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108
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92
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21
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16
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10
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5
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2
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2
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1
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1
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Guitare
7
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6
4 Guitares (Quatuor)
2
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2
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1
Piano, Guitare (duo)
1
+ 1 instrumentations
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38
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5
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5
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3
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2
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1
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1
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1
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1
Voix Tenor
1
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7
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7
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4
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4
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3
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2
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2
Clarinette
2
Saxophone Tenor et Piano
2
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2
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1
4 Hautbois
1
Cor anglais, Piano
1
Ensemble de saxophones
1
Flûte, Violoncelle, Piano (trio)
1
2 Flûtes traversières (duo)
1
Flûte traversière
1
Ensemble de Flûtes
1
Saxophone Alto
1
2 Saxophones (duo)
1
2 Flûtes traversières, Piano
1
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1
Hautbois, Clarinette, Basson (trio d'anches)
1
Saxophone Baryton, Piano
1
Hautbois (partie séparée)
1
+ 22 instrumentations
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15
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5
Trombone (partie séparée)
4
Trompette
3
Quatuor de Cuivres : 2 trompettes, trombone, tuba
3
2 Euphoniums et 2 Tubas
2
Tuba
1
Trombone et Piano
1
Cor anglais, Piano
1
2 Cors (duo)
1
4 Tubas
1
Trompette, Piano
1
Trompette, Trombone (duo)
1
Cor et Piano
1
Trombone
1
+ 10 instrumentations
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Quatuor à cordes: 2 violons, alto, violoncelle
23
Violon et Piano
5
Violon
4
Trio à Cordes: violon, alto, violoncelle
3
Violon, Violoncelle (duo)
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
Violoncelle
2
2 Violons (duo)
1
Violoncelle, Piano
1
Alto (partie séparée)
1
4 Violoncelles
1
Harpe
1
Alto, Piano
1
Violon, Clarinette, Piano (trio)
1
Trio à Cordes: 2 violons, violoncelle
1
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Orchestre
35
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27
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18
Ensemble Jazz
14
Jazz combo
11
Orchestre de chambre
7
Ensemble de cuivres
5
Cloches
2
Batterie
2
Fanfare
1
Orchestre, Violon
1
Vibraphone
1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
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Piano Trio: piano, violon, violoncelle
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2 partitions trouvées
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Londonderry Air for piano trio
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Piano Trio: piano, violon, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Trad
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Klas Krantz
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Londonderry Air for piano trio
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Amadeus Music
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SheetMusicPlus
Piano Trio Cello,Piano,Violin - Level 4 - SKU: A0.532547 Composed by Trad. Arranged by Klas Krantz. Classical,Folk. 7 pages. Amadeus Music #6451829. Pub...
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Piano Trio Cello,Piano,Violin - Level 4 - SKU: A0.532547 Composed by Trad. Arranged by Klas Krantz. Classical,Folk. 7 pages. Amadeus Music #6451829. Published by Amadeus Music (A0.532547). The origin of the tune was for a long time somewhat mysterious, as no other collector of folk tunes encountered it, and all known examples are descended from Ms. Ross’ submission to Petrie’s collection (1855). The title of the air comes from the name of the county located in Northern Ireland. The air was collected by Jane Ross of Limavady, County Londonderry, who heard it played by an itinerant piper or fiddler. The descendants of blind fiddler Jimmy McCurry assert that he is the musician from whom she transcribed the tune but there is no historical evidence to support this speculation. The tune was listed as an anonymous air, with a note attributing its collection to Jane Ross of Londonderry. This led to the descriptive title Londonderry Air being used for the piece.
$8.95
Fauré: Élégie Op. 24 for Piano Trio
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Piano Trio: piano, violon, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Gabriel Faure
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James M
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Fauré: Élé
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jmsgu3
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SheetMusicPlus
Piano Trio - Level 4 - SKU: A0.549721 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. Contemporary,Multicultural,Romantic Period,Standar...
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Piano Trio - Level 4 - SKU: A0.549721 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. Contemporary,Multicultural,Romantic Period,Standards,World. 31 pages. Jmsgu3 #3531323. Published by jmsgu3 (A0.549721). Duration: ca. 7:00, Score: 18 pages, violin: 3 pages, cello: 3 pages, piano: 7 pages. An epic choice for a recital or funeral.Fauré Background: In the first place, Gabriel Fauré 1845 –1924) was a famous French composer, musician, and educator. Furthermore, his musical ideas influenced numerous 20th-century composers. Therefore, historians regard him as one of the leading French composers of his time. Famous Works: Among his most famous compositions, by and large, are the Pavane, Elegie (op. 24), Requiem, Sicilienne, Nocturnes for piano and the songs Après un rêve and Clair de lune. Inasmuch as his early works are well-known and relatively easy to perform, Faure’s music seems to have become gradually more difficult during his later life. In other words, his later works are somewhat esoteric and complex. Early Home Life: Fauré was in fact born into a well-cultivated family. His aptitude for music became particularly clear early on - when he was still a boy. Under these circumstances, his parents sent him to a music institution in Paris. Consequently, the training he received there prepared him for a career as a church organist and choirmaster. Middle Life: It is important to realize that Fauré studied music composition with the French musical mastermind Camille Saint-Saëns, who became his lifelong friend. Fauré eventually graduated from college and earned a living as an organist and educator. During this period, he had, on the whole, little time to compose. He consequently became more successful in his middle age, becoming organist of the Église de la Madeleine and director of the Paris Conservatoire. However, he still needed time on balance for composing. Therefore, given these points, he withdrew to the countryside during the summer to focus on composing. Later Life: Fauré was, in the final analysis, recognized in France as the foremost French composer of his time. The French government held a national musical tribute particularly for him in Paris. The French President notably headed the ceremony. Elsewhere, on the contrary, Fauré's music was slow to become accepted, except of course, in England. Legacy: Historians often describe Fauré's music in general as a transition between the end of Romanticism and the beginning of modernism. As an illustration, when Fauré was born, Chopin was still composing. However, by the time of Fauré's death, jazz and atonal music, in particular, had come to fruition. Fauré, by all means, suffered from increasing deafness in his later years. Some musicologists believe this to be indeed the cause of the esoteric nature of Faure’s final works.
$37.95
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