Page d'accueil
Parcourir Free-scores.com
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
To Rise Again
Non classifié
58
Piano & claviers
Piano seul
35
Piano, Voix
18
Orgue
8
Accordéon
6
Piano, Voix et Guitare
6
Piano Facile
3
Instruments en Do
2
2 Pianos, 4 mains
1
Piano Trio: piano, violon, violoncelle
1
Piano Quatuor: piano, 2 violons, violoncelle
1
+ 5 instrumentations
Retracter
Guitares
Guitare notes et tablatures
3
Paroles et Accords
2
Guitare
2
Basse electrique
2
Ukulele
1
Ligne De Mélodie, (Paroles) et Accords
1
+ 1 instrumentations
Retracter
Voix
Chorale SATB
43
Chorale 2 parties
3
Chorale Unison
2
Chorale TTBB
2
Chorale SSATB
1
Vents
3 Clarinettes (trio)
6
Flûte traversière et Piano
4
Hautbois, Piano (duo)
3
Clarinette
3
Hautbois (partie séparée)
2
Quatuor de Saxophones: 4 saxophones
2
Flute (partie séparée)
2
Quintette de Clarinette: Clarinette, Quatuor à Cordes
2
Flûte, Hautbois, Clarinette, Basson
2
Saxophone (partie séparée)
1
Flûte à bec Alto
1
Flûte à Bec
1
Cor anglais, Piano
1
Saxophone Tenor
1
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
1
Ensemble de Clarinettes
1
+ 11 instrumentations
Retracter
Cuivres
Cor
5
Quatuor de Cuivres : 2 trompettes, trombone, tuba
4
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
3
Trompette
2
Quatuor de Cuivres
1
Trombone et Piano
1
Ensemble de Cors
1
Cor anglais, Piano
1
Cor et Piano
1
+ 4 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
13
Violon
4
2 Violons (duo)
2
Violon et Piano
2
Contre Basse
2
Violoncelle, Piano
1
Piano Trio: Violon, Alto, Piano
1
Alto (partie séparée)
1
Harpe
1
Alto seul
1
Harpe, Voix
1
+ 6 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
30
Orchestre
12
Ensemble de cuivres
5
Orchestre à Cordes
2
Orchestre de chambre
1
Ensemble Jazz
1
Cloches
1
+ 2 instrumentations
Retracter
Autres
Partitions Gratuites
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Instrumentations
Top Téléchargements
Compositeurs
Nouveautés
Partitions de Noël
Genres Musicaux
Genres Musicaux
Autres Services
Autres Services
Top 100
Annuaire Web
Portées musicales
Metronome
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
€
€
EUR €
USD $
GBP £
CAD $
CNY ¥
English
Partitions Gratuites
4
Partitions Numériques
13
Librairie Musicale
12
Matériel de Musique
137
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Vous avez sélectionné:
To Rise Again
Quatuor à cordes: 2 violons, alto, violoncelle
Partitions à imprimer
13 partitions trouvées
<
1
Slave To The Rhythm
#
Quatuor à cordes: 2 violons, alto, violoncelle
#
FACILE
#
Contemporain
#
Bruce Woolley, Simon Darlow, S
#
Jeff Tincher
#
Slave To The Rhythm
#
Jeff Tincher
#
SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 2 - SKU: A0.584442 Composed by Bruce Woolley, Simon Darlow, Steve Lipson, and Trevor Horn. Arra...
(+)
String Quartet Cello,String Quartet,Viola,Violin - Level 2 - SKU: A0.584442 Composed by Bruce Woolley, Simon Darlow, Steve Lipson, and Trevor Horn. Arranged by Jeff Tincher. Contemporary. Score and parts. 22 pages. Jeff Tincher #5754947. Published by Jeff Tincher (A0.584442). This is the song that turned me onto Grace Jones music. I borrowed the Slave To The Rhythm LP from the library, put it on the turntable, and thought this is different. This track was the last track on the A-side. As I further listened to the LP I realized that the album used the same song in different genres, format, and keys. You wouldn't know it unless you really listened to the LP. This arrangement, however, is in the original key from her Island Life LP. This song has funk all over it. Grace is a strange character but has a great voice. What made me pick this song is I was searching through youtube to find a song to arrange and I found Grace doing this song live. Again, Grace surprised me. You think female stars today has energy. She sang the song while hula hooping. She was 64 when she did this. She still does this on her concerts. Here is the link to amaze you...https://www.youtube.com/watch?v=vSa5EvWqB7g. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing.
$12.99
Chorale Prelude Op.79b2 N.1 for String Quintet
#
Quatuor à cordes: 2 violons, alto, violoncelle
#
INTERMÉDIAIRE
#
Max Reger
#
Cristiano Vecchi
#
Chorale Prelude Op.79b2 N.1 fo
#
Cristiano Vecchi
#
SheetMusicPlus
String Quartet Cello,Double Bass,String Quartet,Viola,Violin - Level 3 - SKU: A0.963548 Composed by Max Reger. Arranged by Cristiano Vecchi. Christian,C...
(+)
String Quartet Cello,Double Bass,String Quartet,Viola,Violin - Level 3 - SKU: A0.963548 Composed by Max Reger. Arranged by Cristiano Vecchi. Christian,Christmas,Concert,Easter,Romantic Period. Score and parts. 12 pages. Cristiano Vecchi #6234527. Published by Cristiano Vecchi (A0.963548). Auferstehn, ja Auferstehn (Rise again, yes, rise again)a powerful and joyous chorale prelude composed by Max Reger in five real parts.Duration: 50.Version for: Vl, Vl, Vla, Vc, DB.. Added extra parts to replace 2nd Vl with Vla, Vla with Vc, Vc with Vla, DB with Vc (upper octave), DB with DB (upper octave).Also playable with these ensembles: Violins 1&2 - Violas 1&2 - Cello, or Violins 1&2 - Viola - Cellos 1&2.Also available for Woodwind Quintet, Clarinet and String Quartet, Cello and Piano.SCORE and PARTS. MP3 also available on this website.My entire production on my Youtube Channel: https://www.youtube.com/channel/UCe9Kd87V90fbPsUBU5gaXKw/playlists.
$2.99
Reverie of Ashes and Sky
#
Quatuor à cordes: 2 violons, alto, violoncelle
#
AVANCÉ
#
Krystal J
#
Reverie of Ashes and Sky
#
Krystal Folkestad
#
SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 5 - SKU: A0.957833 Composed by Krystal J. Grant. Concert,Contemporary. Score and parts. 18 page...
(+)
String Quartet Cello,String Quartet,Viola,Violin - Level 5 - SKU: A0.957833 Composed by Krystal J. Grant. Concert,Contemporary. Score and parts. 18 pages. Krystal Folkestad #3603775. Published by Krystal Folkestad (A0.957833). 5 min.Where does the phoenix live: soaring in the sky or falling into ashes from which in will rise again? This piece glides from serenity to gravitas to agitation to solemnity, giving impressions of moments within the cyclical resilience of the phoenix. More information on the composer is available at http://arsarvole.com
$10.00
Almost May Score and Parts
#
Quatuor à cordes: 2 violons, alto, violoncelle
#
INTERMÉDIAIRE
#
Heidi Savoie
#
Heidi Savoie
#
Almost May Score and Parts
#
Heidi Savoie
#
SheetMusicPlus
String Quartet Cello,Double Bass,Piano,String Quartet,Viola,Violin - Level 3 - SKU: A0.1376321 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoi...
(+)
String Quartet Cello,Double Bass,Piano,String Quartet,Viola,Violin - Level 3 - SKU: A0.1376321 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoie. Classical,Contemporary,Jazz,Pop,Singer/Songwriter. 15 pages. Heidi Savoie #960865. Published by Heidi Savoie (A0.1376321). This score is an arrangement for piano, violin I and II, viola, cello, bass with optional drums.Backstory: Years ago I wrote a simple piano piece for my students. As instrumental music can fully exist outside the confines of words, it can be difficult to find the right title for something that is pure sound and possibility. I took inspiration from the time of year in which I had composed it and stamped it, “Almost Mayâ€. Like springtime in the Northern Hemisphere, “Almost May†unfolds slowly and majestically, with ever-evolving layers for the senses to discover. What to listen for: ThemeThe main theme is first presented by the piano with minimal fanfare. This part was written to be easy enough for a child, which despite being sparing of notes, delivers rich harmonic content. Every note has been carefully curated for the optimal combination of accessibility and depth. Weaving chromatically into distantly-related keys, the melody takes small steps into contrasting musical spaces. In a wordless procession, the storyline plays out, as if the theme discovers that someone very different lives next door, and they slowly become inseparable. The piano is accompanied by an airy touch of brushes against a snare drum, like the pitter patter of soft feline steps. In the low frequency range, the upright bass supports and deepens the tonal palette with its earthy underpinnings. What to listen for: Variation I The unmistakable string section arrives like a breath of warm air. Lush, warm and reassuring like sunshine on your cheeks, the string parts begin with long tones. This broadness and stability will evolve into more layers of complexity throughout the section. While the role of the string section is background accompaniment, it undergoes textural changes which allow for some layers to briefly rise to the forefront as melody. Careful listening to the string parts will reveal an oceanic churning, a motion from background to foreground with expansions and contractions along the way. Floating overtop this density is the improvised piano solo, with ascending gestures that progress in detail and density. Each instrument enters a general unfolding and growth period in the first variation. The bass and drums include more fills than before, as the ensemble tends gradually toward more grandeur. What to listen for: Variation II The final variation opens with a decadent treatment of the melody. What was initially expressed by a soloist as a childlike plea is reimagined as a two-part conversation between the piano and lead viola. The obbligato voiced in the viola is a derivation of the melody that holds the space between phrases so the listener's attention is passed seamlessly between the piano and viola part. This dialogue features commentary on the original melody in the form of ornamentation and taking surprising pathways to expected destinations. The rhythm section (bass and drums) takes more liberties in creating a verdant soundscape as the ensemble rises to a final climax. Credits: I would like to thank Cole Canaday for the nuance, imagination and depth of understanding with which he brought this piece to life. I would also like to thank Blake Hamilton and Anastace for providing invaluable audio engineering feedback.
$24.99
Still
#
Quatuor à cordes: 2 violons, alto, violoncelle
#
Reuben Morgan
#
Pietro Prugna
#
Still
#
Pietro Prugna
#
SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - SKU: A0.498004 Composed by Reuben Morgan. Arranged by Pietro Prugna. Christmas,Contemporary,Easter,Pr...
(+)
String Quartet Cello,String Quartet,Viola,Violin - SKU: A0.498004 Composed by Reuben Morgan. Arranged by Pietro Prugna. Christmas,Contemporary,Easter,Praise & Worship,Wedding. Score and parts. 8 pages. Published by Pietro Prugna (A0.498004). This arrangement of this beautiful piece for String Quartet starts with a still and quiet reflective mood. It heightens to a climax when the oceans rise and thunders roar with a strong intensity underlying the slow tempo. Tension chords are added in this arrangement. It finally ends on a quiet peace again. This song and arrangement is nice at church services (such as before and after services, or during Holy Communion) and Christian weddings The pdf contains Full Score for String Quartet and Set of Parts (Violin I, Violin II, Viola, Cello).
$12.99
Wabi-Sabi (for string quartet) [VLN 2]
#
Quatuor à cordes: 2 violons, alto, violoncelle
#
AVANCÉ
#
Contemporain
#
Sarah Wallin Huff
#
Philosophers
#
Wabi-Sabi
#
Novel Soundtrax
#
SheetMusicPlus
String Quartet String Quartet - Level 5 - SKU: A0.800441 Composed by Sarah Wallin Huff. 20th Century,Contemporary. 11 pages. Novel Soundtrax #6357745. P...
(+)
String Quartet String Quartet - Level 5 - SKU: A0.800441 Composed by Sarah Wallin Huff. 20th Century,Contemporary. 11 pages. Novel Soundtrax #6357745. Published by Novel Soundtrax (A0.800441). Wabi-sabi acknowledges that just as it is important to know when to make choices, it is also important to know when not to make choices: to let things be. (Leonard Koren in Wabi- Sabi for Artists, Designers, Poets & Philosophers.) The aesthetic and metaphysical ideals that Japanese wabi-sabi encapsulates include simplicity, naturalness, and an acceptance of reality. This musical work seeks to illustrate the overall nature of wabi-sabi. At both the beginning of movement 1 and the ending of movement 3, notes are thought of as specks of Potentiality that are randomly evolving from or devolving to Nothingness. Movement 2, at the center point of this universal journey, expresses a concerted effort of diverse elements to create structure and meaning. Ideally, every single performance (formal or informal) should be different from the last and contain various elements of surprise to even the performers. It is the composer’s hope that musicians will enjoy the challenge, the individual freedom, and unexpected moments ready to be discovered again and again in Wabi-Sabi, for string quartet.
$3.50
Wabi-Sabi (for string quartet) [Cello]
#
Quatuor à cordes: 2 violons, alto, violoncelle
#
AVANCÉ
#
Contemporain
#
Sarah Wallin Huff
#
Philosophers
#
Wabi-Sabi
#
Novel Soundtrax
#
SheetMusicPlus
String Quartet String Quartet - Level 5 - SKU: A0.800444 Composed by Sarah Wallin Huff. 20th Century,Contemporary. 10 pages. Novel Soundtrax #6357751. P...
(+)
String Quartet String Quartet - Level 5 - SKU: A0.800444 Composed by Sarah Wallin Huff. 20th Century,Contemporary. 10 pages. Novel Soundtrax #6357751. Published by Novel Soundtrax (A0.800444). Wabi-sabi acknowledges that just as it is important to know when to make choices, it is also important to know when not to make choices: to let things be. (Leonard Koren in Wabi- Sabi for Artists, Designers, Poets & Philosophers.) The aesthetic and metaphysical ideals that Japanese wabi-sabi encapsulates include simplicity, naturalness, and an acceptance of reality. This musical work seeks to illustrate the overall nature of wabi-sabi. At both the beginning of movement 1 and the ending of movement 3, notes are thought of as specks of Potentiality that are randomly evolving from or devolving to Nothingness. Movement 2, at the center point of this universal journey, expresses a concerted effort of diverse elements to create structure and meaning. Ideally, every single performance (formal or informal) should be different from the last and contain various elements of surprise to even the performers. It is the composer’s hope that musicians will enjoy the challenge, the individual freedom, and unexpected moments ready to be discovered again and again in Wabi-Sabi, for string quartet.
$3.50
Wabi-Sabi (for string quartet) [Viola]
#
Quatuor à cordes: 2 violons, alto, violoncelle
#
AVANCÉ
#
Contemporain
#
Sarah Wallin Huff
#
Philosophers
#
Wabi-Sabi
#
Novel Soundtrax
#
SheetMusicPlus
String Quartet String Quartet - Level 5 - SKU: A0.800443 Composed by Sarah Wallin Huff. 20th Century,Contemporary. 10 pages. Novel Soundtrax #6357749. P...
(+)
String Quartet String Quartet - Level 5 - SKU: A0.800443 Composed by Sarah Wallin Huff. 20th Century,Contemporary. 10 pages. Novel Soundtrax #6357749. Published by Novel Soundtrax (A0.800443). Wabi-sabi acknowledges that just as it is important to know when to make choices, it is also important to know when not to make choices: to let things be. (Leonard Koren in Wabi- Sabi for Artists, Designers, Poets & Philosophers.) The aesthetic and metaphysical ideals that Japanese wabi-sabi encapsulates include simplicity, naturalness, and an acceptance of reality. This musical work seeks to illustrate the overall nature of wabi-sabi. At both the beginning of movement 1 and the ending of movement 3, notes are thought of as specks of Potentiality that are randomly evolving from or devolving to Nothingness. Movement 2, at the center point of this universal journey, expresses a concerted effort of diverse elements to create structure and meaning. Ideally, every single performance (formal or informal) should be different from the last and contain various elements of surprise to even the performers. It is the composer’s hope that musicians will enjoy the challenge, the individual freedom, and unexpected moments ready to be discovered again and again in Wabi-Sabi, for string quartet.
$3.50
Wabi-Sabi (for string quartet) [VLN 1]
#
Quatuor à cordes: 2 violons, alto, violoncelle
#
AVANCÉ
#
Contemporain
#
Sarah Wallin Huff
#
Philosophers
#
Wabi-Sabi
#
Novel Soundtrax
#
SheetMusicPlus
String Quartet String Quartet - Level 5 - SKU: A0.800440 Composed by Sarah Wallin Huff. 20th Century,Contemporary. 10 pages. Novel Soundtrax #6357743. P...
(+)
String Quartet String Quartet - Level 5 - SKU: A0.800440 Composed by Sarah Wallin Huff. 20th Century,Contemporary. 10 pages. Novel Soundtrax #6357743. Published by Novel Soundtrax (A0.800440). Wabi-sabi acknowledges that just as it is important to know when to make choices, it is also important to know when not to make choices: to let things be. (Leonard Koren in Wabi- Sabi for Artists, Designers, Poets & Philosophers.) The aesthetic and metaphysical ideals that Japanese wabi-sabi encapsulates include simplicity, naturalness, and an acceptance of reality. This musical work seeks to illustrate the overall nature of wabi-sabi. At both the beginning of movement 1 and the ending of movement 3, notes are thought of as specks of Potentiality that are randomly evolving from or devolving to Nothingness. Movement 2, at the center point of this universal journey, expresses a concerted effort of diverse elements to create structure and meaning. Ideally, every single performance (formal or informal) should be different from the last and contain various elements of surprise to even the performers. It is the composer’s hope that musicians will enjoy the challenge, the individual freedom, and unexpected moments ready to be discovered again and again in Wabi-Sabi, for string quartet.
$3.50
Wabi-Sabi (for string quartet) [SCORE]
#
Quatuor à cordes: 2 violons, alto, violoncelle
#
AVANCÉ
#
Contemporain
#
Sarah Wallin Huff
#
Philosophers
#
Wabi-Sabi
#
Novel Soundtrax
#
SheetMusicPlus
String Quartet String Quartet - Level 5 - SKU: A0.800439 Composed by Sarah Wallin Huff. 20th Century,Contemporary. 24 pages. Novel Soundtrax #6332761. P...
(+)
String Quartet String Quartet - Level 5 - SKU: A0.800439 Composed by Sarah Wallin Huff. 20th Century,Contemporary. 24 pages. Novel Soundtrax #6332761. Published by Novel Soundtrax (A0.800439). Wabi-sabi acknowledges that just as it is important to know when to make choices, it is also important to know when not to make choices: to let things be. (Leonard Koren in Wabi- Sabi for Artists, Designers, Poets & Philosophers.) The aesthetic and metaphysical ideals that Japanese wabi-sabi encapsulates include simplicity, naturalness, and an acceptance of reality. This musical work seeks to illustrate the overall nature of wabi-sabi. At both the beginning of movement 1 and the ending of movement 3, notes are thought of as specks of Potentiality that are randomly evolving from or devolving to Nothingness. Movement 2, at the center point of this universal journey, expresses a concerted effort of diverse elements to create structure and meaning. Ideally, every single performance (formal or informal) should be different from the last and contain various elements of surprise to even the performers. It is the composer’s hope that musicians will enjoy the challenge, the individual freedom, and unexpected moments ready to be discovered again and again in Wabi-Sabi, for string quartet.
$13.25
Concerto grosso in E minor op. 6 no. 3
#
Quatuor à cordes: 2 violons, alto, violoncelle
#
Classique
#
George Frideric Handel
#
Adrian Gagiu
#
Concerto grosso in E minor op.
#
Adrian Gagiu
#
SheetMusicPlus
String Quartet String Quartet - SKU: A0.1150516 Composed by George Frideric Handel. Arranged by Adrian Gagiu. Baroque,Chamber. 46 pages. Adrian Gagiu #7...
(+)
String Quartet String Quartet - SKU: A0.1150516 Composed by George Frideric Handel. Arranged by Adrian Gagiu. Baroque,Chamber. 46 pages. Adrian Gagiu #750692. Published by Adrian Gagiu (A0.1150516). Handel’s great set of 12 Concerti grossi (= Grand Concertos, in the first edition) op. 6 are somehow a bit related in spirit, through their power and diversity, with Beethoven’s string quartets. Therefore, here they are arranged for the more ‘abstract’ and ‘timeless’ medium of the string quartet, allowing also for an addition to the repertoire of the respective ensembles. Articulation, tempo and dynamics indications were specified or added where needed, and all the trills were indicated to start with the upper auxiliary note, not only according to the Baroque performance practice but also fitting to the melodic contour. The movements of Concerto grosso in E minor, op. 6 no. 3: 1. Larghetto – a serious sarabande 2. Andante – a tragic fugato, reminding of J.S. Bach’s style (and of the theme of D. Scarlatti’s so-called ‘Cat Fugue’) 3. Allegro – stern, Italianate and a bit strange 4. Polonaise (Andante) – pastoral, yet courtly, in G major 5. Allegro, ma non troppo – serious again, with some surprises. Total duration 10 min 30 sec. The mp3 audio clip is the fifth movement. Performing Rights Organization: SOCAN.
$20.00
Morango ... almost a tango, full score
#
Quatuor à cordes: 2 violons, alto, violoncelle
#
INTERMÉDIAIRE/AVANCÉ
#
Tango
#
Thomas Oboe Lee
#
Morango ... almost a tango, fu
#
Thomas Oboe Lee
#
SheetMusicPlus
String Quartet String Quartet - Level 4 - SKU: A0.869118 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Jazz,Latin. Score and parts. 16 pages. T...
(+)
String Quartet String Quartet - Level 4 - SKU: A0.869118 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Jazz,Latin. Score and parts. 16 pages. Thomas Oboe Lee #1914305. Published by Thomas Oboe Lee (A0.869118). Morango ... almost a tango (1983) is the most popular piece of music from my portfolio of over 150 works!!! It is amazing that the work was conceived thirty years ago!!! Originally, it was just a 32-bar jazz tune I performed every Sunday night with the Moon Unit at the 1369 Jazz Club in Cambridge, Massachusetts, 1980-1984. The string quartet version, although written for the Kronos Quartet, was premiered at Concert X by the Composers in Red Sneakers in Sanders Theater, Cambridge, Massachusetts, on July 21, 1983. The Red Sneakers String Quartet comprised of Thal Aylward, Melissa Howe, Frank Grimes and Sandy Kiefer. Richard Buell reported in the Boston Globe a few days later that the doleful Morango ... almost a tango got a lot of mileage out of a stubborn, almost unchanging cello line and the elaborations above it. The original program note read, Last summer in Vermont I met Gustavo Moretto, an Argentine composer, who taught me the finer and more beautiful aspects of the Tango. In my modest way, as someone looking in from the outside, I created Morango ... almost a tango - a bastardized version of the 'real thing.' Morango ... is also intrinsically connected to Kate Moran, a sometimes painter ... to whom it is dedicated. The work is played con sordino throughout. I hope the sirens next door don't intrude too much. But then again, John Cage would be delighted. Eventually, the Kronos got around to performing it on tour in Europe in 1986. When they played it as an encore in Italy at the American Academy in Rome, Mya Tannenbaum of the Corriere Della Sera wrote, Non sono mancati i bis. Un richiamo al sex appeal del vecchio tango da parte di un giovane «premio Roma», Tom Lee. Soon after, back in the States, the Kronos performed it at the Brooklyn Academy of Music in New York. John Rockwell wrote in the New York Times, ... a soulfully beautiful score by Thomas Oboe Lee. Three months later the Kronos recorded it on their Nonesuch CD, White Man Sleeps. Many other string quartets, both here and abroad, have since added the work to their repertory. The Lydian String Quartet, especially, have taken the work on their concert tours in the United States, Europe and the former Soviet Union. It appears on a CD recorded by the Lyds in Moscow on MCA Classics. As interest in the work grew, other ensembles have requested arrangements of Morango ... There are now three other versions of the work: one for big band jazz ensemble by Ken Schaphorst, another for string orchestra commissioned by Aram Gharabekian and Sinfonova, and the third for violin and piano commissioned by the Paul Chou-Paul Salerni Duo. Of the string orchestra version, Richard Dyer of the Boston Globe wrote, Lee's piece, Morango ... almost a tango, is a transcription of atmospheric and elegant music originally composed for string quartet; it is as sultry as Faith Domergue in a film noir, and it steams. Audio link: https://thomasoboelee.bandcamp.com/album/morango-almost-a-tango-1983Video link: https://youtu.be/Ksd9mDtRSBU
$9.99
Your Favorite Easter Hymns for Strings
#
Quatuor à cordes: 2 violons, alto, violoncelle
#
Musique Sacrée
#
Various
#
Colin Kirkpatrick
#
Your Favorite Easter Hymns for
#
Colin Kirkpatrick Publications
#
SheetMusicPlus
Composed by Various. Arranged by Colin Kirkpatrick. Christian, General Worship, Easter. Piano Reduction, Score, Set of Parts. 81 pages. Published by Colin Kirkp...
(+)
Composed by Various. Arranged by Colin Kirkpatrick. Christian, General Worship, Easter. Piano Reduction, Score, Set of Parts. 81 pages. Published by Colin Kirkpatrick Publications (S0.304855). - Piano Reduction,Score,Set of Parts - Christian,General Worship,Easter - Colin Kirkpatrick Publications
Thisis an essential collection of twenty-two favorite Easter hymns arranged forstring quartet, string quintet or string orchestra. Designed for school, college or church this useful collection should be in your library! The double bass is optional, because itdoubles the cello part throughout. There?s a piano part too, so you can also use thearrangements as string solos, duets or trios. They are intended either as stand-alonepieces that could be used as interludes in an Easter service, or they could beused to accompany solo, choral or congregational singing. The music has beenset in string-friendly keys and leans towards G major, D major and C major. Thepiano part has been written for with the early intermediate pianist in mind,though some hymns are actually quite easy. In a string orchestra, you canbrighten the sound by instructing a few of the more advanced violin players to playan octave higher in both 1st and 2nd violin parts. Youcan also use the arrangements as flute or oboe solo pieces, the wind instrumentplaying the 1st violin part. Skillfully arranged by Colin Kirkpatrick, the 22 hymns include: Amazing Grace; And Can it Be? (Sagina); At the Lamb?s High Feast We Sing(Salzburg); Christ the Lord is Risen Again! (Wrtemburg); Crown Him with ManyCrowns (Diademata); Jesus Christ is Risen Today (Easter Hymn); Jesus Lives!(St. Albinus); Love?s Redeeming Work is Done (Savannah); Low in the Grave HeLay (Lowry); There is a Green Hill Far Away (Horsley); Near the Cross (Doane); OSacred Head Now Wounded (Passion Chorale); The Day of Resurrection (Ellacombe);The Strife is O'er, the Battle Won (Victory); Rock of Ages (Toplady); Thine bethe Glory (Maccabus); This Joyful Eastertide (Easter-tide); To God be theGlory! (Doane); When I Survey the Wondrous Cross (Hamburg); When I Survey theWondrous Cross (Rockingham); Were You There When They Crucified my Lord? andYe Choirs of New Jerusalem (St. Fulbert).
$25.99
<
1
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale