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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
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UKULELE
VIBRAPHONE
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585
Piano & claviers
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297
Piano, Voix
140
Piano, Voix et Guitare
45
Orgue
28
Instruments en Do
20
Accordéon
7
1 Piano, 4 mains
6
Piano Trio: piano, violon, violoncelle
3
2 Pianos, 4 mains
3
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Clavecin
1
Orgue, Piano (duo)
1
Piano Quatuor: piano, violon, alto, violoncelle
1
2 Pianos, 8 mains
1
+ 9 instrumentations
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Guitares
Guitare
23
Guitare notes et tablatures
18
Basse electrique
7
Ligne De Mélodie, (Paroles) et Accords
5
Guitare, Orchestre
1
Piano, Guitare (duo)
1
2 Guitares (duo)
1
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Voix
Chorale SATB
152
Chorale 3 parties
20
Chorale SSAA
16
Chorale TTBB
15
Voix Soprano, Piano
7
Voix Baryton, Piano
6
Chorale 2 parties
3
Voix Tenor, Piano
3
Voix moyenne, Piano
2
Voix Tenor
2
Voix duo
2
Chorale Unison
2
Voix haute
2
Voix seule
1
+ 9 instrumentations
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Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
65
Ensemble de saxophones
62
Quintette de Saxophone: 5 saxophones
61
Ensemble de Clarinettes
28
Quatuor de Saxophones: 4 saxophones
25
Quatuor de Clarinettes: 4 clarinettes
21
Hautbois, Piano (duo)
21
Flûte traversière et Piano
19
Clarinette et Piano
17
Ensemble de Flûtes
15
Saxophone Alto
15
Clarinette
13
Quintette de Flûte : 5 flûtes
13
Flûte, Hautbois, Clarinette, Basson
13
Saxophone Alto et Piano
11
2 Saxophones (duo)
10
Saxophone Tenor et Piano
10
2 Flûtes traversières (duo)
9
Quatuor de Flûtes : 4 flûtes
8
Saxophone, Clarinette (duo)
5
Quintette de Clarinettes: 5 clarinettes
5
Trio de Flûtes: 3 flûtes
5
Flûte traversière
5
2 Clarinettes (duo)
4
Saxophone Tenor
4
Hautbois (partie séparée)
4
3 Clarinettes (trio)
4
Clarinette, Violon (duo)
3
Flûte, Clarinette (duo)
3
Flûte à Bec
3
Flûte, Alto (duo)
2
Flute (partie séparée)
2
Flûte, Violon
2
Clarinette et Alto
2
Flûte et Guitare
2
Clarinette, Trompette (duo)
2
Hautbois, Clarinette, Basson (trio d'anches)
2
Ensemble De Flûte à bec
2
Saxophone Soprano
1
Flûte à bec Alto, Basse continue
1
Flûte, Saxophone (duo)
1
Saxophone Baryton, Piano
1
2 Hautbois (duo)
1
Flûte, Clarinette et Basson
1
Clarinette, Guitare (duo)
1
Hautbois
1
Hautbois, Clarinette (duo)
1
Hautbois, Basson (duo)
1
3 Saxophones (trio)
1
Hautbois, Guitare (duo)
1
Hautbois, Flûte
1
Flûte, alto et harpe
1
Flûte, Violoncelle
1
+ 48 instrumentations
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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
73
Quatuor de Cuivres : 2 trompettes, trombone, tuba
61
Ensemble de Trombones
26
Quatuor de Cuivres: 2 trompettes, Cor, trombone
19
Quatuor de Cuivres
17
Ensemble de Trompettes
17
Trombone
12
Trompette
10
Trompette, Piano
9
Cor et Piano
9
Trombone et Piano
7
Ensemble de Cors
6
2 Euphoniums et 2 Tubas
4
Trompette (partie séparée)
4
Quatuor de cuivres: 4 cors
4
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
Euphonium, Piano (duo)
3
2 Trombones (duo)
3
Quatuor de cuivres: 4 trombones
2
Cor
2
Trio de Cuivres
2
Trompette, Saxophone (duo)
2
Tuba
2
Trompette, Trombone (duo)
2
Cor, Violoncelle (duo)
1
Tuba et Piano
1
Euphonium, Tuba (duo)
1
Trombone basse
1
Euphonium
1
4 Tubas
1
2 Trompettes (duo)
1
2 Tubas (duo)
1
+ 27 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
94
Violon et Piano
60
Violoncelle, Piano
22
Violon
17
Violon, Violoncelle (duo)
16
Trio à Cordes: violon, alto, violoncelle
16
Alto, Piano
15
Ensemble de Violons
13
Ensemble d'Altos
13
Harpe
10
2 Violons (duo)
7
Trio à Cordes: 2 violons, violoncelle
6
Alto seul
5
2 Violoncelles (duo)
5
Quintette à cordes: 2 violons, 2 altos, violoncelle
4
Quintette à cordes: 2 violons, alto, violoncelle, basse
4
Violon, Alto (duo)
4
Harpe, Violoncelle (duo)
4
Alto et Harpe
4
Violoncelle
4
Harpe, Violon (duo)
3
Harpe, Flûte (duo)
3
Trio à cordes
3
Alto, Orgue
2
Violoncelle, Orgue
2
Harpe, Voix
2
Violon, Guitare (duo)
2
4 Contrebasses
2
Contrebasse, Piano (duo)
1
Trio à Cordes: 2 violons, alto
1
Alto, Guitare (duo)
1
Ensemble de Violoncelles
1
Alto, Violoncelle (duo)
1
Contre Basse
1
2 Harpes (duo)
1
2 Altos (duo)
1
Violon, Tuba (duo)
1
Violoncelle , Guitare (duo)
1
+ 33 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
94
Orchestre
61
Orchestre à Cordes
51
Orchestre de chambre
30
Ensemble Jazz
29
Ensemble de cuivres
28
Jazz combo
12
Cloches
10
Fanfare
5
Batterie
3
Ensemble de Percussions
2
Vibraphone
1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
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Piano Trio: piano, violon, violoncelle
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1
An Elegy for Hopes and Dreams
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Piano Trio: piano, violon, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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William Heath
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An Elegy for Hopes and Dreams
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William Heath
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SheetMusicPlus
Piano Trio Cello,Piano,Violin - Level 4 - SKU: A0.1142148 Composed by William Heath. Classical,Contemporary,Film/TV,Thriller. 19 pages. William Heath #7...
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Piano Trio Cello,Piano,Violin - Level 4 - SKU: A0.1142148 Composed by William Heath. Classical,Contemporary,Film/TV,Thriller. 19 pages. William Heath #742526. Published by William Heath (A0.1142148). A Piano Trio, written for the Leeds University Union Music Society Winter Concert Series. Performed by the Hughes Trio featuring Christopher Hughes (Piano), Amy Howe (Violin), and Nikki Kemp (Cello) Programme Notes: This is a rather melodramatic piece that follows the Five Stages of Grief. I first sketched the piece for string quartet after an absolutely horrific interview at the Royal Northern College of Music. Feeling disheartened and dejected, I got home and messily scribbled on some manuscript paper An Elegy for Hopes and Dreams, and started writing this extremely over-dramatic and self-indulgent piece. I had abandoned this piece for an entire year before reviving it and writing the whole piece in just over a week and a half, now reimagined for Piano Trio. The piece starts with an atonal representation of grief before quickly moving into an upbeat Denial section which features a sort of fragile and manic sense of repression as a theme that initially sounds upbeat quickly unravels with whole-tone scales and chromatic movement. A representation of Anger is then seen with the whole trio playing the same melody with a jarring Bb in the harmony. The denial and anger sections repeat and regress before abruptly moving to a Bargaining section in which the original theme, ominously played in the lower piano and cello registers, is juxtaposed with a conjunct, major variation of the same theme in the violin. The Depression section takes the form of a cello solo as I find it to be one of the most emotive and expressive instruments and I take inspiration from Elgar's Cello Concerto, which I angstily listened to on the flight home from my aforementioned interview. A lilting and lamenting cello solo is contrasted with an atonal, aimless piano accompaniment which reflects the topic of depression. The bargaining theme reprises slightly with both strings performing the major variation before leading to the final climax. The Acceptance section sees the principal theme finally fully resolved in a major mode and with diatonic harmony. This is an expressive section as the whole trio plays the same melody with very simple yet emotive harmonic accompaniment underneath. Here the depression theme pairs with the principal theme coming to a final resolution. For individual parts for performance please contact owhcomposer@gmail.com.
$27.99
Jacques Leguerney: Trio for violin, violoncello and piano
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Piano Trio: piano, violon, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Jacques Leguerney
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Jacques Leguerney: Trio for vi
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano Trio,String Ensemble Cello,Piano,Violin - Level 4 - SKU: A0.533315 Composed by Jacques Leguerney. 20th Century,Standards. Score and parts. 48 page...
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Piano Trio,String Ensemble Cello,Piano,Violin - Level 4 - SKU: A0.533315 Composed by Jacques Leguerney. 20th Century,Standards. Score and parts. 48 pages. Musik Fabrik Music Publishing #2343071. Published by Musik Fabrik Music Publishing (A0.533315). French composer Jacques Leguerney (1906-1997) has been recognized for hisoutstanding oeuvre of songs for voice and piano, mostly composed upon poems of theFrench poets of the Pleiade. After his death, the Leguerney Estate decided to allow thepublication of his instrumental chamber music. These works, many of which werewritten in his early years, are valuable contributions to the French chamber musicrepertoire, representing the 20th century from its early years through World War II.This Trio was composed in 1928, but not performed until December 3, 1932. Therespected French musicians Hortense de Sampigny (violinist) and Jacques Serres(cellist) gave its first and, as far as we know, only performance along withLeguerney’s friend and mentor, Thérèse Cahen, at the piano. The concert includingthis work was organized by the Société Musicale Indépendante at the concert hall ofthe Ecole Normale de Musique in Paris. A review, in the Journal des débâts, reads:“We do not know this composer. Judging from his composition, whose variegatedstyle reminds us of [Cesar] Franck, of Maurice Ravel and of Spanish dances, he mustbe quite young.â€The same month as this performance, Leguerney’s father, Marcel Leguerney, died. Atthis point, he interrupted his musical activity in order to take over his father’s businessto support his mother and sister. He was not able to resume musical composition until1940, when the outbreak of the war led him to close the business.This edition is based upon two autograph manuscript sources of the full score, as wellas copyist’s parts for the violin and ‘cello. His first completed sketch as well as hisfinal copy are in the Leguerney archives. The parts, made by a copyist, were obviouslyused for a performance, and contain suggested phrasing, as well as bowings (whichwe have not reproduced). We surmise that the violin and ’cello parts were used for thefirst performance. We also think that Thérèse Cahen must have kept her piano score,as the copyist's score of it was not found with the other parts.We have added rehearsal numbers, and corrected a few notational mistakes in themanuscript.We would like to thank Jean Libermann, cellist, and Marion Larigaudrie, violinist,for their advice in the preparation of this edition.
$25.95
Fauré: Élégie Op. 24 for Piano Trio
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Piano Trio: piano, violon, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Gabriel Faure
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James M
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Fauré: Élé
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jmsgu3
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SheetMusicPlus
Piano Trio - Level 4 - SKU: A0.549721 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. Contemporary,Multicultural,Romantic Period,Standar...
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Piano Trio - Level 4 - SKU: A0.549721 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. Contemporary,Multicultural,Romantic Period,Standards,World. 31 pages. Jmsgu3 #3531323. Published by jmsgu3 (A0.549721). Duration: ca. 7:00, Score: 18 pages, violin: 3 pages, cello: 3 pages, piano: 7 pages. An epic choice for a recital or funeral.Fauré Background: In the first place, Gabriel Fauré 1845 –1924) was a famous French composer, musician, and educator. Furthermore, his musical ideas influenced numerous 20th-century composers. Therefore, historians regard him as one of the leading French composers of his time. Famous Works: Among his most famous compositions, by and large, are the Pavane, Elegie (op. 24), Requiem, Sicilienne, Nocturnes for piano and the songs Après un rêve and Clair de lune. Inasmuch as his early works are well-known and relatively easy to perform, Faure’s music seems to have become gradually more difficult during his later life. In other words, his later works are somewhat esoteric and complex. Early Home Life: Fauré was in fact born into a well-cultivated family. His aptitude for music became particularly clear early on - when he was still a boy. Under these circumstances, his parents sent him to a music institution in Paris. Consequently, the training he received there prepared him for a career as a church organist and choirmaster. Middle Life: It is important to realize that Fauré studied music composition with the French musical mastermind Camille Saint-Saëns, who became his lifelong friend. Fauré eventually graduated from college and earned a living as an organist and educator. During this period, he had, on the whole, little time to compose. He consequently became more successful in his middle age, becoming organist of the Église de la Madeleine and director of the Paris Conservatoire. However, he still needed time on balance for composing. Therefore, given these points, he withdrew to the countryside during the summer to focus on composing. Later Life: Fauré was, in the final analysis, recognized in France as the foremost French composer of his time. The French government held a national musical tribute particularly for him in Paris. The French President notably headed the ceremony. Elsewhere, on the contrary, Fauré's music was slow to become accepted, except of course, in England. Legacy: Historians often describe Fauré's music in general as a transition between the end of Romanticism and the beginning of modernism. As an illustration, when Fauré was born, Chopin was still composing. However, by the time of Fauré's death, jazz and atonal music, in particular, had come to fruition. Fauré, by all means, suffered from increasing deafness in his later years. Some musicologists believe this to be indeed the cause of the esoteric nature of Faure’s final works.
$37.95
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