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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
A Sua
Non classifié
1 514
Piano & claviers
Piano seul
4 344
Piano, Voix
2 384
Piano Facile
163
Piano, Voix et Guitare
100
Orgue
73
1 Piano, 4 mains
55
Instruments en Do
52
Piano (partie séparée)
15
Accompagnement Piano
15
Piano Trio: piano, violon, violoncelle
13
Piano Quatuor: piano, violon, alto, violoncelle
8
Orgue, Piano (duo)
4
Piano Quintette: piano, 2 violons, alto, violoncelle
4
Orgue, Trompette (duo)
3
Piano grosses notes
3
2 Pianos, 4 mains
3
2 Accordéons
1
Accordéon
1
+ 13 instrumentations
Retracter
Guitares
Guitare notes et tablatures
98
Guitare
84
Guitare (partie séparée)
30
Ligne De Mélodie, (Paroles) et Accords
13
2 Guitares (duo)
9
Ukulele
7
4 Guitares (Quatuor)
6
Dulcimer
4
Banjo
4
Ensemble de guitares
4
Mandoline, Guitare (duo)
2
Piano, Guitare (duo)
2
Basse electrique
2
Mandoline
2
3 Guitares (trio)
1
+ 10 instrumentations
Retracter
Voix
Chorale SATB
1 021
Chorale 2 parties
69
Chorale Unison
54
Chorale 3 parties
54
Chorale TTBB
31
Chorale SSAA
27
Voix duo, Piano
22
Voix Soprano, Piano
13
Voix duo
11
Voix haute
8
Voix Alto, Piano
2
Voix Tenor, Piano
2
Voix moyenne, Piano
2
Voix Baryton, Piano
2
Chorale SSATB
1
Chorale
1
Chorale SSAATTBB
1
Chorale SSATTB
1
Voix seule
1
Voix basse, Piano
1
+ 15 instrumentations
Retracter
Vents
Saxophone (partie séparée)
100
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
86
Quatuor de Saxophones: 4 saxophones
73
Flûte, Hautbois, Clarinette, Basson
58
2 Flûtes traversières (duo)
51
Quatuor de Flûtes : 4 flûtes
48
2 Saxophones (duo)
47
Flûte traversière et Piano
41
Clarinette
36
Hautbois, Piano (duo)
35
Quatuor de Clarinettes: 4 clarinettes
34
Clarinette et Piano
25
Saxophone Alto et Piano
23
Flûte traversière
23
Quintette de Saxophone: 5 saxophones
21
Saxophone Alto
19
Saxophone, Clarinette (duo)
16
Flûte, Clarinette (duo)
16
2 Clarinettes (duo)
15
Flute (partie séparée)
15
Saxophone Tenor
15
Ensemble de saxophones
15
Ensemble de Clarinettes
14
Saxophone Tenor et Piano
14
Clarinette, Trompette (duo)
12
Quintette de Clarinettes: 5 clarinettes
12
Flûte, Trombone (duo)
11
Clarinette, Violon (duo)
11
Saxophone Soprano et Piano
11
Hautbois, Basson (duo)
10
Quatuor de Flûtes à bec
9
3 Saxophones (trio)
9
Flûte, Alto (duo)
8
2 Hautbois (duo)
8
Saxophone Baryton, Piano
8
Flûte à bec Soprano
8
Flûte, Violon
8
Flûte et Guitare
8
Cor anglais, Piano
7
Ensemble de Flûtes
7
Flûte, Saxophone (duo)
7
Hautbois, Flûte
6
3 Clarinettes (trio)
6
Clarinette (partie séparée)
6
Clarinette, Guitare (duo)
5
5 Flûtes à bec
5
Cor Anglais
5
Flûte, Trompette (duo)
5
Flûte, Violoncelle
4
Hautbois (partie séparée)
4
Clarinette, Basson (duo)
4
Ocarina
4
Quintette de Flûte : 5 flûtes
4
Hautbois, Clarinette (duo)
4
Clarinette et Alto
4
Flûte, Hautbois, Clarinette (trio)
4
Trio de Flûtes: 3 flûtes
4
Clarinette, Trombone (duo)
3
Flûte à bec Alto
3
Clarinette Basse, Piano
3
Hautbois, Clarinette, Basson (trio d'anches)
3
Clarinette, Violoncelle (duo)
3
Saxophone Soprano
2
Hautbois, Violoncelle
2
2 Flûte à bec (duo)
2
Flûte, Clarinette et Basson
2
Saxophone Baryton
2
Hautbois
2
Flûte, Violon, Piano
2
Saxophone et Harpe
1
Hautbois, Guitare (duo)
1
3 Flûtes à bec (trio)
1
Ensemble De Flûte à bec
1
Clarinette, Violoncelle, Piano (trio)
1
Flûte, Hautbois, Basson
1
Flûte, Violon et Violoncelle
1
Flute, Cor (duo)
1
Flûte à bec Alto, Piano
1
Clarinette, Orchestre
1
Hautbois, Basson et Piano
1
Hautbois, Harpe
1
Saxophone et Guitare
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Clarinette, Harpe (duo)
1
3 Hautbois
1
Flûte à bec, Guitare (duo)
1
Flûte à Bec
1
Flûte, Hautbois (duo)
1
Flûte, Alto et Piano
1
Saxophone et Orgue
1
+ 85 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
82
Trombone (partie séparée)
70
Trompette (partie séparée)
58
Quatuor de Cuivres : 2 trompettes, trombone, tuba
48
Trompette
24
Trombone et Piano
22
Trompette, Piano
21
Cor (partie séparée)
17
Cor et Piano
16
Tuba (partie séparée)
16
Trombone
14
Trompette, Trombone (duo)
13
2 Trombones (duo)
13
Euphonium, Piano (duo)
12
Trompette, Saxophone (duo)
12
2 Trompettes (duo)
11
Quatuor de Cuivres: 2 trompettes, Cor, trombone
9
Tuba et Piano
8
Cor anglais, Piano
7
Ensemble de Trombones
6
2 Euphoniums et 2 Tubas
5
Cor Anglais
5
Tuba
5
Quatuor de Cuivres
5
Cor
4
Trombone, Orgue
4
Trio de Cuivres
4
Euphonium
3
Quatuor de cuivres: 4 trombones
3
Trompette, Cor (duo)
3
Ensemble de Cors
2
3 Trombones (trio)
2
Ensemble de Trompettes
2
2 Cors (duo)
2
4 Tubas
2
Clarinette, Cor (duo)
2
Trombone basse
2
Cor, Violoncelle (duo)
2
3 Trompettes (trio)
1
Euphonium, Tuba (duo)
1
Quatuor de cuivres: 4 trompettes
1
Cor et Orgue
1
Tuba et Orgue
1
Trompette, Basson (duo)
1
Trombone basse et Piano
1
Trompette, Tuba (duo)
1
3 Cors (trio)
1
Quatuor de cuivres: 4 cors
1
2 Tubas (duo)
1
Trompette, Harpe
1
+ 45 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
443
Violon, Violoncelle (duo)
178
Trio à Cordes: violon, alto, violoncelle
152
Violon
148
Violon et Piano
62
Harpe
57
Violoncelle
39
Violoncelle, Piano
39
Violon, Alto (duo)
26
Alto, Piano
26
2 Violons (duo)
26
Quintette à cordes: 2 violons, alto, violoncelle, basse
22
2 Violoncelles (duo)
21
Trio à Cordes: 2 violons, violoncelle
20
Contrebasse (partie séparée)
16
2 Altos (duo)
14
Alto seul
12
Violon (partie séparée)
6
Violon, Guitare (duo)
6
4 Violoncelles
6
Alto, Violoncelle (duo)
5
Trio à Cordes: 3 violoncelles
5
Violoncelle , Guitare (duo)
5
Contrebasse, Piano (duo)
4
Harpe, Flûte (duo)
4
Contre Basse
3
2 Harpes (duo)
3
Trio à cordes: 3 violins
2
Quatuor à cordes: 4 violons
2
2 Violoncelles, Piano
2
Trio à cordes: 3 altos
2
Piano Trio: Violon, Alto, Piano
2
Violoncelle (partie séparée)
1
Alto et Basson
1
Alto et Harpe
1
Violon, Clarinette, Piano (trio)
1
Harpe, Violon, Violoncelle
1
Quatuor à cordes : 4 altos
1
Violon, Basson (duo)
1
Harpe et Piano
1
Violoncelle, Orgue
1
Violon, Basse continue
1
Harpe, Violoncelle (duo)
1
4 Contrebasses
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Trio à Cordes: 2 violons, alto
1
Alto, Guitare (duo)
1
Violoncelle, Contrebasse (duo)
1
+ 43 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
223
Orchestre à Cordes
191
Ensemble Jazz
99
Orchestre
73
Ensemble de cuivres
57
Orchestre de chambre
47
Fanfare
33
Cloches
26
Jazz combo
26
Batterie (partie séparée)
17
Ensemble de Percussions
16
Batterie
10
Marimba
4
Orchestre, Violon
2
Xylophone
2
Vibraphone
2
Ensemble d'École
1
Piano et Orchestre
1
Percussion
1
Xylophone, Piano
1
2 Caisses Claires (duo)
1
Percussion (partie séparée)
1
+ 17 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
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expert
avec audio
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Crtitères actifs :
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Piano Trio: piano, violon, violoncelle
Partitions à imprimer
13 partitions trouvées
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1
I See The Light
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Piano Trio: piano, violon, violoncelle
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DÉBUTANT
#
Alan Menken and Glenn Slater
#
Matheus Felix
#
I See The Light
#
Matheus Felix
#
SheetMusicPlus
Instrumental Duet,Piano Cello,Instrumental Duet,Piano,Violin - Level 1 - SKU: A0.1365320 Composed by Alan Menken and Glenn Slater. Arranged by Matheus F...
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Instrumental Duet,Piano Cello,Instrumental Duet,Piano,Violin - Level 1 - SKU: A0.1365320 Composed by Alan Menken and Glenn Slater. Arranged by Matheus Felix. Film/TV,Wedding. 5 pages. Matheus Felix #949641. Published by Matheus Felix (A0.1365320). Arranjo de I See the Light para Violino, Violoncelo e Piano Cifra:Neste tocante arranjo de I See the Light, a mágica da música ganha vida através da delicadeza da interpretação com violino, violoncelo e piano cifra. O violino, guiando a melodia, expressa a jornada romântica e otimista da canção, transmitindo a sensação de descoberta e amor.O violoncelo, com suas notas ressonantes e emotivas, aprofunda a riqueza harmônica, contribuindo para a narrativa emocional da música. O piano cifra, com seus acordes suaves e arpejos graciosos, cria uma atmosfera etérea que reflete o brilho e a esperança presentes na canção.A interação entre os instrumentos é como uma dança, capturando a essência do encontro romântico que a música celebra. As transições suaves e os momentos de destaque individual contribuem para a fluidez da interpretação, criando uma experiência auditiva envolvente.Este arranjo de I See the Light não apenas preserva a beleza da versão original, mas também adiciona uma dimensão única através da interpretação instrumental. Os músicos, com sua expressividade e habilidade técnica, conduzem os ouvintes por um caminho emocional repleto de romantismo e descoberta, encapsulando a magia desta adorável canção da animação Enrolados.
$9.99
The Hobbit
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Piano Trio: piano, violon, violoncelle
#
DÉBUTANT
#
Jules Bass and Maury Laws
#
Matheus Felix
#
The Hobbit
#
Matheus Felix
#
SheetMusicPlus
Instrumental Duet,Piano Cello,Instrumental Duet,Piano,Violin - Level 1 - SKU: A0.1365315 Composed by Jules Bass and Maury Laws. Arranged by Matheus Feli...
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Instrumental Duet,Piano Cello,Instrumental Duet,Piano,Violin - Level 1 - SKU: A0.1365315 Composed by Jules Bass and Maury Laws. Arranged by Matheus Felix. Film/TV,Wedding. 5 pages. Matheus Felix #949634. Published by Matheus Felix (A0.1365315). Arranjo de Concerning Hobbits para Violino, Violoncelo e Piano Cifra:Neste encantador arranjo de Concerning Hobbits, a música transporta os ouvintes para a serena e pitoresca Terra-média. A melodia nostálgica, inicialmente apresentada pelo violino, evoca a simplicidade e a paz da vida hobbit, imbuindo a interpretação com uma aura de tranquilidade e camaradagem. O violoncelo, com suas linhas melódicas profundas e ressonantes, enriquece a sonoridade, acrescentando uma camada de emoção e solenidade à composição. O piano cifra, com seus acordes delicados, cria um cenário harmonioso que recria a atmosfera pastoral e mágica da Vila dos Hobbits. A interação entre os instrumentos reflete a camaradagem caracterÃstica dos hobbits, proporcionando uma experiência auditiva rica e envolvente. As nuances dinâmicas e as variações na intensidade destacam os contrastes entre as diferentes seções da música, levando os ouvintes por uma jornada sonora que evoca a tranquilidade do Condado. Este arranjo de Concerning Hobbits celebra a riqueza emocional da composição original de Howard Shore, mantendo a essência da trilha sonora de O Senhor dos Anéis. Os músicos, com sua destreza e sensibilidade, dão vida a esta interpretação, capturando a magia e a nostalgia que permeiam a jornada dos hobbits.
$9.99
Viva La Vida
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Piano Trio: piano, violon, violoncelle
#
DÉBUTANT
#
Coldplay
#
Matheus Felix
#
Viva La Vida
#
Matheus Felix
#
SheetMusicPlus
Instrumental Duet,Piano Cello,Instrumental Duet,Piano,Violin - Level 1 - SKU: A0.1365322 By Coldplay. By Chris Martin, Guy Berryman, Jon Buckland, and W...
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Instrumental Duet,Piano Cello,Instrumental Duet,Piano,Violin - Level 1 - SKU: A0.1365322 By Coldplay. By Chris Martin, Guy Berryman, Jon Buckland, and Will Champion. Arranged by Matheus Felix. Film/TV,Pop,Wedding. 11 pages. Matheus Felix #949643. Published by Matheus Felix (A0.1365322). Arranjo de Viva La Vida para Violino, Violoncelo e Piano Cifra:Neste empolgante arranjo de Viva La Vida, a energia épica da canção de Coldplay é reinterpretada com maestria para violino, violoncelo e piano cifra. O violino, desempenhando o papel principal, transmite a intensidade e a melodia cativante da música, proporcionando uma expressão emocional vÃvida e arrebatadora.O violoncelo, com suas linhas profundas e marcantes, contribui para a sonoridade grandiosa, adicionando uma dimensão emocional que ressoa com a narrativa épica da letra. O piano cifra, com seus acordes poderosos e arpejos dinâmicos, sustenta a estrutura da composição, intensificando a experiência auditiva.A interação vigorosa entre os instrumentos cria uma atmosfera imponente, refletindo a majestade e a determinação presentes em Viva La Vida. As transições dramáticas e os momentos de clÃmax destacam a complexidade da obra, mantendo a essência vibrante e impactante da música original.Este arranjo não apenas homenageia a obra-prima de Coldplay, mas também eleva a intensidade e a emotividade através da interpretação instrumental. Os músicos, com sua destreza técnica e paixão artÃstica, guiam os ouvintes por uma jornada sonora emocionante, capturando a grandiosidade e a resiliência que caracterizam Viva La Vida.
$9.99
The First Noel for Piano Trio
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Piano Trio: piano, violon, violoncelle
#
FACILE
#
Noël
#
Traditional
#
James M
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The First Noel for Piano Trio
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jmsgu3
#
SheetMusicPlus
Piano Trio - Level 2 - SKU: A0.549903 Composed by Traditional. Arranged by James M. Guthrie, ASCAP. Christmas,Standards. 9 pages. Jmsgu3 #3685139. Publi...
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Piano Trio - Level 2 - SKU: A0.549903 Composed by Traditional. Arranged by James M. Guthrie, ASCAP. Christmas,Standards. 9 pages. Jmsgu3 #3685139. Published by jmsgu3 (A0.549903). Arranged with new harmony for the final verse. Origins The First Noel is an English Christmas carol. Even more, it was probably written in the late Cornish Renaissance period. While other versions spell the title as Nowell, this is a colloquial variation. Furthermore, Noel is an older word meaning Christmas. Therefore the First Noel translates as the First Christmas. First of all, Gilbert and Sandy published the earliest version. As a result, this version appears in the Carols Ancient and Modern songbook of 1823. William Sandy edited and arranged the book. Similarly, his partner Davies Gilbert edited and added the familiar extra verses. Stainer Organist and composer Sir John Stainer published the most noteworthy customary arrangement in the 1870s.  Stainer is, above all, famous for his songbook entitled: Christmas Carols New and Old (1871). This volume served as an essential catalyst for reviving the English Christmas carol.  Other famous Stainer arrangements from this book include What Child Is This, God Rest Ye Merry Gentlemen, Good King Wenceslas, and I Saw Three Ships. Diatonic Function The melodic structure in the First Noel is uncommon among English folk tunes. It simply repeats one phrase twice and then follows a variation refrain. All three phrases of the song end on the mediant scale degree. This is unusual because the diatonic function of the mediant is non-final compared to the more usual tonic or even dominant degrees. Consequently, this gives the song an open-ended feeling – like maybe it never ends. Political Context The Catholic clergy sang carols outside of the church in Latin. After the Protestant Reformation, the reformers thought it would be better for everyone to sing carols. They decided to bring music back to the common folk. So, they translated the lyrics from Latin into a common language. Moreover, the Protestants wanted more control over the music in the church than what the Vatican allowed. Protestant composers such as William Byrd composed complex polyphonic Christmas music that they called carols. Nonetheless, some famous folk carols were composed in this era. Eminent composers in the nineteenth century began to revise and adapt them. Consequently, they revived the English carol.
$24.95
Piano Trio in E flat major, Op. 2
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Piano Trio: piano, violon, violoncelle
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INTERMÉDIAIRE
#
Classique
#
Ferdinand Ries
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Dianne James
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Piano Trio in E flat major, Op
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Artaria Editions
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SheetMusicPlus
Piano Trio Cello,Piano,Violin - Level 3 - SKU: A0.1488222 Composed by Ferdinand Ries. Arranged by Dianne James. Classical. 77 pages. Artaria Editions #1...
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Piano Trio Cello,Piano,Violin - Level 3 - SKU: A0.1488222 Composed by Ferdinand Ries. Arranged by Dianne James. Classical. 77 pages. Artaria Editions #1065108. Published by Artaria Editions (A0.1488222). The Piano Trio in E flat, Op.2 was published by Simrock in 1807 with a dedication to Monsieur le Comte de Browne, Brigadeur au Service de S.M.J. de toutes les Russies. It is a generously proportioned work in the usual three movements. The lengthy sonata-from first movement is prefaced by a slow introduction which begins on dominant seventh harmony (a nod perhaps to Beethoven's first symphony), slowly finding its way to the tonic by the start of the Allegro section. The brief development section modulates widely, including references to keys as distant as E minor and C major, while the substantially rewritten and varied recapitulation touches on both B and G majors. The slow movement, Andante un poco Allegretto , is cast in the key of C minor and features many solos and duets for the string instruments as well as further harmonic interest, especially in the central modulating episode from bar 46. The finale is a sonata-rondo design complete with all the usual tricks, including even a remote transposition of the refrain late in the movement to B major, a technique surely learned from Beethoven. The present edition reproduces as faithfully as possible the text of the trio as transmitted in Simrock's edition of the work, a copy of which is preserved in the Staatsbibliothek in Berlin. The piano part is most successfully realised on an instrument extending as far as c4, although since such instruments were by no means standard in the first decade of the 19th century, Ries has notated the part carefully to cater for instruments without an extended treble compass. Any alternative readings have been incorporated into the current edition exactly as they appear in the Simrock print. In an instance such as bars 298-309 of the finale for example, instruments with the extended compass should follow the small print in bars 298 and 309, and in between read the notes an octave higher according to the composer's 8ve marking. Instruments with a limited compass should play the notes as written, without the octave transposition of bars 299-309. The cello part contains several passages written in the treble clef. Evidence that these should sound an octave lower than written is provided by bars 74-80 of the first movement and 85-89 of the finale. In the first instance, awkward octave displacements would result if this passage were played literally; in the second instance, some unacceptable part crossing between violin and cello would result from a literal rendition of these two bars. Accordingly then, all passages written in the treble clef should be transposed down an octave. The style and notation of articulation and dynamic markings have been standardised throughout, and, where missing from the print, markings have been reconstructed from parallel passages. These are indicated by the use of dotted slurs or brackets where appropriate. Obvious wrong notes have been corrected without comment, and editorial emendations with no authority from the print are placed within brackets. Dianne James.
$37.00
Mendelssohn: Wedding March for Piano Trio
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Piano Trio: piano, violon, violoncelle
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INTERMÉDIAIRE
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Classique
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Wedding March for
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jmsgu3
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SheetMusicPlus
Piano Trio - Level 3 - SKU: A0.549883 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Wedding. 33 pages. J...
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Piano Trio - Level 3 - SKU: A0.549883 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Wedding. 33 pages. Jmsgu3 #3601997. Published by jmsgu3 (A0.549883). Score: 18 pages, piano part: 6 pages, cello part: 4 pages, violin part: 4 pages. duration: ca. 5'. Register for free lifetime updates and revisions of this product at www.jamesguthrie.com This is the famous wedding march from Op. 61 composed in 1842 and commonly performed as a recessional march at the end of a wedding. The piece was originally composed for orchestra, then arranged for organ and performed by Mendelssohn himself. Mendelssohn: Wedding March Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic o.
$36.95
Handel: Seven Pieces from Water Music for Piano Trio
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Piano Trio: piano, violon, violoncelle
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INTERMÉDIAIRE
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George Friderick Handel
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James M
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Handel: Seven Pieces from Wate
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jmsgu3
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SheetMusicPlus
Piano Trio - Level 3 - SKU: A0.552118 Composed by George Friderick Handel (1685-1756). Arranged by James M. Guthrie. Baroque,Instructional,Standards,Wed...
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Piano Trio - Level 3 - SKU: A0.552118 Composed by George Friderick Handel (1685-1756). Arranged by James M. Guthrie. Baroque,Instructional,Standards,Wedding. 32 pages. Jmsgu3 #6121129. Published by jmsgu3 (A0.552118). Seven popular pieces from Handel's Water Music - most often requested for weddings. Score: 16 pages, Duration 12:15. Players may read from the score, or from the included instrumental parts.Contents:1. Air2. Minuet3. Bourrée4. Hornpipe5. Rigaudon6. Minuet7. AndanteHandel's Water Music is one of his most famous compositions. It was written for King George I's pleasure barge trip along the River Thames in 1717. The Water Music is divided into three suites, each containing a variety of movements. The music features a mix of dance rhythms such as minuets, bourrees, and hornpipes, along with lively fanfares and slower, more stately airs. Its combination of light and playful music with grandeur and pomp has made it one of the most beloved pieces of classical music. Water Music has been performed by many orchestras and is a popular choice for special occasions, such as coronations and weddings. Its enduring popularity has helped to make it one of Handel's most famous and beloved compositions.Weddings during the time of Handel were usually quite extravagant affairs. The ceremony was typically held in a church and was accompanied by a full orchestra. Handel's own compositions were frequently used to provide the music for the ceremony. This was especially true in London, where Handel was based and where his music was extremely popular. Handel wrote a number of pieces specifically for use at weddings, including the popular Wedding Anthem and the Wedding Anthem in D Major. Handel's music provided a sense of grandeur and elegance to the proceedings and was often used to give the wedding an extra special touch.The festivities following the ceremony were also often quite lavish, with a large feast and plenty of dancing. Handel's music was often used to provide the background music for the dancing, and he wrote many dance suites that were specifically designed for this purpose. The bride and groom would often have a special dance to the music of Handel's Water Music, a particularly popular piece for the occasion. Guests at the wedding would be treated to a variety of Handel's works, ranging from his operas to his oratorios, which often had a spiritual or religious theme. Handel's music provided a sense of joy and celebration to the wedding and helped make it an occasion to remember.
$36.95
Monggeumpo Taryeong (For Piano Trio)
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Piano Trio: piano, violon, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Traditional
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Han-Ki Kim
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Monggeumpo Taryeong
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Han-Ki Kim
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SheetMusicPlus
Piano Trio Cello,Piano,Violin - Level 4 - SKU: A0.1411355 By Traditional. By Han-Ki Kim. Arranged by Han-Ki Kim. Chamber,Classical,Instructional,Standar...
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Piano Trio Cello,Piano,Violin - Level 4 - SKU: A0.1411355 By Traditional. By Han-Ki Kim. Arranged by Han-Ki Kim. Chamber,Classical,Instructional,Standards,Traditional. 19 pages. Han-Ki Kim #993618. Published by Han-Ki Kim (A0.1411355). “Taryeong†generally refers to a slow and sad song, or a song that contains a story or narrative. It is mainly used in traditional Korean songs, and a representative example is Arirang, one of the representative folk songs famous for its slow melody and mournful melody. It also reflects the culture, customs, and emotions of each region and has diverse content and rhythm. “Monggeumpo Taryeong†is a traditional Korean folk song handed down from the Hwanghae region. “Monggeumpo†is a port, and the beach here is famous for its white sandy beaches, lush forests, and Rosa rugosa flowers. The content of this folk song consists of a sad melody and lyrics, and it contains the joys and sorrows of the lives of fishermen and the sorrowful feelings waiting for the safe return of a loved one who went out to catch fish. This music is composed in the A-B-A format. The sad part is located in the middle,, and the beginning and end parts were composed in an exciting atmosphere. It is usually played to the traditional Korean “jungmori†rhythm, which is also quoted throughout the piece. It is also called “Jangsangot Taryeong.â€.
$23.50
O Come All Ye Faithful for Piano Trio
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Piano Trio: piano, violon, violoncelle
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DÉBUTANT
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Noël
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Wade
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James M
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O Come All Ye Faithful for Pia
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jmsgu3
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SheetMusicPlus
Piano Trio - Level 1 - SKU: A0.548647 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christmas. 7 pages. Jmsgu3 #3407487. Published by jmsgu3 (A...
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Piano Trio - Level 1 - SKU: A0.548647 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christmas. 7 pages. Jmsgu3 #3407487. Published by jmsgu3 (A0.548647). O Come, All Ye Faithful O Come, All Ye Faithful arranged for piano trio ( piano, violin & cello) featuring a thought-provoking re-harmonization of the final verse. O Come, All Ye Faithful is an English translation of the Latin Christmas carol Adeste Fideles. No one knows exactly who wrote it. One theory holds that King John IV of Portugal (1604–1656) wrote it. Another view says John F. Wade or John Reading wrote it. Nowadays, we usually attribute it to John Wade. It seems like Stonyhurst College in Lancashire owns the oldest manuscript. It is from the year 1751. Lyrics Frederick Oakeley, a Catholic priest in 1841, wrote the English translation. This translation is probably the most common in English-speaking states. To begin with, the hymn had only four verses. Later, the verses grew to eight. Music directors often cut various verses because otherwise, the song goes too long. Some believe that St. Bonaventure wrote the first Latin lyrics. Others hold that King John IV of Portugal is responsible. Yet even others think the Cistercian monks wrote them. King John IV His subjects called King John IV of Portugal The Musician King. He became king in 1640. In addition to performing the duties of a king, he composed and wrote as a music journalist. King John built an extensive music library. Unfortunately, the massive earthquake in Lisbon ruined the library in 1755. In addition to making his library, the king started a Music School that produced many accomplished musicians. The king also worked diligently to get instrumental music approved by the Vatican for use in his churches. Aside from his authorship of Adeste Fideles, he is famous for another popular choral setting of the Crux Fidelis, a prevalent Lenten hymn. Performance in Context Verses are sometimes left out because all eight verses would take too long to perform. More to the point, though, some of the poems may be unsuitable for whatever church calendar they are intended. The eighth verse deals with the Epiphany, so it makes sense to sing this on Epiphany Sunday but not on other Sundays. Similarly, other poems are used for whether the event is Midnight Mass or regular daytime Mass. Â
$24.95
Hangangsu-Taryeong (For Piano Trio)
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Piano Trio: piano, violon, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Traditional
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Han-Ki Kim
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Hangangsu-Taryeong
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Han-Ki Kim
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SheetMusicPlus
Instrumental Duet,Piano Cello,Instrumental Duet,Piano,Violin - Level 4 - SKU: A0.1431354 By Traditional. By Han-Ki Kim. Arranged by Han-Ki Kim. Chamber,...
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Instrumental Duet,Piano Cello,Instrumental Duet,Piano,Violin - Level 4 - SKU: A0.1431354 By Traditional. By Han-Ki Kim. Arranged by Han-Ki Kim. Chamber,Classical,Instructional,Standards,Traditional. 20 pages. Han-Ki Kim #1011824. Published by Han-Ki Kim (A0.1431354). “Taryeong” generally refers to a slow and sad song, or a song containing a story or story. It is mainly used in traditional Korean songs, and a representative example is Arirang, one of the representative folk songs famous for its slow melody and mournful melody. It also reflects the culture, customs, and emotions of each region and has diverse content and rhythm.“Hangangsu Taryeong” is one of the Gyeonggi folk songs and contains information about the history, nature, joys and sorrows of the Han River, and boating. It is also an exciting song and is usually played to the rhythm of “Gutgeori,” one of Korea’s traditional rhythms. However, in this music, I changed the mood and mainly used the “Jajinmori” rhythm, and also varied the tempo. Traditionally, the “Jajinmori” rhythm is much faster and more exciting than the “Gutgeori” rhythm. This music can be divided into the first half and the second half, and the three themes from the first half are compressed and connected in the second half.
$23.50
Nothing But the Blood of Jesus (Violin, Cello, Piano)
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Piano Trio: piano, violon, violoncelle
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INTERMÉDIAIRE
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Musique Sacrée
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Christian contemporain
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Robert Lowry
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Russell K
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Nothing But the Blood of Jesus
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Russell K. Campbell II
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SheetMusicPlus
Instrumental Duet,Piano Cello,Instrumental Duet,Piano,Violin - Level 3 - SKU: A0.896136 Composed by Robert Lowry. Arranged by Russell K. Campbell II. Ch...
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Instrumental Duet,Piano Cello,Instrumental Duet,Piano,Violin - Level 3 - SKU: A0.896136 Composed by Robert Lowry. Arranged by Russell K. Campbell II. Christian,Concert,Sacred. 10 pages. Russell K. Campbell II #4332735. Published by Russell K. Campbell II (A0.896136). The use of more complex harmonies in this intermediate skill level arrangement is sure to please. There is a lyrical minor key treatment of the melody featured in the middle of the piece, which is an interesting contrast since the original version is usually set in a major key. It is possible for a studious beginning violinist or cellist to tackle this number for a recital piece. For more music, visit www.russcampbellmusic.com .
$12.99
Rest Now, My Love (Trio for Violin, Cello and Celesta)
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Piano Trio: piano, violon, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Adam Lenhart
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Rest Now, My Love
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Adam Lenhart
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SheetMusicPlus
Piano Trio Cello,Piano,Violin - Level 4 - SKU: A0.949389 Composed by Adam Lenhart. Contemporary,Standards. 15 pages. Adam Lenhart #6702903. Published by...
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Piano Trio Cello,Piano,Violin - Level 4 - SKU: A0.949389 Composed by Adam Lenhart. Contemporary,Standards. 15 pages. Adam Lenhart #6702903. Published by Adam Lenhart (A0.949389). Solemn, yet warm and comforting, Rest Now, My Love is a unique take on the classical piano trio, substituting in the sweet and resonant celesta. The name celesta comes from the French word for heavenly, and this feature of the instrument is utilized thoroughly throughout the piece, with long arpeggiated chords as well as soloistic cadenzas. The violin and cello provide a warm foundation for the bell-like timbre of the celesta to rest on. Rest Now, My Love celebrates a life lived, and the relief of pain and sorrow as said loved one receives their heavenly reward.Duration: 5:30This PDF score includes a full score as well as individual parts.---------------------------Adam Lenhart (b. 2002) is a University of Michigan student of music theory, composition, voice and organ from Ottawa Lake, Michigan. As a theorist, his areas of study vary widely, including 18th century counterpoint, the early American Sacred Harp tradition and impressionism. As a composer, his music draws inspiration from nature, mathematics and poetry. In 2020 he was awarded the Michigan Music Education Association’s Young Composers of Michigan award, as well as first prize in the University of Toledo Young Composers competition. Lenhart has also participated in numerous ensembles across Michigan, including the MYAF All-State Choir, Tecumseh Pops Orchestra, University of Michigan Men’s Glee Club and the SMTD University Choir. He thoroughly enjoys collaboration with other composers, performers, poets and visual artists. Some of his recent projects include collaborations with individuals from the University of Michigan Chamber Music, History, and Poetry departments.
$9.99
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