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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
18 Pieces
Non classifié
138
Piano & claviers
Piano seul
140
Piano Facile
15
Piano, Voix
13
Orgue
8
Piano Trio: piano, violon, violoncelle
2
1 Piano, 4 mains
2
Orgue, Piano (duo)
1
Accompagnement Piano
1
2 Pianos, 4 mains
1
+ 4 instrumentations
Retracter
Guitares
Piano, Guitare (duo)
36
2 Guitares (duo)
26
Guitare
24
Guitare notes et tablatures
6
Ukulele Baryton
3
4 Guitares (Quatuor)
1
+ 1 instrumentations
Retracter
Voix
Chorale SATB
6
Chorale Unison
3
Chorale 3 parties
1
Chorale 2 parties
1
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
23
Ensemble De Flûte à bec
18
Quatuor de Saxophones: 4 saxophones
11
2 Saxophones (duo)
10
Saxophone Alto et Piano
10
Clarinette et Piano
9
2 Flûtes traversières (duo)
9
2 Clarinettes (duo)
8
Flûte traversière et Piano
8
Quatuor de Clarinettes: 4 clarinettes
7
Saxophone Tenor et Piano
6
Saxophone Soprano et Piano
5
Quintette de Flûte : 5 flûtes
4
Hautbois, Piano (duo)
4
Quintette de Clarinettes: 5 clarinettes
4
2 Hautbois (duo)
4
Saxophone Baryton, Piano
3
Quatuor de Flûtes : 4 flûtes
3
3 Saxophones (trio)
3
Saxophone, Clarinette (duo)
3
Flûte, Hautbois, Clarinette, Basson
3
Hautbois, Basson (duo)
3
Ensemble de Clarinettes
3
Clarinette Basse, Piano
2
3 Clarinettes (trio)
2
Quintette de Saxophone: 5 saxophones
2
Clarinette, Trompette (duo)
2
Cor anglais, Piano
2
Clarinette
2
2 Flûte à bec (duo)
2
Ensemble de Flûtes
2
Trio de Flûtes: 3 flûtes
2
Flûte à Bec, Piano
1
Flûte, Trompette (duo)
1
Flûte à bec Tenor
1
2 Flûtes traversières, Piano
1
Flûte traversière
1
Flûte, Clarinette et Basson
1
Flûte, Alto (duo)
1
2 Cors Anglais Et Pianoforte
1
Flûte et Guitare
1
Flûte, Harpe et Violoncelle
1
Flûte, Saxophone (duo)
1
Flûte, Hautbois, Clarinette (trio)
1
Hautbois, Flûte
1
Flûte à bec Soprano
1
Flûte à bec Alto, Piano
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Clarinette, Violon (duo)
1
Piccolo, Piano
1
Flûte, Violon et Violoncelle
1
Flûte, Clarinette (duo)
1
Quatuor de Flûtes à bec
1
Flûte à bec Soprano, Piano
1
+ 49 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
14
Quatuor de Cuivres : 2 trompettes, trombone, tuba
11
Trombone et Piano
5
2 Trombones (duo)
5
Ensemble de Trombones
4
Trompette, Piano
4
Quatuor de cuivres: 4 cors
4
2 Euphoniums (duo)
3
2 Cors (duo)
3
Trompette
3
2 Trompettes (duo)
3
Trompette, Saxophone (duo)
2
Tuba et Piano
2
Ensemble de Trompettes
2
Cor anglais, Piano
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
Quatuor de cuivres: 4 trombones
2
2 Tubas (duo)
1
2 Cors Anglais Et Pianoforte
1
Cor et Piano
1
Trombone
1
Euphonium, Piano (duo)
1
Trombone basse et Piano
1
+ 18 instrumentations
Retracter
Cordes
Violon et Piano
45
Quatuor à cordes: 2 violons, alto, violoncelle
24
Alto, Piano
10
Violoncelle, Piano
10
Harpe
8
Trio à Cordes: violon, alto, violoncelle
6
Violoncelle
5
2 Violoncelles (duo)
4
Violon, Violoncelle (duo)
3
Violon
3
2 Altos (duo)
3
Quintette à cordes: 2 violons, alto, violoncelle, basse
3
Ensemble de Violons
2
4 Violoncelles
2
Violon, Guitare (duo)
2
2 Violons (duo)
2
Violon, Alto (duo)
2
Contrebasse, Piano (duo)
1
Violoncelle , Guitare (duo)
1
2 Contrebasses (duo)
1
Alto, Violoncelle (duo)
1
Harpe, Flûte (duo)
1
Trio à Cordes: 3 violoncelles
1
+ 18 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
15
Orchestre
8
Orchestre de chambre
4
Orchestre d'harmonie
3
Ensemble Jazz
3
Ensemble de cuivres
2
Ensemble de Percussions
2
Marimba
2
2 Marimbas
1
Fanfare
1
Xylophone, Piano
1
+ 6 instrumentations
Retracter
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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Crtitères actifs :
18 Pieces
Piano Trio: piano, violon, violoncelle
Partitions à imprimer
2 partitions trouvées
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Feeling Great! 18 pieces for intermediate Violin, Cello & Piano
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Piano Trio: piano, violon, violoncelle
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FACILE
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Barbara Arens
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Barbara Arens
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Feeling Great! 18 pieces for i
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Barbara Arens
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SheetMusicPlus
Instrumental Duet,Piano Cello,Instrumental Duet,Piano,Violin - Level 2 - SKU: A0.1471996 By Barbara Arens. By Barbara Arens. Arranged by Barbara Arens. ...
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Instrumental Duet,Piano Cello,Instrumental Duet,Piano,Violin - Level 2 - SKU: A0.1471996 By Barbara Arens. By Barbara Arens. Arranged by Barbara Arens. 21st Century,Celtic,Chamber,Contemporary,Instructional,Irish. 122 pages. Barbara Arens #1049692. Published by Barbara Arens (A0.1471996). I've been hearing from music-teacher colleagues from all over the world that there is a real need for fun, contemporary, and readily playable literature for students who want to start playing chamber music. As I know from my own students, the beautifully written pieces by Julius Klengel are simply too difficult. So this is what I've come up with - 18 extremely varied pieces for Early intermediate/Intermediate Grade 2-4 music students. The strings have some pieces where glissandi, extended pizzicato, seagull effect, and percussion (!) are required; the piano accompaniments are kept as simple as possible, but should be quite a lot of fun! The string parts have been vetted by violin and cello teachers who have added bowing suggestions.Comments, explanations & texts are in English and GermanPlease note: these are all 3 parts: Piano Score, Violin & Cello Parts8 of the pieces can be heard on Youtube.
$24.99
Mendelssohn: Wedding March for Piano Trio
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Piano Trio: piano, violon, violoncelle
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INTERMÉDIAIRE
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Classique
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Wedding March for
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jmsgu3
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SheetMusicPlus
Piano Trio - Level 3 - SKU: A0.549883 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Wedding. 33 pages. J...
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Piano Trio - Level 3 - SKU: A0.549883 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Wedding. 33 pages. Jmsgu3 #3601997. Published by jmsgu3 (A0.549883). Score: 18 pages, piano part: 6 pages, cello part: 4 pages, violin part: 4 pages. duration: ca. 5'. Register for free lifetime updates and revisions of this product at www.jamesguthrie.com This is the famous wedding march from Op. 61 composed in 1842 and commonly performed as a recessional march at the end of a wedding. The piece was originally composed for orchestra, then arranged for organ and performed by Mendelssohn himself. Mendelssohn: Wedding March Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic o.
$36.95
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