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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
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181
PIANO & CLAVIERS
Piano seul
61
Orgue
25
Piano, Voix
13
Piano Facile
9
1 Piano, 4 mains
5
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4
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3
Piano Trio: piano, violon, violoncelle
3
Piano Quintette: piano, 2 violons, alto, violoncelle
2
2 Pianos, 4 mains
2
Piano Quatuor: piano, 2 violons, violoncelle
1
Accompagnement Piano
1
Piano Quatuor: piano, violon, alto, violoncelle
1
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Guitare notes et tablatures
4
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1
VOIX
Chorale SATB
53
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14
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12
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9
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7
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5
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5
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3
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2
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1
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1
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1
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1
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VENTS
Ensemble de saxophones
24
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13
Saxophone Tenor et Piano
12
Flûte traversière et Piano
12
Saxophone Soprano et Piano
11
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10
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9
Clarinette
9
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8
Clarinette et Piano
8
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6
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6
Quatuor de Flûtes : 4 flûtes
5
2 Saxophones (duo)
5
Saxophone Baryton, Piano
5
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5
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5
Flûte, Hautbois, Clarinette, Basson
5
Quatuor de Clarinettes: 4 clarinettes
5
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4
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3
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3
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3
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3
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2
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2
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2
Piccolo, Piano
2
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2
3 Clarinettes (trio)
2
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1
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1
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1
Flûte à bec Alto
1
5 Flûtes à bec
1
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1
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1
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1
3 Hautbois
1
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
14
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13
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11
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9
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Trompette
6
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5
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5
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4
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4
Quatuor de cuivres: 4 trombones
4
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4
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3
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2
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2
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2
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2
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1
2 Trompettes (duo)
1
4 Tubas
1
2 Trombones (duo)
1
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1
2 Trombones, Piano
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Trombone
1
Cor
1
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1
Quatuor de cuivres: 4 trompettes
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
19
Violon et Piano
13
Violoncelle, Piano
11
Alto, Piano
7
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6
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4
Violon
4
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Violoncelle, Orgue
2
Piano Trio: Violon, Alto, Piano
2
2 Violoncelles (duo)
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
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2 Violons (duo)
2
4 Violoncelles
2
Harpe, Flûte (duo)
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Violoncelle (partie séparée)
1
Trio à cordes
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Ensemble d'Altos
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Violoncelle
1
Alto, Violoncelle (duo)
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Ensemble de Violoncelles
1
Ensemble de Violons
1
Quatuor à cordes: 4 violons
1
Violon, Alto (duo)
1
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PERCUSSIONS & ORCHESTRES
Orchestre de chambre
17
Orchestre à Cordes
8
Orchestre
7
Ensemble de cuivres
3
Orchestre d'harmonie
3
Cloches
2
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AUTRES
Vous avez sélectionné:
Mozart Christian
Piano Trio: piano, violon, violoncelle
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Jesus Loves Me with Mozart (Violin/Cello/Piano)
Piano Trio: piano, violon, violoncelle
Composed by William B. Bradbury. Arranged by Grace Kim. Classical Period, Christian, Sa…
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Composed by William B. Bradbury. Arranged by Grace Kim. Classical Period, Christian, Sacred, Praise and Worship. Score. 15 pages. Published by Encore Music
$14.99
13.8 €
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Piano Trio: piano, violon, violoncelle
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William B
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Grace Kim
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Jesus Loves Me with Mozart
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Encore Music
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SheetMusicPlus
Mendelssohn: Wedding March for Piano Trio
Piano Trio: piano, violon, violoncelle
Piano Trio - Level 3 - Digital Download SKU: A0.549883 Composed by Felix Bartholdy …
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Piano Trio - Level 3 - Digital Download SKU: A0.549883 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Wedding. 33 pages. Jmsgu3 #3601997. Published by jmsgu3 (A0.549883). Score: 18 pages, piano part: 6 pages, cello part: 4 pages, violin part: 4 pages. duration: ca. 5'. Register for free lifetime updates and revisions of this product at www.jamesguthrie.com This is the famous wedding march from Op. 61 composed in 1842 and commonly performed as a recessional march at the end of a wedding. The piece was originally composed for orchestra, then arranged for organ and performed by Mendelssohn himself. Mendelssohn: Wedding March Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic o.
$36.95
34.01 €
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Piano Trio: piano, violon, violoncelle
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Wedding March for Piano Trio
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jmsgu3
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SheetMusicPlus
Playing Together: Piano Trios for the Advancing Pianist
Piano Trio: piano, violon, violoncelle
Piano Trio,String Ensemble Cello,Piano,Violin - Level 4 - Digital Download SKU: A0.9454…
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Piano Trio,String Ensemble Cello,Piano,Violin - Level 4 - Digital Download SKU: A0.945465 Composed by Anonymous, C.M. Von Weber, Christian Petzold, J.P. Rameau, Johann Friedrich Burgmuller, Johann Sebastian Bach, Robert Schumann, Stephen Heller, Thomas Attwood, and Wolfgang Amadeus Mozart. Arranged by Kiyoshi Tamagawa. Baroque,Classical,Romantic Period. Score and parts. 57 pages. Mastery for Strings Press #5999949. Published by Mastery for Strings Press (A0.945465). Developed by Kiyoshi Tamagawa in chamber music workshops with younger pianists, Playing Together presents twelve standard works of keyboard literature for the intermediate to early advanced student combined with added violin and cello parts of moderate difficulty. The piano student who plays these arrangements with the aid of careful coaching will:1. Gain an introduction to the art of chamber music2. Learn basic ensemble and rehearsal skills3. Experience pieces he or she already knows in a new way4. Have fun making music with othersThe string parts occasionally extend beyond the first position; the violin to third position (in the Attwood Sonatina) and the cello to fourth (in the Musette, Attwood Sonatina, Bach G minor Minuet, Heller L’Avalanche, and both Petzold Minuets). String students who have not yet studied beyond first position may need to transpose occasional notes or passages an octave downward. More advanced players may of course elect to take even lower passages in alternate positions for musical reasons.
$11.99
11.04 €
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Piano Trio: piano, violon, violoncelle
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Anonymous, C
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Kiyoshi Tamagawa
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Playing Together: Piano Trios for the Advancing Pianist
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Mastery for Strings Press
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SheetMusicPlus
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