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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
By Nat Bach
Non classifié
128
Piano & claviers
Piano seul
93
Orgue
14
Piano, Voix et Guitare
7
Piano, Voix
7
1 Piano, 4 mains
5
Instruments en Do
3
2 Pianos, 4 mains
2
Clavecin
2
Piano Trio: piano, violon, violoncelle
1
Piano Quatuor: piano, violon, alto, violoncelle
1
Accordéon
1
Orgue, Piano (duo)
1
Piano Facile
1
+ 8 instrumentations
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Guitares
Guitare
17
Guitare notes et tablatures
7
Piano, Guitare (duo)
5
2 Guitares (duo)
2
Ligne De Mélodie, (Paroles) et Accords
2
Dulcimer
1
Mandoline
1
Guitare, Violon, Violoncelle (trio)
1
3 Guitares (trio)
1
+ 4 instrumentations
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Voix
Chorale SATB
17
Chorale 3 parties
3
Chorale SSAA
2
Voix Soprano, Piano
1
Chorale TTBB
1
Vents
Flûte traversière et Piano
39
Saxophone Alto et Piano
21
Clarinette et Piano
19
Hautbois, Piano (duo)
19
Flûte traversière
18
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
16
Flûte et Guitare
15
2 Saxophones (duo)
13
Saxophone Soprano et Piano
11
Saxophone Tenor et Piano
10
Saxophone Baryton, Piano
10
2 Flûtes traversières (duo)
9
Flûte à Bec
6
Clarinette Basse, Piano
6
Flûte, Hautbois, Clarinette, Basson
6
Cor anglais, Piano
5
Quintette de Clarinette: Clarinette, Quatuor à Cordes
4
Quatuor de Saxophones: 4 saxophones
4
Clarinette
4
Quatuor de Clarinettes: 4 clarinettes
4
Quatuor de Flûtes : 4 flûtes
4
2 Clarinettes (duo)
4
2 Hautbois (duo)
3
3 Saxophones (trio)
3
Flûte, Hautbois, Clarinette (trio)
3
3 Clarinettes (trio)
3
Saxophone, Clarinette (duo)
3
2 Flûte à bec (duo)
2
Flute, harpe et violon
2
Clarinette, Trompette (duo)
2
Flûte, Violon
2
Quintette de Saxophone: 5 saxophones
2
Piccolo, Piano
2
Clarinette, Violon (duo)
2
Hautbois, Flûte
1
Saxophone (partie séparée)
1
Flûte traversière, Basse continue
1
Flûte, Saxophone (duo)
1
Hautbois, Clarinette et Piano (Trio)
1
Flûte, Violon, Piano
1
Saxophone et Guitare
1
Flûte, Alto (duo)
1
Trio de Flûtes: 3 flûtes
1
Hautbois, Clarinette (duo)
1
Flûte, Hautbois, Basson
1
Hautbois, Basson (duo)
1
Flûte, Trompette (duo)
1
Flûte, Basson et Piano
1
Clarinette, trompette et piano
1
Flûte, Violon, Guitare
1
Flûte, Clarinette, Piano (trio)
1
Quintette de Clarinettes: 5 clarinettes
1
Flûte, Clarinette et Basson
1
Flûte, Hautbois, Piano (trio)
1
Clarinette et Alto
1
Flûte traversière, Orgue (duo)
1
Flûte, Clarinette (duo)
1
Flûte, Alto et Piano
1
+ 53 instrumentations
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Cuivres
Euphonium, Piano (duo)
16
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
16
Ensemble de Trompettes
15
Trombone et Piano
11
Trompette, Piano
6
Cor et Piano
6
Cor anglais, Piano
5
Trompette
4
2 Trompettes (duo)
4
2 Trombones (duo)
3
Quatuor de Cuivres: 2 trompettes, Cor, trombone
3
2 Cors (duo)
2
Quatuor de Cuivres
2
Trompette, Saxophone (duo)
2
Quatuor de Cuivres : 2 trompettes, trombone, tuba
2
Tuba
1
Quatuor de cuivres: 4 trombones
1
Trompette, Trombone (duo)
1
Trombone
1
Quatuor de cuivres: 4 cors
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Quatuor de cuivres: 4 trompettes
1
+ 17 instrumentations
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Cordes
Violon et Piano
44
Quatuor à cordes: 2 violons, alto, violoncelle
37
Alto, Piano
25
Violon
24
Violoncelle, Piano
22
Harpe
10
2 Violoncelles (duo)
5
Trio à cordes: 3 violins
4
Harpe, Flûte (duo)
4
2 Violons (duo)
4
2 Altos (duo)
3
Trio à Cordes: 2 violons, violoncelle
3
Violoncelle
3
Trio à Cordes: violon, alto, violoncelle
3
2 Harpes (duo)
2
Contrebasse, Piano (duo)
2
Violon, Alto (duo)
2
Violon, Violoncelle (duo)
2
Trio à Cordes: 3 violoncelles
1
Violoncelle , Guitare (duo)
1
Quatuor à cordes: 4 violons
1
4 Violoncelles
1
2 Violons et Basse continue
1
+ 18 instrumentations
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Orchestre & Percussions
Orchestre de chambre
17
Cloches
4
Ensemble de cuivres
2
Orchestre d'harmonie
2
Orchestre
1
Ensemble Jazz
1
Orchestre à Cordes
1
+ 2 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
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CLAIRON
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Mendelssohn: Wedding March for Piano Trio
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Piano Trio: piano, violon, violoncelle
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INTERMÉDIAIRE
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Classique
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Felix Bartholdy Mendelssohn
#
James M
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Mendelssohn: Wedding March for
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jmsgu3
#
SheetMusicPlus
Piano Trio - Level 3 - SKU: A0.549883 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Wedding. 33 pages. J...
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Piano Trio - Level 3 - SKU: A0.549883 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Wedding. 33 pages. Jmsgu3 #3601997. Published by jmsgu3 (A0.549883). Score: 18 pages, piano part: 6 pages, cello part: 4 pages, violin part: 4 pages. duration: ca. 5'. Register for free lifetime updates and revisions of this product at www.jamesguthrie.com This is the famous wedding march from Op. 61 composed in 1842 and commonly performed as a recessional march at the end of a wedding. The piece was originally composed for orchestra, then arranged for organ and performed by Mendelssohn himself. Mendelssohn: Wedding March Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic o.
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