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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Dot Dot Dot
Non classifié
432
Piano & claviers
Piano seul
468
Piano, Voix
339
Piano Facile
250
Piano, Voix et Guitare
143
Orgue
36
1 Piano, 4 mains
17
Instruments en Do
12
Piano grosses notes
7
Piano Trio: piano, violon, violoncelle
5
Accompagnement Piano
4
Piano (partie séparée)
3
Piano Quatuor: piano, violon, alto, violoncelle
2
Ligne De Mélodie, Piano
1
Instrument seul et Orgue
1
Clavecin
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
1 Piano, 6 mains
1
Piano Quatuor: piano, 2 violons, violoncelle
1
+ 13 instrumentations
Retracter
Guitares
Guitare
42
Ligne De Mélodie, (Paroles) et Accords
30
Guitare notes et tablatures
20
Paroles et Accords
14
Basse electrique
5
Guitare (partie séparée)
2
Ukulele
2
4 Guitares (Quatuor)
2
Dulcimer
1
3 Guitares (trio)
1
Mandoline, Guitare (duo)
1
+ 6 instrumentations
Retracter
Voix
Chorale SATB
116
Chorale 3 parties
37
Chorale TTBB
22
Chorale 2 parties
22
Voix seule
21
Chorale SSAA
14
Chorale Unison
10
Pack Instrumental pour Chorale
8
Voix Soprano, Piano
5
Voix Tenor, Piano
4
Voix duo, Piano
3
Voix duo
3
Voix Mezzo-Soprano, Piano
2
Chorale
2
Chorale SSATB
2
Voix Moyenne
1
Voix Baryton, Piano
1
Voix basse, Piano
1
Chorale SSAB a cappella
1
Voix moyenne, Piano
1
Voix haute
1
+ 16 instrumentations
Retracter
Vents
Saxophone
134
Clarinette
91
Flûte traversière
75
Flûte traversière et Piano
50
Quatuor de Saxophones: 4 saxophones
34
Clarinette et Piano
33
Hautbois, Piano (duo)
30
Saxophone Tenor et Piano
24
Saxophone Alto
24
Saxophone Alto et Piano
24
Saxophone Tenor
22
Saxophone Soprano et Piano
18
2 Saxophones (duo)
17
Saxophone (partie séparée)
16
Flûte, Hautbois, Clarinette, Basson
15
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
14
Quatuor de Clarinettes: 4 clarinettes
14
Clarinette Basse, Piano
13
Saxophone Baryton, Piano
11
Saxophone Soprano
10
Clarinette (partie séparée)
9
2 Flûte à bec (duo)
9
Ensemble de Clarinettes
8
2 Flûtes traversières (duo)
7
Quintette de Saxophone: 5 saxophones
7
2 Clarinettes (duo)
7
Trio de Flûtes: 3 flûtes
7
Flûte à Bec
6
3 Saxophones (trio)
6
Hautbois (partie séparée)
5
Flûte, Violon, Piano
5
Flute (partie séparée)
5
3 Clarinettes (trio)
5
Flûte à bec Soprano
5
Flûte, Clarinette (duo)
5
Flûte, Hautbois, Clarinette (trio)
5
Quatuor de Flûtes : 4 flûtes
5
Flûte et Guitare
5
Hautbois
4
Ensemble de Flûtes
4
Ensemble de saxophones
3
Flûte, Clarinette, Piano (trio)
3
Flûte, Violoncelle, Piano (trio)
3
Quatuor de Flûtes à bec
3
Hautbois, Basson (duo)
2
2 Clarinettes, Piano
2
Saxophone et Orgue
2
2 Hautbois (duo)
2
Cor anglais, Piano
2
Ensemble à vent
2
Quintette de Clarinettes: 5 clarinettes
2
Flûte à bec, Guitare (duo)
2
Flûte, trombone et piano
2
Clarinette, Basson (duo)
2
Clarinette, Violoncelle (duo)
2
Flûte, Violoncelle
2
Flûte, Violon
2
Hautbois, Harpe
1
Flûte, Hautbois, Piano (trio)
1
Clarinette, Harpe (duo)
1
2 Saxophones, Piano
1
Saxophone et Guitare
1
Flûte, Alto et Piano
1
5 Flûtes à bec
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Clarinette, Guitare (duo)
1
2 Flûtes traversières, Piano
1
Flûte, Hautbois (duo)
1
Flûte, Hautbois, Basson
1
Ocarina
1
Clarinette, Trompette (duo)
1
Flûte irlandaise
1
Hautbois, Flûte
1
Flûte à bec Soprano, Piano
1
Cor Anglais
1
Ensemble De Flûte à bec
1
Clarinette, Violon (duo)
1
Flûte, Basson et Piano
1
3 Flûtes à bec (trio)
1
Cor anglais, Guitare (duo)
1
Quintette de Flûte : 5 flûtes
1
+ 76 instrumentations
Retracter
Cuivres
Trompette
95
Trombone
75
Trompette, Piano
38
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
23
Trombone et Piano
22
Cor et Piano
19
Quatuor de Cuivres: 2 trompettes, Cor, trombone
16
Quatuor de Cuivres : 2 trompettes, trombone, tuba
14
Tuba et Piano
12
Cor
11
Trombone (partie séparée)
10
Trompette (partie séparée)
9
Cor (partie séparée)
5
Quatuor de Cuivres
5
Tuba
4
2 Euphoniums et 2 Tubas
3
2 Trombones (duo)
3
2 Trompettes (duo)
3
Trio de Cuivres
3
Euphonium, Piano (duo)
3
2 Cors (duo)
2
Bass Clef Instruments
2
Cor anglais, Piano
2
Quatuor de cuivres: 4 trombones
2
Euphonium
2
Euphonium (partie séparée)
2
Tuba (partie séparée)
2
Ensemble de Cors
1
Quatuor de cuivres: 4 trompettes
1
4 Tubas
1
Cor Anglais
1
Instruments en Sib
1
Ensemble de Trompettes
1
Trompette, Cor (duo)
1
Trompette, Tuba (duo)
1
Cor anglais, Guitare (duo)
1
3 Euphoniums
1
+ 32 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
78
Violon et Piano
63
Violoncelle, Piano
47
Alto, Piano
37
2 Violoncelles (duo)
34
Violoncelle
30
Violon
26
Violon, Violoncelle (duo)
25
Violon, Alto (duo)
23
Alto, Violoncelle (duo)
20
Violon (partie séparée)
14
2 Violons (duo)
14
Harpe
13
Contrebasse, Piano (duo)
11
Trio à Cordes: violon, alto, violoncelle
8
Alto seul
8
2 Altos (duo)
8
Contrebasse (partie séparée)
7
Alto, Guitare (duo)
4
Alto (partie séparée)
4
Contre Basse
4
Harpe, Flûte (duo)
3
4 Violoncelles
3
Violoncelle (partie séparée)
3
Quintette à cordes: 2 violons, alto, violoncelle, basse
3
5 Harpes
2
Violoncelle, Contrebasse (duo)
2
Trio à Cordes: 2 violons, violoncelle
2
3 Harpes
2
Piano Trio: Violon, Alto, Piano
2
Trio à Cordes: 3 violoncelles
2
Trio à cordes: 3 altos
1
Violon, Clarinette, Piano (trio)
1
Violoncelle , Guitare (duo)
1
2 Violoncelles, Piano
1
Quatuor à cordes: 4 violons
1
2 Violons, Piano
1
Violon, Basson (duo)
1
Trio à cordes: 3 violins
1
Trio à Cordes: 2 violons, alto
1
Quatuor à cordes : 4 altos
1
+ 36 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
140
Orchestre d'harmonie
139
Cloches
30
Orchestre
24
Ensemble de cuivres
15
Ensemble Jazz
12
Percussion (partie séparée)
9
Xylophone, Piano
8
Orchestre de chambre
8
Batterie
8
Jazz combo
5
Timbales (partie séparée)
4
Ensemble de Percussions
4
Percussion
1
Batterie (partie séparée)
1
Fanfare
1
Quatuor à Vent : 4 instruments à vents
1
+ 12 instrumentations
Retracter
Autres
Formation musicale - Solfège
9
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
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expert
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Vous avez sélectionné:
Dot Dot Dot
Piano Trio: piano, violon, violoncelle
Partitions à imprimer
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1
Love at Home (Easy Violin and Cello Duet with Piano Accompaniment)
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Piano Trio: piano, violon, violoncelle
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FACILE
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Musique Sacrée
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Arthur Henry Mann, John Ernest
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Sharon Wilson
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Love at Home
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Sharon Wilson
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SheetMusicPlus
Instrumental Duet,Piano Cello,Instrumental Duet,Piano,Violin - Level 2 - SKU: A0.1050437 By Arthur Henry Mann, John Ernest Bode, and Sharon Wilson. By A...
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Instrumental Duet,Piano Cello,Instrumental Duet,Piano,Violin - Level 2 - SKU: A0.1050437 By Arthur Henry Mann, John Ernest Bode, and Sharon Wilson. By Arthur Henry Mann and John Ernest Bode. Arranged by Sharon Wilson. Children,Folk,Praise & Worship,Sacred,Traditional. Score and parts. 15 pages. Sharon Wilson #654792. Published by Sharon Wilson (A0.1050437). Here is an easy instrumental trio arrangement (for VIOLIN and CELLO duet with PIANO accompaniment) of the uplifting hymn Love at Home by John H. McNaughton. This gently flowing arrangement will inspire calm reflection as the listeners are reminded of the lyrics: There is beauty all around, When there's love at home; There is joy in every sound, When there's love at home; Peace and plenty here abide, Smiling sweet on every side, Time doth softly, sweetly glide, When there's love at home… Both the VIOLIN and the CELLO get to lead with the melody at times making this a fun and equally challenging piece for both instruments while adding variety for the listeners. The verse begins with each instrument playing a phrase independently followed by the VIOLIN on melody and CELLO on harmony. The song concludes with the CELLO on melody and the VIOLIN on harmony. Duration 2:00The range for each part is as follows: VIOLIN – D4 to B5; CELLO – A2 to D4. All notes for both the VIOLIN and CELLO are playable in the first position making this arrangement an excellent choice for early-intermediate string players. The PIANO accompaniment is written for an intermediate player. The purchase price includes these printing options: 1. a grand staff (6 pages) with all parts on each page2. separate scores for the VIOLIN and CELLO (1 page each) and PIANO (3 pages)3. a combined VIOLIN and CELLO score (2 pages) This hymn represents LOVE and is one of the 10 songs in the collection inspired by Galatians 5:22-23: The Fruit of the Spirit (10 Hymns for Violin and Cello Duet with Piano Accompaniment) Visit Sharon Wilson's website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$5.99
Piano Trio
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Piano Trio: piano, violon, violoncelle
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AVANCÉ
#
Contemporain
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Colin Bayliss
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Piano Trio
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Colin Bayliss
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SheetMusicPlus
Piano Trio,String Ensemble Cello,Piano,Violin - Level 5 - SKU: A0.938413 Composed by Colin Bayliss. 20th Century,Contemporary. Score and parts. 59 pages...
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Piano Trio,String Ensemble Cello,Piano,Violin - Level 5 - SKU: A0.938413 Composed by Colin Bayliss. 20th Century,Contemporary. Score and parts. 59 pages. Colin Bayliss #9995. Published by Colin Bayliss (A0.938413). Piano Trio (B44) was written in the spring of 1991 for David Johnson and the trio which he was forming in Cologne. The work is in three movements:-1. Structures The three instruments build differing structural patterns based on a 12-note row. The violin and 'cello often complement each other, but the piano rarely joins them and tries to pull the music towards a diatonic tonal language, eventually succeeding to end in G major. The movement is in arch form, the second half being based on the retrogrades of the note row. 2. Textures Most forms of sound textures are used, including col legno and sul ponticello for the strings, while the piano occasionally employs soft-headed timpani sticks both on the keyboard and the interior of the instrument. Again the movement is in arch form, with a central section incorporating a miniature scherzo, with a trio section parodying the palm court trio style with a tune of sickly sentimentality. [ This movement may be played separately under the title Einer Kleiner Alptraum - A Little Night... mare] 3. Metamorphoses The notes which will eventually become a Scottish folk tune are hidden either in the repeated notes or in the left hand of the piano, either singly or in harmony. After a neo- classical exposition, using a serial melody, progress is quickly halted by the use of some of the notes of the folk tune being arranged into the theme of Weber's Turandot which was used by Hindemith in his Symphonic Metamorphoses . This pulls the music into a slightly more tonal frame work which becomes more pronounced after a reference to the theme of the slow movement of the Eroica symphony used in Richard Strauss' Metamorphosen. From then onwards, tonality, or rather modality, is established and the folk tune style is maintained with simplicity to the end, except for a miniscule coda reminiscent of the opening of the movement. The sound sample is a performance of the second movement Textures.
$12.00
Piano Trio in C minor, Op. 143
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Piano Trio: piano, violon, violoncelle
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INTERMÉDIAIRE
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Classique
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Ferdinand Ries
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Dianne James
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Piano Trio in C minor, Op. 143
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Artaria Editions
#
SheetMusicPlus
Piano Trio Cello,Piano,Violin - Level 3 - SKU: A0.1487814 Composed by Ferdinand Ries. Arranged by Dianne James. Classical. 62 pages. Artaria Editions #1...
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Piano Trio Cello,Piano,Violin - Level 3 - SKU: A0.1487814 Composed by Ferdinand Ries. Arranged by Dianne James. Classical. 62 pages. Artaria Editions #1064752. Published by Artaria Editions (A0.1487814). The Piano Trio in C minor Op.143 was published by Schott in 1826, but could have been composed much earlier for Ries's personal use in the London concert halls. It is an imposing work, whose gruff tone and serious purpose recall Beethoven's use of this key. The first movement is an impressive sonata-form movement extending to a length of almost 250 bars. It contains two strikingly contrasted themes, one aggressively assertive, the other of a more lyrical, tender character (parallels to Beethoven's thematic tendencies in sonata-form movements are once again clearly apparent). The Adagio movement, cast in the rich colours of A flat major (the tonic minor - flat submediant major key relationship recalls Beethoven once again) contains some moments of real beauty and musical insight. The piano is often centrestage, its florid lines and ornamental flourishes reminiscent of another of Ries's contemporaries, Hummel. The technique of connected second and third movements seen in this work is not new but was a trend established in the piano trio genre by Joseph Haydn in the 1780s and 90s. The oasis of calm and tranquillity created in the Adagio is shattered dramatically by the jagged arpeggio figure which launches the finale. This extremely fast movement - the metronome marking indicates that the music should be felt in two, not in four - is characterised by the tarantella topos. It is a tremendously exciting movement, whose swirling energy and frantic pace is only reined in at the final cadence. The present edition reproduces as faithfully as possible the text of the trio as transmitted in Schott's 1826 edition of the work, a copy of which is preserved in the Staatsbibliothek in Berlin. The metronome markings at the head of each movement derive from this source. The piano compass extends from E flat 1 to a flat 4, a range of just over six octaves. Pedal markings indicated in the source have not been included in the current edition since these are generally very instrument-dependent. Minor rhythmic inconsistences between different statements of the same theme have been retained (e.g. first movement, second subject, bb.51-52, cello and 188-89, violin), as have some differences in phrasing between successive thematic statements (cf. finale, piano bb.3-6 and violin bb.18-21). The style and notation of articulation and dynamic markings have been standardised throughout, and, where missing from the print, markings have been reconstructed from parallel passages. These are indicated by the use of dotted slurs or brackets where appropriate. Obvious wrong notes have been corrected without comment, and editorial emendations with no authority from the print are placed within brackets. Dianne James.
$37.00
Piano Trio in E flat major, Op. 2
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Piano Trio: piano, violon, violoncelle
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INTERMÉDIAIRE
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Classique
#
Ferdinand Ries
#
Dianne James
#
Piano Trio in E flat major, Op
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Artaria Editions
#
SheetMusicPlus
Piano Trio Cello,Piano,Violin - Level 3 - SKU: A0.1488222 Composed by Ferdinand Ries. Arranged by Dianne James. Classical. 77 pages. Artaria Editions #1...
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Piano Trio Cello,Piano,Violin - Level 3 - SKU: A0.1488222 Composed by Ferdinand Ries. Arranged by Dianne James. Classical. 77 pages. Artaria Editions #1065108. Published by Artaria Editions (A0.1488222). The Piano Trio in E flat, Op.2 was published by Simrock in 1807 with a dedication to Monsieur le Comte de Browne, Brigadeur au Service de S.M.J. de toutes les Russies. It is a generously proportioned work in the usual three movements. The lengthy sonata-from first movement is prefaced by a slow introduction which begins on dominant seventh harmony (a nod perhaps to Beethoven's first symphony), slowly finding its way to the tonic by the start of the Allegro section. The brief development section modulates widely, including references to keys as distant as E minor and C major, while the substantially rewritten and varied recapitulation touches on both B and G majors. The slow movement, Andante un poco Allegretto , is cast in the key of C minor and features many solos and duets for the string instruments as well as further harmonic interest, especially in the central modulating episode from bar 46. The finale is a sonata-rondo design complete with all the usual tricks, including even a remote transposition of the refrain late in the movement to B major, a technique surely learned from Beethoven. The present edition reproduces as faithfully as possible the text of the trio as transmitted in Simrock's edition of the work, a copy of which is preserved in the Staatsbibliothek in Berlin. The piano part is most successfully realised on an instrument extending as far as c4, although since such instruments were by no means standard in the first decade of the 19th century, Ries has notated the part carefully to cater for instruments without an extended treble compass. Any alternative readings have been incorporated into the current edition exactly as they appear in the Simrock print. In an instance such as bars 298-309 of the finale for example, instruments with the extended compass should follow the small print in bars 298 and 309, and in between read the notes an octave higher according to the composer's 8ve marking. Instruments with a limited compass should play the notes as written, without the octave transposition of bars 299-309. The cello part contains several passages written in the treble clef. Evidence that these should sound an octave lower than written is provided by bars 74-80 of the first movement and 85-89 of the finale. In the first instance, awkward octave displacements would result if this passage were played literally; in the second instance, some unacceptable part crossing between violin and cello would result from a literal rendition of these two bars. Accordingly then, all passages written in the treble clef should be transposed down an octave. The style and notation of articulation and dynamic markings have been standardised throughout, and, where missing from the print, markings have been reconstructed from parallel passages. These are indicated by the use of dotted slurs or brackets where appropriate. Obvious wrong notes have been corrected without comment, and editorial emendations with no authority from the print are placed within brackets. Dianne James.
$37.00
Trinity - Score Only
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Piano Trio: piano, violon, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Robert A
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Trinity - Score Only
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Robert A. Howard
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SheetMusicPlus
Piano Trio - Level 4 - SKU: A0.998838 Composed by Robert A. Howard. 20th Century,Contemporary,Standards. 17 pages. Robert A. Howard #6139329. Published ...
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Piano Trio - Level 4 - SKU: A0.998838 Composed by Robert A. Howard. 20th Century,Contemporary,Standards. 17 pages. Robert A. Howard #6139329. Published by Robert A. Howard (A0.998838). This piano trio is a single 9-minute movement. The title, Trinity, refers to various uses of the number 3 within the piece. This includes 3 instruments, 3 main sections, the rhythmic interplay of the dotted crotchet pulse (of 3 quavers) in the prevailing 12/8 time signature (with hemiolas), and the use of 3 (and its multiples) in the creation of core material. The work creates memorable motifs which are used in various other melodic and harmonic permutations, as well as in cycles of layered texturing. Trinity's overall structure actually refers to a palindromic form, as earlier sections return towards the end, truncated and in reverse order, thus bringing the piece full circle. The religious symbolism implied in the title may be said to have influenced some rather 'mystical' and 'otherworldly' harmonies and textures. The piece is highly accessible and is appropriate for higher standard musicians, including students and the more advanced. Duration: 8 minute 55 seconds.Registered with PRS (Performing Rights Society, UK).Composer's website: www.roberthowardmusic.co.uk.
$11.99
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