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ACCORDEON
ALTO
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A Summer Song
Non classifié
199
Piano & claviers
Piano seul
152
Piano, Voix
78
Piano Facile
42
Piano, Voix et Guitare
37
Instruments en Do
20
Piano grosses notes
11
Orgue
5
Piano Trio: piano, violon, violoncelle
2
1 Piano, 4 mains
2
Accompagnement Piano
2
Piano (partie séparée)
1
Accordéon
1
Piano Quatuor: piano, violon, alto, violoncelle
1
+ 8 instrumentations
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Guitares
Guitare
13
Guitare notes et tablatures
11
Ligne De Mélodie, (Paroles) et Accords
7
Basse electrique
2
Piano, Guitare (duo)
1
Ukulele
1
Ensemble de guitares
1
4 Guitares (Quatuor)
1
+ 3 instrumentations
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Voix
Chorale SATB
83
Chorale 3 parties
40
Voix Soprano, Piano
30
Voix Alto, Piano
28
Voix Tenor, Piano
26
Voix Baryton, Piano
26
Chorale 2 parties
22
Chorale TTBB
14
Chorale Unison
12
Chorale SSAA
10
Voix duo
3
Voix duo, Piano
3
Voix seule
2
Chorale
1
Voix haute
1
Voix Tenor
1
Pack Instrumental pour Chorale
1
+ 12 instrumentations
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Vents
Hautbois, Piano (duo)
30
Clarinette et Piano
26
Flûte traversière et Piano
25
Flûte traversière
18
Saxophone Alto et Piano
17
Saxophone Alto
17
Clarinette
15
Saxophone Tenor
14
Quatuor de Saxophones: 4 saxophones
13
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
13
Saxophone (partie séparée)
11
Quatuor de Clarinettes: 4 clarinettes
10
Flûte, Hautbois, Clarinette, Basson
10
Saxophone Tenor et Piano
9
Clarinette, Harpe (duo)
8
Saxophone Soprano et Piano
8
2 Clarinettes (duo)
8
Hautbois (partie séparée)
7
Quintette de Saxophone: 5 saxophones
6
Ensemble de Clarinettes
5
2 Flûtes traversières (duo)
4
Saxophone Baryton, Piano
4
Hautbois
4
2 Saxophones (duo)
4
Flûte, Violon, Piano
3
Clarinette (partie séparée)
3
Cor Anglais
3
Quatuor de Flûtes : 4 flûtes
3
Clarinette Basse, Piano
3
Flute (partie séparée)
3
Clarinette, Violon (duo)
2
Clarinette, Trompette (duo)
2
Saxophone Soprano
2
Flûte, Clarinette (duo)
2
Quintette de Flûte : 5 flûtes
2
Flûte et Guitare
2
Saxophone, Clarinette (duo)
2
Flûte à Bec
2
Clarinette, Guitare (duo)
2
Cor anglais, Piano
2
Clarinette et Alto
1
Flûte, Violon
1
Flûte à bec Soprano
1
Harmonica
1
Saxophone et violoncelle
1
Saxophone Baryton
1
Saxophone et Guitare
1
Hautbois, Basson (duo)
1
Ensemble de saxophones
1
3 Clarinettes (trio)
1
Quintette de Clarinettes: 5 clarinettes
1
2 Clarinettes, Basson
1
Cor anglais, Guitare (duo)
1
Hautbois, Clarinette (duo)
1
Ensemble de Flûtes
1
Flûte, Basson et Piano
1
Flûte, Trompette (duo)
1
Flûte, Hautbois, Clarinette (trio)
1
2 Hautbois (duo)
1
Flûte, Violon et Violoncelle
1
Hautbois, Flûte
1
+ 56 instrumentations
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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
19
Trombone
17
Trompette
17
Trompette, Piano
14
Trombone et Piano
14
Quatuor de Cuivres : 2 trompettes, trombone, tuba
13
Cor et Piano
11
Cor
10
Tuba
7
Tuba et Piano
6
Euphonium, Piano (duo)
6
Trombone (partie séparée)
3
2 Trompettes (duo)
3
Cor Anglais
3
Trompette (partie séparée)
3
Ensemble de Trompettes
2
Trompette, Saxophone (duo)
2
Ensemble de Trombones
2
Cor anglais, Piano
2
Trio de Cuivres
1
2 Trombones (duo)
1
Tuba (partie séparée)
1
Cor (partie séparée)
1
Euphonium
1
Cor anglais, Guitare (duo)
1
Quatuor de cuivres: 4 cors
1
Quatuor de cuivres: 4 trombones
1
+ 22 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
40
Violon et Piano
37
Harpe
25
Violoncelle
21
Violon
19
Violoncelle, Piano
18
Alto, Piano
12
Alto seul
9
Trio à Cordes: violon, alto, violoncelle
8
Contrebasse, Piano (duo)
7
Contre Basse
6
2 Violons (duo)
5
Violon, Violoncelle (duo)
3
Harpe, Flûte (duo)
2
Violoncelle , Guitare (duo)
2
Alto (partie séparée)
2
Ensemble de Violons
2
Trio à Cordes: 2 violons, violoncelle
2
Alto, Guitare (duo)
1
Contrebasse (partie séparée)
1
4 Violoncelles
1
Violon, Alto (duo)
1
Violon, Guitare (duo)
1
2 Harpes (duo)
1
2 Violoncelles (duo)
1
+ 20 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
64
Orchestre
29
Ensemble de cuivres
27
Ensemble Jazz
23
Orchestre à Cordes
7
Orchestre de chambre
6
Fanfare
5
Batterie
3
Marimba
2
Cloches
2
Timbales (partie séparée)
1
Vibraphone
1
Percussion (partie séparée)
1
Ensemble de Percussions
1
+ 9 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
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COR
COR ANGLAIS
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A Summer Song
Piano Trio: piano, violon, violoncelle
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Mendelssohn: Wedding March for Piano Trio
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Piano Trio: piano, violon, violoncelle
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INTERMÉDIAIRE
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Classique
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Wedding March for
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jmsgu3
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SheetMusicPlus
Piano Trio - Level 3 - SKU: A0.549883 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Wedding. 33 pages. J...
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Piano Trio - Level 3 - SKU: A0.549883 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Wedding. 33 pages. Jmsgu3 #3601997. Published by jmsgu3 (A0.549883). Score: 18 pages, piano part: 6 pages, cello part: 4 pages, violin part: 4 pages. duration: ca. 5'. Register for free lifetime updates and revisions of this product at www.jamesguthrie.com This is the famous wedding march from Op. 61 composed in 1842 and commonly performed as a recessional march at the end of a wedding. The piece was originally composed for orchestra, then arranged for organ and performed by Mendelssohn himself. Mendelssohn: Wedding March Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic o.
$36.95
Fauré: Élégie Op. 24 for Piano Trio
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Piano Trio: piano, violon, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Gabriel Faure
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James M
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Fauré: Élé
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jmsgu3
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SheetMusicPlus
Piano Trio - Level 4 - SKU: A0.549721 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. Contemporary,Multicultural,Romantic Period,Standar...
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Piano Trio - Level 4 - SKU: A0.549721 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. Contemporary,Multicultural,Romantic Period,Standards,World. 31 pages. Jmsgu3 #3531323. Published by jmsgu3 (A0.549721). Duration: ca. 7:00, Score: 18 pages, violin: 3 pages, cello: 3 pages, piano: 7 pages. An epic choice for a recital or funeral.Fauré Background: In the first place, Gabriel Fauré 1845 –1924) was a famous French composer, musician, and educator. Furthermore, his musical ideas influenced numerous 20th-century composers. Therefore, historians regard him as one of the leading French composers of his time. Famous Works: Among his most famous compositions, by and large, are the Pavane, Elegie (op. 24), Requiem, Sicilienne, Nocturnes for piano and the songs Après un rêve and Clair de lune. Inasmuch as his early works are well-known and relatively easy to perform, Faure’s music seems to have become gradually more difficult during his later life. In other words, his later works are somewhat esoteric and complex. Early Home Life: Fauré was in fact born into a well-cultivated family. His aptitude for music became particularly clear early on - when he was still a boy. Under these circumstances, his parents sent him to a music institution in Paris. Consequently, the training he received there prepared him for a career as a church organist and choirmaster. Middle Life: It is important to realize that Fauré studied music composition with the French musical mastermind Camille Saint-Saëns, who became his lifelong friend. Fauré eventually graduated from college and earned a living as an organist and educator. During this period, he had, on the whole, little time to compose. He consequently became more successful in his middle age, becoming organist of the Église de la Madeleine and director of the Paris Conservatoire. However, he still needed time on balance for composing. Therefore, given these points, he withdrew to the countryside during the summer to focus on composing. Later Life: Fauré was, in the final analysis, recognized in France as the foremost French composer of his time. The French government held a national musical tribute particularly for him in Paris. The French President notably headed the ceremony. Elsewhere, on the contrary, Fauré's music was slow to become accepted, except of course, in England. Legacy: Historians often describe Fauré's music in general as a transition between the end of Romanticism and the beginning of modernism. As an illustration, when Fauré was born, Chopin was still composing. However, by the time of Fauré's death, jazz and atonal music, in particular, had come to fruition. Fauré, by all means, suffered from increasing deafness in his later years. Some musicologists believe this to be indeed the cause of the esoteric nature of Faure’s final works.
$37.95
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