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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
2 Sonata
Non classifié
227
Piano & claviers
Piano seul
212
Orgue
5
2 Pianos, 4 mains
4
1 Piano, 4 mains
3
Piano, Voix
2
Instruments en Do
1
Piano Quatuor: piano, violon, alto, violoncelle
1
Piano Trio: piano, violon, violoncelle
1
Accompagnement Piano
1
Piano, Voix et Guitare
1
Piano Facile
1
Piano Quatuor: piano, 2 violons, violoncelle
1
+ 7 instrumentations
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Guitares
2 Guitares (duo)
63
Guitare
26
Guitare notes et tablatures
9
Piano, Guitare (duo)
2
2 Mandolines (duo)
1
3 Guitares (trio)
1
Ensemble de guitares
1
Ligne De Mélodie, (Paroles) et Accords
1
+ 3 instrumentations
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Voix
Chorale 2 parties
3
Chorale SATB
1
Vents
2 Flûtes traversières (duo)
61
Flûte traversière
53
2 Clarinettes (duo)
37
2 Saxophones (duo)
37
Flûte et Guitare
28
2 Clarinettes, Basson
25
Flûte traversière et Piano
23
3 Clarinettes (trio)
19
Flûte à Bec
16
Clarinette et Piano
16
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
16
Flûte, Clarinette et Basson
15
Flûte, Hautbois, Clarinette (trio)
15
Flûte, Hautbois, Basson
13
Hautbois, Piano (duo)
13
3 Saxophones (trio)
12
2 Hautbois (duo)
12
Saxophone Alto et Piano
12
Saxophone Soprano et Piano
11
Saxophone Tenor et Piano
11
Trio de Flûtes: 3 flûtes
10
Saxophone Baryton, Piano
10
2 Flûte à bec (duo)
9
Flûte traversière, Basse continue
8
Clarinette Basse, Piano
8
Flûte, Clarinette (duo)
8
Flûte, Hautbois, Clarinette, Basson
8
Cor anglais, Piano
7
Hautbois, Basson (duo)
6
Clarinette, Violoncelle (duo)
5
Hautbois, Clarinette (duo)
5
Clarinette et Alto
5
Flûte, Violoncelle
5
Clarinette, Basson (duo)
5
Flûte, Violon et Violoncelle
5
Clarinette
5
Quintette de Saxophone: 5 saxophones
5
Quatuor de Clarinettes: 4 clarinettes
5
Quatuor de Flûtes : 4 flûtes
5
Ensemble de Clarinettes
4
Ensemble de Flûtes
4
Clarinette, Violon (duo)
4
Quatuor de Saxophones: 4 saxophones
4
Flûte, Alto (duo)
3
2 Hautbois et Basson
3
Flûte, Violon
3
2 Flûtes, Basse continue
2
Saxophone Alto
2
Flûte à bec Soprano
2
Flûte, Violon, Piano
2
Quintette de Clarinettes: 5 clarinettes
2
2 Flûtes traversières, Piano
2
Flute, harpe et violon
1
Hautbois, Harpe
1
Cor anglais et Harpe (duo)
1
Flûte à bec Alto, Piano
1
Clarinette, Harpe (duo)
1
Saxophone et Guitare
1
Clarinette, Guitare (duo)
1
Hautbois
1
Flûte, Hautbois, Piano (trio)
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Flûte à bec Alto, Basse continue
1
Cor anglais, Guitare (duo)
1
Flûte, Saxophone (duo)
1
Saxophone Tenor
1
Quintette de Flûte : 5 flûtes
1
Flûte à bec Soprano, Piano
1
Ensemble De Flûte à bec
1
+ 64 instrumentations
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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
37
2 Trompettes (duo)
13
Euphonium, Piano (duo)
13
2 Cors (duo)
12
Quatuor de Cuivres : 2 trompettes, trombone, tuba
11
Trombone et Piano
10
Trompette, Piano
8
Cor anglais, Piano
7
Cor et Piano
5
Trompette
4
2 Trombones (duo)
4
Quatuor de cuivres: 4 trombones
3
Quatuor de Cuivres: 2 trompettes, Cor, trombone
3
Trio de Cuivres
2
Trompette, Trombone (duo)
2
2 Tubas (duo)
2
Cor anglais et Harpe (duo)
1
Euphonium
1
3 Tubas (trio)
1
3 Trompettes (trio)
1
Quatuor de cuivres: 4 trompettes
1
3 Cors (trio)
1
Cor anglais, Guitare (duo)
1
Trombone
1
Ensemble de Trombones
1
Trombone (partie séparée)
1
Cor
1
3 Trombones (trio)
1
Tuba et Piano
1
4 Tubas
1
Trompette, Cor (duo)
1
+ 26 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
99
Violon
77
2 Violons (duo)
57
Trio à Cordes: 2 violons, violoncelle
53
Violon et Piano
37
2 Violoncelles (duo)
26
2 Altos (duo)
21
Alto, Piano
19
Violoncelle, Piano
19
Violon, Alto (duo)
13
Violon, Violoncelle (duo)
13
Violoncelle
12
Trio à Cordes: violon, alto, violoncelle
10
2 Violons et Basse continue
9
Violon, Basson (duo)
5
Alto, Violoncelle (duo)
4
Violon, Basse continue
4
Alto (partie séparée)
3
Quintette à cordes: 2 violons, alto, violoncelle, basse
3
Harpe
3
Harpe, Flûte (duo)
2
Trio à Cordes: 3 violoncelles
2
Trio à Cordes: 2 violons, alto
2
Violoncelle, Basse continue
2
Harpe, Violon (duo)
1
Alto, Guitare (duo)
1
Trio à cordes: 3 altos
1
Trio à cordes: 3 violins
1
Violon (partie séparée)
1
Harpe, Violoncelle (duo)
1
Alto et Harpe
1
Piano Trio: Violon, Alto, Piano
1
2 Contrebasses (duo)
1
4 Violoncelles
1
Alto seul
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Violon, Guitare (duo)
1
+ 32 instrumentations
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Orchestre & Percussions
Orchestre à Cordes
9
Orchestre d'harmonie
6
Ensemble Jazz
3
Orchestre
2
Orchestre de chambre
1
Cloches
1
+ 1 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
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CLOCHES
COR
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CORNET
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EUPHONIUM
FANFARE - BAND…
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FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
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LIVRES
LUTH
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Piano Trio: piano, violon, violoncelle
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Piano Trio in E flat major, Op. 2
#
Piano Trio: piano, violon, violoncelle
#
INTERMÉDIAIRE
#
Classique
#
Ferdinand Ries
#
Dianne James
#
Piano Trio in E flat major, Op
#
Artaria Editions
#
SheetMusicPlus
Piano Trio Cello,Piano,Violin - Level 3 - SKU: A0.1488222 Composed by Ferdinand Ries. Arranged by Dianne James. Classical. 77 pages. Artaria Editions #1...
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Piano Trio Cello,Piano,Violin - Level 3 - SKU: A0.1488222 Composed by Ferdinand Ries. Arranged by Dianne James. Classical. 77 pages. Artaria Editions #1065108. Published by Artaria Editions (A0.1488222). The Piano Trio in E flat, Op.2 was published by Simrock in 1807 with a dedication to Monsieur le Comte de Browne, Brigadeur au Service de S.M.J. de toutes les Russies. It is a generously proportioned work in the usual three movements. The lengthy sonata-from first movement is prefaced by a slow introduction which begins on dominant seventh harmony (a nod perhaps to Beethoven's first symphony), slowly finding its way to the tonic by the start of the Allegro section. The brief development section modulates widely, including references to keys as distant as E minor and C major, while the substantially rewritten and varied recapitulation touches on both B and G majors. The slow movement, Andante un poco Allegretto , is cast in the key of C minor and features many solos and duets for the string instruments as well as further harmonic interest, especially in the central modulating episode from bar 46. The finale is a sonata-rondo design complete with all the usual tricks, including even a remote transposition of the refrain late in the movement to B major, a technique surely learned from Beethoven. The present edition reproduces as faithfully as possible the text of the trio as transmitted in Simrock's edition of the work, a copy of which is preserved in the Staatsbibliothek in Berlin. The piano part is most successfully realised on an instrument extending as far as c4, although since such instruments were by no means standard in the first decade of the 19th century, Ries has notated the part carefully to cater for instruments without an extended treble compass. Any alternative readings have been incorporated into the current edition exactly as they appear in the Simrock print. In an instance such as bars 298-309 of the finale for example, instruments with the extended compass should follow the small print in bars 298 and 309, and in between read the notes an octave higher according to the composer's 8ve marking. Instruments with a limited compass should play the notes as written, without the octave transposition of bars 299-309. The cello part contains several passages written in the treble clef. Evidence that these should sound an octave lower than written is provided by bars 74-80 of the first movement and 85-89 of the finale. In the first instance, awkward octave displacements would result if this passage were played literally; in the second instance, some unacceptable part crossing between violin and cello would result from a literal rendition of these two bars. Accordingly then, all passages written in the treble clef should be transposed down an octave. The style and notation of articulation and dynamic markings have been standardised throughout, and, where missing from the print, markings have been reconstructed from parallel passages. These are indicated by the use of dotted slurs or brackets where appropriate. Obvious wrong notes have been corrected without comment, and editorial emendations with no authority from the print are placed within brackets. Dianne James.
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