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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
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CHORALE - CHAN…
CITHARE
CLAIRON
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COR
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CORNET
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FLUTE TRAVERSI…
FORMATION MUSI…
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GUITARE LAP ST…
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14
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8
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36
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5 Flûtes à bec
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2 Clarinettes, Piano
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+ 57 instrumentations
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20
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1
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Quatuor de Cuivres
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Quatuor de cuivres: 2 trompettes, 2 trombones
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1
Ensemble de Cors
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Ensemble de Trompettes
1
Ensemble de Trombones
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89
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25
Harpe
21
Violon
17
Violoncelle
17
2 Violoncelles (duo)
16
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15
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15
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14
2 Altos (duo)
10
Violon, Violoncelle (duo)
10
2 Violons (duo)
10
Violon, Alto (duo)
9
Alto seul
6
Contre Basse
6
2 Harpes (duo)
4
4 Violoncelles
4
Violon (partie séparée)
3
Trio à Cordes: 2 violons, violoncelle
2
Quatuor à cordes: 4 violons
2
Harpe, Violon (duo)
1
Harpe et Piano
1
Alto, Violoncelle (duo)
1
Trio à Cordes: 2 violons, alto
1
Contrebasse, Piano (duo)
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Alto (partie séparée)
1
+ 22 instrumentations
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30
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29
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27
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4
Fanfare
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Jazz combo
3
Vibraphone
2
Ensemble de Percussions
2
Ensemble d'École
1
Marimba
1
Batterie (partie séparée)
1
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1
Elegy from Mornings of Creation (Downloadable)
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Piano Trio: piano, violon, violoncelle
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FACILE
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Gwyneth W
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Elegy from Mornings of Creatio
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Galaxy Music Corporation - Digital
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SheetMusicPlus
Piano trio (violin, cello, piano) - Moderately Easy - SKU: MQ.1.3433-4E Composed by Gwyneth W. Walker. Secular, 21st century. 22 pages. Galaxy Music Cor...
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Piano trio (violin, cello, piano) - Moderately Easy - SKU: MQ.1.3433-4E Composed by Gwyneth W. Walker. Secular, 21st century. 22 pages. Galaxy Music Corporation - Digital #1.3433-4E. Published by Galaxy Music Corporation - Digital (MQ.1.3433-4E). Commissioned by Fairfield University to celebrate the 25th season of the Quick Center for the Arts. Premiered by The Connecticut Trio on September 27, 2015, Fairfield, Connecticut.Mornings of Creation is a five-movement suite for piano trio. This music was created during the composer's customary composing hours—the morning. Thus, the message is one of the freshness of a new day, and the energy of creative impulse.Elegy is spacious and unrushed. The mournful theme of downward steps, and its strong countermotive of ascending octaves, recur in various guises, each motive to balance the other. This is an extended journey of the soul. Here, the composer turns within, after the many mornings of creation. -Gwyneth Walker.
$4.00
Create In Me a Clean Heart ~ Psalm 51 (for Violin and Cello Duet with Piano accompaniment)
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Piano Trio: piano, violon, violoncelle
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FACILE
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Musique Sacrée
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Sharon Wilson
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Sharon Wilson
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CELLO – B2 to B3
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Create In Me a Clean Heart ~ P
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Sharon Wilson
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SheetMusicPlus
Piano Trio,String Ensemble Cello,Piano,Violin - Level 2 - SKU: A0.565168 By Sharon Wilson. By Sharon Wilson. Arranged by Sharon Wilson. 20th Century,Con...
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Piano Trio,String Ensemble Cello,Piano,Violin - Level 2 - SKU: A0.565168 By Sharon Wilson. By Sharon Wilson. Arranged by Sharon Wilson. 20th Century,Contemporary,Praise & Worship,Sacred,Wedding. Score and parts. 21 pages. Sharon Wilson #3511267. Published by Sharon Wilson (A0.565168). This original Scripture song based on Psalm 51 verses 10-12 is arranged as an instrumental trio (for CELLO and VIOLIN with PIANO Accompaniment). The VIOLIN plays the melody throughout while the CELLO adds a flowing harmony. This Psalm is a prayer of King David and presented here for meditation and reflection. The simplicity of the melody, harmony, and accompaniment allows the instruments to focus on their parts while adding expression and dynamics, drawing the listeners into an atmosphere of prayer and re-commitment.Both string instruments have a range of just one octave: VIOLIN – D4 to D5; CELLO – B2 to B3.  All notes for both the VIOLIN and CELLO are playable in the first position making this an excellent selection for beginning string players.The purchase price includes these printing options: 1. a grand staff (9 pages) with all parts on each page2. separate scores for the CELLO and VIOLIN (2 pages each) and PIANO (4 pages)3. a combined CELLO and VIOLIN score (3 pages)The lyrics were adapted from the King James Version (KJV) and the World English Version (WEB) and are printed below:Lyrics:Create in me a clean heart, O God.Renew a right spirit within me.Cast me not away from Thy presence, O Lord;And take not Thy Holy Spirit from me.Restore unto me the joy of Thy salvation;And uphold me with Thy willing spirit.Then will I teach transgressors Thy ways’And sinners shall be converted unto Thee.Create in me a clean heart, O God.Renew a right spirit within me.Cast me not away from Thy presence, O Lord;And take not Thy Holy Spirit from me.Create in me a clean heart, O God.
$5.99
Piano Trio in E flat major, Op. 2
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Piano Trio: piano, violon, violoncelle
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INTERMÉDIAIRE
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Classique
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Ferdinand Ries
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Dianne James
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Piano Trio in E flat major, Op
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Artaria Editions
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SheetMusicPlus
Piano Trio Cello,Piano,Violin - Level 3 - SKU: A0.1488222 Composed by Ferdinand Ries. Arranged by Dianne James. Classical. 77 pages. Artaria Editions #1...
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Piano Trio Cello,Piano,Violin - Level 3 - SKU: A0.1488222 Composed by Ferdinand Ries. Arranged by Dianne James. Classical. 77 pages. Artaria Editions #1065108. Published by Artaria Editions (A0.1488222). The Piano Trio in E flat, Op.2 was published by Simrock in 1807 with a dedication to Monsieur le Comte de Browne, Brigadeur au Service de S.M.J. de toutes les Russies. It is a generously proportioned work in the usual three movements. The lengthy sonata-from first movement is prefaced by a slow introduction which begins on dominant seventh harmony (a nod perhaps to Beethoven's first symphony), slowly finding its way to the tonic by the start of the Allegro section. The brief development section modulates widely, including references to keys as distant as E minor and C major, while the substantially rewritten and varied recapitulation touches on both B and G majors. The slow movement, Andante un poco Allegretto , is cast in the key of C minor and features many solos and duets for the string instruments as well as further harmonic interest, especially in the central modulating episode from bar 46. The finale is a sonata-rondo design complete with all the usual tricks, including even a remote transposition of the refrain late in the movement to B major, a technique surely learned from Beethoven. The present edition reproduces as faithfully as possible the text of the trio as transmitted in Simrock's edition of the work, a copy of which is preserved in the Staatsbibliothek in Berlin. The piano part is most successfully realised on an instrument extending as far as c4, although since such instruments were by no means standard in the first decade of the 19th century, Ries has notated the part carefully to cater for instruments without an extended treble compass. Any alternative readings have been incorporated into the current edition exactly as they appear in the Simrock print. In an instance such as bars 298-309 of the finale for example, instruments with the extended compass should follow the small print in bars 298 and 309, and in between read the notes an octave higher according to the composer's 8ve marking. Instruments with a limited compass should play the notes as written, without the octave transposition of bars 299-309. The cello part contains several passages written in the treble clef. Evidence that these should sound an octave lower than written is provided by bars 74-80 of the first movement and 85-89 of the finale. In the first instance, awkward octave displacements would result if this passage were played literally; in the second instance, some unacceptable part crossing between violin and cello would result from a literal rendition of these two bars. Accordingly then, all passages written in the treble clef should be transposed down an octave. The style and notation of articulation and dynamic markings have been standardised throughout, and, where missing from the print, markings have been reconstructed from parallel passages. These are indicated by the use of dotted slurs or brackets where appropriate. Obvious wrong notes have been corrected without comment, and editorial emendations with no authority from the print are placed within brackets. Dianne James.
$37.00
Piano Trio in C minor, Op. 143
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Piano Trio: piano, violon, violoncelle
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INTERMÉDIAIRE
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Classique
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Ferdinand Ries
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Dianne James
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Piano Trio in C minor, Op. 143
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Artaria Editions
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SheetMusicPlus
Piano Trio Cello,Piano,Violin - Level 3 - SKU: A0.1487814 Composed by Ferdinand Ries. Arranged by Dianne James. Classical. 62 pages. Artaria Editions #1...
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Piano Trio Cello,Piano,Violin - Level 3 - SKU: A0.1487814 Composed by Ferdinand Ries. Arranged by Dianne James. Classical. 62 pages. Artaria Editions #1064752. Published by Artaria Editions (A0.1487814). The Piano Trio in C minor Op.143 was published by Schott in 1826, but could have been composed much earlier for Ries's personal use in the London concert halls. It is an imposing work, whose gruff tone and serious purpose recall Beethoven's use of this key. The first movement is an impressive sonata-form movement extending to a length of almost 250 bars. It contains two strikingly contrasted themes, one aggressively assertive, the other of a more lyrical, tender character (parallels to Beethoven's thematic tendencies in sonata-form movements are once again clearly apparent). The Adagio movement, cast in the rich colours of A flat major (the tonic minor - flat submediant major key relationship recalls Beethoven once again) contains some moments of real beauty and musical insight. The piano is often centrestage, its florid lines and ornamental flourishes reminiscent of another of Ries's contemporaries, Hummel. The technique of connected second and third movements seen in this work is not new but was a trend established in the piano trio genre by Joseph Haydn in the 1780s and 90s. The oasis of calm and tranquillity created in the Adagio is shattered dramatically by the jagged arpeggio figure which launches the finale. This extremely fast movement - the metronome marking indicates that the music should be felt in two, not in four - is characterised by the tarantella topos. It is a tremendously exciting movement, whose swirling energy and frantic pace is only reined in at the final cadence. The present edition reproduces as faithfully as possible the text of the trio as transmitted in Schott's 1826 edition of the work, a copy of which is preserved in the Staatsbibliothek in Berlin. The metronome markings at the head of each movement derive from this source. The piano compass extends from E flat 1 to a flat 4, a range of just over six octaves. Pedal markings indicated in the source have not been included in the current edition since these are generally very instrument-dependent. Minor rhythmic inconsistences between different statements of the same theme have been retained (e.g. first movement, second subject, bb.51-52, cello and 188-89, violin), as have some differences in phrasing between successive thematic statements (cf. finale, piano bb.3-6 and violin bb.18-21). The style and notation of articulation and dynamic markings have been standardised throughout, and, where missing from the print, markings have been reconstructed from parallel passages. These are indicated by the use of dotted slurs or brackets where appropriate. Obvious wrong notes have been corrected without comment, and editorial emendations with no authority from the print are placed within brackets. Dianne James.
$37.00
Présence
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Piano Trio: piano, violon, violoncelle
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Bernd Alois Zimmermann
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Présence
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Schott Music - Digital
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SheetMusicPlus
Piano trio - SKU: S9.Q2798 Ballet blanc in five scenes for violin, cello and piano. Composed by Bernd Alois Zimmermann. This edition: performance...
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Piano trio - SKU: S9.Q2798 Ballet blanc in five scenes for violin, cello and piano. Composed by Bernd Alois Zimmermann. This edition: performance score. Downloadable, Performance score. Duration 30 minutes. Schott Music - Digital #Q2798. Published by Schott Music - Digital (S9.Q2798). In addition to his extensive musical expertise, Bernd Alois Zimmermann was also extremely knowledgeable in other fields, above all in philosophy and literature. The composer had devoted himself intensely to the concept of time within the area of philosophy: he became famous for his concept of the “sphericality of timeâ€. In his work Présence, apparently disparate elements are pulled together in an all-embracing simultaneity. The three instrumentalists are assigned literary figures who can all be considered as constants in Zimmermann’s Å“uvre: Ubu Roi (piano), a voracious grotesquely caricatured tyrant from Alfred Jarry’s absurd play, Miguel de Cervantes’ Don Quijote (violin) and Molly Bloom (cello) from James Joyce’s ground-breaking novel Ulysses. The instrumentalists are accompanied by a silent (!) “speaker†who hisses so-called “word emblems†from Paul Poertner’s volume of poems Wurzelwerk between the movements. The word emblem for Scene 3 incorporating musical quotations from Prokofiev’s Piano Sonata Op. 83 and Stockhausen’s Zeitmaße is: “Alle Wahrvögel nisten in einem einzigen Baum†[All true birds nest in a single tree].
$57.99
Vivaldi - Four Seasons - Winter for Piano Trio - (score and parts)
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Piano Trio: piano, violon, violoncelle
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Classique
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Antonio Vivaldi
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Neil Crossland
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Vivaldi - Four Seasons - Winte
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Neil Crossland
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SheetMusicPlus
Piano Trio,String Ensemble - SKU: A0.1501210 Composed by Antonio Vivaldi. Arranged by Neil Crossland. Baroque,Classical. 39 pages. Neil Crossland #10771...
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Piano Trio,String Ensemble - SKU: A0.1501210 Composed by Antonio Vivaldi. Arranged by Neil Crossland. Baroque,Classical. 39 pages. Neil Crossland #1077168. Published by Neil Crossland (A0.1501210). This piano trio arrangement of Vivaldi's Winter from The Four Seasons brings a fresh interpretation to this iconic piece, blending the crisp, dynamic energy of Vivaldi's original with the nuanced interplay of the piano, violin, and cello. The arrangement captures the essence of winter's chill and stormy temperament through the violin's sharp, biting phrases, the cello's deep, resonant tones, and the piano's rhythmic drive. Each instrument takes on a distinctive role, with the piano providing both harmonic foundation and melodic counterpoint, while the strings weave in and out with both intense and lyrical passages. The balance between the instruments highlights the contrasts within the music, from the biting cold of the outer movements to the more introspective middle section. Overall, this arrangement reimagines Vivaldi's masterpiece, allowing each musician to contribute uniquely to the vivid portrayal of winter's drama.
$19.99
Le Tombeau de Couperin
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Piano Trio: piano, violon, violoncelle
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INTERMÉDIAIRE
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Maurice Ravel
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Matthew van Brink
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Le Tombeau de Couperin
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Schott Music - Digital
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SheetMusicPlus
Piano trio - intermediate - SKU: S9.Q6586 Composed by Maurice Ravel. Arranged by Matthew van Brink. This edition: piano direction and parts. Downloadabl...
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Piano trio - intermediate - SKU: S9.Q6586 Composed by Maurice Ravel. Arranged by Matthew van Brink. This edition: piano direction and parts. Downloadable, Piano conductor and parts. Schott Music - Digital #Q6586. Published by Schott Music - Digital (S9.Q6586). Created during the First World War, Maurice Ravel's composition 'Le Tombeau de Couperin' casts a longing look at the past while at the same time being full to the brim with traces of modern music. Each of the six movements is dedicated to friends who died in battle. In 1919 Ravel arranged four of these movements for large orchestra by skilfully borrowing melodic lines and colours from the piano setting. In the present new arrangement written for the Stella Piano Trio, these elements were adjusted to the instrumentation and their relationship within the ensemble. As in Ravel's orchestration, each note is taken into account, even if the cello is sometimes given a melody which is an octave lower than the original.
$30.99
Fire that Burns into Ashes (for Piano Trio)
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Piano Trio: piano, violon, violoncelle
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AVANCÉ
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Contemporain
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Aaron Lee
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Fire that Burns into Ashes
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J. Aaron Lee
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SheetMusicPlus
Piano Trio,String Ensemble Cello,Piano,Violin - Level 5 - SKU: A0.672416 Composed by Aaron Lee. 20th Century,Classical,Contemporary. Score and parts. 58...
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Piano Trio,String Ensemble Cello,Piano,Violin - Level 5 - SKU: A0.672416 Composed by Aaron Lee. 20th Century,Classical,Contemporary. Score and parts. 58 pages. J. Aaron Lee #281374. Published by J. Aaron Lee (A0.672416). A challenging work for piano trio, Fire that Burns into Ashes is a vaguely programmatic work that explores the ideas of cause and effect. Events occur within the first half of the work that leave shadows and remnants in the second. Musically, the work explores modes of limited transposition in a context that remains accessible to most audiences. For more music from Aaron Lee, you can visit www.musicoflee.com.
$19.99
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