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The Way We Were Bass
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The Way We Were Bass
Quatuor à cordes: 2 violons, alto, violoncelle
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Your Favorite Easter Hymns for Strings
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Quatuor à cordes: 2 violons, alto, violoncelle
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Musique Sacrée
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Various
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Colin Kirkpatrick
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Your Favorite Easter Hymns for
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Colin Kirkpatrick Publications
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SheetMusicPlus
Composed by Various. Arranged by Colin Kirkpatrick. Christian, General Worship, Easter. Piano Reduction, Score, Set of Parts. 81 pages. Published by Colin Kirkp...
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Composed by Various. Arranged by Colin Kirkpatrick. Christian, General Worship, Easter. Piano Reduction, Score, Set of Parts. 81 pages. Published by Colin Kirkpatrick Publications (S0.304855). - Piano Reduction,Score,Set of Parts - Christian,General Worship,Easter - Colin Kirkpatrick Publications
Thisis an essential collection of twenty-two favorite Easter hymns arranged forstring quartet, string quintet or string orchestra. Designed for school, college or church this useful collection should be in your library! The double bass is optional, because itdoubles the cello part throughout. There?s a piano part too, so you can also use thearrangements as string solos, duets or trios. They are intended either as stand-alonepieces that could be used as interludes in an Easter service, or they could beused to accompany solo, choral or congregational singing. The music has beenset in string-friendly keys and leans towards G major, D major and C major. Thepiano part has been written for with the early intermediate pianist in mind,though some hymns are actually quite easy. In a string orchestra, you canbrighten the sound by instructing a few of the more advanced violin players to playan octave higher in both 1st and 2nd violin parts. Youcan also use the arrangements as flute or oboe solo pieces, the wind instrumentplaying the 1st violin part. Skillfully arranged by Colin Kirkpatrick, the 22 hymns include: Amazing Grace; And Can it Be? (Sagina); At the Lamb?s High Feast We Sing(Salzburg); Christ the Lord is Risen Again! (Würtemburg); Crown Him with ManyCrowns (Diademata); Jesus Christ is Risen Today (Easter Hymn); Jesus Lives!(St. Albinus); Love?s Redeeming Work is Done (Savannah); Low in the Grave HeLay (Lowry); There is a Green Hill Far Away (Horsley); Near the Cross (Doane); OSacred Head Now Wounded (Passion Chorale); The Day of Resurrection (Ellacombe);The Strife is O'er, the Battle Won (Victory); Rock of Ages (Toplady); Thine bethe Glory (Maccabæus); This Joyful Eastertide (Easter-tide); To God be theGlory! (Doane); When I Survey the Wondrous Cross (Hamburg); When I Survey theWondrous Cross (Rockingham); Were You There When They Crucified my Lord? andYe Choirs of New Jerusalem (St. Fulbert).
$25.99
Pachelbel: Canon in D for String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Classique
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Johann Pachelbel
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James M
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Pachelbel: Canon in D for Stri
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jmsgu3
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SheetMusicPlus
String Quartet String Quartet - Level 3 - SKU: A0.552063 Composed by Johann Pachelbel. Arranged by James M. Guthrie. Baroque,Instructional,Standards,Wed...
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String Quartet String Quartet - Level 3 - SKU: A0.552063 Composed by Johann Pachelbel. Arranged by James M. Guthrie. Baroque,Instructional,Standards,Wedding. Score and parts. 11 pages. Jmsgu3 #6105631. Published by jmsgu3 (A0.552063). Score: 6 pagesDuration: ca. 4:40. The famous Pachelbel Canon arranged for String Quartet A great choice for weddings & receptions! Pachelbel's Canon Pachelbel's Canon is, in fact, the traditional title for a composition by the German composer Johann Pachelbel. Other names for the work include namely: Canon and Gigue for 3 violins and basso continuo, Canon and Gigue in D, and of course Canon in D. We do not know when or why in particular it was written. The oldest copy is surprisingly from the 19th century. It is important to realize that it was a common routine for organists to practice improvisation on the chord progression underlying the canon. Pachelbel originally scored the Canon notably for three violins and continuo. He also in fact paired the Canon with a gigue. The movements are homotonal, to clarify, both are in the key of D major. History In due time, Pachelbel's Canon went out of style and remained in virtual oblivion for centuries. The Jean-François Paillard chamber orchestra, however, recorded an arrangement of it in 1968. As a result, it gained approval. Many ensembles began likewise to record the piece in the 1970s and by the 1980s became ubiquitous as background music. From the 1970s to the early 2000s, pop songs correspondingly used elements of the piece. The chord progression, in particular, was used this way. Also, since the 1980s, it has been not only wildly popular for weddings, but also for funeral ceremonies in the USA and Europe. Pachelbel Background Johann Pachelbel (1653 –1706) was a German composer, as well as an organist. He was furthermore instrumental in bringing the south German organ school to its apex. He wrote a large body of music, both sacred and, equally important, secular. In particular, he uniquely helped develop the chorale prelude and fugue. For this, he has, in fact, earned a rightful place in the company of the most significant composers of the mid-Baroque period. Works Pachelbel's music was certainly popular. With this in mind, he also consequently had many pupils. His music expressly developed into a model for south German composers. Nowadays, Pachelbel is most famous, particularly for the Canon in D, as well as the F minor Chaconne, the Toccata in E minor, and of course the Hexachordum Apollinis, a set of variations for the keyboard. Influences Johann Jakob Froberger and Johann Caspar Kerll were south German composers who significantly influenced Pachelbel. Furthermore, he was especially influenced by Italians such as Frescobaldi and Poglietti. He frequently preferred an articulate, simple contrapuntal style that highlighted clarity. His music is markedly less extravagant and harmonically adventurous than that of Dieterich Buxtehude. However, as a point often overlooked, like Buxtehude, Pachelbel experimented with different instrumental combinations in his chamber music. Legacy All in all, Pachelbel was most famous as a composer for the keyboard. He composed over two hundred pieces specifically for the instrument. Pachelbel was also surprisingly a prolific composer of vocal music. All in all, about a hundred vocal works survive, including 40 or so large-scale works.
$42.95
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