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Waltz in A-flat
Non classifié
89
Piano & claviers
Piano seul
111
Piano Facile
17
Piano, Voix
5
Orgue
2
Piano (partie séparée)
1
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1
+ 1 instrumentations
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3
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2
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1
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1
Voix
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3
Chorale 3 parties
2
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1
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1
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39
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38
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11
Clarinette
10
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9
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8
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8
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6
Quintette de Clarinettes: 5 clarinettes
3
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3
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3
Ensemble de Flûtes
2
3 Clarinettes (trio)
2
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2
2 Flûtes traversières (duo)
2
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1
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1
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1
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1
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1
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1
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1
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1
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1
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1
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1
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28
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14
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9
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7
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6
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3
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3
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3
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2
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2
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2
Trombone
2
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1
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1
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1
Tuba
1
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1
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1
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1
Tuba (partie séparée)
1
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6
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5
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4
Harpe
3
Quatuor à cordes: 2 violons, alto, violoncelle
2
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2
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1
Alto, Piano
1
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1
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1
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4 Violoncelles
1
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79
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6
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ACCORDEON
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AUTOHARPE
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Vous avez sélectionné:
Waltz in A-flat
Quatuor à cordes: 2 violons, alto, violoncelle
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Waltz No. 13 (Op. 70, No. 3) (Chopin) - String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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FACILE
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Frédéric Chopin, Frederic Ch
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Rob Bushnell
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Waltz No. 13
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Rob Bushnell
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 2 - SKU: A0.1466467 Composed by Frédéric Chopin, Frederic Chopin. Arranged by Rob Bushnell. 1...
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String Quartet Cello,String Quartet,Viola,Violin - Level 2 - SKU: A0.1466467 Composed by Frédéric Chopin, Frederic Chopin. Arranged by Rob Bushnell. 19th Century,Classical,Romantic Period,Wedding. 13 pages. Rob Bushnell #1045049. Published by Rob Bushnell (A0.1466467). Written by Frédéric Chopin, the Waltz No. 13 (opus 70, no. 3) was written in 1829, whilst the composer was still living in Warsaw, Poland, and was published, posthumously, with two other waltzes in 1855.The trio section, the low melody that begins this part was said to be inspired by Chopin’s crush on the young singer, Konstancja Gładkowska. However, a letter (3 October 1829) to Tytus Woyciechowski, an early friend (and possibly lower) of Chopin’s, reads: “How sweet it would be for me to play it for you, dearest Tytus. In the trio, the bass line should dominate up to the high E-flat of the upper half of the keyboard in the 5th bar […]. Forgive me for sending you the waltz, which perhaps will make you angry at me, but upon my word I wanted to give you pleasure with it, because I love you madly.”A recording of the original composition can be found here on YouTube: https://www.youtube.com/watch?v=_WBfbPlDM2k.
$10.99
Seven Steps To Heaven (2002) for string septet or string orchestra
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Seven Steps To Heaven
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Thomas Oboe Lee
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SheetMusicPlus
String Quartet Cello,Double Bass,String Quartet,Viola,Violin - Level 4 - SKU: A0.869690 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Jazz. Sco...
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String Quartet Cello,Double Bass,String Quartet,Viola,Violin - Level 4 - SKU: A0.869690 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Jazz. Score and parts. 40 pages. Thomas Oboe Lee #5982647. Published by Thomas Oboe Lee (A0.869690). Seven Steps To Heaven was composed for the Terezin Chamber Music Foundation/Project STEP Summer Education Collaborative in the Berkshires. The work, scored for seven string instruments †2 violins, 2 violas, 2 cellos & contrabass, is in seven sections: four movements with three interludes in between.Moderato, Humble Vale Interlude IFunk ScherzoInterlude IIBossa nova Interlude III Perpetuo motoWhen Mark Ludwig, Director of the Terezin Chamber Music Foundation, told me that Seven Steps would be premiered at the Hancock Shaker Village, I thought it would be most appropriate to use a Shaker tune as a source for this work.The work begins with Humble Vale. Humble Vale is part of the Hancock Hymnal: 1850 compiled by Deborah Rentz Moore.The most obvious element in this beautiful melody is the predominance of the pentatonic mode. The Funk Scherzo movement is a dissertation on pentatonic subsets: major seconds, minor thirds and perfect fourths. The Bossa nova movement, although not pentatonic melodically, is full of chords derived pentatonically: chords stacked in fourths, for example. The last movement, Perpetuo moto, is most definitely pentatonic in its theme: an incessant repeating figure with explosive pentatonic flurries of major seconds, minor thirds and perfect fourths.In between the four movements I have inserted three interludes. Interlude I is an interlocking pair of waltzing pentatonic melodies for two violins. Interlude II is a solemn march on an Fâ€sharp pedal. Interlude III is a quasiâ€canonic descending scale that resolves into a big Gâ€flat major chord. It is my intention that these interludes provide a smooth and slithery connection from one movement into the next. Enjoy!!!The work is dedicated to Miles Davis. His 1963 LP/CD Seven Steps To Heaven is a seminal recording for all music lovers. It made a huge impression on me when I was a teenager in São Paulo, Brazil. I must have listened to it a thousand times. I know every solo by heart. Heaven is Miles’ domain.
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