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TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
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AUTOHARPE
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PIANO & CLAVIERS
Piano seul
90
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20
Orgue
14
Piano, Voix
5
2 Pianos, 4 mains
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3
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1
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1
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8
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7
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7
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6
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5
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4
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3
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3
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3
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2
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2
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2
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2
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15
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8
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5
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3
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3
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2
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2
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Violon et Piano
45
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44
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28
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26
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20
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18
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10
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10
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9
2 Violons (duo)
7
Violoncelle (partie séparée)
6
2 Violoncelles (duo)
5
Trio à Cordes: violon, alto, violoncelle
5
4 Violoncelles
4
Violoncelle, Orchestre
3
Violoncelle, Basse continue
3
2 Altos (duo)
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Violon, Guitare (duo)
2
Contre Basse
2
Quatuor à cordes: 4 violons
2
Harpe
1
Violoncelle
1
Contrebasse (partie séparée)
1
Alto, Guitare (duo)
1
Violoncelle, Contrebasse (duo)
1
Trio à cordes: 3 violins
1
Violon, Alto (duo)
1
Alto seul
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
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Harpe et Piano
1
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1
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1
Ensemble de Violoncelles
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PERCUSSIONS & ORCHESTRES
Orchestre à Cordes
64
Orchestre de chambre
50
Orchestre
33
Piano et Orchestre
23
Orchestre d'harmonie
15
Orchestre, Violon
11
Ensemble de cuivres
7
Cloches
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Ensemble de Percussions
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AUTRES
Vous avez sélectionné:
Concerto A major
Piano Trio: piano, violon, violoncelle
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Vivaldi - Double Concerto in A major RV 546 for Violin, Cello and Cembalo (or Piano)
Piano Trio: piano, violon, violoncelle
Instrumental Duet,Piano Cello,Instrumental Duet,Piano,Violin - Level 4 - Digital Download …
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Instrumental Duet,Piano Cello,Instrumental Duet,Piano,Violin - Level 4 - Digital Download SKU: A0.547616 By Santino Cara. By Antonio Vivaldi. Arranged by Santino Cara. Baroque. Score and parts. 39 pages. Santino Cara #157324. Published by Santino Cara (A0.547616). Complete score and parts of the Double Concerto in A major RV 546 for Violin, Cello, and cembalo (or Piano). Composed in Venice between 1723 by Antonio Vivaldi. Transcrined in Rome in 2021 by Santino Cara. 3 Movements: 1. Allegro, 2. Andante, 3. Allegro. Single PDF file with: Complete score of the concert and the separate parts for Violin and Cello.
$16.90
15.52 €
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Piano Trio: piano, violon, violoncelle
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Santino Cara
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Santino Cara
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Vivaldi - Double Concerto in A major RV 546 for Violin, Cello and Cembalo
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Santino Cara
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SheetMusicPlus
Andante from piano concerto no. 21 (Elvira Madigan) for easy piano trio
Piano Trio: piano, violon, violoncelle
Composed by Wolfgang Amadeus Mozart (1756-1791). Arranged by Klas Krantz. Classical. 9…
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Composed by Wolfgang Amadeus Mozart (1756-1791). Arranged by Klas Krantz. Classical. 9 pages. Amadeus Music #702642. Published by Amadeus Music
Andante (main theme) from Piano Concerto No. 21, KV.467 by W.A. Mozart (1756-1791). Often called Elvira Madigan from the 1967 swedish film by Bo Wideberg. The original key is F major.
$11.95
10.97 €
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Piano Trio: piano, violon, violoncelle
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Wolfgang Amadeus Mozart
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Andante from piano concerto no. 21
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Amadeus Music
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SheetMusicPlus
An Elegy for Hopes and Dreams
Piano Trio: piano, violon, violoncelle
Piano Trio Cello,Piano,Violin - Level 4 - Digital Download SKU: A0.1142148 Composed…
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Piano Trio Cello,Piano,Violin - Level 4 - Digital Download SKU: A0.1142148 Composed by William Heath. Classical,Contemporary,Film/TV,Thriller. 19 pages. William Heath #742526. Published by William Heath (A0.1142148). A Piano Trio, written for the Leeds University Union Music Society Winter Concert Series. Performed by the Hughes Trio featuring Christopher Hughes (Piano), Amy Howe (Violin), and Nikki Kemp (Cello) Programme Notes: This is a rather melodramatic piece that follows the Five Stages of Grief. I first sketched the piece for string quartet after an absolutely horrific interview at the Royal Northern College of Music. Feeling disheartened and dejected, I got home and messily scribbled on some manuscript paper An Elegy for Hopes and Dreams, and started writing this extremely over-dramatic and self-indulgent piece. I had abandoned this piece for an entire year before reviving it and writing the whole piece in just over a week and a half, now reimagined for Piano Trio. The piece starts with an atonal representation of grief before quickly moving into an upbeat Denial section which features a sort of fragile and manic sense of repression as a theme that initially sounds upbeat quickly unravels with whole-tone scales and chromatic movement. A representation of Anger is then seen with the whole trio playing the same melody with a jarring Bb in the harmony. The denial and anger sections repeat and regress before abruptly moving to a Bargaining section in which the original theme, ominously played in the lower piano and cello registers, is juxtaposed with a conjunct, major variation of the same theme in the violin. The Depression section takes the form of a cello solo as I find it to be one of the most emotive and expressive instruments and I take inspiration from Elgar's Cello Concerto, which I angstily listened to on the flight home from my aforementioned interview. A lilting and lamenting cello solo is contrasted with an atonal, aimless piano accompaniment which reflects the topic of depression. The bargaining theme reprises slightly with both strings performing the major variation before leading to the final climax. The Acceptance section sees the principal theme finally fully resolved in a major mode and with diatonic harmony. This is an expressive section as the whole trio plays the same melody with very simple yet emotive harmonic accompaniment underneath. Here the depression theme pairs with the principal theme coming to a final resolution. For individual parts for performance please contact owhcomposer@gmail.com.
$27.99
25.7 €
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Piano Trio: piano, violon, violoncelle
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William Heath
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An Elegy for Hopes and Dreams
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William Heath
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SheetMusicPlus
Mendelssohn: Wedding March for Piano Trio
Piano Trio: piano, violon, violoncelle
Piano Trio - Level 3 - Digital Download SKU: A0.549883 Composed by Felix Bartholdy …
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Piano Trio - Level 3 - Digital Download SKU: A0.549883 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Wedding. 33 pages. Jmsgu3 #3601997. Published by jmsgu3 (A0.549883). Score: 18 pages, piano part: 6 pages, cello part: 4 pages, violin part: 4 pages. duration: ca. 5'. Register for free lifetime updates and revisions of this product at www.jamesguthrie.com This is the famous wedding march from Op. 61 composed in 1842 and commonly performed as a recessional march at the end of a wedding. The piece was originally composed for orchestra, then arranged for organ and performed by Mendelssohn himself. Mendelssohn: Wedding March Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic o.
$36.95
33.93 €
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Piano Trio: piano, violon, violoncelle
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Wedding March for Piano Trio
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jmsgu3
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SheetMusicPlus
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