English version
PARTITIONS GRATUITES
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Accueil
Instrumentations
Compositeurs
Nouveautés
Top 100
Métronome
Portées musicales
ACHATS POUR MUSICIENS
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
Partitions
Gratuites
62
Partitions
Numériques
54
Librairie
Musicale
74
Matériel
de Musique
82
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
391
PIANO & CLAVIERS
Piano seul
101
Piano, Voix
69
Piano Facile
63
Piano, Voix et Guitare
27
Instruments en Do
14
Orgue
8
2 Pianos, 4 mains
6
Accompagnement Piano
5
Piano Quatuor: piano, violon, alto, violoncelle
3
1 Piano, 4 mains
2
Piano Trio: piano, violon, violoncelle
2
Piano Quintette: piano, 2 violons, alto, violoncelle
1
2 Pianos, 8 mains
1
Piano Quatuor: piano, 2 violons, violoncelle
1
Instrumentations suivantes
Retracter
GUITARES
Guitare notes et tablatures
21
Guitare
18
Piano, Guitare (duo)
6
Ligne De Mélodie, (Paroles) et Accords
5
Basse electrique
5
3 Guitares (trio)
3
2 Guitares (duo)
3
Mandoline
2
Paroles et Accords
2
4 Guitares (Quatuor)
1
Banjo
1
Dulcimer
1
Ensemble de guitares
1
Instrumentations suivantes
Retracter
VOIX
Chorale SATB
61
Chorale 3 parties
12
Chorale TTBB
10
Chorale SSAA
8
Voix Soprano, Piano
6
Chorale Unison
6
Chorale 2 parties
6
Voix duo, Piano
2
Voix duo
1
Voix haute
1
Instrumentations suivantes
Retracter
VENTS
2 Saxophones (duo)
47
Flûte traversière et Piano
41
Clarinette et Piano
33
Quatuor de Saxophones: 4 saxophones
32
Clarinette
30
2 Flûtes traversières (duo)
28
Hautbois, Piano (duo)
28
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
25
Saxophone, Clarinette (duo)
23
Saxophone Alto et Piano
23
Quintette de Saxophone: 5 saxophones
21
2 Clarinettes (duo)
20
Saxophone Alto
20
Quatuor de Clarinettes: 4 clarinettes
18
Clarinette, Violon (duo)
16
Flûte, Hautbois, Clarinette, Basson
15
Hautbois (partie séparée)
15
Clarinette, Trompette (duo)
14
Ensemble de Clarinettes
12
Saxophone Soprano et Piano
11
2 Hautbois (duo)
11
Flûte traversière
10
Saxophone Tenor et Piano
10
Flûte, Clarinette (duo)
10
Saxophone Baryton, Piano
10
Flûte, Violon
9
Flûte, Saxophone (duo)
9
Ensemble de saxophones
8
Hautbois, Clarinette (duo)
8
Clarinette et Alto
8
Hautbois, Basson (duo)
8
Saxophone (partie séparée)
7
Hautbois, Flûte
7
Ensemble de Flûtes
7
Flûte, Alto (duo)
7
Cor anglais, Piano
7
Quintette de Clarinettes: 5 clarinettes
6
Quintette de Flûte : 5 flûtes
6
3 Saxophones (trio)
5
Quatuor de Flûtes : 4 flûtes
5
Flûte, Trompette (duo)
5
Clarinette Basse, Piano
5
Flûte à bec Soprano
4
Piccolo, Piano
2
Trio de Flûtes: 3 flûtes
2
Clarinette, Basson (duo)
2
Ensemble à vent
2
3 Flûtes à bec (trio)
2
2 Flûte à bec (duo)
2
Flûte, Violoncelle
2
Clarinette, Violoncelle (duo)
2
Hautbois, Violoncelle
2
Cor Anglais
2
Hautbois, violon (duo)
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Flûte et Guitare
1
Flûte à bec Alto
1
Hautbois, Guitare (duo)
1
Hautbois et alto (duo)
1
Flûte à bec Alto, Basse continue
1
Clarinette (partie séparée)
1
Flûte à Bec, Piano
1
Quatuor de Flûtes à bec
1
Clarinette, Alto et Piano (trio)
1
Flûte, Hautbois, Basson
1
Flûte irlandaise
1
Ensemble De Flûte à bec
1
Instrumentations suivantes
Retracter
CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
32
Trompette, Piano
31
Quatuor de Cuivres : 2 trompettes, trombone, tuba
29
Cor et Piano
25
Trompette, Saxophone (duo)
16
Trombone et Piano
14
Euphonium, Piano (duo)
11
Trompette, Trombone (duo)
10
Trompette
10
Quatuor de Cuivres: 2 trompettes, Cor, trombone
9
2 Trompettes (duo)
9
2 Trombones (duo)
9
Ensemble de Trombones
7
Ensemble de Trompettes
7
Cor
7
Cor anglais, Piano
7
Tuba
6
Quatuor de Cuivres
4
Quatuor de cuivres: 4 trombones
4
Quatuor de cuivres: 4 cors
3
3 Trombones (trio)
3
Trombone
3
Cor Anglais
2
Tuba et Piano
2
Quatuor de cuivres: 4 trompettes
2
Trompette (partie séparée)
1
2 Euphoniums et 2 Tubas
1
2 Tubas (duo)
1
Ensemble de Cors
1
Tuba et Orgue
1
4 Tubas
1
Instrumentations suivantes
Retracter
CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
54
Alto, Piano
42
Violon et Piano
39
Violoncelle, Piano
29
Harpe
19
Violon
17
Violon, Violoncelle (duo)
13
2 Violoncelles (duo)
11
Violon, Alto (duo)
10
2 Altos (duo)
10
2 Violons (duo)
10
Trio à Cordes: 2 violons, violoncelle
7
Ensemble de Violons
5
4 Violoncelles
5
Violoncelle (partie séparée)
5
Trio à Cordes: violon, alto, violoncelle
4
Alto seul
4
Violoncelle
4
Ensemble d'Altos
3
Alto, Violoncelle (duo)
2
Violon (partie séparée)
2
Quatuor à cordes : 4 altos
2
Contrebasse, Piano (duo)
2
Quatuor à cordes: 4 violons
2
Alto (partie séparée)
2
Harpe, Trombone (duo)
2
Piano Trio: Violon, Alto, Piano
1
Violoncelle, Orchestre
1
Violon, Basson (duo)
1
Trio à cordes: 3 altos
1
Trio à cordes: 3 violins
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Harpe, Voix
1
Trio à Cordes: 3 violoncelles
1
Contre Basse
1
Violon, Clarinette, Piano (trio)
1
Violoncelle, Contrebasse (duo)
1
Instrumentations suivantes
Retracter
PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
70
Orchestre à Cordes
32
Orchestre
27
Ensemble Jazz
14
Ensemble de cuivres
14
Orchestre de chambre
11
Jazz combo
10
Ensemble de Percussions
3
2 Xylophones
2
Fanfare
2
Piano et Orchestre
1
Orchestre, Violon
1
Batterie
1
Marimba
1
Instrumentations suivantes
Retracter
AUTRES
Vous avez sélectionné:
Their First Time
Quatuor à cordes: 2 violons, alto, violoncelle
Partitions à imprimer
54 partitions trouvées
<
1
26
51
Every Breath You Take
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet String Quartet,Viola - Level 3 - Digital Download SKU: A0.798079 By …
(+)
String Quartet String Quartet,Viola - Level 3 - Digital Download SKU: A0.798079 By The Police. By Sting. Arranged by Inacio Saldanha. Pop,Rock. Score and parts. 17 pages. Inacio Saldanha #4846357. Published by Inacio Saldanha (A0.798079). Every Breath You Take is a song by the English rock band the Police from their album Synchronicity (1983). Written by Sting, the single was the biggest US and UK hit of 1983, topping the Billboard Hot 100 singles chart for eight weeks (the band's only No. 1 hit on that chart), and the UK Singles Chart for four weeks. It also topped the Billboard Top Tracks chart for nine weeks.At the 26th Annual Grammy Awards the song was nominated for three Grammy Awards, including Song of the Year, Best Pop Performance by a Duo or Group with Vocals, and Record of the Year, winning in the first two categories. For the song, Sting received the 1983 Ivor Novello award for Best Song Musically and Lyrically from the British Academy of Songwriters, Composers and Authors.The song is considered to be both the Police's and Sting's signature song, and in 2010 was estimated to generate between a quarter and a third of Sting's music publishing income. In the 1983 Rolling Stone critics' and readers' poll, it was voted Song of the Year. In the US, it was the best-selling single of 1983 and fifth-best-selling single of the decade. Billboard ranked it as the No. 1 song for 1983.In May 2019, Every Breath You Take was recognized by BMI as being the most played song in radio history. With nearly 15 million radio plays, Sting received a BMI Award at a ceremony held at the Beverly Wilshire Hotel in Beverly Hills to mark it being the Most Performed Song in BMI’s catalogue, a distinction previously held since 1999 by Mann and Weill’s You've Lost That Lovin' Feelin'. BMI President and CEO Mike O’Neill stated: For the first time in 22 years, BMI has a new top song in our repertoire with Sting’s timeless hit ‘Every Breath You Take,’ a remarkable achievement that solidifies its place in songwriting history.The song ranked No. 84 on the Rolling Stone list of the 500 Greatest Songs of All Time and is included in The Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll. It also ranked number 25 on Billboard's Hot 100 All-Time Top Songs. In 2008, Q magazine named it among the top 10 British Songs of the 1980s. In 2015, the song was voted by the British public as the nation's favourite 1980s number one in a UK-wide poll for ITV.Arranged for Viola Quartet. Key of A major. Intermediate. Audio file made from midi engine.
$14.99
13.84 €
#
Quatuor à cordes: 2 violons, alto, violoncelle
#
The Police
#
Inacio Saldanha
#
Every Breath You Take
#
Inacio Saldanha
#
SheetMusicPlus
In My Life
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1…
(+)
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1419797 By The Beatles. By John Lennon and Paul McCartney. Arranged by Sarah Cellobat Chaffee. Pop,Rock,Wedding. 13 pages. Sarah Cellobat Chaffee #1001215. Published by Sarah Cellobat Chaffee (A0.1419797). In My Life is a song that truly needs no introduction! Released by the Beatles on their 1965 album Rubber Soul, this song was a milestone for John Lennon -- it was the first time he'd ever written about his own life, describing his childhood experiences and the people and places he'd encountered along the way. The song soon became widely beloved around the world, and to this day, it's still one of the most iconic Beatles hits; it was even named by Mojo magazine as the greatest song of all time! And with lyrics like But of all these friends and lovers, there is no one compares to you, it's also become one of the most popular wedding requests of all time -- so you really can't go wrong adding this one to your gig books! This Cellobat arrangement for your string quartet brings the original to life with beautiful lush harmonies, soaring melodies, and even the Bach-style interlude in the middle, for a chart that will be just as much fun to play as it is to listen to! Originally written for a wedding ceremony, this will also be perfect for receptions, cocktail hour, parties, solo & ensemble contest, or any other occasion you need to bring a smile to your audience's face. Rated intermediate; this will be learnable for students and sightreadable for professionals.Sarah “Cellobat†Chaffee is an in-demand acoustic & electric cellist and string arranger. Currently, she performs with legendary rock band Aerosmith in their “Deuces Are Wild†residency show, and she is the principal cellist for the Raiders House Band, playing for a crowd of 60,000 at all of the team's home games. She also plays with many other groups including Premiere Wedding Music, Bella Electric Strings, the Femmes Of Rock, and David Perrico’s Pop Strings Orchestra. Sarah has performed and recorded with numerous other artists including Disturbed, Mötley Crüe, Celine Dion, Halsey, Michael Bublé, Sarah Brightman, and Lady A. She is the exclusive arranger for a number of award-winning wedding and event companies all across the United States, including Premiere Wedding Music, Las Vegas Music Oasis, and Impulse Strings, and she has created custom arrangements for many other ensembles all over the world. You can find her at:http://www.cellobat.comhttp://www.instagram.com/cellobathttps://www.youtube.com/@Cellobat.
$16.99
15.69 €
#
Quatuor à cordes: 2 violons, alto, violoncelle
#
The Beatles
#
Sarah Cellobat Chaffee
#
In My Life
#
Sarah Cellobat Chaffee
#
SheetMusicPlus
Something
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,Double Bass,String Quartet,Viola,Violin - Level 3 - Digital Download …
(+)
String Quartet Cello,Double Bass,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.742568 By The Beatles. By George Harrison. Arranged by Javier MartÃnez. Rock. Score and parts. 15 pages. Arte Nova Music Lab #6274193. Published by Arte Nova Music Lab (A0.742568). Something is a song by the English rock band the Beatles from their 1969 album Abbey Road. It was written by George Harrison, the band's lead guitarist, and is widely viewed by music historians as having marked his ascendancy as a composer to the level of the Beatles' principal songwriters, John Lennon and Paul McCartney. Two weeks after the album's release, the song was issued on a double A-side single, coupled with Come Together, making it the first Harrison composition to become a Beatles A-side. The pairing was also the first time in the United Kingdom that the Beatles issued a single containing tracks already available on an album. While the single's commercial performance was lessened by this, it topped the Billboard Hot 100 in the United States as well as charts in Australia, Canada, New Zealand and West Germany, and peaked at number 4 in the UK.Taken from https://en.wikipedia.org/wiki/Something_(Beatles_song)
$20.00
18.47 €
#
Quatuor à cordes: 2 violons, alto, violoncelle
#
The Beatles
#
Javier MartÃnez
#
Something
#
Arte Nova Music Lab
#
SheetMusicPlus
Kyrie (Durante) (String Quartet - 2 Violins, 1 Viola, 1 Cello)
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1…
(+)
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1092478 Composed by Francesco Durante. Arranged by Regis Bookshar. Baroque,Instructional,Sacred. Score and parts. 7 pages. Regis Bookshar #696569. Published by Regis Bookshar (A0.1092478). Kyrie - by Francesco Durante; String Quartet – Intermediate – Digital Download. “Kyrieâ€, originally written for a four-part vocal ensemble by Francesco Durante, has now been transcribed, edited and arranged by Regis Bookshar, for a String Quartet, consisting of 2 Violins, 1 Viola and 1 Violoncello. It would be a welcomed addition to any music library. This short composition, which lasts less than two minutes, will provide students with the opportunity to continue to develop good intonation because many of the phrases cadence on a unison note. This selection could be performed for concerts, recitals and church services. It is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (7 pages). This selection is one of the many arrangements from the Regis Bookshar Trumpet Ensemble’s extensive music library which are being made available for the first time. We have performed the Trumpet Quartet version of this composition for many church services, especially funerals, when we were asked to supply something more somber and introspective rather than the louder, more festive music which many people come to expect from a Trumpet Ensemble. Francesco Durante was an Italian composer who was born on March 31, 1684 at Frattamaggiore, in the Kingdom of Naples. At an early age he entered the Conservatorio dei poveri di Gesu Cristo, in Naples, where he received lessons from Gaetano Greco. Later he became a pupil of Alessandro Scarlatti at the Conservatorio di Sant’Onofrio. He is said to have succeeded Scarlatti in 1725 at Sant’Onofrio and to have remained there until 1742, when he succeeded Nicola Porpora as head of the Conservatorio di Santa Maria de Loreto, also in Naples. He held this post for thirteen years, until his death on September 30, 1755. His fame as a teacher was considerable, and, unlike his Neapolitan contemporaries, who attracted international notice with their operas, Francesco Durante achieved recognition through his church music, along with some vocal chamber and instrumental works. His concern was not quantity. A complete collection of Durante’s works, consisting almost exclusively of sacred music, was presented by Gaspare Selveggi, a Neapolitan art collector and music theorist, to the Bibliotheque Nationale in Paris. The imperial library of Vienna also preserves a valuable collection of Durante’s manuscripts. The fact that Durante never composed for the stage brought him an exaggerated reputation as a composer of sacred music. He was considered one of the best church composers of his style and period. In his masses, requiems, litanies and Lamentations, he could provide strong expressive moments, as he does in this “Kyrieâ€. In addition to this arrangement for a String Quartet, Regis Bookshar has also made other arrangements of this selection. There are Quartets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may find something else that may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I’m certain that this beautiful arrangement of Francesco Durante’s “Kyrie†will continue to entertain both performers and audiences alike for years to come.
$10.00
9.24 €
#
Quatuor à cordes: 2 violons, alto, violoncelle
#
Francesco Durante
#
Regis Bookshar
#
Kyrie
#
Regis Bookshar
#
SheetMusicPlus
Kyrie (Durante) (String Quartet - 1 Violin, 1 Viola, 1 Cello, 1 Bass)
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,Double Bass,String Quartet,Viola,Violin - Level 3 - Digital Download …
(+)
String Quartet Cello,Double Bass,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1092472 Composed by Francesco Durante. Arranged by Regis Bookshar. Baroque,Instructional,Sacred. Score and parts. 7 pages. Regis Bookshar #696563. Published by Regis Bookshar (A0.1092472). Kyrie - by Francesco Durante; String Quartet – Intermediate – Digital Download. “Kyrieâ€, originally written for a four-part vocal ensemble by Francesco Durante, has now been transcribed, edited and arranged by Regis Bookshar, for a String Quartet, consisting of 1 Violin, 1 Viola, 1 Violoncello and 1 Double Bass. It would be a welcomed addition to any music library. This short composition, which lasts less than two minutes, will provide students with the opportunity to continue to develop good intonation because many of the phrases cadence on a unison note. This selection could be performed for concerts, recitals and church services. It is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (7 pages). This selection is one of the many arrangements from the Regis Bookshar Trumpet Ensemble’s extensive music library which are being made available for the first time. We have performed the Trumpet Quartet version of this composition for many church services, especially funerals, when we were asked to supply something more somber and introspective rather than the louder, more festive music which many people come to expect from a Trumpet Ensemble. Francesco Durante was an Italian composer who was born on March 31, 1684 at Frattamaggiore, in the Kingdom of Naples. At an early age he entered the Conservatorio dei poveri di Gesu Cristo, in Naples, where he received lessons from Gaetano Greco. Later he became a pupil of Alessandro Scarlatti at the Conservatorio di Sant’Onofrio. He is said to have succeeded Scarlatti in 1725 at Sant’Onofrio and to have remained there until 1742, when he succeeded Nicola Porpora as head of the Conservatorio di Santa Maria de Loreto, also in Naples. He held this post for thirteen years, until his death on September 30, 1755. His fame as a teacher was considerable, and, unlike his Neapolitan contemporaries, who attracted international notice with their operas, Francesco Durante achieved recognition through his church music, along with some vocal chamber and instrumental works. His concern was not quantity. A complete collection of Durante’s works, consisting almost exclusively of sacred music, was presented by Gaspare Selveggi, a Neapolitan art collector and music theorist, to the Bibliotheque Nationale in Paris. The imperial library of Vienna also preserves a valuable collection of Durante’s manuscripts. The fact that Durante never composed for the stage brought him an exaggerated reputation as a composer of sacred music. He was considered one of the best church composers of his style and period. In his masses, requiems, litanies and Lamentations, he could provide strong expressive moments, as he does in this “Kyrieâ€. In addition to this arrangement for a String Quartet, Regis Bookshar has also made other arrangements of this selection. There are Quartets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may find something else that may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I’m certain that this beautiful arrangement of Francesco Durante’s “Kyrie†will continue to entertain both performers and audiences alike for years to come.
$10.00
9.24 €
#
Quatuor à cordes: 2 violons, alto, violoncelle
#
Francesco Durante
#
Regis Bookshar
#
Kyrie
#
Regis Bookshar
#
SheetMusicPlus
How Big, How Blue, How Beautiful
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,String Quartet,Viola,Violin - Level 2 - Digital Download SKU: A0.1…
(+)
String Quartet Cello,String Quartet,Viola,Violin - Level 2 - Digital Download SKU: A0.1279362 By Florence + the Machine. By Florence Welch and Isabella Summers. Arranged by Jeff Tincher. Contemporary,Pop,Rock. 25 pages. Jeff Tincher #870847. Published by Jeff Tincher (A0.1279362). This first time I heard this song was when Florence + The Machine performed it live on the Later...With Jools Holland show. I immediately fell in love with the song. The makeup of the song, from ethereal to rock back to ethereal was something that has not been used in quite some time. And the brass ending is just amazing in its simplicity. Florence used (and still may use) this song to end her concerts. In the original key from their self-titled Florence + The Machine LP. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing/.
$12.99
12 €
#
Quatuor à cordes: 2 violons, alto, violoncelle
#
Florence + the Machine
#
Jeff Tincher
#
How Big, How Blue, How Beautiful
#
Jeff Tincher
#
SheetMusicPlus
Still Still Still - Christmas song - String Quintet
Quatuor à cordes: 2 violons, alto, violoncelle
String Ensemble,String Quintet Cello,Double Bass,Viola,Violin - Level 3 - Digital Download…
(+)
String Ensemble,String Quintet Cello,Double Bass,Viola,Violin - Level 3 - Digital Download SKU: A0.568841 Composed by Trad. Arranged by Thomas Graf. Baroque,Christmas. Score and parts. 21 pages. Thomas Graf - the-hit-factory.com #3373171. Published by Thomas Graf - the-hit-factory.com (A0.568841). Polyphonic arrangement of the famous Austrian Christmas Carol and lullaby. The melody is a folk tune (authorship unknown) from the State of Salzburg. The tune appeared for the first time in 1865 in a folksong collection of Maria Vinzenz Süß (1802-1868), founder of the Salzburg Museum, it has changed slightly over the years but remains attributed to G. Götsch. As played by the ORIGINAL DRACHENFELSERMUSIKANTEN. Big fun to play! Not difficult.  Instrumentation: Violin 1+2, Viola, Cello, Contra Bass            Listen to the recording - a challenge for your ensemble. Please don't forget to review your purchase - you will help other musicians to choose the perfect arrangement for their ensemble. Thank you very much!              Check out our latest uploads: http://www.sheetmusicplus.com/publishers/thomas-graf-the-hit-factory-com/smp-press/3001412+1303131?N...                     Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic              Video: https://www.youtu.be/nEDsTGAO_8k  .
$14.99
13.84 €
#
Quatuor à cordes: 2 violons, alto, violoncelle
#
Trad
#
Thomas Graf
#
Still Still Still - Christmas song - String Quintet
#
Thomas Graf - the-hit-factory.com
#
SheetMusicPlus
Crazy Little Thing Called Love
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.5…
(+)
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.528497 By Dwight Yoakam. By Freddie Mercury. Arranged by Diego Marani. Contemporary,Instructional,Pop,Rock,Standards. Score and parts. 10 pages. Diego Marani #6094483. Published by Diego Marani (A0.528497). Crazy Little Thing Called Love is a song by the British rock band Queen. Written by Freddie Mercury in 1979, the track is included on their 1980 album The Game, and also appears on the band's compilation album, Greatest Hits in 1981. The song was written as a tribute to Elvis Presley (with influences rockabilly-swing). Having composed Crazy Little Thing Called Love on guitar, Mercury played rhythm guitar while performing the song live, which was the first time he played guitar in concert with Queen.This arrangement for string quartet (Violin I, Violin II, Viola, Cello) is suitable for classroom, repertoire and recital.
$19.99
18.46 €
#
Quatuor à cordes: 2 violons, alto, violoncelle
#
Dwight Yoakam
#
Diego Marani
#
Crazy Little Thing Called Love
#
Diego Marani
#
SheetMusicPlus
Mendelssohn: Prelude & Fugue in C Minor Op. 37 No. 1 for String Quartet
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.1…
(+)
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.1353485 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. 36 pages. Jmsgu3 #938223. Published by jmsgu3 (A0.1353485). The Significance of Mendelssohn's Preludes and Fugues, Op. 37, lies in its role in developing the organ repertoire and reflecting Mendelssohn's compositional style. The work, written in 1837, consists of three preludes and fugues for organ. Here are some critical aspects of its significance: Mendelssohn's compositional style: The Preludes and Fugues, Op. 37, showcase Mendelssohn's unique style, characterized by a combination of Romantic expressiveness and Classical form. This style is evident in the structure, harmony, and melodic content.  Influence of J.S. Bach: Mendelssohn's Preludes and Fugues, Op. 37, are heavily influenced by the style of J.S. Bach, a composer Mendelssohn greatly admired. This influence can be seen in the pieces' counterpoint, harmonic language, and formal structure. Pedal technique: In Op. 37, Mendelssohn composed independent pedal parts that reveal a thorough understanding of the role of the pedals in organ music. For the first time, he composed pedal passages that required more than minimal competency, demonstrating his skill in writing for the organ. Expansion of the organ repertoire: Mendelssohn was an accomplished organist and wrote dozens of works for the instrument. The Preludes and Fugues, Op. 37, contribute to expanding the organ repertoire and demonstrate Mendelssohn's mastery of the medium. Historical context: The Preludes and Fugues, Op. 37, were written when Mendelssohn was also working on his Six Sonatas, Op. 65. This period of productivity and exploration of the organ medium further highlights the significance of Op. 37 in Mendelssohn's compositional output. In summary, Mendelssohn's Preludes and Fugues, Op. 37, are significant to music history due to their reflection of Mendelssohn's compositional style, influence by J.S. Bach, innovative pedal technique, contribution to the organ repertoire, and historical context within Mendelssohn's compositional output.
$32.95
30.43 €
#
Quatuor à cordes: 2 violons, alto, violoncelle
#
Felix Bartholdy Mendelssohn
#
James M
#
Mendelssohn: Prelude & Fugue in C Minor Op. 37 No. 1 for String Quartet
#
jmsgu3
#
SheetMusicPlus
Luther: Out of the Depths for String Quartet
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet String Quartet - Level 1 - Digital Download SKU: A0.548729 Composed …
(+)
String Quartet String Quartet - Level 1 - Digital Download SKU: A0.548729 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and parts. 8 pages. Jmsgu3 #3412115. Published by jmsgu3 (A0.548729). Out of the Depths I Cry to You by Martin Luther. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 4 pg. parts: 1 pg. Bowings included. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics which are essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed compositions, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$42.95
39.67 €
#
Quatuor à cordes: 2 violons, alto, violoncelle
#
Martin Luther
#
James M
#
Luther: Out of the Depths for String Quartet
#
jmsgu3
#
SheetMusicPlus
String Quartet No. 3: Among Friends
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet String Quartet - Level 5 - Digital Download SKU: A0.987847 Composed …
(+)
String Quartet String Quartet - Level 5 - Digital Download SKU: A0.987847 Composed by Robert M. Greenberg. 20th Century. Score and parts. 178 pages. Robert M. Greenberg #90283. Published by Robert M. Greenberg (A0.987847). Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Duration: ca. 33 minutes Year of composition: 1995 Program Note: I. With Friends Like These II. Inner Voices III. Little Hands and Little Feet IV. Freund Barry V. Friendly Persuasion VI. All For One and One For All I've known the Alexander String Quartet since 1987. More than just colleagues, they have become my friends: I've traveled with them, performed with them, watched them rehearse, dined with them in their homes and they in mine; I know their children and they know my children. Throughout the time I've known the members of the quartet I have observed the relationship between them, that special bond shared by the members of any touring band, described by one pundit as being like a bad marriage with no sex. Such issues notwithstanding, this particular marriage works. A string quartet represents, perhaps, the ultimate musical compromise between individual incentive and the common good. In a string quartet, by definition, four distinct instrumental voices and four different instrumental roles unite to create a whole greater than its parts. And, lest we forget, behind each instrument is a person, with his own particular attitudes, feelings, needs, and, yes, issues, all of which must be tempered and blended for the common good of a good performance. Among Friends is, its liberties aside, about the four people behind the instruments of the Alexander String Quartet and their relationships with one another; the way they play, rehearse, get along and, on occasion, not get along. The first movement, With Friends Like These is gritty and contentious in tone. The players argue, debate, annoy, tease, irk, cajole, abuse, harass, form brief alliances, heap merde upon, gang up on, and otherwise find endless ways to irritate each other. It is in this movement that the individual characters of the four instrumental parts stand in highest relief: the first violin as coloratura prima donna, forever attempting to soar above it all; the second violin as the voice in the wilderness, the viola as the voice of reason and the 'cello as mover and shaker. The opening of the movement is marked argument in progress; with greatest intensity. The second, third and fourth movements are a series of portraits, played without a break. In movement two, Inner Voices, the second violin and viola are featured in a collegial and decidedly non-contentious dialogue. Movement three, Little Hands and Little Feet, is the quiet center of the quartet. It is here that the first violin finally attains the lyric heights vainly sought in the first movement. The fourth movement is a vigorous dance entitled Freund Barry. This movement honors three great friends: Dr. Barry Gardiner, whose friendship and support made the writing of this quartet possible; Gustav Mahler, whose Symphony No. 4, second movement (Freund Heine) inspired this one; and Sandy Wilson, who first encouraged me to compose my second string quartet (Child's Play) for the Alexander in 1987 and whose boisterous 'cello is Freund Barry's alter-ego. The fifth movement is entitled Friendly Persuasion. Rapid fire repeated notes, accompanimental figures and melodic lines are shuttled about from voice to voice, each time elaborated or altered in some way. In this way the music slowly metamorphoses, ultimately arriving at a version of the argumentative music that concluded the first movement. Movement six, All For One and One For All is a fast, brief coda/finale, during which the quartet plays primarily in unison, the musical antithesis of the contentious argument that began the quartet. Among Friends was commissioned by the Koussevitzky Foundation in the Library of Congress and the Alexander String Quartet. Among Friends i.
$36.00
33.25 €
#
Quatuor à cordes: 2 violons, alto, violoncelle
#
Robert M
#
String Quartet No. 3: Among Friends
#
Robert M. Greenberg
#
SheetMusicPlus
Donut Etudes vol. 3: Don’t Step in the Holes! – String Quartet
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.7…
(+)
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.784347 Composed by Joshua Hauser. Instructional. Score and parts. 110 pages. Slide Ride #5288705. Published by Slide Ride (A0.784347). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$12.50
11.54 €
#
Quatuor à cordes: 2 violons, alto, violoncelle
#
Joshua Hauser
#
#
Donut Etudes vol. 3: Don’t Step in the Holes! – String Quartet
#
Slide Ride
#
SheetMusicPlus
"The Dog Had..." Variations
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.1…
(+)
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.1290458 Composed by Daniel Burwasser. 21st Century,Chamber,Contemporary,Romantic Period. 35 pages. Head and Stem #881172. Published by Head and Stem (A0.1290458). BACKSTORY ON “The Dog Had…†Variations The origin of “The Dog Had…†Variations†stems from a frantic voicemail received from the composer’s mother-in-law many years ago while on a visit exclaiming that our dog at the time, Pepper, a chocolate-brown and white springer spaniel, “HAD†an accident of explosive proportions on their basement rug and that we needed to “GET HOME†and deal with it immediately. At first the family was taken aback by the phone message, but ultimately it became a source of hilarity and shortly afterward, the composer’s wife created a rhyme from the message and a tune immediately sprung from that. This tune simply became something our family sung together periodically over many year’s time for amusement until now when the composer came up with the idea to set it to variations for string quartet. In this work, the tune is first heard in simple fashion in its entirety in the viola. Fragments of the tune follow in various guises. For example, the rhythm of the words “GET HOME†as well as “I’VE HAD IT†are prominent thematic ideas used in the piece. There are also a couple of moments where the music sounds weak and demented, but also places where it sounds like a domestic quarrel and the theme is further broken down into fragments. For more information, go to: https://www.danielburwasser.com/To contact the composer directly, go to: danielburwasser9@gmail.comYoutube channel: https://www.youtube.com/@danielburwasser60.
$20.00
18.47 €
#
Quatuor à cordes: 2 violons, alto, violoncelle
#
Daniel Burwasser
#
"The Dog Had..." Variations
#
Head and Stem
#
SheetMusicPlus
Kissing You
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.5…
(+)
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.526110 Composed by Des'ree Weekes and Tim Atack. Arranged by Sarah Cellobat Chaffee. Contemporary,Film/TV,Pop,Wedding. 15 pages. Sarah Cellobat Chaffee #4831723. Published by Sarah Cellobat Chaffee (A0.526110). Kissing You, a song originally written for a scene in Baz Luhrmann's feature film Romeo + Juliet where the title characters meet each other at a ball, was released both on the film's soundtrack and on the third studio album of its singer Des'Ree. This beautiful pared-down ballad (whose instrumentation features only the vocals, a pianist, and strings) earned Des'Ree critical acclaim, with many praising the emotional depth the song brought to the movie. Ever since its release, Kissing You has become a fan favorite and a very popular choice for weddings. This Cellobat arrangement for string quartet captures the beauty of the original, with many layers of lush (and sometimes unexpected) harmonies, a full range of dynamic intensity, the passionate melodic vocal line in the first violin, and the ethereal piano line in violin 2. Perfect for wedding ceremonies, receptions, proposals, vow renewals, solo & ensemble contests or any other occasion when your quartet wants to give your audience chills! Rated advanced-intermediate -- most of this chart remains in first position and is fairly simple to play, but there are some interesting rhythms to take a look at. The hardest thing about the song is that it sometimes lacks an evident beat, so listen closely to your group to make sure you're always together! Sarah “Cellobat†Chaffee is an in-demand acoustic & electric cellist and string arranger. Currently, she performs with legendary rock band Aerosmith in their “Deuces Are Wild†residency show, and she is the principal cellist for the Raiders House Band, playing for a crowd of 60,000 at all of the team's home games. She also plays with many other groups including Premiere Wedding Music, Bella Electric Strings, the Femmes Of Rock, and David Perrico’s Pop Strings Orchestra. Sarah has performed and recorded with numerous other artists including Disturbed, Mötley Crüe, Celine Dion, Halsey, Michael Bublé, Sarah Brightman, and Lady A. She is the exclusive arranger for a number of award-winning wedding and event companies all across the United States, including Premiere Wedding Music, Las Vegas Music Oasis, and Impulse Strings, and she has created custom arrangements for many other ensembles all over the world. You can find her at:http://www.cellobat.comhttp://www.instagram.com/cellobathttps://www.youtube.com/@Cellobat
$16.99
15.69 €
#
Quatuor à cordes: 2 violons, alto, violoncelle
#
Des'ree Weekes and Tim Atack
#
Sarah Cellobat Chaffee
#
Kissing You
#
Sarah Cellobat Chaffee
#
SheetMusicPlus
Partita for Strings - Movement 1 - Busy People
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.7…
(+)
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.767034 Composed by Mike Lyons. 20th Century,Contemporary. Score and parts. 16 pages. Lyons Music Services #48715. Published by Lyons Music Services (A0.767034). This is the first movement of a 5-movement piece for string orchestra. I wrote it in 1990, when I was in hospital for a major operation and, bored out of my wits after surgery, I began to make musical note of the people who came into and went out of the ward. This movement represents these busy people at their work, always seeming in a rush with no time to settle. I apologise to the celli for the repetitve nature of their part, but it is just as important as any of the others. The constant ticking over keeps the rest of the music driving. (Besides, they get their own back later!).
$9.99
9.23 €
#
Quatuor à cordes: 2 violons, alto, violoncelle
#
Mike Lyons
#
Partita for Strings - Movement 1 - Busy People
#
Lyons Music Services
#
SheetMusicPlus
In The Mood
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.5…
(+)
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.587998 By Ernie Field's Orchestra. By Joe Garland. Arranged by David McKeown. Jazz. Score and parts. 20 pages. David McKeown #5210937. Published by David McKeown (A0.587998). In the Mood was a huge hit for the Glenn Miller Orchestra in 1940, but the melody for In the Mood had been around in different versions with different bands for at least a decade before. But it was the Glenn Miller version that grabbed the public’s attention, becoming almost the soundtrack to the Second World War. In the Mood has never lost its appeal and has been recognised as culturally significant by the Library of Congress. In 1951 In the Mood became the first piece of music to be played by a computer.This arrangement of In the Mood is written with accessibility in mind, transposing the original from Ab to G Major. It is arranged for String Quartet; that is for two Violins, Viola and Cello. This arrangement is ideal for smaller groups and combos looking to add this perennial favourite to their repertoire. The solos from the original Glenn Miller recording are transcribed and notated in full, though players may prefer their own improvisations.The single pdf file you download contains both the full score and the individual parts. Performance time is around four minutes.The key, structure and overall feel is faithful to the original by the Glenn Miller Orchestra.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$12.99
12 €
#
Quatuor à cordes: 2 violons, alto, violoncelle
#
Ernie Field's Orchestra
#
David McKeown
#
In The Mood
#
David McKeown
#
SheetMusicPlus
Oh Well Part 1 And 2
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,String Quartet,Viola,Violin - Level 2 - Digital Download SKU: A0.5…
(+)
String Quartet Cello,String Quartet,Viola,Violin - Level 2 - Digital Download SKU: A0.584636 Composed by Peter Green. Arranged by Jeff Tincher. Contemporary. Score and parts. 38 pages. Jeff Tincher #5991783. Published by Jeff Tincher (A0.584636). This is the first single from the original Fleetwood Mac lineup that made it up the charts. Before the made it as a pop band, the original group was a blues band. In the original key from their Then Play On, this was a double A-side single. I fell in love with this song when I first heard it for it's style that was quite unusual for the time. It wasn't on the original release of the album. But when it became a big hit, they replaced When You Say with this song. Duration = 9:36. Visit my websites:https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing.
$12.99
12 €
#
Quatuor à cordes: 2 violons, alto, violoncelle
#
Peter Green
#
Jeff Tincher
#
Oh Well Part 1 And 2
#
Jeff Tincher
#
SheetMusicPlus
Open My Eyes
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.5…
(+)
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.583676 By Todd Rundgren. By Todd Rundgren. Arranged by Jeff Tincher. Contemporary. Score and parts. 17 pages. Jeff Tincher #4643497. Published by Jeff Tincher (A0.583676). This is the first single and opening number of a lesser known group that Todd Rundgren fronted, Nazz. I actually liked this group, even though they were not commercially successful. This song was released as a single. However it fell short, mainly because the B-Side was accepted better, Hello, It's Me. This song is a rocker and a typical 60s rock song. Rock was beginning to take hold, however, a lot of bands added a smooth section in their songs to get more appeal. This song is no exception to that rule. The song is unusual in that the section that leads to the final chorus has several time signature changes, which was not the norm for the time. This song still rocks with the best of them. Duration = 2:51. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing .
$12.99
12 €
#
Quatuor à cordes: 2 violons, alto, violoncelle
#
Todd Rundgren
#
Jeff Tincher
#
Open My Eyes
#
Jeff Tincher
#
SheetMusicPlus
Better Days
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,String Quartet,Viola,Violin - Level 5 - Digital Download SKU: A0.8…
(+)
String Quartet Cello,String Quartet,Viola,Violin - Level 5 - Digital Download SKU: A0.845979 By OneRepublic. By Brent Kutzle, John Nathaniel, and Ryan Tedder. Arranged by Kyle Pudenz. Contemporary,Pop,Rock. Score and parts. 29 pages. ViolinVagabond Music #5739335. Published by ViolinVagabond Music (A0.845979). Whether you are a tried and true OneRepublic fan looking to add to your ensemble's catalog, a struggling musician hoping for Better Days, or simply want to create a little social media buzz by playing that song that you saw in a commercial about a Jeep, or ESPN, or NBC... THIS is the chart you are looking for!Check out Dallas String Quartet performing this chart in their latest music video: https://youtu.be/BBEdsXRELywWhat you have here, ladies & gentlemen, is no half-baked attempt at a transcription that you might find illegally floating around the internet for a few bucks. This meticulously-arranged instrumental reimagining of OneRepublic's new smash is much, MUCH more. Your journey through the pop-string realm starts out with a silky, cinematic intro that will filter out the commotion of your futile existence, opening the curtains to reveal a plane of pure musical ecstasy. When the groove finally drops, and OH, does it DROP... you will not be able to stop yourself from foot-tapping, head-banging, or otherwise moving one or more body parts in a definitively rhythmic fashion. Hip rhythmic chopping grooves, fingerboard slaps, and a healthy dose of syncopation will take this sick beat to another level! And if that isn't enough to pique your interest, be on the lookout for some sexy reharminizations throughout the tune that will make you honestly wonder why those chords weren't in the song to begin with...Just when you thought this couldn't get any better: THERE IS A SOLO SECTION!! I've included some written solos, but if you prefer to improvise your own, that is allowed and encouraged. You can also vamp it if you need to kill a little time, or just want to show off for a few more bars.**This score is also available with Rhythm Section Parts for guitar, bass & drum set, which your ensemble can use to perform with a full band. Visit https://www.sheetmusicplus.com/title/21765313?aff_id=655189 for more details**Having a great ensemble may be the first step to successfully landing the big gigs, but having repertoire that gives your musicians the chance to shine will make you stand out from the rest. So don't settle for reading off of a piano score or hacking through questionably-obtained transcriptions when you can have the real deal. Fresh tunes, arranged by a real string player who has been in your shoes and knows how to wow the crowd!Thanks for visiting, and I hope this chart brings us all to some Better DaysPerformance time - 4:00 as written, longer if you vamp the solo, shorter if you cut the intro. Because I get it; we all need flexibility when wedding parties and/or emcee's are involved.Questions? Feel free to contact me via my website, www.kylepudenz.com/ or on the 'Insta @theviolinvagabond
$19.99
18.46 €
#
Quatuor à cordes: 2 violons, alto, violoncelle
#
OneRepublic
#
Kyle Pudenz
#
Better Days
#
ViolinVagabond Music
#
SheetMusicPlus
Rudolph The Red-nosed Reindeer
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet String Quartet - Level 5 - Digital Download SKU: A0.977355 By John D…
(+)
String Quartet String Quartet - Level 5 - Digital Download SKU: A0.977355 By John Denver. By David Leslie Froggatt, Jane Barnes, and Johnny Marks. Arranged by Des McNutty. Rock. Score and parts. 16 pages. Des Press #6445813. Published by Des Press (A0.977355). Rudolph, the Red-Nosed Reindeer first hit number one in the US charts sung by Gene Autry over Christmas in 1949, becoming the first No. 1 of the 1950s. Songwriter, Johnny Marks, based this song on the eponymous book first published in 1939. Before its chart-topping success, Rudolph was first heard in November 1949 on New York Radio (WOR) by crooner Harry Brannon. Since then it has remained an extremely popular seasonal song and has been covered many times by such diverse artists as Bing Crosby, Spike Jones, Alvin and the Chipmunks and The Temptations. This is a new arrangement, rather than a transcription of a known reccording. It is jazzy in style and rhythmically playful. Watch out for the little tags, such as the intro, coda and between refrains! They symbolise how lost the other reindeer would have been on that foggy night without their red-nosed hero, Rudolph! The level is on the easier side of advanced; quickly rehearsed by professional quartets and an accessible challenge for experienced students. Enjoy!
$12.99
12 €
#
Quatuor à cordes: 2 violons, alto, violoncelle
#
John Denver
#
Des McNutty
#
Rudolph The Red-nosed Reindeer
#
Des Press
#
SheetMusicPlus
Night Fantasy
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet String Quartet - Level 4 - Digital Download SKU: A0.546301 Composed …
(+)
String Quartet String Quartet - Level 4 - Digital Download SKU: A0.546301 Composed by Lisa Lamb. Classical. Score and parts. 17 pages. Lisa Lamb #156359. Published by Lisa Lamb (A0.546301). Night Fantasy is a work for string quartet which Lisa composed in 2005. The four instruments each travel on their own journey. At times their paths cross and they momentarily come together in harmony before continuing on their separate paths. The piece opens with a surreal harmonic section, then the cello and first violin bring in bits of the two main melodies which occur later in the piece and are joined by other counter melodies.
$1.99
1.84 €
#
Quatuor à cordes: 2 violons, alto, violoncelle
#
Lisa Lamb
#
Night Fantasy
#
Lisa Lamb
#
SheetMusicPlus
SQ14 ... Qui Abitava (2020) for string quartet
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.8…
(+)
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.869850 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Romantic Period. Score and parts. 31 pages. Thomas Oboe Lee #6209717. Published by Thomas Oboe Lee (A0.869850). Having been in Rome many times since my Rome Prize Fellowship year 1986-87, I came across my first Qui Abitava plaque on via Garibaldi across from the Santa Maria dei Sette Dolori in Trastevere. After some research I discovered that these plaques, stolpersteine, were created by a German artist, Gunter Demnig, and he personally installed all of them all over Italy and Europe. The stories behind these plaques are so heartbreaking that I wanted to write a piece of music to commemorate their history. I chose six names from the many thousands of plaques that Gunther Demnig installed in Italy and they are presented in chronological order of their births. 1. Moisé Calimani, 1870-1944 Largo 2. Augusto Sperati, 1881-1944 Agitato 3. Silvia Sermoneta, 1897-1944 Adagio, Moderato 4. Silvana Levi, 1920-1945 Adagio 5. Claudio Piperno, 1923-1944 Adagio, Andante 6. Luisa Levi, 1929-1945 Largo
$9.99
9.23 €
#
Quatuor à cordes: 2 violons, alto, violoncelle
#
Thomas Oboe Lee
#
#
SQ14 ... Qui Abitava
#
Thomas Oboe Lee
#
SheetMusicPlus
The Corrie Man
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet String Quartet - Level 4 - Digital Download SKU: A0.1411462 Composed…
(+)
String Quartet String Quartet - Level 4 - Digital Download SKU: A0.1411462 Composed by Traditional Scottish Reel. Arranged by Genevieve Tabby. Classical,Folk,Traditional. 29 pages. Songburd Music #993728. Published by Songburd Music (A0.1411462). Hey fiddlers, One thing we know about old Scottish folk tunes is they never grow old, and even though we may never know who first wrote the delightful melody, “The Corrie Man,†we can tell from its lilting qualities—with its cheerful and spirited flow—that it brings to us images of the u-shaped valleys that are so familiar to the highlands of Scotland. We can easily imagine playing this traditional session tune among the rolling hills and farmlands of Scotland where musicians gather in their favorite places to play—near a tree or brook, on a farmhouse porch, in a sitting room or even in the kitchen.  Not to mention the casual setting of a pub where friends gather to raise a pint and sit in a big circle with an array of other fiddlers and musicians, playing tunes side-by-side enjoying each other’s company! With this backdrop our cellist Genevieve dedicated her time to arrange this artful reel for string quartet as part of our debut album, after which she had the wonderful opportunity to visit Scotland to study and perform with Alisdair Fraser and Natalie Haas, who inspired her to be a part of the rich tradition of preserving and performing Scottish folk music.We hope you will find that same inspiration while playing this piece with your friends and colleagues as much as we do.  It’s always a favorite showstopper!Slà inte Mhath (Cheers)ATLYS.
$30.00
27.71 €
#
Quatuor à cordes: 2 violons, alto, violoncelle
#
Traditional Scottish Reel
#
Genevieve Tabby
#
The Corrie Man
#
Songburd Music
#
SheetMusicPlus
The Boar's Head Carol - String Quartet - Intermediate
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet String Quartet - Level 3 - Digital Download SKU: A0.734418 Composed …
(+)
String Quartet String Quartet - Level 3 - Digital Download SKU: A0.734418 Composed by Traditional English Carol. Arranged by Dennis Ruello. Christmas,Holiday,Renaissance,Standards,World. Score and parts. 7 pages. Chicory Music #5324901. Published by Chicory Music (A0.734418). The Boar's Head Carol This Christmas carol talks about a feast during midwinter in which a wild boar was served as the main dish and its head placed in a situated position to symbolize bravery and abundance. Closely related to the Norse tradition of boar sacrifice to their goddess Freyja during the feast of Winter Solstice, this song originated from an urban legend in Queen's College, Oxford back in the 15th century which tells of how a scholar from Queen’s College managed to kill an attacking boar and offered it at dinner.The song was first published in English during the 1520’s in a book entitled Christmase Carolles Newly Emprynted at London in the flete street, which was written by Jan van Wynken de Worde. It is also said to be the very 1st Christmas carol to ever be publish in English because it dates back that early.Although the modern versions of the song makes no mention of Christmas, the original verses does so in The boar's head we bring with song, in worship of Him that thus sprung, of a Virgin to redress all wrong; Noel This Intermediate Level arrangement starts out in C Major and modulates to D Major for the final chorus .Performance time is approx. 1 minute 45 seconds.
$6.99
6.46 €
#
Quatuor à cordes: 2 violons, alto, violoncelle
#
Traditional English Carol
#
Dennis Ruello
#
The Boar's Head Carol - String Quartet - Intermediate
#
Chicory Music
#
SheetMusicPlus
Symphony No. 5 by Beethoven for String Quartet
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet String Quartet - Level 2 - Digital Download SKU: A0.1171870 Composed…
(+)
String Quartet String Quartet - Level 2 - Digital Download SKU: A0.1171870 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Instructional,Opera,Romantic Period,Traditional. 14 pages. Woods Only, Arrangements #772147. Published by Woods Only, Arrangements (A0.1171870). This adaptation was intended for a small group of string quartet, where the original essence of the piece was kept, however, with a reduction in the duration, where only the main themes of the opening were extracted. As it is simplified, it is intended for beginner students of instrumental music who want to enter orchestral music, even in a simplified and reduced form, and can be used by music teachers with their students in ensemble practice in situations such as academic recitals, didactic concerts, or assessment tests. The Symphony No. 5 in C minor, Op. 67, known as the Symphony of Destiny, by Ludwig van Beethoven, written between 1804 and 1808, is one of the most popular and best known compositions in the entire repertoire of European music. The four movements are characterized by orchestral homogeneity, being, at the same time, an example of alternation: the first movement, revealing great tension, denounced by the strings and raised to an extreme drama; the second movement reveals solemnity, in a funeral march that rises by its emotion and beauty; the third movement, a crispness; the fourth movement expresses triumph and magnificence.
$7.99
7.38 €
#
Quatuor à cordes: 2 violons, alto, violoncelle
#
Ludwig van Beethoven
#
Ander
#
Symphony No. 5 by Beethoven for String Quartet
#
Woods Only, Arrangements
#
SheetMusicPlus
<
1
26
51
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
