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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
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PIANO
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SYNTHETISEUR
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VIBRAPHONE
VIOLON
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XYLOPHONE
keyboard
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414
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Piano seul
356
Clavecin
15
Piano, Voix
12
Orgue
9
Clavier
6
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5
1 Piano, 4 mains
5
2 Pianos, 4 mains
4
Orgue, Piano (duo)
3
Accordéon et Orchestre
2
Piano, Voix et Guitare
2
Accordéon
1
Piano Trio: piano, violon, violoncelle
1
Piano Quatuor: piano, 2 violons, violoncelle
1
+ 9 instrumentations
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Guitares
2 Guitares (duo)
4
Guitare notes et tablatures
2
Guitare
1
Voix
Chorale SATB
18
Chorale 3 parties
2
Voix basse, Piano
1
Chorale 2 parties
1
Voix haute
1
Vents
Saxophone Alto et Piano
15
Quatuor de Clarinettes: 4 clarinettes
7
Flûte traversière
5
Quatuor de Saxophones: 4 saxophones
4
Flûte, Hautbois, Clarinette, Basson
4
Flûte traversière et Piano
2
Saxophone Soprano et Piano
2
3 Clarinettes (trio)
2
2 Saxophones (duo)
2
Clarinette et Piano
2
Clarinette
2
Saxophone Alto
1
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
1
Cor anglais, Piano
1
Flûte, Violon, Piano
1
Cor Anglais
1
Hautbois (partie séparée)
1
Saxophone Soprano
1
+ 13 instrumentations
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Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba
15
Trombone
10
2 Trompettes, Clavier (piano ou orgue)
10
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
5
Tuba
5
Euphonium
4
Trombone basse
3
Trompette, Piano
3
Trompette
3
Quatuor de cuivres: 4 trombones
1
Quatuor de cuivres: 4 trompettes
1
Trombone et Piano
1
3 Trombones (trio)
1
3 Tubas (trio)
1
Trompette (partie séparée)
1
Cor anglais, Piano
1
2 Trompettes (duo)
1
Cor
1
Cor Anglais
1
Quatuor de Cuivres
1
Ensemble de Trombones
1
2 Trombones (duo)
1
+ 17 instrumentations
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Cordes
Violon
10
Quatuor à cordes: 2 violons, alto, violoncelle
9
Violoncelle, Piano
9
Violon et Piano
5
Violon, Violoncelle (duo)
2
Violoncelle
2
Alto, Piano
2
Alto seul
2
Trio à Cordes: 3 violoncelles
1
2 Violoncelles (duo)
1
2 Altos (duo)
1
2 Violons (duo)
1
Violon, Alto (duo)
1
Trio à cordes: 3 violins
1
+ 9 instrumentations
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Orchestre
37
Ensemble Jazz
17
Ensemble de cuivres
9
Ensemble de Percussions
6
Big band
6
Cloches
6
Orchestre de chambre
5
Orchestre d'harmonie
5
Orchestre à Cordes
4
Jazz combo
3
Batterie
2
Fanfare
1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
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FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
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GUITARE LAP ST…
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Piano Trio: piano, violon, violoncelle
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Piano Trio
#
Piano Trio: piano, violon, violoncelle
#
AVANCÉ
#
Contemporain
#
Colin Bayliss
#
Piano Trio
#
Colin Bayliss
#
SheetMusicPlus
Piano Trio,String Ensemble Cello,Piano,Violin - Level 5 - SKU: A0.938413 Composed by Colin Bayliss. 20th Century,Contemporary. Score and parts. 59 pages...
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Piano Trio,String Ensemble Cello,Piano,Violin - Level 5 - SKU: A0.938413 Composed by Colin Bayliss. 20th Century,Contemporary. Score and parts. 59 pages. Colin Bayliss #9995. Published by Colin Bayliss (A0.938413). Piano Trio (B44) was written in the spring of 1991 for David Johnson and the trio which he was forming in Cologne. The work is in three movements:-1. Structures The three instruments build differing structural patterns based on a 12-note row. The violin and 'cello often complement each other, but the piano rarely joins them and tries to pull the music towards a diatonic tonal language, eventually succeeding to end in G major. The movement is in arch form, the second half being based on the retrogrades of the note row. 2. Textures Most forms of sound textures are used, including col legno and sul ponticello for the strings, while the piano occasionally employs soft-headed timpani sticks both on the keyboard and the interior of the instrument. Again the movement is in arch form, with a central section incorporating a miniature scherzo, with a trio section parodying the palm court trio style with a tune of sickly sentimentality. [ This movement may be played separately under the title Einer Kleiner Alptraum - A Little Night... mare] 3. Metamorphoses The notes which will eventually become a Scottish folk tune are hidden either in the repeated notes or in the left hand of the piano, either singly or in harmony. After a neo- classical exposition, using a serial melody, progress is quickly halted by the use of some of the notes of the folk tune being arranged into the theme of Weber's Turandot which was used by Hindemith in his Symphonic Metamorphoses . This pulls the music into a slightly more tonal frame work which becomes more pronounced after a reference to the theme of the slow movement of the Eroica symphony used in Richard Strauss' Metamorphosen. From then onwards, tonality, or rather modality, is established and the folk tune style is maintained with simplicity to the end, except for a miniscule coda reminiscent of the opening of the movement. The sound sample is a performance of the second movement Textures.
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