. The full range of normal string technique is employed, while avoiding unnecessary technical complexity. Melodic material is distributed throughout the four voices where appropriate, to maintain listener and performer interest. All parts and scores are set in Sibelius© software format, with careful attention to legibility and page turns.
$15.00
SQ20 ... Eva Hesse (2024) - Score Only
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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SQ20 ... Eva Hesse
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Thomas Oboe Lee
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SheetMusicPlus
String Quartet String Quartet - Level 4 - SKU: A0.1494144 Composed by Thomas Oboe Lee. 20th Century,21st Century,Chamber,Classical. 47 pages. Thomas Obo...
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String Quartet String Quartet - Level 4 - SKU: A0.1494144 Composed by Thomas Oboe Lee. 20th Century,21st Century,Chamber,Classical. 47 pages. Thomas Oboe Lee #1070754. Published by Thomas Oboe Lee (A0.1494144). Full ScoreProgram note:There was a recent NYTimes article about an Eva Hesse show at the Hauser & Wirth in NYC. The title of the article was These Sculptures Changed What Art Could Be, Then Changed Themselves. It described how the five works on display were very different from what they looked like back in the late 1960's when they were exhibited at MOMA, the Guggenheim, Leo Castelli, and other museums. One of them, Expanded Expansion, for example was originally off-white and it is now in an orange-brown amber color. I immediately was fascinated and went on a research spree on her and her work. On Amazon I bought a huge two-volume book of all her paintings and sculptures. And I also bought a book of diaries that she kept from 1955 to 1970. I then decided that I should write a string quartet inspired by her work. The work is in eight movements, each one with a title from her sculptural works. 1. Oomamaboomba, 1965 ... Moderato 2. Interlude I: C-Clamp Bues. 1965 ... Largo 3. Metronomic Irregularity, 1966 ... Presto TRIO 4. Interlude II: Addendum, 1967 ... Adagio 5. Repetition Nineteen III, 1968 ... Poco andantino 6. Interlude III: Accretion, 1968 ... Largo 7. Expanded Expansion, 1969 ... Allegro TRIO 8. Postlude: Right After, 1969 ... Largo funebre.
$9.99
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The String Trio: Vol. I(a)
