"Feels Like Home" was originally penned for a musical by Oscar-winning film score composer Randy Newman; it has since been covered as a stand-alone song by a number of different artists. The most successful version of the song by far was this one, sung by Chantal Kreviazuk and featured in the TV show Dawson's Creek and the movie How To Lose A Guy In 10 Days. This version for string quartet is a beautiful rendition with lots of feeling, featuring soaring melodies, gorgeous layers of harmony, and the ever-present piano rhythms guiding the song along in the V2 and viola parts. This arrangement was commissioned for a wedding, and it's definitely the perfect love ballad for not only ceremonies but cocktail hour, receptions, private events, solo and ensemble contests, or any other occasion that needs a midtempo sentimental groove. Rated intermediate - playable for students and easily sightreadable for professionals.


Sarah "Cellobat" Chaffee earned her bachelor's degree in cello performance from the Cleveland Institute of Music and is now based in Las Vegas. She currently performs with Aerosmith in their "Deuces Are Wild" residency at The Park MGM Theater on the Las Vegas Strip. Sarah is also the principal cellist in David Perrico's Pop Strings Orchestra, a 14-piece band that performs every Friday and Saturday at Caesars Palace, and she plays regularly for Premiere Wedding Music and Bella Electric Strings. Sarah has performed and recorded with many other artists including Halsey, Disturbed, M�tley Cr�e, Celine Dion, Kygo, Ricky Martin, Sarah Brightman, Il Divo, and Lady Antebellum. She can be found at:
http://www.cellobat.com
http://www.instagram.com/cellobat
http://www.youtube.com/c/SarahCellobatChaffee

?Lovely? by Billie Eilish and Khalid was released in April 2018. Written and produced by Finneas O?Connel, brother of Billie Eilish, it was used as the soundtrack to Season Two of ?13 Reasons Why? - a drama on Netflix. The song went Platinum in New Zealand and USA, and reached the top five in the New Zealand and Australian Charts.

I think that it lends itself beautifully to a String Quartet Arrangement and very much enjoyed working on it. At the moment I have only a computer version of the Score but will be recording it with Capriccio Quartet once lockdown restrictions are at an end.

Feel free to change the bowing, especially in the eight-quaver accompaniment bars. These do need to be heard, but very much as a background texture. I envisaged the song as played with a great deal of delicacy and subtlety, though this is hard to achieve with Sibelius software. In this arrangement the cello has less to do than usual, but there are some sudden shifts of position and that deep presence is vital to the overall effectiveness of the song. The double stopping usually includes one open string.

I experimented for a long time with different octaves for the violin to play at Letters C and E. You may like to change the score at this point if it feels easier, or just prefer one or the other. I opted for the high octave at times because the unison with the viola two octaves below seemed to have a lot of emotional power. However one octave apart also sounds good so younger players could easily tackle this song.

My Youtube Channel has many of my arrangements for String Quartet, most recorded by Capriccio Quartet, and all but two available as Sheet Music Plus products. Please visit me there :- Helen Marple-Horvat, Songwriter, Arranger, Composer.