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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Weep Not
Non classifié
64
Piano & claviers
Piano seul
36
Piano, Voix
25
Piano Facile
17
Piano, Voix et Guitare
5
Piano grosses notes
3
Instruments en Do
2
Accompagnement Piano
2
Accordéon
1
Piano Trio: piano, violon, violoncelle
1
1 Piano, 4 mains
1
2 Pianos, 4 mains
1
+ 6 instrumentations
Retracter
Guitares
Guitare notes et tablatures
55
Ukulele
4
Guitare
3
Ensemble de guitares
1
Mandoline
1
Voix
Chorale SATB
54
Chorale 3 parties
11
Chorale SSAA
6
Chorale 2 parties
5
Chorale TTBB
5
Voix duo, Piano
3
Voix haute
2
Chorale
2
Voix Alto, Piano
2
Chorale Unison
2
Voix Soprano, Piano
2
Voix Tenor, Piano
1
Voix seule
1
Voix duo
1
Voix Baryton, Piano
1
+ 10 instrumentations
Retracter
Vents
2 Saxophones (duo)
13
Clarinette et Piano
8
2 Flûtes traversières (duo)
8
Quatuor de Saxophones: 4 saxophones
6
Quintette de Saxophone: 5 saxophones
6
Hautbois, Piano (duo)
6
Clarinette, Trompette (duo)
4
Cor anglais, Piano
4
Flûte, Clarinette (duo)
4
3 Saxophones (trio)
4
Flûte traversière et Piano
4
Clarinette, Violon (duo)
3
2 Clarinettes (duo)
3
Saxophone, Clarinette (duo)
3
2 Flûte à bec (duo)
3
Flûte, Alto (duo)
2
Ensemble de Clarinettes
2
Clarinette et Alto
2
Saxophone Tenor et Piano
2
Saxophone Alto et Piano
2
Saxophone Soprano et Piano
2
Quintette de Clarinettes: 5 clarinettes
2
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
2
Quatuor de Flûtes : 4 flûtes
2
2 Hautbois (duo)
2
Quatuor de Clarinettes: 4 clarinettes
2
Saxophone Baryton, Piano
2
Flûte irlandaise
1
Flûte traversière
1
Flûte à Bec
1
Hautbois, Basson (duo)
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Trio de Flûtes: 3 flûtes
1
Hautbois, Guitare (duo)
1
Flûte et Guitare
1
Flûte à bec Alto, Piano
1
Clarinette, Basson (duo)
1
3 Clarinettes (trio)
1
Flûte à bec Soprano
1
Flûte à bec Soprano, Piano
1
Hautbois, Flûte
1
3 Flûtes à bec (trio)
1
Flûte, Hautbois, Clarinette, Basson
1
Quintette de Flûte : 5 flûtes
1
Quatuor de Flûtes à bec
1
5 Flûtes à bec
1
+ 41 instrumentations
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Cuivres
Cor anglais, Piano
4
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
4
Trompette, Saxophone (duo)
2
Trompette, Trombone (duo)
2
Quatuor de Cuivres : 2 trompettes, trombone, tuba
1
Trombone et Piano
1
Ensemble de Tubas
1
Ensemble de Cors
1
Quatuor de cuivres: 4 trombones
1
Tuba et Piano
1
Ensemble de Trompettes
1
4 Tubas
1
Euphonium, Piano (duo)
1
Quatuor de cuivres: 4 trompettes
1
+ 9 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
8
Violon et Piano
7
Violoncelle, Piano
4
Violon, Violoncelle (duo)
4
Violon, Alto (duo)
4
Alto, Piano
4
2 Violons (duo)
3
2 Altos (duo)
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
Trio à Cordes: violon, alto, violoncelle
1
4 Violoncelles
1
Alto, Violoncelle (duo)
1
Contre Basse
1
Trio à cordes: 3 violins
1
Violoncelle , Guitare (duo)
1
Quatuor à cordes: 4 violons
1
Violoncelle
1
Trio à Cordes: 3 violoncelles
1
Quatuor à cordes : 4 altos
1
Trio à cordes: 3 altos
1
2 Violoncelles (duo)
1
+ 16 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
61
Orchestre
10
Cloches
4
Orchestre à Cordes
4
Ensemble de cuivres
2
Ensemble Jazz
1
Jazz combo
1
Orchestre de chambre
1
+ 3 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
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ORGUE
PERCUSSION
PIANO
SAXOPHONE
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TROMPETTE
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Vous avez sélectionné:
Weep Not
Quatuor à cordes: 2 violons, alto, violoncelle
Partitions à imprimer
8 partitions trouvées
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While My Guitar Gently Weeps
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Quatuor à cordes: 2 violons, alto, violoncelle
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AVANCÉ
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Contemporain
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Yuki Murakami
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HELEN MARPLE-HORVAT
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While My Guitar Gently Weeps
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Helen Marple-Horvat
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SheetMusicPlus
String Quartet String Quartet - Level 5 - SKU: A0.749227 By Yuki Murakami. By George Harrison, John Lennon, John Winston Lennon, Paul James Mccartney, a...
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String Quartet String Quartet - Level 5 - SKU: A0.749227 By Yuki Murakami. By George Harrison, John Lennon, John Winston Lennon, Paul James Mccartney, and Paul McCartney. Arranged by HELEN MARPLE-HORVAT. Contemporary. Score and parts. 23 pages. Helen Marple-Horvat #5310861. Published by Helen Marple-Horvat (A0.749227). https://www.youtube.com/watch?v=_YGzCML5OKYFor many years I laboured under the impression that George Harrison played guitar on this song as well as writing it, but it turns out to have been played by Eric Clapton.This wonderful song is on the ‘100 Greatest Guitar Songs’ list, and number ten on ‘The Beatles 100 Greatest Songs’. None of this is a surprise! I have long wanted to arrange this for Capriccio String Quartet, and I am very proud of it. I think they give a tremendously passionate performance. I am aiming this one at the professional market as it is quite complex. However, with the usual modifications I feel sure that young players could tackle it. I recommend dropping the cello an octave for the first twelve bars but the rest of the cello part falls within expectations for ABRSM Grade 5. As usual the double stopping often contains an open string but it will be possible simply to miss out a note out where tuning could be difficult for young players. Choose from the Score the note that is not already played by one of the others. I am usually writing double stopping to thicken the texture rather than for harmonic considerations. The bowing is just a guide. Take as many bows and play as many open strings as you need to make the song feel comfortable.There is a difficult page turn for viola who plays throughout, so two bars before G could be omitted if necessary as other parts have the note E. The other players have a page break on rests, and the cellist can play open strings and quickly turn with the left hand.Please visit my Youtube Channel at Helen Marple-Horvat Songwriter, Arranger, Composer for playlists of all my arrangements, most of which have been recorded. All but three are available from Sheet Music Plus.
$20.00
Whales Weep Not
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Eric Bingham-Kumpf
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Whales Weep Not
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Eric Bingham-Kumpf
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SheetMusicPlus
String Quartet String Quartet - Level 3 - SKU: A0.703988 Composed by Eric Bingham-Kumpf. Contemporary,World. Score and parts. 13 pages. Eric Bingham-Kum...
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String Quartet String Quartet - Level 3 - SKU: A0.703988 Composed by Eric Bingham-Kumpf. Contemporary,World. Score and parts. 13 pages. Eric Bingham-Kumpf #6421499. Published by Eric Bingham-Kumpf (A0.703988).
$12.00
Moonlight Sonata by Beethoven for String Ensemble
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Quatuor à cordes: 2 violons, alto, violoncelle
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FACILE
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Classique
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Ludwig van Beethoven
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Ander
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Moonlight Sonata by Beethoven
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Woods Only, Arrangements
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SheetMusicPlus
String Quartet Cello,Double Bass,String Quartet,Viola,Violin - Level 2 - SKU: A0.1173852 Composed by Ludwig van Beethoven. Arranged by Ander. Christmas,...
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String Quartet Cello,Double Bass,String Quartet,Viola,Violin - Level 2 - SKU: A0.1173852 Composed by Ludwig van Beethoven. Arranged by Ander. Christmas,Classical,Instructional,March,Romantic Period. 12 pages. Woods Only, Arrangements #774005. Published by Woods Only, Arrangements (A0.1173852). This arrangement adapted for string ensemble was designed to make its listeners weep with emotion, because the adaptation preserves the original essence of the work, keeping its integrity faithful to what Beethoven wanted to transmit, with only a slight change in tone and addition of harmonic resources in the structure of the arrangement. Even though it is a funeral march, it is well suited for any musical performance occasion, being intended for beginner students who want to immerse themselves in the universe of romantic music, and nothing better than starting with the transitional composer of this period, which also does not prevent professional teachers from using it for recitals, academic presentations or didactic material in their classes as an ensemble practice.Ludwig van Beethoven's Piano Sonata No. 14 in C minor sharp, Op. 27, No. 2, is one of his most popular compositions and was an audience favorite even in his day. Written when Beethoven was 31, the Moonlight Sonata (Mondscheinsonate in German) was composed after he finished some commissioned works, but there is no evidence that he was hired to write this work. It did not receive its nickname until 1832, five years after Beethoven's death. It was the critic Ludwig Rellstab who compared the music to a moonlighting on Lake Lucerne. This comparison was adopted as a nickname for the work. Called Quasi una fantasia by the author - like its companion Op. 27, No. 1 - the piece was completed in 1801 and dedicated the following year to one of the composer's pupils. Beethoven chose to open the sonata with a slow, hypnotic arpeggio movement, the best known of the entire work. The dotted rhythm of its minimal melody evokes the tradition of 'Trauermusik' (funeral music).
$7.99
SEVEN ANCIENT GREEK TUNES IN SEVEN MODES ΕΠΤΑ ΑΡΧΑΙΑ ΕΛΛΗΝΙΚΑ ΜΟΥΡΗ ΣΕ ΕΠΤΑ ΜΟΝ&T
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Quatuor à cordes: 2 violons, alto, violoncelle
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FACILE
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Trad, Alan Edgar, Euripides
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SEVEN ANCIENT GREEK TUNES IN S
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Alan Edgar Ted Moon
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SheetMusicPlus
String Quartet String Quartet - Level 2 - SKU: A0.1296046 Composed by Trad, Alan Edgar, Euripides. Early Music,Folk,Historic,Traditional. 24 pages. Alan...
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String Quartet String Quartet - Level 2 - SKU: A0.1296046 Composed by Trad, Alan Edgar, Euripides. Early Music,Folk,Historic,Traditional. 24 pages. Alan Edgar Ted Moon #886315. Published by Alan Edgar Ted Moon (A0.1296046). ΕΠΤΑ ΑΡΧΑΙΑ ΕΛΛΗÎΙΚΑ ΜΟΥΡΗ ΣΕ ΕΠΤΑ ΜΟÎΤΕΣ για ΚουαÏÏ„Îτο ΕγχόÏδων. The Seikilos epitaph. While you live, shine!. It is engraved on a pillar from the 1st or 2nd century CE. The melody Dorian: the harmony, as in all of these pieces, is mine. Garifolia (Carnation) Do you love me, my Carnation, or are you laughing at me?†“I love you, my Basil, I don’t laugh at youâ€. This song is Phrygian with characteristic 7/8 metre. KαÏπαθιωτικος. Karpathiotikos. About supplying olives. Aeolian.  ΓεÌννηση (Génnisi, Nativity)--a Greek Orthodox chant which may date back to the 4th Century Christ is born today. Mixolydian.Â Î‘Ï€Î¿Ì Ï„Î·Î½ ποÌÏτα (I walk past your door) so you can see me and be glad. I have made this traditional tune Lydian. Orestes  408 BC in Egypt. it is part of a chorus of Euripides’ tragedy. Locrian.  I weep, I weep. Kali chronia (Happy New Year) Beautiful girls have come to bring us a Happy New Year. One sweetly whistles, another sings. Ionian. 10 minutes.
$21.00
Love Of My Life
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Queen
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Sarah Cellobat Chaffee
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Love Of My Life
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Sarah Cellobat Chaffee
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.526092 By Queen. By Freddie Mercury and Frederick Mercury. Arranged by Sarah Cellob...
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.526092 By Queen. By Freddie Mercury and Frederick Mercury. Arranged by Sarah Cellobat Chaffee. Pop,Rock,Wedding. 17 pages. Sarah Cellobat Chaffee #4758857. Published by Sarah Cellobat Chaffee (A0.526092). Love Of My Life, from Queen's 1975 album A Night At The Opera, was originally written by Freddie Mercury for his ex-fiance Mary Austin. Notable for showcasing Mercury's familiarity with classical music, particularly Chopin and Beethoven, the song became a live-performance hit and was later adapted for the stage. This is an arrangement of the original studio version, and the classical influences are very apparent - it almost sounds like an andante movement from a Mozart or Beethoven quartet! Filled with beautiful lush four-part harmonies, interconnected counterpoint, sweeping melodic lines, and unexpected chord changes, this chart is not difficult to play but will have a major impact on your audience! Rated intermediate - this will be easily sightreadable by professionals and playable for students (keep an eye out for the occasional brief time signature change). Sarah “Cellobat†Chaffee is an in-demand acoustic & electric cellist and string arranger. Currently, she performs with legendary rock band Aerosmith in their “Deuces Are Wild†residency show, and she is the principal cellist for the Raiders House Band, playing for a crowd of 60,000 at all of the team's home games. She also plays with many other groups including Premiere Wedding Music, Bella Electric Strings, the Femmes Of Rock, and David Perrico’s Pop Strings Orchestra. Sarah has performed and recorded with numerous other artists including Disturbed, Mötley Crüe, Celine Dion, Halsey, Michael Bublé, Sarah Brightman, and Lady A. She is the exclusive arranger for a number of award-winning wedding and event companies all across the United States, including Premiere Wedding Music, Las Vegas Music Oasis, and Impulse Strings, and she has created custom arrangements for many other ensembles all over the world. You can find her at:http://www.cellobat.comhttp://www.instagram.com/cellobathttps://www.youtube.com/@Cellobat
$16.99
Serenade No. 11
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Wolfgang Amadeus Mozart
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Stephen Levintow
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Serenade No. 11
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Cypress Publishing
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SheetMusicPlus
String Quintet Cello,Viola,Violin - Level 4 - SKU: A0.1447120 Composed by Wolfgang Amadeus Mozart. Arranged by Stephen Levintow. Classical. 69 pages. Cy...
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String Quintet Cello,Viola,Violin - Level 4 - SKU: A0.1447120 Composed by Wolfgang Amadeus Mozart. Arranged by Stephen Levintow. Classical. 69 pages. Cypress Publishing #1026899. Published by Cypress Publishing (A0.1447120). Soon after moving to Vienna in 1781, Mozart wrote what turned out to be his last, and finest, three serenades for wind ensemble. He himself arranged the one in c minor, Köchel 388, for string quintet (2 violins, 2 violas and cello), and that version is known as K. 406. Most of the serenade in B-Flat Major, K 361, sometimes called Gran Partita or Serenade for 13 Instruments, was also arranged for the same quintet combination, apparently by someone else, with the movements divided up between Quintets No. 6 and 7 in the second volume of the standard Peters Edition set of parts for Mozart’s string quintets. The remaining serenade, K. 375, is appearing in a string quintet arrangement for the first time that I know of. While it does not have the dramatic intensity of K. 388/406 or the grand sweep of K. 361, it is a worthy companion to the other two works. He composed it “carefully”, as he explained in a letter to his father, and the piece is full of striking details that show this. In the first movement, the second subject is surprisingly in a dark minor key, and the development is based on it. But it does not appear in the recapitulation, replaced instead by a new major key theme. The first of the two minuets also has a brooding trio in minor. The heart of the work is the Adagio, one of Mozart’s great slow movements, and it should be better known. The long-spun overlapping melodies work particularly well for strings. The finale starts as a conventional Rondo, but breaks off into an extended fugal section (again starting in a minor key!) that gives the movement weight and power beyond a typical formula rondo. This arrangement transposes the original E-Flat Major to D Major, to take advantage of string sonority while making some of the passage work lie better for the instruments. Score and parts follow the current convention of listing the composer’s middle name as Amadeus, even though he did not favor it: His only recorded use was a letter he signed Wolfgangus Amadeus Mozartus, clearly intended as a joke. He preferred the Italian or French versions, Amadeo or Amadé, of his German given name Gottlieb (which he also rarely if ever used). CYPRESS PUBLISHING is pleased to be the imprint for arrangements for string ensemble by Stephen Levintow. He is a free lance professional violist and violinist specializing in chamber music, who began making string quartet and trio arrangements for wedding, party and corporate events, to expand the repertory or to improve on existing versions. Selections include unusual pieces by both familiar and lesser-known composers, plus standard classical and popular favorites.The goal is to produce high-quality, musically satisfying arrangements faithful to the composer’s original material, yet sight-readable in most cases by working professionals or intermediate to advanced students. The full range of normal string technique is employed, while avoiding unnecessary technical complexity. Melodic material is distributed throughout the four voices where appropriate, to maintain listener and performer interest. All parts and scores are set in Sibelius© software format, with careful attention to legibility and page turns.
$15.00
Come, Thou Fount of Every Blessing - For String Orchestra
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Contemporain
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John Wyeth, Robert Robinson
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Andrew
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Come, Thou Fount of Every Bles
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Richard Sheldon
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SheetMusicPlus
String Quartet Cello,Double Bass,String Quartet,Viola,Violin - Level 3 - SKU: A0.1028587 Composed by John Wyeth, Robert Robinson. Arranged by Andrew. 20...
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String Quartet Cello,Double Bass,String Quartet,Viola,Violin - Level 3 - SKU: A0.1028587 Composed by John Wyeth, Robert Robinson. Arranged by Andrew. 20th Century. Score and parts. 8 pages. Richard Sheldon #3585357. Published by Richard Sheldon (A0.1028587). Come, Thou Fount of Every Blessing is a longtime favorite of both religious and secular peoples across the world today. It is a very musical work that has stood the test of time because of how the reverent tone of the song is conveyed in the text, harmony, and melody. In this arrangement, a peaceful 5th is expanded into a majestic series of descending chords until there's a pause before the song begins with a quiet viola/cello soli. The song grows and grows changing, folding, and contorting until the whole group sweeps into the final verse, where the song quiets down and ends with a soft minor plagal cadence. This requires both musicianship and skill to master. The band must play as an ensemble and make music, not just play music.Happy Playing!
$14.99
Valse Brilliante (Lento)
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Frederic Chopin
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Fiona Hickie
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Valse Brilliante
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Fiona Alice Hickie
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.737944 Composed by Frederic Chopin. Arranged by Fiona Hickie. Classical,Contemporar...
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.737944 Composed by Frederic Chopin. Arranged by Fiona Hickie. Classical,Contemporary,Romantic Period. Score and parts. 29 pages. Fiona Alice Hickie #3504725. Published by Fiona Alice Hickie (A0.737944). Chopin's waltz in A minor is a melancholy work. This was supposedly Chopin's favourite waltz. Oscar Wilde said, After playing Chopin, I feel as if I had been weeping over sins that I had never committed, and mourning over tragedies that were not my own. Music always seems to me to produce that effect. It creates for one a past of which one has been ignorant, and fills one with a sense of sorrows that have been hidden from one’s tears. This truly has to be true for this work.
$12.00
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