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--INSTRUMENTS--
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6
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6
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6
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5
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5
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3
Saxophone Soprano et Piano
3
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2
Flûte et Guitare
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2
3 Clarinettes (trio)
2
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1
Flûte, Hautbois, Piano (trio)
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14
2 Trompettes (duo)
10
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9
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8
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7
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2 Trombones (duo)
7
Trompette
7
Cor
6
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Tuba
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Cor et Piano
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Tuba et Piano
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Trompette (partie séparée)
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Ensemble de Trombones
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11
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10
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7
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5
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89
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35
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ALTO
AUTOHARPE
BANJO
BASSE
BASSON
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BOUZOUKI
CHORALE - CHAN…
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CLARINETTE
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Time Passages
Quatuor à cordes: 2 violons, alto, violoncelle
Partitions à imprimer
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1
26
Two Episodes from Dark Forest
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Quatuor à cordes: 2 violons, alto, violoncelle
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AVANCÉ
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Contemporain
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Larry Tuttle
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Two Episodes from Dark Forest
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Personal Sun Music
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SheetMusicPlus
String Quartet String Quartet - Level 5 - SKU: A0.1025958 Composed by Larry Tuttle. 20th Century,Contemporary. Score and parts. 45 pages. Personal Sun M...
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String Quartet String Quartet - Level 5 - SKU: A0.1025958 Composed by Larry Tuttle. 20th Century,Contemporary. Score and parts. 45 pages. Personal Sun Music #5765361. Published by Personal Sun Music (A0.1025958). TWO EPISODES FROM DARK FOREST was originally conceived as a violin concerto. As I was writing the concerto, I was suddenly struck with the idea that I could distribute the virtuosic passages across four instruments instead of giving them all to just the violin, which would make for a great string quartet. There would be challenging passages, intensity and action in all of the parts, serious interactivity, and an enhanced narrative flow. The two episodes portrayed here were originally the third and fourth movements of the concerto. What resulted is something of a group showcase, a feature for the whole quartet, with a lot of fiery passages being passed around in quick succession. CHASE THROUGH THE FOREST is a headlong dash, quick and fun, with a sneaky fast rock feel, plenty of thrills, and a little bit of silent movie melodrama thrown in. In the middle of the movement an aggressive virtuosic duel breaks out, utilizing a lot of double-stops, pitting the two violins against one another, with some nasty interjections from the viola and cello. Following the abrupt and unexpected end of the chase scene, THE JOURNEY HOME arrives as wistful, lyrical and nostalgic, pure sentiment. It's an orchestrated song, with expressive, expansive and eventually intimate melodies.
$14.99
String Quartet No 4 (Score)
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Colin Bayliss
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String Quartet No 4
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Colin Bayliss
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SheetMusicPlus
String Quartet String Quartet - Level 4 - SKU: A0.938385 Composed by Colin Bayliss. 20th Century,Contemporary. Score and parts. 33 pages. Colin Bayliss ...
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String Quartet String Quartet - Level 4 - SKU: A0.938385 Composed by Colin Bayliss. 20th Century,Contemporary. Score and parts. 33 pages. Colin Bayliss #6135. Published by Colin Bayliss (A0.938385). This work was written between January and March 1997. It has thirteen short continuous movements, one for each note of the tone row and a resolution of the row into an adagio movement in C major. The movements are written in a time signature beginning with one beat to a bar and ending in 13 beats to a bar until the final section of the last movement. The number of bars for each movement is in multiples of 13, then 14 and onwards to 25. The harmonic language is dictated by the combinations of notes in the original row combining with a row with its inversions and retrogrades begun from the first note of each new section. The sections may be briefly summarised as follows:- 1. Adagio A basic statement of the row with its inversion and retrograde 2. Con brio A rhythmic miniature scherzo and trio 3. Allegretto Dynamic contrasts using pizzicato and glissando 4. Andante piacevole e mesto Aduet between the violins with accompaniment from the viola and 'cello 5. Agitato An atmospheric spiccato section interrupted by foot-stamping 6. Andante languido A barcarolle-like section with passages of col legno 7. Allegro A rhythmic section contrasted by passages in harmonics 8. Tempo di tango presto The tango is apt to slip into many of the composer's pieces, even where nominally 12-tone, and is never remotely serious! 9. Andante pastorale Another atmospheric section but more relaxed 10. Allegro molto A scherzando section using rhythmic retrogrades 11. Allegretto The music begins to pull into feeling of tonality around C 12. Allegro moderato This process continues with tremolandi and glissandi searching for the way to a diatonic C major 13. Molto adagio - adagietto The last traces of atonality are wiped away and the work ends in an unashamed sense of quiet triumph The Score and Parts are available on this site as separate downloads The sound sample is the second movement - performed by the Lochrian Ensemble The complete 6 string quartets performed by the Lochrian Ensemble are available on itunes: see: http://www.dwsolo.com/colinbayliss/ For this 4th quartet see: https://itunes.apple.com/us/album/colin-bayliss-string-quartet/id585288847.
$8.00
Sweelinck: Echo Fantasia No. 2 for String Quartet - Score Only
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Jan Pieterszoon Sweelinck was
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James M
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Sweelinck: Echo Fantasia No. 2
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jmsgu3
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SheetMusicPlus
String Quartet String Quartet - Level 3 - SKU: A0.1296215 Composed by Jan Pieterszoon Sweelinck was. Arranged by James M. Guthrie. Chamber,Contest,Early...
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String Quartet String Quartet - Level 3 - SKU: A0.1296215 Composed by Jan Pieterszoon Sweelinck was. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Renaissance. 7 pages. Jmsgu3 #886460. Published by jmsgu3 (A0.1296215). Jan Pieterszoon Sweelinck was a Dutch organist and composer who lived from April 1562 to October 16, 1621. He was born and died in Amsterdam, Netherlands. Sweelinck's first published works date from around 1592-94, and he composed a variety of music, including chansons and keyboard music. He was known for his keyboard playing and was a teacher to German composers Samuel Scheidt and Heinrich Scheidemann.  Sweelinck's Echo Fantasias are significant for several reasons:Innovative composition: Echo Fantasias were a unique form of composition during Sweelinck's time, blending elements of traditional fantasias with passages dedicated to echo effects. This experimental approach showcased Sweelinck's creativity and willingness to push the boundaries of musical expression. Emphasis on the moment: Unlike Sweelinck's larger fantasias, the construction of Echo Fantasias was less strict, focusing more on the immediate musical experience rather than the overall design. This emphasis on the moment allowed for greater freedom and spontaneity in the performance of these pieces. Stylistic range: Echo Fantasias encompassed a wide range of styles, juxtaposing fantasia-like elements with passages dedicated to echo effects. This stylistic diversity added depth and complexity to Sweelinck's compositions, making them engaging and intriguing for both performers and listeners.
$24.95
Sweelinck: Echo Fantasia No. 1 for String Quartet - Score Only
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Jan Pieterszoon Sweelinck
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James M
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Sweelinck: Echo Fantasia No. 1
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jmsgu3
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SheetMusicPlus
String Quartet String Quartet - Level 4 - SKU: A0.1295687 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Chamber,Contest,Early Mus...
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String Quartet String Quartet - Level 4 - SKU: A0.1295687 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Renaissance. 14 pages. Jmsgu3 #885985. Published by jmsgu3 (A0.1295687). Jan Pieterszoon Sweelinck was a Dutch organist and composer who lived from April 1562 to October 16, 1621. He was born and died in Amsterdam, Netherlands. Sweelinck's first published works date from around 1592-94, and he composed a variety of music, including chansons and keyboard music. He was known for his keyboard playing and was a teacher to German composers Samuel Scheidt and Heinrich Scheidemann. Jan Pieterszoon Sweelinck's Echo Fantasias are significant for several reasons:Innovative composition: Echo Fantasias were a unique form of composition during Sweelinck's time, blending elements of traditional fantasias with passages dedicated to echo effects. This experimental approach showcased Sweelinck's creativity and willingness to push the boundaries of musical expression. Emphasis on the moment: Unlike Sweelinck's larger fantasias, the construction of Echo Fantasias was less strict, focusing more on the immediate musical experience rather than the overall design. This emphasis on the moment allowed for greater freedom and spontaneity in the performance of these pieces. Stylistic range: Echo Fantasias encompassed a wide range of styles, juxtaposing fantasia-like elements with passages dedicated to echo effects. This stylistic diversity added depth and complexity to Sweelinck's.
$24.95
Sweelinck: Echo Fantasia No. 6 for String Quartet - Score Only
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Jan Pieterszoon Sweelinck
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James M
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Sweelinck: Echo Fantasia No. 6
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jmsgu3
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SheetMusicPlus
String Quartet String Quartet - Level 4 - SKU: A0.1297751 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Chamber,Contest,Early Mus...
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String Quartet String Quartet - Level 4 - SKU: A0.1297751 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Renaissance. 8 pages. Jmsgu3 #887726. Published by jmsgu3 (A0.1297751). Jan Pieterszoon Sweelinck was a Dutch organist and composer who lived from April 1562 to October 16, 1621. He was born and died in Amsterdam, Netherlands. Sweelinck's first published works date from around 1592-94, and he composed a variety of music, including chansons and keyboard music. He was known for his keyboard playing and was a teacher to German composers Samuel Scheidt and Heinrich Scheidemann. Sweelinck's Echo Fantasias are significant for several reasons:Innovative composition: Echo Fantasias were a unique form of composition during Sweelinck's time, blending elements of traditional fantasias with passages dedicated to echo effects. This experimental approach showcased Sweelinck's creativity and willingness to push the boundaries of musical expression. Emphasis on the moment: Unlike Sweelinck's larger fantasias, the construction of Echo Fantasias was less strict, focusing more on the immediate musical experience rather than the overall design. This emphasis on the moment allowed for greater freedom and spontaneity in the performance of these pieces. Stylistic range: Echo Fantasias encompassed a wide range of styles, juxtaposing fantasia-like elements with passages dedicated to echo effects. This stylistic diversity added depth and complexity to Sweelinck's compositions, making them engaging and intriguing for both performers and listeners.
$24.95
Sweelinck: Echo Fantasia No. 3 for String Quartet - Score Only
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Jan Pieterszoon Sweelinck
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James M
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Sweelinck: Echo Fantasia No. 3
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jmsgu3
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SheetMusicPlus
String Quartet String Quartet - Level 3 - SKU: A0.1296695 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Chamber,Contest,Early Mus...
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String Quartet String Quartet - Level 3 - SKU: A0.1296695 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Renaissance. 7 pages. Jmsgu3 #886848. Published by jmsgu3 (A0.1296695). Jan Pieterszoon Sweelinck was a Dutch organist and composer who lived from April 1562 to October 16, 1621. He was born and died in Amsterdam, Netherlands. Sweelinck's first published works date from around 1592-94, and he composed a variety of music, including chansons and keyboard music. He was known for his keyboard playing and was a teacher to German composers Samuel Scheidt and Heinrich Scheidemann.Sweelinck's Echo Fantasias are significant for several reasons:Innovative composition: Echo Fantasias were a unique form of composition during Sweelinck's time, blending elements of traditional fantasias with passages dedicated to echo effects. This experimental approach showcased Sweelinck's creativity and willingness to push the boundaries of musical expression. Emphasis on the moment: Unlike Sweelinck's larger fantasias, the construction of Echo Fantasias was less strict, focusing more on the immediate musical experience rather than the overall design. This emphasis on the moment allowed for greater freedom and spontaneity in the performance of these pieces. Stylistic range: Echo Fantasias encompassed a wide range of styles, juxtaposing fantasia-like elements with passages dedicated to echo effects. This stylistic diversity added depth and complexity to Sweelinck's compositions, making them engaging and intriguing for both performers and listeners.
$24.95
Sweelinck: Echo Fantasia No. 4 for String Quartet - Score Only
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Jan Pieterszoon Sweelinck
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James M
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Sweelinck: Echo Fantasia No. 4
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jmsgu3
#
SheetMusicPlus
String Quartet String Quartet - Level 3 - SKU: A0.1297245 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Chamber,Contest,Early Mus...
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String Quartet String Quartet - Level 3 - SKU: A0.1297245 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Renaissance. 15 pages. Jmsgu3 #887319. Published by jmsgu3 (A0.1297245). Jan Pieterszoon Sweelinck was a Dutch organist and composer who lived from April 1562 to October 16, 1621. He was born and died in Amsterdam, Netherlands. Sweelinck's first published works date from around 1592-94, and he composed a variety of music, including chansons and keyboard music. He was known for his keyboard playing and was a teacher to German composers Samuel Scheidt and Heinrich Scheidemann. Sweelinck's Echo Fantasias are significant for several reasons:Innovative composition: Echo Fantasias were a unique form of composition during Sweelinck's time, blending elements of traditional fantasias with passages dedicated to echo effects. This experimental approach showcased Sweelinck's creativity and willingness to push the boundaries of musical expression. Emphasis on the moment: Unlike Sweelinck's larger fantasias, the construction of Echo Fantasias was less strict, focusing more on the immediate musical experience rather than the overall design. This emphasis on the moment allowed for greater freedom and spontaneity in the performance of these pieces. Stylistic range: Echo Fantasias encompassed a wide range of styles, juxtaposing fantasia-like elements with passages dedicated to echo effects. This stylistic diversity added depth and complexity to Sweelinck's compositions, making them engaging and intriguing for both performers and listeners.
$24.95
Sweelinck: Echo Fantasia No. 5 for String Quartet - Score Only
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Jan Pieterszoon Sweelinck
#
James M
#
Sweelinck: Echo Fantasia No. 5
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jmsgu3
#
SheetMusicPlus
String Quartet String Quartet - Level 4 - SKU: A0.1297625 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Chamber,Contest,Early Mus...
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String Quartet String Quartet - Level 4 - SKU: A0.1297625 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Renaissance. 9 pages. Jmsgu3 #887626. Published by jmsgu3 (A0.1297625). Jan Pieterszoon Sweelinck was a Dutch organist and composer who lived from April 1562 to October 16, 1621. He was born and died in Amsterdam, Netherlands. Sweelinck's first published works date from around 1592-94, and he composed a variety of music, including chansons and keyboard music. He was known for his keyboard playing and was a teacher to German composers Samuel Scheidt and Heinrich Scheidemann. Sweelinck's Echo Fantasias are significant for several reasons:Innovative composition: Echo Fantasias were a unique form of composition during Sweelinck's time, blending elements of traditional fantasias with passages dedicated to echo effects. This experimental approach showcased Sweelinck's creativity and willingness to push the boundaries of musical expression. Emphasis on the moment: Unlike Sweelinck's larger fantasias, the construction of Echo Fantasias was less strict, focusing more on the immediate musical experience rather than the overall design. This emphasis on the moment allowed for greater freedom and spontaneity in the performance of these pieces. Stylistic range: Echo Fantasias encompassed a wide range of styles, juxtaposing fantasia-like elements with passages dedicated to echo effects. This stylistic diversity added depth and complexity to Sweelinck's compositions, making them engaging and intriguing for both performers and listeners.
$24.95
Sweelinck: Echo Fantasia No. 5 for String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Jan Pieterszoon Sweelinck
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James M
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Sweelinck: Echo Fantasia No. 5
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jmsgu3
#
SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1297629 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Chambe...
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1297629 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Renaissance. 19 pages. Jmsgu3 #887630. Published by jmsgu3 (A0.1297629). Jan Pieterszoon Sweelinck was a Dutch organist and composer who lived from April 1562 to October 16, 1621. He was born and died in Amsterdam, Netherlands. Sweelinck's first published works date from around 1592-94, and he composed a variety of music, including chansons and keyboard music. He was known for his keyboard playing and was a teacher to German composers Samuel Scheidt and Heinrich Scheidemann. Sweelinck's Echo Fantasias are significant for several reasons:Innovative composition: Echo Fantasias were a unique form of composition during Sweelinck's time, blending elements of traditional fantasias with passages dedicated to echo effects. This experimental approach showcased Sweelinck's creativity and willingness to push the boundaries of musical expression. Emphasis on the moment: Unlike Sweelinck's larger fantasias, the construction of Echo Fantasias was less strict, focusing more on the immediate musical experience rather than the overall design. This emphasis on the moment allowed for greater freedom and spontaneity in the performance of these pieces. Stylistic range: Echo Fantasias encompassed a wide range of styles, juxtaposing fantasia-like elements with passages dedicated to echo effects. This stylistic diversity added depth and complexity to Sweelinck's compositions, making them engaging and intriguing for both performers and listeners.
$28.95
Sweelinck: Echo Fantasia No. 2 for String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Jan Pieterszoon Sweelinck was
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James M
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Sweelinck: Echo Fantasia No. 2
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jmsgu3
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1296216 Composed by Jan Pieterszoon Sweelinck was. Arranged by James M. Guthrie. Ch...
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1296216 Composed by Jan Pieterszoon Sweelinck was. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Renaissance. 20 pages. Jmsgu3 #886461. Published by jmsgu3 (A0.1296216). Jan Pieterszoon Sweelinck was a Dutch organist and composer who lived from April 1562 to October 16, 1621. He was born and died in Amsterdam, Netherlands. Sweelinck's first published works date from around 1592-94, and he composed a variety of music, including chansons and keyboard music. He was known for his keyboard playing and was a teacher to German composers Samuel Scheidt and Heinrich Scheidemann. Sweelinck's Echo Fantasias are significant for several reasons:Innovative composition: Echo Fantasias were a unique form of composition during Sweelinck's time, blending elements of traditional fantasias with passages dedicated to echo effects. This experimental approach showcased Sweelinck's creativity and willingness to push the boundaries of musical expression. Emphasis on the moment: Unlike Sweelinck's larger fantasias, the construction of Echo Fantasias was less strict, focusing more on the immediate musical experience rather than the overall design. This emphasis on the moment allowed for greater freedom and spontaneity in the performance of these pieces. Stylistic range: Echo Fantasias encompassed a wide range of styles, juxtaposing fantasia-like elements with passages dedicated to echo effects. This stylistic diversity added depth and complexity to Sweelinck's compositions, making them engaging and intriguing for both performers and listeners.
$28.95
Sweelinck: Echo Fantasia No. 1 for String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Jan Pieterszoon Sweelinck
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James M
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Sweelinck: Echo Fantasia No. 1
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jmsgu3
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1295690 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Chambe...
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1295690 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Renaissance. 29 pages. Jmsgu3 #885988. Published by jmsgu3 (A0.1295690). Jan Pieterszoon Sweelinck was a Dutch organist and composer who lived from April 1562 to October 16, 1621. He was born and died in Amsterdam, Netherlands. Sweelinck's first published works date from around 1592-94, and he composed a variety of music, including chansons and keyboard music. He was known for his keyboard playing and was a teacher to German composers Samuel Scheidt and Heinrich Scheidemann. Sweelinck's Echo Fantasias are significant for several reasons:Innovative composition: Echo Fantasias were a unique form of composition during Sweelinck's time, blending elements of traditional fantasias with passages dedicated to echo effects. This experimental approach showcased Sweelinck's creativity and willingness to push the boundaries of musical expression. Emphasis on the moment: Unlike Sweelinck's larger fantasias, the construction of Echo Fantasias was less strict, focusing more on the immediate musical experience rather than the overall design. This emphasis on the moment allowed for greater freedom and spontaneity in the performance of these pieces. Stylistic range: Echo Fantasias encompassed a wide range of styles, juxtaposing fantasia-like elements with passages dedicated to echo effects. This stylistic diversity added depth and complexity to Sweelinck's compositions, making them engaging and intriguing for both performers and listeners.
$28.95
Sweelinck: Echo Fantasia No. 3 for String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Jan Pieterszoon Sweelinck
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James M
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Sweelinck: Echo Fantasia No. 3
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jmsgu3
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SheetMusicPlus
String Quartet String Quartet - Level 3 - SKU: A0.1296687 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Chamber,Contest,Early Mus...
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String Quartet String Quartet - Level 3 - SKU: A0.1296687 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Renaissance. 15 pages. Jmsgu3 #886850. Published by jmsgu3 (A0.1296687). Jan Pieterszoon Sweelinck was a Dutch organist and composer who lived from April 1562 to October 16, 1621. He was born and died in Amsterdam, Netherlands. Sweelinck's first published works date from around 1592-94, and he composed a variety of music, including chansons and keyboard music. He was known for his keyboard playing and was a teacher to German composers Samuel Scheidt and Heinrich Scheidemann.Sweelinck's Echo Fantasias are significant for several reasons:Innovative composition: Echo Fantasias were a unique form of composition during Sweelinck's time, blending elements of traditional fantasias with passages dedicated to echo effects. This experimental approach showcased Sweelinck's creativity and willingness to push the boundaries of musical expression. Emphasis on the moment: Unlike Sweelinck's larger fantasias, the construction of Echo Fantasias was less strict, focusing more on the immediate musical experience rather than the overall design. This emphasis on the moment allowed for greater freedom and spontaneity in the performance of these pieces. Stylistic range: Echo Fantasias encompassed a wide range of styles, juxtaposing fantasia-like elements with passages dedicated to echo effects. This stylistic diversity added depth and complexity to Sweelinck's compositions, making them engaging and intriguing for both performers and listeners.
$28.95
Sweelinck: Echo Fantasia No. 4 for String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Jan Pieterszoon Sweelinck
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James M
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Sweelinck: Echo Fantasia No. 4
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jmsgu3
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1297509 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Chambe...
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1297509 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Renaissance. 31 pages. Jmsgu3 #887551. Published by jmsgu3 (A0.1297509). Jan Pieterszoon Sweelinck was a Dutch organist and composer who lived from April 1562 to October 16, 1621. He was born and died in Amsterdam, Netherlands. Sweelinck's first published works date from around 1592-94, and he composed a variety of music, including chansons and keyboard music. He was known for his keyboard playing and was a teacher to German composers Samuel Scheidt and Heinrich Scheidemann. Sweelinck's Echo Fantasias are significant for several reasons:Innovative composition: Echo Fantasias were a unique form of composition during Sweelinck's time, blending elements of traditional fantasias with passages dedicated to echo effects. This experimental approach showcased Sweelinck's creativity and willingness to push the boundaries of musical expression. Emphasis on the moment: Unlike Sweelinck's larger fantasias, the construction of Echo Fantasias was less strict, focusing more on the immediate musical experience rather than the overall design. This emphasis on the moment allowed for greater freedom and spontaneity in the performance of these pieces. Stylistic range: Echo Fantasias encompassed a wide range of styles, juxtaposing fantasia-like elements with passages dedicated to echo effects. This stylistic diversity added depth and complexity to Sweelinck's compositions, making them engaging and intriguing for both performers and listeners.
$28.95
Sweelinck: Six Echo Fantasias Complete for String Quartet - Score Only
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Jan Pieterszoon Sweelinck
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James M
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Sweelinck: Six Echo Fantasias
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jmsgu3
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SheetMusicPlus
String Quartet String Quartet - Level 4 - SKU: A0.1298017 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Chamber,Contest,Early Mus...
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String Quartet String Quartet - Level 4 - SKU: A0.1298017 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Instructional. 60 pages. Jmsgu3 #887918. Published by jmsgu3 (A0.1298017). Jan Pieterszoon Sweelinck was a Dutch organist and composer who lived from April 1562 to October 16, 1621. He was born and died in Amsterdam, Netherlands. Sweelinck's first published works date from around 1592-94, and he composed a variety of music, including chansons and keyboard music. He was known for his keyboard playing and was a teacher to German composers Samuel Scheidt and Heinrich Scheidemann. Sweelinck's Echo Fantasias are significant for several reasons:Innovative composition: Echo Fantasias were a unique form of composition during Sweelinck's time, blending elements of traditional fantasias with passages dedicated to echo effects. This experimental approach showcased Sweelinck's creativity and willingness to push the boundaries of musical expression. Emphasis on the moment: Unlike Sweelinck's larger fantasias, the construction of Echo Fantasias was less strict, focusing more on the immediate musical experience rather than the overall design. This emphasis on the moment allowed for greater freedom and spontaneity in the performance of these pieces. Stylistic range: Echo Fantasias encompassed a wide range of styles, juxtaposing fantasia-like elements with passages dedicated to echo effects. This stylistic diversity added depth and complexity to Sweelinck's compositions, making them engaging and intriguing for both performers and listeners.
$74.95
Sweelinck: Six Echo Fantasias Complete for String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Jan Pieterszoon Sweelinck
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James M
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Sweelinck: Six Echo Fantasias
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jmsgu3
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1298019 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Chambe...
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1298019 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Renaissance. 131 pages. Jmsgu3 #887920. Published by jmsgu3 (A0.1298019). Jan Pieterszoon Sweelinck was a Dutch organist and composer who lived from April 1562 to October 16, 1621. He was born and died in Amsterdam, Netherlands. Sweelinck's first published works date from around 1592-94, and he composed a variety of music, including chansons and keyboard music. He was known for his keyboard playing and was a teacher to German composers Samuel Scheidt and Heinrich Scheidemann. Sweelinck's Echo Fantasias are significant for several reasons:Innovative composition: Echo Fantasias were a unique form of composition during Sweelinck's time, blending elements of traditional fantasias with passages dedicated to echo effects. This experimental approach showcased Sweelinck's creativity and willingness to push the boundaries of musical expression. Emphasis on the moment: Unlike Sweelinck's larger fantasias, the construction of Echo Fantasias was less strict, focusing more on the immediate musical experience rather than the overall design. This emphasis on the moment allowed for greater freedom and spontaneity in the performance of these pieces. Stylistic range: Echo Fantasias encompassed a wide range of styles, juxtaposing fantasia-like elements with passages dedicated to echo effects. This stylistic diversity added depth and complexity to Sweelinck's compositions, making them engaging and intriguing for both performers and listeners.
$86.85
Too Fat Polka (she's Too Fat For Me)
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Arthur Richardson and Ross Mac
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Kenneth Abeling
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Too Fat Polka
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LINCOLN MUSIC PUBLICATIONS
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.514978 Composed by Arthur Richardson and Ross MacLean. Arranged by Kenneth Abeling....
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.514978 Composed by Arthur Richardson and Ross MacLean. Arranged by Kenneth Abeling. Comedy,Contemporary. 14 pages. LINCOLN MUSIC PUBLICATIONS #4323277. Published by LINCOLN MUSIC PUBLICATIONS (A0.514978). Too Fat Polka or “She’s / He’s Too Fat for Me†Music & Lyrics by Arthur Richardson and Ross Maclean arranged for String Quartet by Kenneth Abeling. This is one of the most popular polkas of all time and suitable for many occasions especially Oktoberfest type performances. It is for the most part a moderate to perhaps moderately difficult arrangement, but some of the few solo lines might be considered a little tricky. Your ensemble director should be able to simplify these passages if necessary… The playing time is approximately: 2:50. To view and listen to this piece in its entirety as well as hundreds of other arrangements and transcriptions by Kenneth Abeling at the lowest prices available please visit www.lincolnmusicpublications.com
$15.99
Images
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Anthony Nottingham
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Images
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Ant Nottingham
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SheetMusicPlus
String Quartet String Quartet - Level 3 - SKU: A0.1028826 Composed by Anthony Nottingham. 20th Century,Classical,Contemporary,Standards. Score and parts...
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String Quartet String Quartet - Level 3 - SKU: A0.1028826 Composed by Anthony Nottingham. 20th Century,Classical,Contemporary,Standards. Score and parts. 10 pages. Ant Nottingham #4312105. Published by Ant Nottingham (A0.1028826). Original composition for string quartet (or string group)It has interest in all the parts and could be suitable for a school or learning environment but also just a fun piece to play for any string group / quartet.It features a time change from 3/4 to 4/4 with slow and faster passages.The piece is approximately 2m 50s long as written.accompanying audio recording provided.Full score and separate parts included.PRS registeredwww.darkvillager.com
$2.99
Tchaikowsky - 1812 Overture, Op. 49 - for String Quartet (SCORE)
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Quatuor à cordes: 2 violons, alto, violoncelle
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AVANCÉ
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P
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C
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Tchaikowsky - 1812 Overture, O
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Amnael Orozco-Diaz
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SheetMusicPlus
String Quartet String Quartet - Level 5 - SKU: A0.826932 Composed by P. I. Tschaikowsky. Arranged by C. A. Orozco-Diaz. Concert. Score and parts. 47 pag...
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String Quartet String Quartet - Level 5 - SKU: A0.826932 Composed by P. I. Tschaikowsky. Arranged by C. A. Orozco-Diaz. Concert. Score and parts. 47 pages. Amnael Orozco-Diaz #42039. Published by Amnael Orozco-Diaz (A0.826932). Looking for uniqueness? Picture a virtuous string quartet bringing down every epic moment, heartfelt melody and adrenaline-filled passage from this Tchaikovsky all-time favourite. Beware, though, as this arrangement is not for the faint of heart. As symphonic blockbusters go, Tchaikowsky scored some of the greatest ever. The 1812 Festival Overture is probably among the most widely enjoyed and recognized orchestral masterpieces - even amongst listeners foreign to concert music and the most hardcore connoisseurs. If you are wondering, this reduction is based on the original score, meaning it contains the once-polemic passages from God Save the Tsar. This item contains a set of parts for this reduction. Duration: approx. 15 minutes. From our Pocket Orchestra Series: Because Quartets take music where Orchestras can't. Visit our full catalogue here: http://www.sheetmusicplus.com/publishers/c-a-orozco-daz/digital-print-publishing/3002073+1303131. Feel free to contact us for a chat at facebook.com/LilithAppliedArts. We do requests!
$5.17
Iris
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Film/TV
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Rock
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The Goo Goo Dolls
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Tim Crooks
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Iris
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STR:UK String Arrangements
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SheetMusicPlus
String Quartet String Quartet - Level 3 - SKU: A0.1232592 By The Goo Goo Dolls. By John Rzeznik. Arranged by Tim Crooks. Film/TV,Pop,Rock. 14 pages. STR...
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String Quartet String Quartet - Level 3 - SKU: A0.1232592 By The Goo Goo Dolls. By John Rzeznik. Arranged by Tim Crooks. Film/TV,Pop,Rock. 14 pages. STR:UK String Arrangements #828249. Published by STR:UK String Arrangements (A0.1232592). ‘Iris’ by the Goo Goo Dolls (from the film City of Angels), written by John Rzeznik and arranged for String Quartet by Tim Crooks. This is an accessible intermediate level arrangement with some changing compound time signatures and passages in third position. The first violin part has higher writing in octaves, so just the lower octave can be played if necessary.This download contains:Full score and parts:Violin IViolin IIViolaCelloAbout the arrangerTim Crooks trained as a violinist and violist, working professionally in Manchester (UK) for many years. He was a founding member of the Manchester String Quartet and scored many arrangements for the group's recordings. Tim now orchestrates and conducts, working with orchestras including Manchester Camerata, Royal Liverpool Philharmonic, RTÉ Concert Orchestra and the Philharmonia.STR:UK String Arrangements, made in the UKGet in touch - your feedback and requests are always welcome!strukstrings@gmail.comtwitter.com@strukstringsFacebook@Strukstrings#stringquartet #strings #struk #arrangements #violin #sheetmusic #Iris #Googoodolls.
$14.99
String Quartet No. 1
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Quatuor à cordes: 2 violons, alto, violoncelle
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Contemporain
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Anthony Bannach
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String Quartet No. 1
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Anthony Bannach Music
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - SKU: A0.995180 Composed by Anthony Bannach. 20th Century,Contemporary. Score and parts. 76 pages. Ant...
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String Quartet Cello,String Quartet,Viola,Violin - SKU: A0.995180 Composed by Anthony Bannach. 20th Century,Contemporary. Score and parts. 76 pages. Anthony Bannach Music #4735689. Published by Anthony Bannach Music (A0.995180). My first string quartet draws a lot of inspiration from early 20th century composers, which perhaps might be my favorite era of classical music. I am oft inspired by the music from Stravinsky, Nielsen, and Debussy, among others. However, the composer to have the most influence on me for the past few years is Bartok, and I believe it is evident in this work as well. I loved Bartok's use of the tritone as a tonal center, the vast and frequent changes of tempo, and the multitude of textural colors and extended techniques in his works. Most of the extended techniques are found in the second movement, an example of which is the Bartok pizzacatto, which today is a commonly found and utilized articulation. But I also have some newer techniques such as aleotoric passages, originally created by composers such as Charles Ives and Henry Crowell and which saw more prominent usage through the likes of John Cage and Witold Lutosławski, are still quite new and fresh compositional tools. The third movement is much more song-like and tonal in nature than the first two movements, but really adapts Bartok's style of changing the tempo often to bridge different sections. Ultimately, I see the quartet as a microcosm of the music I want to continue writing in the future, not over-indulging in the intellectual exercises of mid-to-late 20th and 21st century classical music, while at the same time not relying on the tonal and emotional tropes of the past. .
$15.00
Tchaikowsky - 1812 Overture, Op. 49 - for String Quartet (SCORE AND PARTS)
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Quatuor à cordes: 2 violons, alto, violoncelle
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AVANCÉ
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P
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C
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Tchaikowsky - 1812 Overture, O
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Amnael Orozco-Diaz
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SheetMusicPlus
String Quartet String Quartet - Level 5 - SKU: A0.826934 Composed by P. I. Tschaikowsky. Arranged by C. A. Orozco-Diaz. Concert. Score and parts. 90 pag...
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String Quartet String Quartet - Level 5 - SKU: A0.826934 Composed by P. I. Tschaikowsky. Arranged by C. A. Orozco-Diaz. Concert. Score and parts. 90 pages. Amnael Orozco-Diaz #42041. Published by Amnael Orozco-Diaz (A0.826934). Looking for uniqueness? Picture a virtuous string quartet bringing down every epic moment, heartfelt melody and adrenaline-filled passage from this Tchaikovsky all-time favourite. Beware, though, as this arrangement is not for the faint of heart. As symphonic blockbusters go, Tchaikowsky scored some of the greatest ever. The 1812 Festival Overture is probably among the most widely enjoyed and recognized orchestral masterpieces - even amongst listeners foreign to concert music and the most hardcore connoisseurs. If you are wondering, this reduction is based on the original score, meaning it contains the once-polemic passages from God Save the Tsar. This item contains a set of parts for this reduction. Duration: approx. 15 minutes. From our Pocket Orchestra Series: Because Quartets take music where Orchestras can't. Visit our full catalogue here: http://www.sheetmusicplus.com/publishers/c-a-orozco-daz/digital-print-publishing/3002073+1303131. Feel free to contact us for a chat at facebook.com/LilithAppliedArts. We do requests!
$21.86
Mendelssohn: Prelude & Fugue in C Minor Op. 37 No. 1 for String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Prelude & Fug
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jmsgu3
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1353485 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie. 19th...
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1353485 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. 36 pages. Jmsgu3 #938223. Published by jmsgu3 (A0.1353485). The Significance of Mendelssohn's Preludes and Fugues, Op. 37, lies in its role in developing the organ repertoire and reflecting Mendelssohn's compositional style. The work, written in 1837, consists of three preludes and fugues for organ. Here are some critical aspects of its significance: Mendelssohn's compositional style: The Preludes and Fugues, Op. 37, showcase Mendelssohn's unique style, characterized by a combination of Romantic expressiveness and Classical form. This style is evident in the structure, harmony, and melodic content.  Influence of J.S. Bach: Mendelssohn's Preludes and Fugues, Op. 37, are heavily influenced by the style of J.S. Bach, a composer Mendelssohn greatly admired. This influence can be seen in the pieces' counterpoint, harmonic language, and formal structure. Pedal technique: In Op. 37, Mendelssohn composed independent pedal parts that reveal a thorough understanding of the role of the pedals in organ music. For the first time, he composed pedal passages that required more than minimal competency, demonstrating his skill in writing for the organ. Expansion of the organ repertoire: Mendelssohn was an accomplished organist and wrote dozens of works for the instrument. The Preludes and Fugues, Op. 37, contribute to expanding the organ repertoire and demonstrate Mendelssohn's mastery of the medium. Historical context: The Preludes and Fugues, Op. 37, were written when Mendelssohn was also working on his Six Sonatas, Op. 65. This period of productivity and exploration of the organ medium further highlights the significance of Op. 37 in Mendelssohn's compositional output. In summary, Mendelssohn's Preludes and Fugues, Op. 37, are significant to music history due to their reflection of Mendelssohn's compositional style, influence by J.S. Bach, innovative pedal technique, contribution to the organ repertoire, and historical context within Mendelssohn's compositional output.
$32.95
Mozart: Sonata K. 284 “Durnitz” for String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Classique
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W
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James M
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Mozart: Sonata K. 284 “D
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jmsgu3
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1202033 Composed by W. A. Mozart (1756 – 1791). Arranged by James M. Guthrie...
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1202033 Composed by W. A. Mozart (1756 – 1791). Arranged by James M. Guthrie, ASCAP. Chamber,Classical,Contest,Festival,Traditional,Wedding. 94 pages. Jmsgu3 #800635. Published by jmsgu3 (A0.1202033). Sonata No. 6, “Durnitz†for String Quartet Mozart's Sonata in D major, K. 284, also known as the Durnitz Sonata, is a solo piano piece by Wolfgang Amadeus Mozart in 1775. It is one of Mozart's more complex and ambitious sonatas and is generally regarded as one of his greatest works for the instrument.The sonata is divided into three movements:1.   Allegro - The first movement is a fast-paced and energetic sonata-allegro form characterized by its lively theme and virtuosic passages. The movement begins with a bold and dramatic opening statement, followed by contrasting themes and variations. The development section explores new harmonic and rhythmic territory, while the recapitulation brings the movement full circle with a restatement of the main themes.2.   Rondeau en Polonaise - The second movement is a graceful and elegant rondo in the style of a polonaise, a popular dance of the time. The central theme is a lilting melody first presented by the right hand and then repeated with variations throughout the movement. The middle section features a contrasting theme in a minor key, which is then developed and expanded upon in the latter half of the movement.3.   Theme and Variations - The final movement is a set of six variations on a theme, which is introduced at the beginning of the movement. Each variation explores a different aspect of the theme, from playful embellishments to dramatic flourishes. The final variation brings the piece to a rousing and triumphant close.Overall, Mozart's Sonata in D major, K. 284, is a masterful example of the composer's virtuosity and innovation and remains a beloved and influential work in the piano repertoire. Mozart's Sonata in D major, K. 284 is also known as the Dürnitz Sonata because it is believed to have been composed for Count Johann Joseph Anton von Dürnitz, an accomplished amateur flutist who was a patron of Mozart. Mozart was in Munich in 1775, and he met Dürnitz there. According to Mozart's letters to his father, Dürnitz played the flute very well, and Mozart was impressed by his abilities. It is believed that Mozart composed this sonata specifically for Dürnitz, who may have performed it with Mozart accompanying him on the piano. No concrete evidence supports the theory that the sonata was named after Dürnitz, but it is widely accepted as the most likely explanation for the nickname. In any case, the sonata remains one of Mozart's most popular and beloved works.
$44.95
Starman
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Quatuor à cordes: 2 violons, alto, violoncelle
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FACILE
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David Bowie
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SMLStar
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Starman
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SMLStar
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 2 - SKU: A0.1359808 By David Bowie. By David Bowie. Arranged by SMLStar. Broadway,Early Music,F...
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String Quartet Cello,String Quartet,Viola,Violin - Level 2 - SKU: A0.1359808 By David Bowie. By David Bowie. Arranged by SMLStar. Broadway,Early Music,Film/TV,Musical/Show,Pop,Rock. 8 pages. SMLStar #944289. Published by SMLStar (A0.1359808). This is a sheet music for a string quartet adaptation of David Bowie's iconic song Starman, capturing the unique and captivating essence of the original composition. The sheet music begins with a vibrant introduction, capturing the cosmic energy that permeates the work. The voices of the violins, viola, and cello intertwine skillfully, reproducing the distinctive chords that made Starman an unforgettable piece.The string quartet sheet music for Starman is marked by a final fusion of chords, celebrating the majesty of David Bowie's music. This adaptation resonates as a unique tribute to a timeless classic, keeping alive the artistic and innovative spirit of the Starman that shines in the musical universe.Keywords: sheet music, string quartet, adaptation, Starman, David Bowie, cosmic energy, vibrant introduction, violins, viola, cello, distinctive chords, unforgettable piece, agility, melodic elements, mysterious narrative, rich harmony, engaging foundation, cohesive quartet, originality, boldness, emotional nuances, soft passages, introspective moments, intensity, interpretation, cosmic essence, transcendental, conclusion, fusion of chords, celebration, majesty, timeless classic, tribute, artistic spirit, innovative, musical universe.
$12.99
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