The Best Hymns of All Time
Arranged for strings by Colin Kirkpatrick

Book 2

We?re really excited to present our collection of sixty of the best-loved hymns ever composed. The hymns are scored in four parts and could be used with virtually any combination of stringed instruments: string quartet or quintet or any size string ensemble. They are presented in a set of three books and include full four-part instrumental scores plus four separate parts for 1st violin, 2nd violin, viola and cello (and double bass). The double bass part is optional because it doubles the cello part an octave lower. There?s also an optional but useful simplified keyboard part intended for less experienced keyboard players. The left hand plays only the bass part most of the time, with the right hand part kept as simple as possible. The piano part too means that you can use the arrangements as solos, duets or trios. To make the music accessible to less experienced players, the range of the notes has been kept fairly low so that many of the arrangements can be played in first position. However, to produce a brighter and richer sound, a few of the more experienced violinists could play an octave higher. You can hear this effect in the audio samples.

These arrangements are intended either as stand-alone pieces that could be used as interludes in a service, or they could be used to accompany solo, choral or congregational singing. This is essential music for schools and many churches and contains probably all the hymns you?ll ever need. The scores and all the parts of Book 2 are contained in a single 59-page PDF file.

Book 2 contains the following twenty popular hymns: A Mighty Fortress is our God (Ein Feste Burg); Awake my Soul (Morning Hymn); All Creatures of our God and King (Lasst uns Erfreuen); All People that on Earth do Dwell (Old Hundredth); Angels we have Heard on High (Gloria); Be thou my Vision (Slane); Come Thou Font of Every Blessing (Nettleton); Eternal Father, Strong to Save (Melita); God moves in a Mysterious Way (London New); Glory to Thee, My God, This Night (Tallis Canon); How Sweet the Name of Jesus Sounds (St. Peter); Immortal, Invisible, God Only Wise (St. Denio); Onward, Christian Soldiers (St. Gertrude); Let us with a Gladsome Mind (Monkland)
Love Divine, All Loves Excelling (Beecher); Praise my Soul, the King of Heaven (Lauda Anima); The Day Thou Gavest (St. Clement); The King of Love my Shepherd is (St. Columba); We Plough the Fields and Scatter (Wir pfl�gen); Lead Us, Heavenly Father, Lead Us (Mannheim).

The audio samples include Angels we have Heard on High (Gloria); Be Thou my Vision (Slane) and Onward, Christian Soldiers (St. Gertrude). The music has been set in string-friendly keys so most of them are not compatible with the brass collection of the same name.

If you're looking for another bland, soul-less transcription of a pop song for strings to collect dust in the back of your gig book while you idle away your hours providing background music behind the potted palm, this is NOT the arrangement you are looking for.

However, if you are looking to liven up your ensemble's repertoire with a hip arrangement of the summer's biggest smash from the world's bubbliest boy band... then look no further: THIS is the tune you need to take your performance to the next level! This spicy new take on the Jonas Brothers' latest jam includes an extendable solo section (in case that wedding party is taking too long to make their appearance at cocktail hour), chopping grooves that will land your quartet securely "in the pocket," a couple slick reharminizations to keep the audience on the edge of their seats, and enough flashy licks to finally prove to all those naysaying guitar players that yes, string players can be real rockstars!!!

That being said, if your ensemble is already forward-thinking enough to have brokered peace with those fret-loving, stick-twirling showboats that we know & love, this arrangement also includes an optional rhythm section lead sheet for performing with additional musicians. So whether you're striking up the band for a showcase, or simply providing the ambience for your next dinner party, reception, or corporate function, this arrangement has everything you need to keep your audience, and your ensemble, entertained.

Performance time - 3:44 without vamping solos, 5:00 if you wanna take another round, or 9:35 if the head table starts yelling "Free Bird"

Questions? Feel free to contact me via my website, www.kylepudenz.com/ or on the 'Insta @theviolinvagabond

Although Paul Dessau's Second String Quartet is very closely related to twelve-note music, it cannot be said to owe its inspiration to the serial method in the strictest sense. Rene Leibowitz had introduced the composer to the fascinating world of Schoenberg's twelve-note music during his first period of exile in Paris. With this String Quartet Dessau then worked out his own way of playing with the aesthetics of modern composition. Dessau works dodecaphonic constructions into the two lengthy movements - Andante con tenerezza and Adagio - without imposing them in dogmatic fashion. Disciplined thematic work is developed in a densely polyphonic setting to create a tightly structured landscape of laconic sententiousness.