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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
By Nat Bach
Non classifié
526
Piano & claviers
Piano seul
364
Orgue
92
Piano Facile
43
Piano, Voix
41
1 Piano, 4 mains
18
Piano, Voix et Guitare
15
Instruments en Do
8
Clavecin
6
2 Pianos, 4 mains
5
Accordéon
4
Instrument seul et Orgue
3
Accompagnement Piano
3
Piano Quatuor: piano, violon, alto, violoncelle
2
Piano Trio: piano, violon, violoncelle
2
Orgue, Piano (duo)
1
Orgue, Trompette (duo)
1
+ 11 instrumentations
Retracter
Guitares
Guitare
57
Guitare notes et tablatures
21
3 Guitares (trio)
13
Piano, Guitare (duo)
6
2 Guitares (duo)
4
Ligne De Mélodie, (Paroles) et Accords
4
Mandoline
3
Banjo
2
Dulcimer
1
Mandoline, Piano (duo)
1
Orchestre à Plectres
1
Guitare, Violon, Violoncelle (trio)
1
Basse electrique
1
+ 8 instrumentations
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Voix
Chorale SATB
62
Chorale 3 parties
10
Chorale 2 parties
5
Voix Soprano, Piano
5
Chorale TTBB
5
Chorale SSAA
3
Voix Alto, Piano
2
Chorale Unison
2
Voix basse, Piano
2
Chorale SSATB
2
Voix duo
1
Voix moyenne, Piano
1
Voix haute
1
+ 8 instrumentations
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Vents
Flûte traversière et Piano
127
Flûte traversière
100
Clarinette et Piano
54
Saxophone Alto et Piano
39
Hautbois, Piano (duo)
38
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
38
Saxophone Soprano et Piano
31
Saxophone Tenor et Piano
28
2 Saxophones (duo)
28
Quatuor de Saxophones: 4 saxophones
25
Flûte et Guitare
23
Saxophone Baryton, Piano
20
3 Saxophones (trio)
18
Clarinette
15
3 Flûtes à bec (trio)
14
Clarinette Basse, Piano
14
Quatuor de Clarinettes: 4 clarinettes
14
2 Flûtes traversières (duo)
14
3 Clarinettes (trio)
13
Flûte, Hautbois, Clarinette, Basson
13
Flûte à Bec
12
Trio de Flûtes: 3 flûtes
9
Quintette de Clarinette: Clarinette, Quatuor à Cordes
8
2 Clarinettes (duo)
8
2 Hautbois (duo)
8
Cor anglais, Piano
7
Saxophone Alto
7
Saxophone
6
Quatuor de Flûtes : 4 flûtes
6
Hautbois (partie séparée)
5
2 Flûte à bec (duo)
5
Quintette de Clarinettes: 5 clarinettes
5
Clarinette (partie séparée)
4
Flûte, Hautbois, Clarinette (trio)
4
Saxophone, Clarinette (duo)
3
Quintette de Saxophone: 5 saxophones
3
Piccolo, Piano
3
Flûte à bec Alto, Piano
3
Flûte traversière, Basse continue
3
Ensemble de Clarinettes
3
Flute (partie séparée)
3
Clarinette, Violon (duo)
3
Clarinette, Trompette (duo)
2
Flûte, Violoncelle
2
Clarinette, Guitare (duo)
2
Flûte, Trombone (duo)
2
Hautbois, Clarinette (duo)
2
Flûte, Hautbois, Piano (trio)
2
Saxophone (partie séparée)
2
Flûte, Violon
2
Hautbois, Basson (duo)
2
Instruments en Mib
2
Flute, harpe et violon
2
Clarinette, Violoncelle (duo)
2
Flûte, Basson et Piano
2
Flûte à bec Alto
2
Hautbois, Flûte
2
Ensemble De Flûte à bec
1
Flûte, Hautbois (duo)
1
Flûte, Hautbois, Basson
1
Flûte, Violoncelle, Piano (trio)
1
Clarinette, trompette et piano
1
4 Hautbois
1
Quintette de Flûte : 5 flûtes
1
Flûte à bec Tenor
1
2 Flûtes traversières, Piano
1
Flûte, Violon, Piano
1
Flûte traversière, Orgue (duo)
1
Hautbois, Violoncelle
1
Harmonica
1
Flûte à bec Alto, Basse continue
1
Clarinette, Basson (duo)
1
Flûte, Clarinette (duo)
1
Quatuor de Flûtes à bec
1
Flûte, Alto et Piano
1
Saxophone et Guitare
1
Flûte, Saxophone (duo)
1
Flûte, Clarinette, Piano (trio)
1
Flûte, Violon, Guitare
1
Flûte à Bec, Piano
1
Ensemble de Flûtes
1
Flûte, Alto (duo)
1
Clarinette et Alto
1
Flûte, Trompette (duo)
1
Flûte, Clarinette et Basson
1
Hautbois, Clarinette et Piano (Trio)
1
+ 81 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
48
Ensemble de Trompettes
26
Trombone et Piano
22
Euphonium, Piano (duo)
22
Cor et Piano
16
Trompette
10
2 Trombones (duo)
10
Trompette, Piano
10
2 Trompettes (duo)
8
Tuba et Piano
8
Quatuor de Cuivres : 2 trompettes, trombone, tuba
7
Trombone
7
Cor anglais, Piano
7
Quatuor de cuivres: 4 trombones
6
Ensemble de Trombones
5
Tuba
5
Trio de Cuivres
5
Cor
4
2 Cors (duo)
4
Quatuor de Cuivres
4
Quatuor de cuivres: 4 cors
4
Quatuor de Cuivres: 2 trompettes, Cor, trombone
3
Trompette (partie séparée)
3
2 Tubas (duo)
2
Trompette, Saxophone (duo)
2
Instruments en Sib
2
2 Euphoniums et 2 Tubas
2
Bass Clef Instruments
2
Trompette, Trombone (duo)
1
Cor, Violoncelle (duo)
1
Cor et Basson (duo)
1
Trompette, Basson (duo)
1
Quatuor de cuivres: 4 trompettes
1
Euphonium, Tuba (duo)
1
Euphonium
1
Trombone basse et Piano
1
Trompette, Violoncelle (duo)
1
Ensemble de Cors
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
+ 34 instrumentations
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Cordes
Violon et Piano
94
Quatuor à cordes: 2 violons, alto, violoncelle
83
Violon
78
Violoncelle, Piano
52
Alto, Piano
52
Trio à Cordes: violon, alto, violoncelle
33
2 Violons (duo)
18
Harpe
18
Violoncelle
16
Violon, Violoncelle (duo)
13
2 Violoncelles (duo)
13
Harpe, Flûte (duo)
10
Violon, Alto (duo)
8
Violon (partie séparée)
8
Alto seul
8
2 Altos (duo)
7
Trio à Cordes: 2 violons, violoncelle
7
Alto, Violoncelle (duo)
5
Trio à cordes: 3 violins
4
Contrebasse, Piano (duo)
4
4 Violoncelles
3
Trio à Cordes: 3 violoncelles
2
Alto (partie séparée)
2
2 Harpes (duo)
2
Quatuor à cordes: 4 violons
2
2 Violons et Basse continue
1
Alto et Basson
1
Violon, Guitare (duo)
1
Violon, Basson (duo)
1
2 Violons, Piano
1
Trio à cordes
1
Violoncelle, Basse continue
1
Violoncelle , Guitare (duo)
1
Contre Basse
1
+ 29 instrumentations
Retracter
Orchestre & Percussions
Orchestre de chambre
31
Orchestre à Cordes
23
Ensemble de cuivres
21
Cloches
8
Ensemble Jazz
7
Orchestre d'harmonie
5
Orchestre
3
2 Xylophones
2
Fanfare
2
Batterie
1
Jazz combo
1
+ 6 instrumentations
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Autres
Instruments
ACCORDEON
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DOBRO - GUI…
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FLUTE A DIX…
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HARPE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
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FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
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GUITARE LAP ST…
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HARPE
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LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
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By Nat Bach
Piano Trio: piano, violon, violoncelle
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Playing Together: Piano Trios for the Advancing Pianist
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Piano Trio: piano, violon, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Anonymous, C
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Kiyoshi Tamagawa
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Playing Together: Piano Trios
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Mastery for Strings Press
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SheetMusicPlus
Piano Trio,String Ensemble Cello,Piano,Violin - Level 4 - SKU: A0.945465 Composed by Anonymous, C.M. Von Weber, Christian Petzold, J.P. Rameau, Johann F...
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Piano Trio,String Ensemble Cello,Piano,Violin - Level 4 - SKU: A0.945465 Composed by Anonymous, C.M. Von Weber, Christian Petzold, J.P. Rameau, Johann Friedrich Burgmuller, Johann Sebastian Bach, Robert Schumann, Stephen Heller, Thomas Attwood, and Wolfgang Amadeus Mozart. Arranged by Kiyoshi Tamagawa. Baroque,Classical,Romantic Period. Score and parts. 57 pages. Mastery for Strings Press #5999949. Published by Mastery for Strings Press (A0.945465). Developed by Kiyoshi Tamagawa in chamber music workshops with younger pianists, Playing Together presents twelve standard works of keyboard literature for the intermediate to early advanced student combined with added violin and cello parts of moderate difficulty. The piano student who plays these arrangements with the aid of careful coaching will:1. Gain an introduction to the art of chamber music2. Learn basic ensemble and rehearsal skills3. Experience pieces he or she already knows in a new way4. Have fun making music with othersThe string parts occasionally extend beyond the first position; the violin to third position (in the Attwood Sonatina) and the cello to fourth (in the Musette, Attwood Sonatina, Bach G minor Minuet, Heller L’Avalanche, and both Petzold Minuets). String students who have not yet studied beyond first position may need to transpose occasional notes or passages an octave downward. More advanced players may of course elect to take even lower passages in alternate positions for musical reasons.
$11.99
Mendelssohn: Wedding March for Piano Trio
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Piano Trio: piano, violon, violoncelle
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INTERMÉDIAIRE
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Classique
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Wedding March for
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jmsgu3
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SheetMusicPlus
Piano Trio - Level 3 - SKU: A0.549883 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Wedding. 33 pages. J...
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Piano Trio - Level 3 - SKU: A0.549883 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Wedding. 33 pages. Jmsgu3 #3601997. Published by jmsgu3 (A0.549883). Score: 18 pages, piano part: 6 pages, cello part: 4 pages, violin part: 4 pages. duration: ca. 5'. Register for free lifetime updates and revisions of this product at www.jamesguthrie.com This is the famous wedding march from Op. 61 composed in 1842 and commonly performed as a recessional march at the end of a wedding. The piece was originally composed for orchestra, then arranged for organ and performed by Mendelssohn himself. Mendelssohn: Wedding March Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic o.
$36.95
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