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Vous avez sélectionné:
Vision Quest
SheetMusicPlus
Partitions à imprimer
6 partitions trouvées
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Be Thou My Vision (String Quartet)
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Quatuor à cordes: 2 violons, alto, violoncelle
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DÉBUTANT
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Musique Sacrée
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Scott Harris
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Scott Harris
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Be Thou My Vision
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Scott Harris Music
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 1 - SKU: A0.486410 By Scott Harris. By Traditional. Arranged by Scott Harris. Classical,Praise ...
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String Quartet Cello,String Quartet,Viola,Violin - Level 1 - SKU: A0.486410 By Scott Harris. By Traditional. Arranged by Scott Harris. Classical,Praise & Worship,Sacred,Spiritual,Wedding. 14 pages. Scott Harris Music #104736. Published by Scott Harris Music (A0.486410). Simple and accessible, harmonically interesting, and easy to play! This chart works great for weddings, processionals, or any special music moment. Performance time: approx. 2:26 For comments, questions, or special requests, please email me at scott@scottharrismusic.com or visit my website at www.ScottHarrisMusic.com.
$14.99
Pathétique (for String Sextet)
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Contemporain
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Tito Abeleda
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Pathétique
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Visionary Quest Records
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SheetMusicPlus
String Quartet Cello,Double Bass,String Quartet,Viola,Violin - Level 3 - SKU: A0.984564 Composed by Tito Abeleda. 20th Century,Concert,Contemporary. Sco...
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String Quartet Cello,Double Bass,String Quartet,Viola,Violin - Level 3 - SKU: A0.984564 Composed by Tito Abeleda. 20th Century,Concert,Contemporary. Score and parts. 28 pages. Visionary Quest Records #6102063. Published by Visionary Quest Records (A0.984564). Pathétique means to move someone emotionally - to evoke sadness, to evoke pity. Pathétique was composed by Tito Abeleda for string orchestra and string sextet. Tito wrote this original poignant piece as a means to catharsis for processing sadness, reflection, and deep contemplation. Pathétique begins with an expressive violin solo, which sets the melodic motif and tone for the entire piece. Pathétique slowly builds, adding each string part as its own contrapuntal layer, which creates ever-growing, rich, lush harmonies that seeks to climb to the pinnacle of musical climax, resonating the fullness of emotional release. Pathétique (for String Sextet) conveys its own intimate yet powerful sense of deep emotionality.Special Thanks to photographer Rene Asmussen for Sheet Music photo.Contact Tito for original compositions: http://bit.ly/TitoAbeleda_SoundBetterEmail: tito@visionaryquestrecords.comHttps://www.visionaryquestrecords.comPRO: BMI.com Follow Tito on Social Media:Facebook: https://www.facebook.com/titoabeledaTwitter: https://twitter.com/titoabeledaInstagram: https://www.instagram.com/tabeledaYouTube: https://www.youtube.com/c/titoabeledaSpotify: http://bit.ly/TitoAbeleda-on-SpotifyiTunes/Apple Music: http://bit.ly/TitoAbeleda_iTunes
$9.00
Wellerman
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Nathan Evans
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Joel Jacklich (A
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Wellerman
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Joel Jacklich
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1107440 By Nathan Evans. By Alexander Oriet, David Phelan, and Nathan Evans. Arrang...
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1107440 By Nathan Evans. By Alexander Oriet, David Phelan, and Nathan Evans. Arranged by Joel Jacklich (A.S.C.A.P.). 19th Century,Folk,Multicultural,World. 12 pages. Joel Jacklich #710097. Published by Joel Jacklich (A0.1107440). New Zealand-based music teacher and folk music compiler Neil Colquhoun claimed to have collected the song around 1966 from one F. R. Woods. Woods, who was in his 80s at the time, had allegedly heard the song from his uncle. it was attributed to one D.H. Rogers. It has been speculated that Rogers was the uncle of Woods and that Rogers had worked as a teenage pirate or shore whaler in the early-to-mid 19th century, composing this and another song in his later years and eventually passing them on to his nephew as an old man. Nathan Evers recorded the work in 2021 during the COVID pandemic and it became a viral sensation with house-bound Tik-Tokers sparking a whole re-introduction of sea shanties in what was termed Shanty-Tok. This string quartet arrangement gives all instruments a chance at the melody, and adds the affectation of a foot-stomp and a shout at the ends of verses. The history of whaling in New Zealand stretches from the late eighteenth century to 1965. In 1831, the British-born Weller brothers Edward, George, and Joseph, who had emigrated to Sydney in 1829, founded a whaling station at Otakou near modern Dunedin in the South Island of New Zealand, seventeen years before Dunedin was established. The Weller brothers had on their voyage to New Zealand brought in the 'Lucy Ann' (the Weller brothers' barque) a good deal of rum and a good deal of gunpowder. From 1833, the Weller brothers sold provisions to whalers in New Zealand from their base at Otakou, which they had named Otago in approximation of the local MÄori pronunciation. The song's lyrics describe a whaling ship called the Billy o' Tea [Note: a billy is a pot in which water is boiled to make tea or coffee] and its hunt for a right whale. The song describes how the ship's crew hope for a wellerman to arrive and bring them supplies of luxuries. According to the song's listing on the website New Zealandfolk Song, the workers at these bay-whaling stations (shore whalers) were not paid wages, they were paid in slops (ready made clothing), spirits and tobacco. The chorus continues with the crew singing of their confidence that the tonguin' will be the last step of their plight. Tonguing in this context refers to the practice of cutting strips of whale blubber to render into oil. Subsequent verses detail the captain's determination to bring in the whale in question, even as time passes and the quartet of whaling boats is lost in the fight. In the last verse, the narrator conveys how the Billy o' Tea is still considered locked in an ongoing struggle with the whale, with the wellerman making his regular call to strengthen the captain and crew. Note from Wikipedia.
$12.99
4 Prague Poems of Altered Minds - Score
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Quatuor à cordes: 2 violons, alto, violoncelle
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AVANCÉ
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Contemporain
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Elia Cmiral
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4 Prague Poems of Altered Mind
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Elia's Forte Music
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SheetMusicPlus
String Quartet String Quartet - Level 5 - SKU: A0.1090452 Composed by Elia Cmiral. 20th Century,Classical,Contemporary. Score and parts. 74 pages. Elia'...
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String Quartet String Quartet - Level 5 - SKU: A0.1090452 Composed by Elia Cmiral. 20th Century,Classical,Contemporary. Score and parts. 74 pages. Elia's Forte Music #694630. Published by Elia's Forte Music (A0.1090452). The composition 4 Prague Poems of Altered Minds for a classical string quartet (two violins, viola, cello) and electronics and has been written by an award wining composer Elia Cmiral. The composition is in traditional four movements, it can be performed together with electronic pre-recorded material or as an option together with film produced and directed by Elia Cmiral. The composition expresses the feeling of hopelessness and despair by the breakdowns of values in our societies, reflects the change in the human minds in a global crisis exacerbated by the COVID-19 pandemic. Composition has started during the COVID-19 pandemic and was completed last year (2021) premiered live with the film in Prague, Czech Republic by a prime string ensemble Epoque Quartet that also played the whole piece in the film. The visual part of the project has emotional attachment to the city of Prague, each movement brings poetic visions of the city, raising the questions - Did we really lose ourselves? Is humanity going to destroy itself with its endless and arrogant greed? Where are we heading? After three dark movements we find in the last movement a hope in human creativity, love and finding a light in the end of the dark tunnel. Movement I – Desolated City and its Living Shadows (8 min), fast and rhythmical Movement II - Tears of a Dark River (10 min), slow and emotional Movement II - Anguish and Rage (4 min), extremely fast and dissonant Movement IV - Faith in Hope (6 min), medium tempo, rather emotional Performing Options: Option 1. Played with electronics guided with a click track Option 2. Played with electronics guided with a click track synchronized to the film To obtain the audio track for the electronics, the click track and/or the video for live performance please contact the publisher at www.EliaCmiral.com Elia Cmiral is an award wining composer with over 70 film scores as well as numerous chamber music compositions. His musical style combines contemporary electronics with the modern orchestra, joining cutting edge technology and production with evocative and haunting melodic themes. Born in formal Czechoslovakia now lives in Los Angeles, USA. The Parts are available separately.
$49.99
4 Prague Poems of Altered Minds - Parts
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Quatuor à cordes: 2 violons, alto, violoncelle
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AVANCÉ
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Contemporain
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Elia Cmiral
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4 Prague Poems of Altered Mind
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Elia's Forte Music
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SheetMusicPlus
String Quartet String Quartet - Level 5 - SKU: A0.1090455 Composed by Elia Cmiral. 20th Century,Classical,Contemporary. Score and parts. 66 pages. Elia'...
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String Quartet String Quartet - Level 5 - SKU: A0.1090455 Composed by Elia Cmiral. 20th Century,Classical,Contemporary. Score and parts. 66 pages. Elia's Forte Music #694633. Published by Elia's Forte Music (A0.1090455). The composition 4 Prague Poems of Altered Minds for a classical string quartet (two violins, viola, cello) and electronics and has been written by an award wining composer Elia Cmiral. The composition is in traditional four movements, it can be performed together with electronic pre-recorded material or as an option together with film produced and directed by Elia Cmiral. The composition expresses the feeling of hopelessness and despair by the breakdowns of values in our societies, reflects the change in the human minds in a global crisis exacerbated by the COVID-19 pandemic. Composition has started during the COVID-19 pandemic and was completed last year (2021) premiered live with the film in Prague, Czech Republic by a prime string ensemble Epoque Quartet that also played the whole piece in the film. The visual part of the project has emotional attachment to the city of Prague, each movement brings poetic visions of the city, raising the questions - Did we really lose ourselves? Is humanity going to destroy itself with its endless and arrogant greed? Where are we heading? After three dark movements we find in the last movement a hope in human creativity, love and finding a light in the end of the dark tunnel. Movement I – Desolated City and its Living Shadows (8 min), fast and rhythmical Movement II - Tears of a Dark River (10 min), slow and emotional Movement II - Anguish and Rage (4 min), extremely fast and dissonant Movement IV - Faith in Hope (6 min), medium tempo, rather emotional Performing Options: Option 1. Played with electronics guided with a click track Option 2. Played with electronics guided with a click track synchronized to the film To obtain the audio track for the electronics, the click track and/or the video for live performance please contact the publisher at www.EliaCmiral.com Elia Cmiral is an award wining composer with over 70 film scores as well as numerous chamber music compositions. His musical style combines contemporary electronics with the modern orchestra, joining cutting edge technology and production with evocative and haunting melodic themes. Born in formal Czechoslovakia now lives in Los Angeles, USA. The Score is available separately.
$49.99
Ain't No Mountain High Enough
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Soul/R&B
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Diana Ross
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Thomas Graf
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Ain't No Mountain High Enough
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
String Quartet Cello,Double Bass,String Quartet,Viola,Violin - Level 3 - SKU: A0.568981 By Diana Ross. By Nickolas Ashford and Valerie Simpson. Arranged...
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String Quartet Cello,Double Bass,String Quartet,Viola,Violin - Level 3 - SKU: A0.568981 By Diana Ross. By Nickolas Ashford and Valerie Simpson. Arranged by Thomas Graf. Hip-Hop,Pop,R & B. Score and parts. 20 pages. Thomas Graf - the-hit-factory.com #3488423. Published by Thomas Graf - the-hit-factory.com (A0.568981). Ain't No Mountain High Enough is an R&B/soul song written by Nickolas Ashford & Valerie Simpson in 1966 for the Tamla label, a division of Motown. The composition was first successful as a 1967 hit single recorded by Marvin Gaye and Tammi Terrell, becoming a hit again in 1970 when recorded by former Supremes frontwoman Diana Ross. The song became Ross' first solo number-one hit on the Billboard Hot 100 chart and was nominated for a Grammy Award. A must for your repertoire! Instrumentation: Violin 1/2, Viola, Cello, Contra Bass Listen to the recording - a challenge for your ensemble. Please don't forget to review your purchase - you will help other musicians to choose the perfect arrangement for their ensemble. Thank you very much! Check out our latest uploads: http://www.sheetmusicplus.com/publishers/thomas-graf-the-hit-factory-com/smp-press/3001412+1303131?N... Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic Video: https://www.youtu.be/uEeDG_8EZoo 2018 Chamber Music Contest Entry.
$19.99
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