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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
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EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
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FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
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HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
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SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
College Song
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314
Piano & claviers
Piano seul
90
Piano, Voix
66
Piano Facile
16
Piano, Voix et Guitare
15
1 Piano, 4 mains
5
Instruments en Do
4
Orgue
4
Piano Trio: piano, violon, violoncelle
2
Piano Quatuor: piano, violon, alto, violoncelle
2
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Piano (partie séparée)
1
+ 6 instrumentations
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Guitares
Guitare
11
Guitare notes et tablatures
5
Ukulele
1
Piano, Guitare (duo)
1
Guitare (partie séparée)
1
Voix
Chorale SATB
246
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94
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25
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21
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10
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3
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3
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2
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2
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2
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1
Voix Soprano
1
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1
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1
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1
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1
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1
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66
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61
Ensemble de saxophones
33
Hautbois, Piano (duo)
12
Ensemble de Clarinettes
11
Flûte traversière et Piano
10
Clarinette et Piano
9
Saxophone (partie séparée)
8
Quintette de Flûte : 5 flûtes
6
Saxophone Alto et Piano
6
2 Saxophones (duo)
5
Saxophone Tenor et Piano
5
Quatuor de Clarinettes: 4 clarinettes
3
Flûte, Hautbois, Clarinette, Basson
3
Quatuor de Saxophones: 4 saxophones
3
Saxophone, Clarinette (duo)
3
Trio de Flûtes: 3 flûtes
2
Quintette de Clarinettes: 5 clarinettes
2
2 Clarinettes (duo)
2
Clarinette, Violon (duo)
2
Ensemble de Flûtes
2
2 Flûtes traversières (duo)
2
Saxophone Alto
2
Saxophone Tenor
2
Hautbois (partie séparée)
2
Flûte traversière
1
Cor Anglais
1
Hautbois, Flûte
1
3 Clarinettes (trio)
1
Flûte, Clarinette (duo)
1
Clarinette, Violoncelle (duo)
1
Clarinette et Alto
1
Flûte, Violon
1
Flûte, Violoncelle
1
Quatuor de Flûtes : 4 flûtes
1
Quatuor de Flûtes à bec
1
Saxophone Soprano et Piano
1
2 Clarinettes, Piano
1
Hautbois, Clarinette (duo)
1
Flûte, Saxophone (duo)
1
Clarinette
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Saxophone et Guitare
1
2 Hautbois (duo)
1
2 Flûtes traversières, Piano
1
Saxophone Baryton, Piano
1
Cor anglais, Piano
1
+ 42 instrumentations
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Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba
59
Quatuor de Cuivres: 2 trompettes, Cor, trombone
14
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
14
Ensemble de Trombones
10
Ensemble de Trompettes
9
Trompette
9
Trombone (partie séparée)
5
Trompette, Piano
5
2 Trompettes (duo)
3
Trompette (partie séparée)
3
Trombone
3
Trompette, Saxophone (duo)
2
Trombone et Piano
2
2 Trombones (duo)
2
Quatuor de cuivres: 4 trombones
2
Cor Anglais
1
Tuba et Piano
1
2 Tubas (duo)
1
Cor et Piano
1
Trompette, Trombone (duo)
1
Cor
1
Cor anglais, Piano
1
+ 17 instrumentations
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Cordes
Violon et Piano
20
Quatuor à cordes: 2 violons, alto, violoncelle
10
Ensemble de Violons
8
Violoncelle, Piano
7
Trio à Cordes: violon, alto, violoncelle
6
Ensemble d'Altos
6
Alto, Piano
6
Quintette à cordes: 2 violons, alto, violoncelle, basse
5
Contrebasse (partie séparée)
5
Violon
4
Violon, Violoncelle (duo)
2
Alto (partie séparée)
2
Violoncelle
2
Harpe
1
Contre Basse
1
Violon, Alto (duo)
1
2 Violons (duo)
1
Alto seul
1
2 Altos (duo)
1
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Orchestre d'harmonie
181
Ensemble Jazz
17
Jazz combo
16
Orchestre de chambre
10
Orchestre à Cordes
7
Orchestre
6
Fanfare
6
Ensemble de cuivres
6
Marimba
1
Vibraphone
1
Quintette de Cuivres: autres combinaisons
1
Batterie (partie séparée)
1
Batterie
1
+ 8 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
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CORNET
DEEJAY
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EUPHONIUM
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FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
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College Song
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Partitions à imprimer
2 partitions trouvées
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Fauré: Élégie Op. 24 for Piano Trio
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Piano Trio: piano, violon, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Gabriel Faure
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James M
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Fauré: Élé
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jmsgu3
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SheetMusicPlus
Piano Trio - Level 4 - SKU: A0.549721 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. Contemporary,Multicultural,Romantic Period,Standar...
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Piano Trio - Level 4 - SKU: A0.549721 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. Contemporary,Multicultural,Romantic Period,Standards,World. 31 pages. Jmsgu3 #3531323. Published by jmsgu3 (A0.549721). Duration: ca. 7:00, Score: 18 pages, violin: 3 pages, cello: 3 pages, piano: 7 pages. An epic choice for a recital or funeral.Fauré Background: In the first place, Gabriel Fauré 1845 –1924) was a famous French composer, musician, and educator. Furthermore, his musical ideas influenced numerous 20th-century composers. Therefore, historians regard him as one of the leading French composers of his time. Famous Works: Among his most famous compositions, by and large, are the Pavane, Elegie (op. 24), Requiem, Sicilienne, Nocturnes for piano and the songs Après un rêve and Clair de lune. Inasmuch as his early works are well-known and relatively easy to perform, Faure’s music seems to have become gradually more difficult during his later life. In other words, his later works are somewhat esoteric and complex. Early Home Life: Fauré was in fact born into a well-cultivated family. His aptitude for music became particularly clear early on - when he was still a boy. Under these circumstances, his parents sent him to a music institution in Paris. Consequently, the training he received there prepared him for a career as a church organist and choirmaster. Middle Life: It is important to realize that Fauré studied music composition with the French musical mastermind Camille Saint-Saëns, who became his lifelong friend. Fauré eventually graduated from college and earned a living as an organist and educator. During this period, he had, on the whole, little time to compose. He consequently became more successful in his middle age, becoming organist of the Église de la Madeleine and director of the Paris Conservatoire. However, he still needed time on balance for composing. Therefore, given these points, he withdrew to the countryside during the summer to focus on composing. Later Life: Fauré was, in the final analysis, recognized in France as the foremost French composer of his time. The French government held a national musical tribute particularly for him in Paris. The French President notably headed the ceremony. Elsewhere, on the contrary, Fauré's music was slow to become accepted, except of course, in England. Legacy: Historians often describe Fauré's music in general as a transition between the end of Romanticism and the beginning of modernism. As an illustration, when Fauré was born, Chopin was still composing. However, by the time of Fauré's death, jazz and atonal music, in particular, had come to fruition. Fauré, by all means, suffered from increasing deafness in his later years. Some musicologists believe this to be indeed the cause of the esoteric nature of Faure’s final works.
$37.95
O Come All Ye Faithful for Piano Trio
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Piano Trio: piano, violon, violoncelle
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DÉBUTANT
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Noël
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Wade
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James M
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O Come All Ye Faithful for Pia
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jmsgu3
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SheetMusicPlus
Piano Trio - Level 1 - SKU: A0.548647 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christmas. 7 pages. Jmsgu3 #3407487. Published by jmsgu3 (A...
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Piano Trio - Level 1 - SKU: A0.548647 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christmas. 7 pages. Jmsgu3 #3407487. Published by jmsgu3 (A0.548647). O Come, All Ye Faithful O Come, All Ye Faithful arranged for piano trio ( piano, violin & cello) featuring a thought-provoking re-harmonization of the final verse. O Come, All Ye Faithful is an English translation of the Latin Christmas carol Adeste Fideles. No one knows exactly who wrote it. One theory holds that King John IV of Portugal (1604–1656) wrote it. Another view says John F. Wade or John Reading wrote it. Nowadays, we usually attribute it to John Wade. It seems like Stonyhurst College in Lancashire owns the oldest manuscript. It is from the year 1751. Lyrics Frederick Oakeley, a Catholic priest in 1841, wrote the English translation. This translation is probably the most common in English-speaking states. To begin with, the hymn had only four verses. Later, the verses grew to eight. Music directors often cut various verses because otherwise, the song goes too long. Some believe that St. Bonaventure wrote the first Latin lyrics. Others hold that King John IV of Portugal is responsible. Yet even others think the Cistercian monks wrote them. King John IV His subjects called King John IV of Portugal The Musician King. He became king in 1640. In addition to performing the duties of a king, he composed and wrote as a music journalist. King John built an extensive music library. Unfortunately, the massive earthquake in Lisbon ruined the library in 1755. In addition to making his library, the king started a Music School that produced many accomplished musicians. The king also worked diligently to get instrumental music approved by the Vatican for use in his churches. Aside from his authorship of Adeste Fideles, he is famous for another popular choral setting of the Crux Fidelis, a prevalent Lenten hymn. Performance in Context Verses are sometimes left out because all eight verses would take too long to perform. More to the point, though, some of the poems may be unsuitable for whatever church calendar they are intended. The eighth verse deals with the Epiphany, so it makes sense to sing this on Epiphany Sunday but not on other Sundays. Similarly, other poems are used for whether the event is Midnight Mass or regular daytime Mass. Â
$24.95
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College Song
