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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
We are First
Non classifié
421
Piano & claviers
Piano, Voix
1 296
Piano seul
138
Piano, Voix et Guitare
50
Piano Facile
45
Piano Trio: piano, violon, violoncelle
12
Orgue
11
Instruments en Do
11
1 Piano, 4 mains
9
2 Pianos, 4 mains
3
Piano Quatuor: piano, violon, alto, violoncelle
3
Piano Quatuor: piano, 2 violons, violoncelle
2
Accompagnement Piano
2
Piano grosses notes
1
Piano (partie séparée)
1
+ 9 instrumentations
Retracter
Guitares
Guitare notes et tablatures
41
Guitare
34
Ukulele
3
Basse electrique
3
2 Guitares (duo)
2
4 Guitares (Quatuor)
2
Mandoline, Guitare (duo)
1
2 Ukuleles
1
Paroles et Accords
1
Dulcimer
1
Ukulele Baryton
1
Mandoline
1
+ 7 instrumentations
Retracter
Voix
Chorale SATB
197
Chorale Unison
35
Chorale 3 parties
24
Chorale 2 parties
19
Chorale TTBB
10
Chorale SSAA
7
Voix duo, Piano
6
Voix duo
5
Voix Soprano, Piano
4
Voix haute
3
Voix Alto, Piano
2
Voix basse, Piano
2
Voix Baryton, Piano
2
Voix Tenor
2
Voix Tenor, Piano
2
Voix seule
2
Chorale SSAB, Piano
1
Chorale SSATTB
1
Chorale
1
+ 14 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
57
Quintette de Saxophone: 5 saxophones
49
2 Saxophones (duo)
40
Flûte, Hautbois, Clarinette, Basson
19
2 Clarinettes (duo)
18
2 Flûtes traversières (duo)
18
Quatuor de Saxophones: 4 saxophones
16
Flûte traversière et Piano
15
Saxophone, Clarinette (duo)
14
Hautbois, Piano (duo)
14
Quatuor de Clarinettes: 4 clarinettes
13
Saxophone Alto et Piano
12
Clarinette et Piano
10
Ensemble de Clarinettes
10
Clarinette, Trompette (duo)
9
Flûte, Clarinette (duo)
9
Clarinette, Violon (duo)
9
2 Hautbois (duo)
8
Saxophone Tenor et Piano
8
Flûte traversière
8
Flûte à bec Soprano
8
Clarinette
7
Saxophone Soprano et Piano
7
Hautbois (partie séparée)
6
Saxophone Alto
6
Clarinette et Alto
6
Hautbois, Clarinette (duo)
6
Ensemble de saxophones
6
Hautbois, Basson (duo)
6
Quatuor de Flûtes : 4 flûtes
6
3 Saxophones (trio)
5
Flûte et Guitare
5
Trio de Flûtes: 3 flûtes
5
Flûte, Saxophone (duo)
5
3 Clarinettes (trio)
4
Flûte, Violon
4
Flûte, Hautbois, Clarinette (trio)
4
Flûte, Alto (duo)
4
Clarinette Basse, Piano
4
Ensemble de Flûtes
4
Flûte, Trompette (duo)
4
Saxophone Baryton, Piano
4
Hautbois, Flûte
4
Saxophone Tenor
3
Hautbois, Guitare (duo)
3
Quintette de Flûte : 5 flûtes
3
Clarinette, Violoncelle (duo)
3
Cor anglais, Piano
3
Flûte, Violoncelle
3
Flûte, Violon, Piano
2
Ocarina
2
Clarinette, Basson (duo)
2
Saxophone (partie séparée)
2
2 Flûte à bec (duo)
2
Flûte à Bec
2
Clarinette, Harpe (duo)
2
Ensemble à vent
1
2 Clarinettes, Piano
1
Flûte à bec Alto
1
Flute (partie séparée)
1
Harmonica
1
2 Flûtes traversières, Piano
1
Flûte, Hautbois (duo)
1
Quatuor de Flûtes à bec
1
Cor Anglais
1
Hautbois, violon (duo)
1
Hautbois, Violoncelle
1
+ 62 instrumentations
Retracter
Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba
30
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
25
2 Trompettes (duo)
17
2 Trombones (duo)
15
Quatuor de cuivres: 4 trombones
14
Trombone et Piano
13
Trompette
12
Trompette, Saxophone (duo)
11
Trompette, Piano
10
Cor et Piano
8
Trompette, Trombone (duo)
8
Tuba
7
Ensemble de Trompettes
6
2 Cors (duo)
5
Cor
5
Trombone
5
Ensemble de Trombones
4
Quatuor de Cuivres: 2 trompettes, Cor, trombone
4
Euphonium, Piano (duo)
4
Quatuor de Cuivres
4
Trompette (partie séparée)
3
Cor anglais, Piano
3
Trompette, Cor (duo)
3
2 Tubas (duo)
3
Tuba et Piano
3
Tuba et Orgue
2
2 Euphoniums et 2 Tubas
2
Euphonium, Tuba (duo)
1
Bass Clef Instruments
1
Cor, Violoncelle (duo)
1
Quatuor de cuivres: 4 trompettes
1
Cor Anglais
1
Quatuor de cuivres: 4 cors
1
Euphonium
1
2 Trompettes, Clavier (piano ou orgue)
1
+ 30 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
80
Violon et Piano
35
2 Violons (duo)
25
Violoncelle, Piano
24
Violon, Violoncelle (duo)
21
Violon
18
2 Violoncelles (duo)
15
Harpe
15
Trio à Cordes: violon, alto, violoncelle
15
Alto, Piano
12
Violon, Alto (duo)
12
Quintette à cordes: 2 violons, alto, violoncelle, basse
11
Trio à Cordes: 2 violons, violoncelle
9
Alto seul
9
Violoncelle
9
2 Altos (duo)
8
Violoncelle, Contrebasse (duo)
6
Alto, Violoncelle (duo)
6
Contrebasse, Piano (duo)
5
Trio à cordes: 3 violins
5
Ensemble d'Altos
4
Ensemble de Violons
4
2 Harpes (duo)
4
4 Violoncelles
4
Violon, Guitare (duo)
4
Violon (partie séparée)
4
Harpe, Voix
3
2 Contrebasses (duo)
3
2 Violons, Piano
3
Contre Basse
2
Violoncelle (partie séparée)
2
Violoncelle , Guitare (duo)
2
Alto (partie séparée)
2
Quatuor à cordes : 4 altos
1
Violon, Basson (duo)
1
4 Contrebasses
1
Harpe, Violoncelle (duo)
1
Quatuor à cordes: 4 violons
1
+ 33 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
109
Ensemble de cuivres
68
Orchestre à Cordes
37
Orchestre de chambre
22
Orchestre
19
Cloches
11
Ensemble Jazz
5
Ensemble de Percussions
5
Fanfare
3
Piano et Orchestre
1
2 Marimbas
1
Instrumentation Flexible
1
Orchestre, Violon
1
Vibraphone
1
Marimba
1
+ 10 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
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SAXOPHONE
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Vous avez sélectionné:
We are First
Quatuor à cordes: 2 violons, alto, violoncelle
Partitions à imprimer
80 partitions trouvées
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We Can Work It Out
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Quatuor à cordes: 2 violons, alto, violoncelle
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FACILE
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Rock
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The Beatles
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Ray Thompson
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We Can Work It Out
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RayThompsonMusic
#
SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 2 - SKU: A0.1042755 By The Beatles. By John Lennon and Paul McCartney. Arranged by Ray Thompson...
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String Quartet Cello,String Quartet,Viola,Violin - Level 2 - SKU: A0.1042755 By The Beatles. By John Lennon and Paul McCartney. Arranged by Ray Thompson. Pop,Rock. 7 pages. RayThompsonMusic #647539. Published by RayThompsonMusic (A0.1042755). We Can Work It Out is a song by the English rock band the Beatles, written by Paul McCartney and John Lennon.It was first issued as a double A-side single with Day Tripper in December 1965.It also appeared on the 1966 US release Yesterday and Today.The release marked the first time in Britain that both tracks on an artist's single were promoted as joint A-sides.The song was recorded during the sessions for the band's Rubber Soul album. The single was number 1 in Britain (where it won the Ivor Novello Award for the top-selling A-side of 1965), the United States, Australia, Canada and Ireland. In the UK, it was the seventh highest selling single of the 1960s.We Can Work It Out is a comparatively rare example of a Lennon–McCartney collaboration from this period in the Beatles' career, in that it recalls the level of collaboration the two songwriters had shared when writing the group's hit singles of 1963. This song, A Day in the Life, Baby, You're a Rich Man and I've Got a Feeling, are among the notable exceptions.Arranged string quartet Video is the clarinet quartet version.
$14.99
All We Do
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Quatuor à cordes: 2 violons, alto, violoncelle
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FACILE
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Oh Wonder
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Graham Boag
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All We Do
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Graham Boag
#
SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 2 - SKU: A0.1206658 By Oh Wonder. By Oh Wonder. Arranged by Graham Boag. 20th Century,Classical...
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String Quartet Cello,String Quartet,Viola,Violin - Level 2 - SKU: A0.1206658 By Oh Wonder. By Oh Wonder. Arranged by Graham Boag. 20th Century,Classical,Contemporary,Film/TV. Score and parts. 11 pages. Graham Boag #804840. Published by Graham Boag (A0.1206658). Oh Wonder is the debut studio album by English alt-pop duo Oh Wonder, self-released on 4 September 2015. The album is the accumulation of singles released monthly throughout 2014–2015, in addition to two unreleased songs.The song All We Do is featured in the opening credits of the ITV crime drama Unforgotten, at the end of the Miss Taken episode of the CBS drama Elementary, in an episode of ITV's Coronation Street, and in the 2015 MTV American slasher horror series Scream. Scream also featured the song Shark in season 1 episode 2, and Technicolor Beat in season 1 episode 5. The song Drive was used in the pilot episode of the 2015 BBC drama Doctor Foster. “White Blood was featured in season 3, episode 2 of The CW drama Reign. The first verse of the song Landslide was sampled in rapper Lil Uzi Vert's song The Way Life Goes from their album Luv Is Rage 2, as well as retaining some of the original vocals, so Oh Wonder are credited as featured artists on the song. Unforgotten is a British crime drama television series, which initially aired on ITV on 8 October 2015. It was created and written by Chris Lang and directed by Andy Wilson. The programme follows a team of London detectives led by DCI Cassie Stuart (Nicola Walker) (Series 1–4), DCI Jess James (Sinéad Keenan) (Series 5) and DI Sunny Khan (Sanjeev Bhaskar) as they solve cold cases of disappearance and murder. Each series consists of six episodes. Series 1 to 4 were broadcast in the UK in 2015, 2017, 2018 and 2021. On 30 March 2021 a fifth series was announced, scheduled for release in 2023, and it was confirmed that Sanjeev Bhaskar would reprise his role. A year later it was confirmed that Sinéad Keenan would replace Walker as Bhaskar's new partner, DCI Jessica Jessie James. Filming for the fifth series began on 14 March 2022. The first episode of series 5 premiered on ITV in February 2023.Each series deals with a new case, introducing seemingly unconnected characters who are gradually revealed to have some relationship with the victim. As the murder mystery unfolds, the emotional ramifications of the crime on the lives of those affected are also explored. Unforgotten has received critical acclaim. Tom Courtenay won the 2016 BAFTA TV Award for Best Supporting Actor for the first series and Mark Bonnar won the 2017 BAFTA Scotland for Best Actor in Television for the second series. Â
$15.99
Jacques Leguerney: Premier Quatuor à Cordes (First String Quartet) for two violins, viola and cella
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Quatuor à cordes: 2 violons, alto, violoncelle
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AVANCÉ
#
Contemporain
#
Jacques Leguerney
#
Jacques Leguerney: Premier Qua
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Musik Fabrik Music Publishing
#
SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 5 - SKU: A0.534551 Composed by Jacques Leguerney. 20th Century. Score and parts. 83 pages. Musi...
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String Quartet Cello,String Quartet,Viola,Violin - Level 5 - SKU: A0.534551 Composed by Jacques Leguerney. 20th Century. Score and parts. 83 pages. Musik Fabrik Music Publishing #3627075. Published by Musik Fabrik Music Publishing (A0.534551). French composer Jacques Leguerney (1906-1997) has been recognized for his outstanding oeuvre of songs for voice and piano, mostly composed upon poems of the French poets of the Pleiade. After his death, the Leguerney Estate decided to allow the publication of his instrumental chamber music. These works, many of which were written in his early years, are valuable contributions to the French chamber music repertoire, representing the 20 century from its early yearsthrough World War II. This sonata was composed during October and November of 1925. This edition is based upon one autograph manuscript of the full score, as well as a manuscript copy of the revised first movement which contains nuances marked probably by Leguerney. There is no indication that it was premiered, although the ms copy of the first movement would seem to indicate that that movement at the least received a reading. We have added rehearsal numbers, and corrected a few notational mistakes in the manuscript.
$25.95
Such Busy Lives We Lead - Cello Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
#
DÉBUTANT
#
Lisa Cameron
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Such Busy Lives We Lead - Cell
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Lisa Cameron
#
SheetMusicPlus
String Quartet Cello,String Quartet - Level 1 - SKU: A0.923563 Composed by Lisa Cameron. Contemporary,Instructional. Score and parts. 8 pages. Lisa Came...
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String Quartet Cello,String Quartet - Level 1 - SKU: A0.923563 Composed by Lisa Cameron. Contemporary,Instructional. Score and parts. 8 pages. Lisa Cameron #2964345. Published by Lisa Cameron (A0.923563). A fun cello quartet with parts of varying difficulty for ensemble players of mixed abilities. Cello 3 and 4 share a dialogue or echo and response, working primarily with open strings and first fingers. Cello 2 stays in first position but meets some rhythmic challenges, while Cello 1 shifts into 3rd position at times and also has some exciting rhythms. Perfect for school or adult ensembles. Great for building and extending foundations in an ensemble context.
$8.99
We Will Rock You
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Quatuor à cordes: 2 violons, alto, violoncelle
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DÉBUTANT
#
Rock
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Queen
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Ellen Harle
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We Will Rock You
#
Fireworks Music
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SheetMusicPlus
String Quartet Cello,Double Bass,String Quartet,Viola,Violin - Level 1 - SKU: A0.767773 By Queen. By Brian May. Arranged by Ellen Harle. Rock. Score and...
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String Quartet Cello,Double Bass,String Quartet,Viola,Violin - Level 1 - SKU: A0.767773 By Queen. By Brian May. Arranged by Ellen Harle. Rock. Score and parts. 11 pages. Fireworks Music #4365586. Published by Fireworks Music (A0.767773). This arrangement of the eternally popular We Will Rock You is for early beginner to later beginner string players. The ease of playing the chorus makes it an ideal choice for even the earliest lessons, involving only notes on D string for Violin,viola and Cello, and including an open G for bass. The solo part is of a more difficult level for students slightly further along in their playing journey, or for a teacher to play. Both the easy chorus and harder solo part are printed together on one page for each instrument. This arrangement can be played with one soloist plus beginner ensemble, or a number of soloists, and is also a great choice for a first exploration into playing electric or amplified instruments if available.
$12.99
We Three Kings of Orient Are (String Quartet)
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Quatuor à cordes: 2 violons, alto, violoncelle
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FACILE
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Noël
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John Henry Hopkins Jr
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D
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We Three Kings of Orient Are
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D. Berry
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 2 - SKU: A0.995334 Composed by John Henry Hopkins Jr. Arranged by D. Berry. Christmas. Score an...
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String Quartet Cello,String Quartet,Viola,Violin - Level 2 - SKU: A0.995334 Composed by John Henry Hopkins Jr. Arranged by D. Berry. Christmas. Score and parts. 13 pages. D. Berry #5001991. Published by D. Berry (A0.995334). This dramatic rendering of the Christmas classic is playable without leaving first position. Ideal for a school group or for an amateur quartet to play at parties. .
$10.00
Steady As We Go
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Dave Matthews Band
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Charles Gunsaullus
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Steady As We Go
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Charles Gunsaullus
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1198465 By Dave Matthews Band. By Dave Matthews Band and Mark Batson. Arranged by C...
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1198465 By Dave Matthews Band. By Dave Matthews Band and Mark Batson. Arranged by Charles Gunsaullus. Pop,Rock,Singer/Songwriter,Wedding. 8 pages. Charles Gunsaullus #797608. Published by Charles Gunsaullus (A0.1198465). Here is an arrangement for string quartet of one of Dave Matthew's Band's most requested wedding songs. Lovers of DMB will adore this at other functions besides weddings, and this could even be a nice addition to a regular performance.The parts are not difficult. The first violin does get into 4th position, and the rhythm is a little tricky at times. This arrangement is transposed down a half-step to make the big key change for the bridge more manageable. Any intermediate to advanced ensemble should be able to play this well.
$12.99
Angels We Have Heard on High for Vocals, String Quartet and Piano
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Noël
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Traditional
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Lisa Nelson
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Angels We Have Heard on High f
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Lisa Nelson
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SheetMusicPlus
String Quartet Cello,Piano,String Quartet,Viola,Violin - Level 3 - SKU: A0.1315130 Composed by Traditional. Arranged by Lisa Nelson. Christmas,Holiday,R...
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String Quartet Cello,Piano,String Quartet,Viola,Violin - Level 3 - SKU: A0.1315130 Composed by Traditional. Arranged by Lisa Nelson. Christmas,Holiday,Religious. 18 pages. Lisa Nelson #903873. Published by Lisa Nelson (A0.1315130). This well-loved Christmas carol is from the Christmas Eve | “Ready-to-Go†Service package available from KCMusicStudio.com This package of fresh Christmas music arrangements offers a blend of both modern and traditional vibes specifically written for piano and string quartet.This arrangement has 2 vereses, with a key change in the middle.  Both verses employ traditional harmonization while the the first verse is a hymn-like setting and the the second showcases an engaging piano part. For ease in using this piece as a stand-alone, (as opposed to one piece of a medley), an introduction is included in the PDFs.This comes with vocal/piano/strings notated sheet music and guitar chords. String quartet parts (marked with bowing) included are Violin 1, Violin 2, Viola, and Cello. This arrangement is ideal for an early to late advanced pianist.Please note that the audio recording includes samples of all SIX songs from the Christmas Eve | “Ready-to-Go†Service package available from KCMusicStudio.com.
$20.00
WE GO TOGETHER (from Grease) - for String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Comédie Musicale
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Film/TV
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Olivia Newton-John, John Tra
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Ivan Marini
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WE GO TOGETHER
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Ivan Marini
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SheetMusicPlus
String Quartet - Advanced Intermediate - Digital Download By Olivia Newton-John, John Travolta, Grease cast. Arranged by Ivan Marini. Score, Set of P...
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String Quartet - Advanced Intermediate - Digital Download By Olivia Newton-John, John Travolta, Grease cast. Arranged by Ivan Marini. Score, Set of Parts. 14 pages. Published by Ivan Marini
Accurate transcription and well-changing arrangement of this world-famous hit.
All the colors, melodic details and shadings of the original recording are present in this version, including also the Tenor Sax solo and the rousing final polyphony.
Ideal for every concert and, first of all, as thrilling closing piece or encore!
Complete set with score and parts for Violin I and II, Viola and Cello.
Duration approx 2', 14 pages.
Feel free to contact me at info@dalsegno.eu for any other setting!
Please, check my other works at
https://www.sheetmusicplus.com/publishers/ivan-marini/7964?aff_id=606631
or visit
www.dalsegno.eu
$12.99
The Dove
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Quatuor à cordes: 2 violons, alto, violoncelle
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Naji Hakim
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The Dove
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Schott Music - Digital
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SheetMusicPlus
Tenor and string quartet - SKU: S9.Q6385 Auf Texte aus der Bibel. Composed by Naji Hakim. This edition: score and parts. Downloadable, Score and ...
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Tenor and string quartet - SKU: S9.Q6385 Auf Texte aus der Bibel. Composed by Naji Hakim. This edition: score and parts. Downloadable, Score and parts. Duration 7 minutes. Schott Music - Digital #Q6385. Published by Schott Music - Digital (S9.Q6385). German • English.This piece shows my hope to have our churches not only in peace but also in full communion. Naji Hakim Die Taube (The Dove) was commissioned by â€Kirchenmusik bei St. Anna Augsburg†to celebrate the 450th anniversary of the Augsburger Religionsfrieden (Religious peace of Augsburg). It is based on three biblical verses related to peace : Gen. 8/11, Luk. 1/79, Joh. 14/27. The music is through composed and develops the character of the verses with contrasted string textures, putting in relief the expressive vocal line, declamation of light and happiness. The work exists in three versions : 1. for Tenor and string quartet, 2. for Tenor and string orchestra, 3. for Tenor and organ. First performance : by Robert Sellier, Tenor, Capella St. Anna Streichquartett, St. Anna Augsburg, Festkonzert zum Hohen Friedensfest, 8 August 2005. Gen.8/11 : â€And the dove came in to him in the evening; and, lo, in her mouth was an olive leaf pluckt off. †Luk. 1/79 : â€To give light to them that sit in darkness and in the shadow of death, to guide our feet into the way of peace. †Joh.14/27 : â€Peace I leave with you, my peace I give unto you. †...to guide our feet into the way of peace. (Luke 1,79) Words and music bind people together to form fellowships which guide us into the way of peace. Singing or playing together combine bodies and souls, so that our rhythm and breathing becomes one - a sense of belonging to one another is created which instils the very nature of peace. So it is that by becoming an integral part of the music, our feet are guided 'into the way of peace'. In Luke chapter 1, both Maria and Zechariah are carried away, body and soul, in hymns of thanksgiving. They let God´s melody resound in their bodies. Ignatius, one of the Early Fathers of the Church, might have drawn his inspiration from them when he wrote to the Christians of Ephesus around the year 100, Let God´s melody resound in you. The melody of our life is a single voice within God´s great melody; an everlasting celestial melody, in which we join together as integral parts - with time, we are gradually shown which chords we are given to touch and which chords to form with one another. God´s inextinguishable melody has an infinite galaxy of variations. As you would know, a variation is rooted but limitless. At our christening, God gives us a variation - an inextinguishable variation because of his promise, I am with you always, even to the end of the age. (Matthew 28, 20). Deeply rooted as we are, God leads us through. He calls us to Life out of His Eternity, He lets his melody reverberate in us and finally calls us back, when we die, to His everlasting future. Let God´s melody resound in you and guide your feet into the way of peace. Pastor Hanne Margrethe Tougaard.
$22.99
Pq2 ... (2014) for piano and string quartet, violin 1 part
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Pq2 ...
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Thomas Oboe Lee
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SheetMusicPlus
String Quartet String Quartet - Level 4 - SKU: A0.869305 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score...
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String Quartet String Quartet - Level 4 - SKU: A0.869305 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 9 pages. Thomas Oboe Lee #50809. Published by Thomas Oboe Lee (A0.869305). Program notes. I met Lila Brown a year ago when she and members of the Boston Conservatory faculty performed my Octet in D, opus 144 (2012) at Seully Hall. Lila told me she had a summer festival in Salem, NY, and wondered if I would like to write a piece for her. I said sure. Just as in Hollywood, you never say no. At first Lila asked me if I would like to write a companion piece for Anton Webern’s Saxophone Quartet. I said sure!!! One thing led another and somehow I ended up agreeing to write a piano quintet for her. In the meanwhile Lila contacted Delores Stevens, artistic director of the Martha’s Vineyard Chamber Music Festival, and asked her if she would also premiere the work at her festival. Delores did a little research on me and my music online and she said yes. So, here we are. Siamo d’accordo. I wrote my first piano quintet in 1988 for the Apple Hill Chamber Players. That was not the usual quintet of a piano and string quartet. The Schubert Trout quintet was my model: piano, violin, viola, cello and double bass. I titled that work, Piano Quintet … apple strudel (1988). At that time I was a huge fan of the Entenmann’s Apple Strudel. I imagined the piano being encased/surrounded by the four string instruments. My first real piano quintet was written for the Formosa Quartet and pianist Tammy Lum. They premiered the work at Nyack College during the spring of 1988. My current piano quintet (no. 2) is titled Pq2 … (2014). It is a work in five movements. I. Moderato … Trio II. Adagio … III. Tsiaj 1 … Allegro IV. Tsiaj 2 … Prestissimo! V. Adagio What’s tsiaj? I got this from Charles E. Ives. The title of the middle movement of his Piano Trio is TSIAJ. It’s an acronym of This Scherzo is a joke. Enjoy!
$9.99
Pq2 ... (2014) for piano and string quartet, viola part
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Pq2 ...
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Thomas Oboe Lee
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SheetMusicPlus
String Quartet String Quartet - Level 4 - SKU: A0.869307 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score...
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String Quartet String Quartet - Level 4 - SKU: A0.869307 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 8 pages. Thomas Oboe Lee #50811. Published by Thomas Oboe Lee (A0.869307). Program notes. I met Lila Brown a year ago when she and members of the Boston Conservatory faculty performed my Octet in D, opus 144 (2012) at Seully Hall. Lila told me she had a summer festival in Salem, NY, and wondered if I would like to write a piece for her. I said sure. Just as in Hollywood, you never say no. At first Lila asked me if I would like to write a companion piece for Anton Webern’s Saxophone Quartet. I said sure!!! One thing led another and somehow I ended up agreeing to write a piano quintet for her. In the meanwhile Lila contacted Delores Stevens, artistic director of the Martha’s Vineyard Chamber Music Festival, and asked her if she would also premiere the work at her festival. Delores did a little research on me and my music online and she said yes. So, here we are. Siamo d’accordo. I wrote my first piano quintet in 1988 for the Apple Hill Chamber Players. That was not the usual quintet of a piano and string quartet. The Schubert Trout quintet was my model: piano, violin, viola, cello and double bass. I titled that work, Piano Quintet … apple strudel (1988). At that time I was a huge fan of the Entenmann’s Apple Strudel. I imagined the piano being encased/surrounded by the four string instruments. My first real piano quintet was written for the Formosa Quartet and pianist Tammy Lum. They premiered the work at Nyack College during the spring of 1988. My current piano quintet (no. 2) is titled Pq2 … (2014). It is a work in five movements. I. Moderato … Trio II. Adagio … III. Tsiaj 1 … Allegro IV. Tsiaj 2 … Prestissimo! V. Adagio What’s tsiaj? I got this from Charles E. Ives. The title of the middle movement of his Piano Trio is TSIAJ. It’s an acronym of This Scherzo is a joke. Enjoy!
$9.99
Pq2 ... (2014) for piano and string quartet, cello
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Pq2 ...
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Thomas Oboe Lee
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SheetMusicPlus
String Quartet String Quartet - Level 4 - SKU: A0.869304 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score...
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String Quartet String Quartet - Level 4 - SKU: A0.869304 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 9 pages. Thomas Oboe Lee #50815. Published by Thomas Oboe Lee (A0.869304). Program notes. I met Lila Brown a year ago when she and members of the Boston Conservatory faculty performed my Octet in D, opus 144 (2012) at Seully Hall. Lila told me she had a summer festival in Salem, NY, and wondered if I would like to write a piece for her. I said sure. Just as in Hollywood, you never say no. At first Lila asked me if I would like to write a companion piece for Anton Webern’s Saxophone Quartet. I said sure!!! One thing led another and somehow I ended up agreeing to write a piano quintet for her. In the meanwhile Lila contacted Delores Stevens, artistic director of the Martha’s Vineyard Chamber Music Festival, and asked her if she would also premiere the work at her festival. Delores did a little research on me and my music online and she said yes. So, here we are. Siamo d’accordo. I wrote my first piano quintet in 1988 for the Apple Hill Chamber Players. That was not the usual quintet of a piano and string quartet. The Schubert Trout quintet was my model: piano, violin, viola, cello and double bass. I titled that work, Piano Quintet … apple strudel (1988). At that time I was a huge fan of the Entenmann’s Apple Strudel. I imagined the piano being encased/surrounded by the four string instruments. My first real piano quintet was written for the Formosa Quartet and pianist Tammy Lum. They premiered the work at Nyack College during the spring of 1988. My current piano quintet (no. 2) is titled Pq2 … (2014). It is a work in five movements. I. Moderato … Trio II. Adagio … III. Tsiaj 1 … Allegro IV. Tsiaj 2 … Prestissimo! V. Adagio What’s tsiaj? I got this from Charles E. Ives. The title of the middle movement of his Piano Trio is TSIAJ. It’s an acronym of This Scherzo is a joke. Enjoy!
$9.99
Hear Ye Newes Today: Six Traditional Carols for Christmas
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Noël
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Brian Joyce
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Hear Ye Newes Today: Six Tradi
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Brian Joyce
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SheetMusicPlus
String Quartet String Quartet - Level 4 - SKU: A0.836707 Composed by Brian Joyce. Christmas,Contemporary. Score and parts. 67 pages. Brian Joyce #322607...
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String Quartet String Quartet - Level 4 - SKU: A0.836707 Composed by Brian Joyce. Christmas,Contemporary. Score and parts. 67 pages. Brian Joyce #3226073. Published by Brian Joyce (A0.836707). What’s Christmas without a few toys? Here is a new suite of older carols for string quartet in which each musician is required to play a wee bit of percussion in addition to his or her real instrument. The potential for entertaining visual theater is nearly as high as the potential for mishap. (If all goes according to plan, nothing should actually go airborne.)This is something of a sequel to my earlier Christmas quartet And Therefore Be Merry, which has never been out of print since it was first published over twenty years ago. But where that work was a continuous medley, this is a set of independent and more fully developed movements, each able to stand on its own. As mentioned above, each member of the quartet is responsible for a small item of percussion. These are all things which could readily be found in a local school band room: a triangle, a tambourine, a suspended cymbal - played with a soft (yarn) stick - and a small frame drum, played with the bare hand. These are all earlier, earthier carols than what one typically finds on the radio or playing over the speakers at the mall. They include Gloucestershire Wassail, Riu Riu Chiu, Angelus ad Virginem, The Sans Day Carol, The Wexford Carol, and Masters in This Hall. Being perhaps less familiar, they bring a welcome respite from the overworked seasonal fare we all hear a bit too much of each year. They speak of simpler times, and of a far less frantic approach to Christmas. These fresh and inventive arrangements will make a useful addition to a quartet’s repertoire, provided the players have the requisite spirit of adventure. Score and Parts total 67 pages. Performance time is about 14 minutes.
$19.95
String Quartet no. 3 "Man"
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Quatuor à cordes: 2 violons, alto, violoncelle
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Contemporain
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Zachary C
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String Quartet no. 3 "Man
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Divisi Labs
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SheetMusicPlus
String Quartet String Quartet - SKU: A0.1010674 Composed by Zachary C. Daniels. 20th Century,Contemporary. Score and parts. 109 pages. Divisi Labs #6563...
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String Quartet String Quartet - SKU: A0.1010674 Composed by Zachary C. Daniels. 20th Century,Contemporary. Score and parts. 109 pages. Divisi Labs #6563629. Published by Divisi Labs (A0.1010674). Score and PartsThis piece was written, for the most part, in Fall 2015 with the third interlude and final movement following in the Fall of 2016. The quartet depicts the story of mankind. The first movement, Birth from the Cosmos, represents the formation of the universe and everything in it, culminating in man. The second movement, starting with an aggressive cello ostinato, represents not only the fall of man, but also advancement and progress toward becoming a unified, advanced society. The third movement, cold and open, looks back at our short time on Earth through the eyeglass of eternity, showing what little impact our chaotic existence has on the grand scheme of things in an infinitely vast universe. A cello cadenza signals the arrival of the final movement which, in contrast to the third, shows our impact on the universe as we are shown the impacts of what we leave behind and left with a singular question: Did our actions matter, or did we fail to leave our mark on an infinite universe?
$14.99
String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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Fazil Say
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String Quartet
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Schott Music - Digital
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SheetMusicPlus
String quartet - SKU: S9.Q19873 'Divorce' · Scheidung. Composed by Fazil Say. This edition: score and parts. Downloadable, Score and parts. Op...
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String quartet - SKU: S9.Q19873 'Divorce' · Scheidung. Composed by Fazil Say. This edition: score and parts. Downloadable, Score and parts. Op. 29. Duration 16 minutes. Schott Music - Digital #Q19873. Published by Schott Music - Digital (S9.Q19873). In the composition of this string quartet, I have permitted myself to be led by my personality and experiences and have attempted to relate experiences such as divorce, separation and the failure of a relationship in the language of music with the aid of notes and rhythms. As is the case with my other compositions, this quartet is more a work originating from intuition than the description of a historical event, a journey or a place. The beginning of the first movement is somewhat wild, rapid and sorrowful with an irregular rhythm. Intermittent sections ensue which are reminiscent of a jazz club. Living history is our present which we are currently experiencing. The second movement with a melancholic atmosphere is dominated by colours, the subject of searching, the search for a remedy and unhappiness. In contrast, the final movement is intended to express the hatefulness, arguments and disputes within a relationship which have been transformed into a profound trauma. (Fazıl Say, translated by Lindsay Chalmers-Gerbracht).
$40.99
Jacques Leguerney: String Quartet in D for two violins, viola and cello
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Quatuor à cordes: 2 violons, alto, violoncelle
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AVANCÉ
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Contemporain
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Jacques Leguerney
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II. Intermezzo
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Jacques Leguerney: String Quar
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Musik Fabrik Music Publishing
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 5 - SKU: A0.534402 Composed by Jacques Leguerney. 20th Century,Standards. Score and parts. 125 ...
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String Quartet Cello,String Quartet,Viola,Violin - Level 5 - SKU: A0.534402 Composed by Jacques Leguerney. 20th Century,Standards. Score and parts. 125 pages. Musik Fabrik Music Publishing #3457403. Published by Musik Fabrik Music Publishing (A0.534402). Jacques Leguerney (1906-1997) composed two string quartets. The Premier Quatuor à cordes was composed in 1925 during Leguerneyâ??s private piano and composition study with French pianist Thérèse Cahen. His second quartet, subject of this publication by Musik Fabrik, was written between November 1947 and September 1948. The four movements are: I. Allegro moderato; II. Intermezzo; III. Scherzando; IV. Presto-Andantino. This work was, in part, Leguerneyâ??s response to the Premier Quatuor à cordes (inédit) by his colleague, Henri Sauguet. Leguerney stated in a personal interview with Patrick Choukroun (18 May 1989) that: â??I wrote it a bit in opposition to Sauguetâ??s Premier Quatuor. It seemed to me that his quartet was without interest: just scratchings! I wanted to express my way of looking at it from the classical viewpoint of the past: it is almost in the spirit of Mozart, except for the harmonic language, of course. In fact, I wanted to fight against everything that has been done to a quartet since Beethovenâ??s last ones.â? The premiere of the Quatuor à cordes en ré mineur was by the Quatuor Pro Arte at the Abbaye de Royaumont. Before this performance, Poulenc sent Leguerney the following note: â??Fortunate man for whom twelve strings are enough to charm people, I wish you good luck and respectfully embrace you.â? (Handwritten letter, Reims, 4 September 1959). Leguerney was appointed artistic director of the Lumen recording company in 1951, and remained in this position until 1959. He produced four recordings of his music, including the Quatuor Pro Arteâ??s recording of the Quatuor à cordes en ré mineur (1947-1948) (Lumen, LD 2.440, 1958). This disc won the Grand Prix du Disque de lâ??Académie Charles Cros on 13 March 1959. The Pro Arteâ??s members were Suzanne Plazonich, Violin I; Chantal Beylier, Violin II; Nicole Gendreau, Viola; and Micheline Burtin, Cello. Francis Poulenc wrote to Leguerney concerning this recording: â??It is very good Leguerney. Of course, frivolous as I am and shall always remain, it is the 2nd movement that I prefer. Between us, I am like you: I prefer the scherzos after the andantes; that way one is not forced to write a Finale allegro. Yours pleases me very much, in fact, so to my ears it is III-IV-I-II, in the order of pleasure.â? (Manuscript letter, Bagnols, 14 October 1959) The radio station France I broadcast the Quatuor with on 11 July 1959 on the program Schola of the series Concert de musique contemporaine, again with the Quatuor Pro Arte. An archive recording of this broadcast exists on magnetic tape. Critic Claude Rostand wrote: â??Jacques Leguerney does not seem to have looked for special innovations either in form or language. His basic thought seems especially to have written a quartet, that is to say on one hand to have used the four voices with elegance and originality, clarity and homogeneity (four-part writing seems to always have come naturally to him, even at the piano), and on the other hand to exploit all of the supple cushioning that can result from the caress of a bow on a string.â? Critic Emile Vuillermoz wrote: â??His only ambition is to expresses clear and affectionate melodic ideas, in a highly distinguished, elegant and refined language, meaning an homage, in the beginning of our century, to the trios of the greatest stylists of our time. In fact, it is from the vocabulary of Fauré, Debussy and Ravel that he takes his grammar and syntax and that with which he carries out with his this harmonic writing that is both supple and sparse, that is so congenial to the association of four string instruments. This quartet, whose first movement is of a rare perfection, is a delicate enchantment.â? The Musik Fabrik edition of the Quatuor à cordes en ré mineur is taken from a photocopy of the composerâ??s manuscript of the full score. We also had access to the quartet parts found in Leg.
$38.95
String Quartet No. 3: Among Friends
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Quatuor à cordes: 2 violons, alto, violoncelle
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AVANCÉ
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Contemporain
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Robert M
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String Quartet No. 3: Among Fr
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Robert M. Greenberg
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SheetMusicPlus
String Quartet String Quartet - Level 5 - SKU: A0.987847 Composed by Robert M. Greenberg. 20th Century. Score and parts. 178 pages. Robert M. Greenberg ...
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String Quartet String Quartet - Level 5 - SKU: A0.987847 Composed by Robert M. Greenberg. 20th Century. Score and parts. 178 pages. Robert M. Greenberg #90283. Published by Robert M. Greenberg (A0.987847). Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Duration: ca. 33 minutes Year of composition: 1995 Program Note: I. With Friends Like These II. Inner Voices III. Little Hands and Little Feet IV. Freund Barry V. Friendly Persuasion VI. All For One and One For All I've known the Alexander String Quartet since 1987. More than just colleagues, they have become my friends: I've traveled with them, performed with them, watched them rehearse, dined with them in their homes and they in mine; I know their children and they know my children. Throughout the time I've known the members of the quartet I have observed the relationship between them, that special bond shared by the members of any touring band, described by one pundit as being like a bad marriage with no sex. Such issues notwithstanding, this particular marriage works. A string quartet represents, perhaps, the ultimate musical compromise between individual incentive and the common good. In a string quartet, by definition, four distinct instrumental voices and four different instrumental roles unite to create a whole greater than its parts. And, lest we forget, behind each instrument is a person, with his own particular attitudes, feelings, needs, and, yes, issues, all of which must be tempered and blended for the common good of a good performance. Among Friends is, its liberties aside, about the four people behind the instruments of the Alexander String Quartet and their relationships with one another; the way they play, rehearse, get along and, on occasion, not get along. The first movement, With Friends Like These is gritty and contentious in tone. The players argue, debate, annoy, tease, irk, cajole, abuse, harass, form brief alliances, heap merde upon, gang up on, and otherwise find endless ways to irritate each other. It is in this movement that the individual characters of the four instrumental parts stand in highest relief: the first violin as coloratura prima donna, forever attempting to soar above it all; the second violin as the voice in the wilderness, the viola as the voice of reason and the 'cello as mover and shaker. The opening of the movement is marked argument in progress; with greatest intensity. The second, third and fourth movements are a series of portraits, played without a break. In movement two, Inner Voices, the second violin and viola are featured in a collegial and decidedly non-contentious dialogue. Movement three, Little Hands and Little Feet, is the quiet center of the quartet. It is here that the first violin finally attains the lyric heights vainly sought in the first movement. The fourth movement is a vigorous dance entitled Freund Barry. This movement honors three great friends: Dr. Barry Gardiner, whose friendship and support made the writing of this quartet possible; Gustav Mahler, whose Symphony No. 4, second movement (Freund Heine) inspired this one; and Sandy Wilson, who first encouraged me to compose my second string quartet (Child's Play) for the Alexander in 1987 and whose boisterous 'cello is Freund Barry's alter-ego. The fifth movement is entitled Friendly Persuasion. Rapid fire repeated notes, accompanimental figures and melodic lines are shuttled about from voice to voice, each time elaborated or altered in some way. In this way the music slowly metamorphoses, ultimately arriving at a version of the argumentative music that concluded the first movement. Movement six, All For One and One For All is a fast, brief coda/finale, during which the quartet plays primarily in unison, the musical antithesis of the contentious argument that began the quartet. Among Friends was commissioned by the Koussevitzky Foundation in the Library of Congress and the Alexander String Quartet. Among Friends i.
$36.00
Merry Xmas Everybody
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Slade
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HELEN MARPLE-HORVAT
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Merry Xmas Everybody
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Helen Marple-Horvat
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SheetMusicPlus
String Quartet String Quartet - Level 4 - SKU: A0.749235 By Slade. By James Lea, Jim Lea, and Neville Holder. Arranged by HELEN MARPLE-HORVAT. Contempor...
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String Quartet String Quartet - Level 4 - SKU: A0.749235 By Slade. By James Lea, Jim Lea, and Neville Holder. Arranged by HELEN MARPLE-HORVAT. Contemporary. Score and parts. 15 pages. Helen Marple-Horvat #6134105. Published by Helen Marple-Horvat (A0.749235). youtube.com/watch?v=b74tCHtcmFM‘Merry Christmas Everybody' is a major hit in the UK, and the familiar song heralds the festive season with all the ‘feel good’ emotions that come with it. We hear it in shops, supermarkets, and radio stations all over the country for the weeks in the run up to the celebrations, as it is part of a popular compilation of hits. It was a Christmas number one in 1973 and stayed there for nine weeks. Although it was recorded in New York it is not so well known in the USA which is a surprise to me. I have always loved it because of the unusual chord progressions at the end of the Chorus, and because Noddy Holder is from the West Midlands where I was born and bred. We don’t have too many famous people from around there!It is important to keep a steady tempo but it doesn’t need to be as fast as the original (120 bpm) However It *is* in the same key as the original and follows the structure exactly, so it may be possible to play along with it before coming to rehearsal, which is always helpful. It is useful to feel the syncopation that way. We planned to record this last March but that was before Lockdown!The tune is shared between first violin, viola and cello. The second violinist needs to keep a rock steady pulse. Although it is suitable for a professional quartet to play, and the first violinist often plays the tune up an octave, I feel that it is easy enough for a quartet of Grade 5 ABRSM to play with a few modifications such as playing open strings. The cellist will need to be able to play in fourth position and to stretch for the F sharps on the C string, but feel free to change the octaves or use pizzicato in the bass part if it makes things easier.The bowing is a guide only, based on the rehearsal with Capriccio Quartet, so all players should take as many bows as they need in order to feel comfortable. Enjoy playing the piece and send me any recordings on Facebook. I love to hear from people who have played my arrangements.You can hear Capriccio Quartet play my other arrangements at the Youtube Channel, Helen Marple-Horvat Songwriter, Arranger, Composer, Capriccio Quartet. All but two are available from Sheet Music Plus.
$15.00
The Christmas String Quartet Book
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Quatuor à cordes: 2 violons, alto, violoncelle
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DÉBUTANT
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Noël
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Various
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James M
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The Christmas String Quartet B
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jmsgu3
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SheetMusicPlus
String Quartet String Quartet - Level 1 - SKU: A0.549906 Composed by Various. Arranged by James M. Guthrie, ASCAP. Christmas,Standards. 69 pages. Jmsgu3...
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String Quartet String Quartet - Level 1 - SKU: A0.549906 Composed by Various. Arranged by James M. Guthrie, ASCAP. Christmas,Standards. 69 pages. Jmsgu3 #3685895. Published by jmsgu3 (A0.549906). Christmas String Quartet Book Christmas Reharmonizations by James M. Guthrie. The Christmas String Quartet Book is a collection of the 18 Most Famous Christmas Songs with new and surprising harmony. Format First, your string quartet can perform the Christmas String Quartet Book directly from the score. This is easy because each song is only two pages long; hence, there are no page turns. Alternatively, this download includes a complete set of parts. So various combinations are also possible: e.g., violins read from the score on one stand, while the viola & cello each use the parts on separate stands. The Christmas String Quartet Book is available in whatever format works best for your ensemble. Performance This collection of the most famous 18 Christmas songs can be performed as a medley as written. Moreover, selected songs from the Christmas String Quartet Book could be chosen as the last verse of a hymn presentation. In this case, play the usual arrangement from the hymnal for the first verses, then switch to this arrangement for the final verse. This adds a great deal of energy and unexpected adventure to your performance. Each song could be repeated depending on the length of time required. This is a very versatile collection. Suitable for Christmas parties or receptions, church services and receptions, nightclubs, and school presentations. Also, they are very easy to perform or even sight-read. Music Each Christmas String Quartet Book song is adventurously reharmonized, but the melody always remains perfectly intact. This makes it easy for anyone to sing along. Moreover, the songs end correctly in the correct key to add an element of familiarity and closure. Tempo markings occur at the beginning of each piece, but you can adjust these to your liking.  Phrase markings appear throughout as a guide for bowing. Articulations are carefully calculated to emphasize the characteristics of the string instruments. Contents Veni, veni, Emmanuel (O Come, O Come, Emmanuel) Helmsley (Lo! He Comes with Clouds Descending) Antioch (Joy to the World) Carol (It Came Upon a Midnight Clear) Es ist ein Ros (Lo, How a Rose) Gloria God Rest You Merry Greensleeves In dulci jubilo (In Thee is Gladness) Mendelssohn (Hark the Herald Angels Sing) Personet hodie The First Noel Salzburg (At the Lamb’s High Feast We Sing) Three Kings of Orient Adeste Fideles (O Come All Ye Faithful) St Louis (O Little Town of Bethlehem) Away in a Manger Stille Nacht (Silent Night) Score: 36 pages, Parts: 6 pages. Total duration with no repeats: ca. 14:00
$48.95
Two Quartets for 2 violins, viola, and violoncello obbligato - Op. 12
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Justus Johann Friedrich Dotzau
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Michele Galvagno
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Two Quartets for 2 violins, vi
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Artistic Score Engraving di Galvagno Michele
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1197314 Composed by Justus Johann Friedrich Dotzauer. Arranged by Michele Galvagno....
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1197314 Composed by Justus Johann Friedrich Dotzauer. Arranged by Michele Galvagno. 19th Century,Chamber,Classical,Instructional,Romantic Period. 164 pages. Artistic Score Engraving di Galvagno Michele #796478. Published by Artistic Score Engraving di Galvagno Michele (A0.1197314). Dotzauer’s first attempt at a major form of chamber music comes in 1810, with his Op. 12. This is a couple of quartets for two violins, viola, and violoncello obbligato. One may think these are ordinary string quartets, where the first violin has all the fun and the other three players share the remaining bits, but one would be gravely mistaken. The clue for this is the dedication by Dotzauer to his teacher, Bernhard Romberg. Then we have the word “obbligato†marking the prominence of the cello part over the others. They are entertaining pieces, about 25-minutes-long each, in four movements, and similar to Haydn in style. These are the first two of Dotzauer’s generous production of string quartets (more than twenty!). The first is in E-flat major, while the second is in G minor, a curious choice for sure. This edition comes in digital and print, both including the same material, a score and a set of four parts.
$49.00
Mary Poppins: A Symphonic Fantasy
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Irwin Kostal, Richard M Sherma
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Mary Poppins: A Symphonic Fant
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Nonamé Música
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1081261 Composed by Irwin Kostal, Richard M Sherman, and Robert B Sherman. Arranged...
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1081261 Composed by Irwin Kostal, Richard M Sherman, and Robert B Sherman. Arranged by Luis Turina and Nonamé Música. 20th Century,Broadway,Film/TV,Musical/Show,Wedding. Score and parts. 22 pages. Nonamé Música #685399. Published by Nonamé Música (A0.1081261). (Spanish below) Based on the suite A Symphonic Fantasy, we did a conversion with three of the most remembered melodies from Mary Poppins. You have an intro with chim-chim-cheree, followed by feed the birds, but they don't fully develop. After that, A Spoon of Sugar, with the birds part made by the first violin and the second and viola enkoying. The next part is, now complete, Chim-Chim-Cheree, with the melody starting in the cello, and then passing by the rest of instruments from lower to higher. When the second plays the melody, the first plays a counter-theme a little bit tricky. And, in the end, now complete, Feed the Birds, with constant dialogs between the violins. Tested and approved arrangement. All Nonamé arrangements are prepared to avoid page turns if you print the covers properly. Basándonos en la suite A Symphonic Fantasy, hicimos una conversión con tres de las melodÃas más recordadas de Mary Poppins. Tienes una introducción con chim-chim-cheree, seguida de Pan para los pájaros, pero no se desarrollan por completo. Después, Con un Poco de Azúcar, con la parte de los pájaros hecha por el primer violÃn y el segundo y la viola disfrutando. La siguiente parte es, ya completa, Chim-Chim-Cheree, con la melodÃa comenzando en el violoncello, y luego pasando por el resto de instrumentos de más grave a más agudo. Cuando el segundo toca la melodÃa, el primero tiene un contratema un poco complicado. Y, al final, ya completo, Pan Para los Pájaros, con diálogos constantes entre los violines. ¡Arreglo probado y aprobado! Todos los arreglos de Nonamé están preparados para evitar el paso de página si imprimes las portadas correctamente.
$19.99
Kyrie (Durante) (String Quartet - 2 Violins, 1 Viola, 1 Cello)
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Francesco Durante
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Regis Bookshar
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Kyrie
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Regis Bookshar
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1092478 Composed by Francesco Durante. Arranged by Regis Bookshar. Baroque,Instruct...
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1092478 Composed by Francesco Durante. Arranged by Regis Bookshar. Baroque,Instructional,Sacred. Score and parts. 7 pages. Regis Bookshar #696569. Published by Regis Bookshar (A0.1092478). Kyrie - by Francesco Durante; String Quartet – Intermediate – . “Kyrieâ€, originally written for a four-part vocal ensemble by Francesco Durante, has now been transcribed, edited and arranged by Regis Bookshar, for a String Quartet, consisting of 2 Violins, 1 Viola and 1 Violoncello. It would be a welcomed addition to any music library. This short composition, which lasts less than two minutes, will provide students with the opportunity to continue to develop good intonation because many of the phrases cadence on a unison note. This selection could be performed for concerts, recitals and church services. It is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (7 pages). This selection is one of the many arrangements from the Regis Bookshar Trumpet Ensemble’s extensive music library which are being made available for the first time. We have performed the Trumpet Quartet version of this composition for many church services, especially funerals, when we were asked to supply something more somber and introspective rather than the louder, more festive music which many people come to expect from a Trumpet Ensemble. Francesco Durante was an Italian composer who was born on March 31, 1684 at Frattamaggiore, in the Kingdom of Naples. At an early age he entered the Conservatorio dei poveri di Gesu Cristo, in Naples, where he received lessons from Gaetano Greco. Later he became a pupil of Alessandro Scarlatti at the Conservatorio di Sant’Onofrio. He is said to have succeeded Scarlatti in 1725 at Sant’Onofrio and to have remained there until 1742, when he succeeded Nicola Porpora as head of the Conservatorio di Santa Maria de Loreto, also in Naples. He held this post for thirteen years, until his death on September 30, 1755. His fame as a teacher was considerable, and, unlike his Neapolitan contemporaries, who attracted international notice with their operas, Francesco Durante achieved recognition through his church music, along with some vocal chamber and instrumental works. His concern was not quantity. A complete collection of Durante’s works, consisting almost exclusively of sacred music, was presented by Gaspare Selveggi, a Neapolitan art collector and music theorist, to the Bibliotheque Nationale in Paris. The imperial library of Vienna also preserves a valuable collection of Durante’s manuscripts. The fact that Durante never composed for the stage brought him an exaggerated reputation as a composer of sacred music. He was considered one of the best church composers of his style and period. In his masses, requiems, litanies and Lamentations, he could provide strong expressive moments, as he does in this “Kyrieâ€. In addition to this arrangement for a String Quartet, Regis Bookshar has also made other arrangements of this selection. There are Quartets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may find something else that may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I’m certain that this beautiful arrangement of Francesco Durante’s “Kyrie†will continue to entertain both performers and audiences alike for years to come.
$10.00
Kyrie (Durante) (String Quartet - 1 Violin, 1 Viola, 1 Cello, 1 Bass)
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Francesco Durante
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Regis Bookshar
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Kyrie
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Regis Bookshar
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SheetMusicPlus
String Quartet Cello,Double Bass,String Quartet,Viola,Violin - Level 3 - SKU: A0.1092472 Composed by Francesco Durante. Arranged by Regis Bookshar. Baro...
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String Quartet Cello,Double Bass,String Quartet,Viola,Violin - Level 3 - SKU: A0.1092472 Composed by Francesco Durante. Arranged by Regis Bookshar. Baroque,Instructional,Sacred. Score and parts. 7 pages. Regis Bookshar #696563. Published by Regis Bookshar (A0.1092472). Kyrie - by Francesco Durante; String Quartet – Intermediate – . “Kyrieâ€, originally written for a four-part vocal ensemble by Francesco Durante, has now been transcribed, edited and arranged by Regis Bookshar, for a String Quartet, consisting of 1 Violin, 1 Viola, 1 Violoncello and 1 Double Bass. It would be a welcomed addition to any music library. This short composition, which lasts less than two minutes, will provide students with the opportunity to continue to develop good intonation because many of the phrases cadence on a unison note. This selection could be performed for concerts, recitals and church services. It is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (7 pages). This selection is one of the many arrangements from the Regis Bookshar Trumpet Ensemble’s extensive music library which are being made available for the first time. We have performed the Trumpet Quartet version of this composition for many church services, especially funerals, when we were asked to supply something more somber and introspective rather than the louder, more festive music which many people come to expect from a Trumpet Ensemble. Francesco Durante was an Italian composer who was born on March 31, 1684 at Frattamaggiore, in the Kingdom of Naples. At an early age he entered the Conservatorio dei poveri di Gesu Cristo, in Naples, where he received lessons from Gaetano Greco. Later he became a pupil of Alessandro Scarlatti at the Conservatorio di Sant’Onofrio. He is said to have succeeded Scarlatti in 1725 at Sant’Onofrio and to have remained there until 1742, when he succeeded Nicola Porpora as head of the Conservatorio di Santa Maria de Loreto, also in Naples. He held this post for thirteen years, until his death on September 30, 1755. His fame as a teacher was considerable, and, unlike his Neapolitan contemporaries, who attracted international notice with their operas, Francesco Durante achieved recognition through his church music, along with some vocal chamber and instrumental works. His concern was not quantity. A complete collection of Durante’s works, consisting almost exclusively of sacred music, was presented by Gaspare Selveggi, a Neapolitan art collector and music theorist, to the Bibliotheque Nationale in Paris. The imperial library of Vienna also preserves a valuable collection of Durante’s manuscripts. The fact that Durante never composed for the stage brought him an exaggerated reputation as a composer of sacred music. He was considered one of the best church composers of his style and period. In his masses, requiems, litanies and Lamentations, he could provide strong expressive moments, as he does in this “Kyrieâ€. In addition to this arrangement for a String Quartet, Regis Bookshar has also made other arrangements of this selection. There are Quartets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may find something else that may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I’m certain that this beautiful arrangement of Francesco Durante’s “Kyrie†will continue to entertain both performers and audiences alike for years to come.
$10.00
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