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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
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FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
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534
Piano & claviers
Piano seul
523
Piano Facile
89
Piano, Voix
44
Orgue
23
Piano, Voix et Guitare
14
1 Piano, 4 mains
13
Instruments en Do
8
2 Pianos, 4 mains
6
Orgue, Piano (duo)
4
Piano Quatuor: piano, violon, alto, violoncelle
4
Accompagnement Piano
2
Piano Trio: piano, violon, violoncelle
2
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Clavecin
1
+ 9 instrumentations
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Guitares
Piano, Guitare (duo)
112
Guitare
48
Guitare notes et tablatures
12
Ligne De Mélodie, (Paroles) et Accords
5
Banjo
2
Mandoline
1
+ 1 instrumentations
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Voix
Chorale SATB
80
Chorale 3 parties
15
Chorale 2 parties
7
Chorale TTBB
4
Chorale Unison
3
Chorale SSAA
3
Voix duo
2
Voix duo, Piano
2
Voix Soprano, Piano
2
Voix Tenor, Piano
1
Voix haute
1
Chorale SSATTB
1
Voix Baryton, Piano
1
Voix Alto, Piano
1
+ 9 instrumentations
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Vents
Hautbois, Piano (duo)
245
Flûte traversière et Piano
236
Clarinette et Piano
233
Saxophone Alto et Piano
193
Saxophone Tenor et Piano
136
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
114
2 Saxophones (duo)
46
Quatuor de Clarinettes: 4 clarinettes
36
Quatuor de Saxophones: 4 saxophones
32
2 Flûtes traversières (duo)
29
Cor anglais, Piano
28
2 Clarinettes (duo)
24
Clarinette
24
Quintette de Flûte : 5 flûtes
22
Flûte traversière
22
Quatuor de Flûtes : 4 flûtes
21
Saxophone Soprano et Piano
20
2 Hautbois (duo)
19
Flûte, Hautbois, Clarinette, Basson
16
Ensemble de Clarinettes
16
Hautbois, Clarinette, Basson (trio d'anches)
16
Quintette de Clarinettes: 5 clarinettes
16
Hautbois (partie séparée)
15
Quintette de Saxophone: 5 saxophones
14
3 Clarinettes (trio)
10
Saxophone Baryton, Piano
10
Flûte, Clarinette et Basson
9
Flûte, Clarinette (duo)
8
Saxophone, Clarinette (duo)
6
2 Flûte à bec (duo)
6
Ensemble de Flûtes
6
Saxophone Alto
5
Clarinette, Harpe (duo)
5
Clarinette, Trompette (duo)
4
Clarinette, Violon (duo)
4
Flûte et Guitare
4
Clarinette Basse, Piano
4
Saxophone Tenor
4
Flûte, Alto (duo)
4
Hautbois, Basson (duo)
3
Flûte, Violon
3
3 Saxophones (trio)
3
2 Cors Anglais Et Pianoforte
2
Flûte à bec Soprano, Piano
2
Clarinette et Alto
2
Saxophone (partie séparée)
2
Flûte, Violon, Piano
2
Flûte, Saxophone (duo)
2
Hautbois, Clarinette (duo)
2
Ensemble de saxophones
2
Clarinette, Guitare (duo)
2
Hautbois, Flûte
2
Clarinette, Basson (duo)
1
Saxophone et Orgue
1
Flûte, Clarinette, Piano (trio)
1
Clarinette, Trombone (duo)
1
Flûte, Trompette (duo)
1
Flûte à bec Alto, Piano
1
Flûte, Hautbois, Basson
1
Harmonica
1
Flûte, Violon, Violoncelle et Piano
1
Trio de Flûtes: 3 flûtes
1
Flûte, Violoncelle
1
2 Flûtes traversières, Piano
1
Flûte à bec Soprano
1
Piccolo, Piano
1
Flûte et Quatuor à Cordes
1
+ 62 instrumentations
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Trombone et Piano
159
Trompette
94
Trompette, Piano
68
Quatuor de Cuivres : 2 trompettes, trombone, tuba
30
Cor anglais, Piano
28
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
22
Trombone
13
Euphonium, Piano (duo)
10
Cor et Piano
10
Trompette (partie séparée)
10
Quatuor de cuivres: 4 cors
7
2 Trombones (duo)
5
2 Trompettes (duo)
5
Trompette, Saxophone (duo)
4
Quatuor de cuivres: 4 trombones
3
2 Cors Anglais Et Pianoforte
2
Ensemble de Trompettes
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
Ensemble de Trombones
2
Trompette, Trombone (duo)
2
Ensemble de Cors
1
Quatuor de cuivres: 4 trompettes
1
Trompette, Basson (duo)
1
Cor
1
2 Euphoniums (duo)
1
Trio de Cuivres
1
+ 21 instrumentations
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Cordes
Alto, Piano
185
Violon et Piano
182
Violoncelle, Piano
170
Quatuor à cordes: 2 violons, alto, violoncelle
76
Harpe
25
Violon
23
Violoncelle
20
Trio à Cordes: violon, alto, violoncelle
10
Alto (partie séparée)
8
Alto seul
7
2 Violoncelles (duo)
5
Violon, Violoncelle (duo)
5
Violon, Alto (duo)
4
2 Violons (duo)
3
Ensemble de Violons
2
Trio à Cordes: 2 violons, violoncelle
2
2 Altos (duo)
2
Violoncelle , Guitare (duo)
2
Trio à Cordes: 2 violons, alto
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Violoncelle, Contrebasse (duo)
1
Trio à cordes: 3 altos
1
2 Violons, Piano
1
Trio à cordes: 3 violins
1
Violon, Guitare (duo)
1
+ 20 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
70
Orchestre à Cordes
21
Orchestre
20
Orchestre de chambre
19
Ensemble de cuivres
18
Ensemble Jazz
12
Fanfare
5
Jazz combo
4
Vibraphone
4
Cloches
2
Ensemble de Percussions
2
Batterie
2
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
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BASSE
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BOUZOUKI
CHORALE - CHAN…
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CLARINETTE
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MARIMBA
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A New View
Piano Trio: piano, violon, violoncelle
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First Suite from Razumov for piano trio
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Piano Trio: piano, violon, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Greg Bartholomew
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First Suite from Razumov for p
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Burke & Bagley
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SheetMusicPlus
Piano Trio,String Ensemble Cello,Piano,Violin - Level 4 - SKU: A0.787282 Composed by Greg Bartholomew. 20th Century,Concert,Contemporary,Standards. Scor...
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Piano Trio,String Ensemble Cello,Piano,Violin - Level 4 - SKU: A0.787282 Composed by Greg Bartholomew. 20th Century,Concert,Contemporary,Standards. Score and parts. 24 pages. Burke & Bagley #45565. Published by Burke & Bagley (A0.787282). This suite derives from three scenes of Act One of Razumov, a chamber opera based on the novel Under Western Eyes by Joseph Conrad. Themes for the first movement are taken from the opening scene, in which a university student (Haldin) assassinates a government minister. Haldin then seeks refuge in the room of a fellow student, Razumov. Haldin asks Razumov to go find the driver who will help Haldin escape from the city. The second movement is based on the scene in which the chief of state security interviews Razumov to find out what he knows about the assassin. The concluding movement corresponds to the scene in which Razumov reports to Haldin that he has found the man who will meet him. 1st Movement (Haldin assassinates the Minister): Duration 2:30 2nd Movement (Mikulin interviews Razumov): Duration 3:00 3rd Movement (Razumov tells Haldin, 'It is done'): Duration 3:30 Originally arranged for clarinet and string quartet, the Suite was premiered by the OdeonQuartet with Sean Osborn, clarinet, at Town Hall, Seattle, October 21, 2003, and was subsequently recorded by members of the Kiev Philharmonic for the Masterworks of the New Era CD series, volume 6. The First Suite from Razumov was awarded the 2012 Cheryl A. Spector Prize.
$24.99
Mendelssohn: Wedding March for Piano Trio
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Piano Trio: piano, violon, violoncelle
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INTERMÉDIAIRE
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Classique
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Wedding March for
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jmsgu3
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SheetMusicPlus
Piano Trio - Level 3 - SKU: A0.549883 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Wedding. 33 pages. J...
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Piano Trio - Level 3 - SKU: A0.549883 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Wedding. 33 pages. Jmsgu3 #3601997. Published by jmsgu3 (A0.549883). Score: 18 pages, piano part: 6 pages, cello part: 4 pages, violin part: 4 pages. duration: ca. 5'. Register for free lifetime updates and revisions of this product at www.jamesguthrie.com This is the famous wedding march from Op. 61 composed in 1842 and commonly performed as a recessional march at the end of a wedding. The piece was originally composed for orchestra, then arranged for organ and performed by Mendelssohn himself. Mendelssohn: Wedding March Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic o.
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