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Wilson's Wild
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Vous avez sélectionné:
Wilson's Wild
Quatuor à cordes: 2 violons, alto, violoncelle
Partitions à imprimer
3 partitions trouvées
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I Write Sins Not Tragedies
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Panic! At the Disco
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Sarah Cellobat Chaffee
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I Write Sins Not Tragedies
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Sarah Cellobat Chaffee
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1316369 By Panic! At the Disco. By Brendon Urie, Brent Wilson, Ryan Ross, and Spenc...
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1316369 By Panic! At the Disco. By Brendon Urie, Brent Wilson, Ryan Ross, and Spencer Smith. Arranged by Sarah Cellobat Chaffee. Contemporary,Pop,Rock. 27 pages. Sarah Cellobat Chaffee #905113. Published by Sarah Cellobat Chaffee (A0.1316369). I Write Sins Not Tragedies was released in 2006 as the second single from Panic! At The Disco's debut album, and it quickly became one of the biggest hits of the year. Thematically based on one of the songwriter's favorite novels, the song reached the top 10 on the Billboard charts, and its bizarre music video (featuring a chaotic circus-themed wedding) ended up winning Video of the Year at that year's MTV Video Music Awards. The song is still beloved by alternative rock and pop-punk fans to this day, so it definitely makes a great addition to your gig books! This Cellobat arrangement for your string quartet features the song's original pizzicato motifs, catchy choruses, and in-your-face energy for a chart that's just as much fun to play as it is to listen to. Rated intermediate; this will be learnable for students and sightreadable for professionals.Sarah “Cellobat†Chaffee is an in-demand acoustic & electric cellist and string arranger. Currently, she performs with legendary rock band Aerosmith in their “Deuces Are Wild†residency show, and she is the principal cellist for the Raiders House Band, playing for a crowd of 60,000 at all of the team's home games. She also plays with many other groups including Premiere Wedding Music, Bella Electric Strings, the Femmes Of Rock, and David Perrico’s Pop Strings Orchestra. Sarah has performed and recorded with numerous other artists including Disturbed, Mötley Crüe, Celine Dion, Halsey, Michael Bublé, Sarah Brightman, and Lady A. She is the exclusive arranger for a number of award-winning wedding and event companies all across the United States, including Premiere Wedding Music, Las Vegas Music Oasis, and Impulse Strings, and she has created custom arrangements for many other ensembles all over the world. You can find her at:http://www.cellobat.comhttp://www.instagram.com/cellobathttps://www.youtube.com/@Cellobat.
$16.99
God Only Knows
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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The Beach Boys
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Sarah Cellobat Chaffee
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God Only Knows
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Sarah Cellobat Chaffee
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.526132 By The Beach Boys. By Brian Wilson and Tony Asher. Arranged by Sarah Celloba...
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.526132 By The Beach Boys. By Brian Wilson and Tony Asher. Arranged by Sarah Cellobat Chaffee. Pop,Rock,Wedding. 14 pages. Sarah Cellobat Chaffee #5354249. Published by Sarah Cellobat Chaffee (A0.526132). Known for its harmonic sophistication and classical-music influence, the Beach Boys' hit love song God Only Knows was an instant classic upon its release and has since been named one of the Rock & Roll Hall Of Fame's 500 Songs That Shaped Rock and Roll. This complex but catchy song translates beautifully to string quartet in this Cellobat arrangement -- maintaining the lush harmonic layers, intriguing melodic counterpoint, and dynamic intensity of the original, you're sure to capture your audience's heart. Originally commissioned for a wedding ceremony, this will also be perfect for receptions, cocktail parties, proposals, vow renewals, solo & ensemble contests, or any other occasion you want to bring people joy. :) This chart is rated intermediate and will be playable for students and easily sightreadable for professionals -- just keep a lookout for all the accidentals and a handful of tricky rhythms in the violin parts. Sarah “Cellobat†Chaffee is an in-demand acoustic & electric cellist and string arranger. Currently, she performs with legendary rock band Aerosmith in their “Deuces Are Wild†residency show, and she is the principal cellist for the Raiders House Band, playing for a crowd of 60,000 at all of the team's home games. She also plays with many other groups including Premiere Wedding Music, Bella Electric Strings, the Femmes Of Rock, and David Perrico’s Pop Strings Orchestra. Sarah has performed and recorded with numerous other artists including Disturbed, Mötley Crüe, Celine Dion, Halsey, Michael Bublé, Sarah Brightman, and Lady A. She is the exclusive arranger for a number of award-winning wedding and event companies all across the United States, including Premiere Wedding Music, Las Vegas Music Oasis, and Impulse Strings, and she has created custom arrangements for many other ensembles all over the world. You can find her at:http://www.cellobat.comhttp://www.instagram.com/cellobathttps://www.youtube.com/@Cellobat
$16.99
String Quartet No. 3: Among Friends
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Quatuor à cordes: 2 violons, alto, violoncelle
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AVANCÉ
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Contemporain
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Robert M
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String Quartet No. 3: Among Fr
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Robert M. Greenberg
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SheetMusicPlus
String Quartet String Quartet - Level 5 - SKU: A0.987847 Composed by Robert M. Greenberg. 20th Century. Score and parts. 178 pages. Robert M. Greenberg ...
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String Quartet String Quartet - Level 5 - SKU: A0.987847 Composed by Robert M. Greenberg. 20th Century. Score and parts. 178 pages. Robert M. Greenberg #90283. Published by Robert M. Greenberg (A0.987847). Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Duration: ca. 33 minutes Year of composition: 1995 Program Note: I. With Friends Like These II. Inner Voices III. Little Hands and Little Feet IV. Freund Barry V. Friendly Persuasion VI. All For One and One For All I've known the Alexander String Quartet since 1987. More than just colleagues, they have become my friends: I've traveled with them, performed with them, watched them rehearse, dined with them in their homes and they in mine; I know their children and they know my children. Throughout the time I've known the members of the quartet I have observed the relationship between them, that special bond shared by the members of any touring band, described by one pundit as being like a bad marriage with no sex. Such issues notwithstanding, this particular marriage works. A string quartet represents, perhaps, the ultimate musical compromise between individual incentive and the common good. In a string quartet, by definition, four distinct instrumental voices and four different instrumental roles unite to create a whole greater than its parts. And, lest we forget, behind each instrument is a person, with his own particular attitudes, feelings, needs, and, yes, issues, all of which must be tempered and blended for the common good of a good performance. Among Friends is, its liberties aside, about the four people behind the instruments of the Alexander String Quartet and their relationships with one another; the way they play, rehearse, get along and, on occasion, not get along. The first movement, With Friends Like These is gritty and contentious in tone. The players argue, debate, annoy, tease, irk, cajole, abuse, harass, form brief alliances, heap merde upon, gang up on, and otherwise find endless ways to irritate each other. It is in this movement that the individual characters of the four instrumental parts stand in highest relief: the first violin as coloratura prima donna, forever attempting to soar above it all; the second violin as the voice in the wilderness, the viola as the voice of reason and the 'cello as mover and shaker. The opening of the movement is marked argument in progress; with greatest intensity. The second, third and fourth movements are a series of portraits, played without a break. In movement two, Inner Voices, the second violin and viola are featured in a collegial and decidedly non-contentious dialogue. Movement three, Little Hands and Little Feet, is the quiet center of the quartet. It is here that the first violin finally attains the lyric heights vainly sought in the first movement. The fourth movement is a vigorous dance entitled Freund Barry. This movement honors three great friends: Dr. Barry Gardiner, whose friendship and support made the writing of this quartet possible; Gustav Mahler, whose Symphony No. 4, second movement (Freund Heine) inspired this one; and Sandy Wilson, who first encouraged me to compose my second string quartet (Child's Play) for the Alexander in 1987 and whose boisterous 'cello is Freund Barry's alter-ego. The fifth movement is entitled Friendly Persuasion. Rapid fire repeated notes, accompanimental figures and melodic lines are shuttled about from voice to voice, each time elaborated or altered in some way. In this way the music slowly metamorphoses, ultimately arriving at a version of the argumentative music that concluded the first movement. Movement six, All For One and One For All is a fast, brief coda/finale, during which the quartet plays primarily in unison, the musical antithesis of the contentious argument that began the quartet. Among Friends was commissioned by the Koussevitzky Foundation in the Library of Congress and the Alexander String Quartet. Among Friends i.
$36.00
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Wilson's Wild
