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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Invent
Non classifié
429
Piano & claviers
Piano seul
1 021
Piano Facile
78
2 Pianos, 4 mains
45
Piano, Voix
37
Orgue
32
Piano, Voix et Guitare
17
Clavecin
12
Orgue, Piano (duo)
9
1 Piano, 4 mains
7
Accordéon
7
Instruments en Do
6
Piano Trio: piano, violon, violoncelle
2
2 Accordéons
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Clavier
1
+ 10 instrumentations
Retracter
Guitares
Piano, Guitare (duo)
112
Guitare
54
Guitare notes et tablatures
23
2 Guitares (duo)
19
Mandoline
3
Basse electrique
3
4 Guitares (Quatuor)
3
3 Guitares (trio)
2
Banjo
2
Ligne De Mélodie, (Paroles) et Accords
2
Mandoline, Guitare (duo)
1
2 Mandolines (duo)
1
+ 7 instrumentations
Retracter
Voix
Chorale SATB
68
Chorale 3 parties
33
Chorale 2 parties
13
Chorale Unison
7
Chorale TTBB
4
Voix Soprano, Piano
2
Chorale SSAA
2
Voix moyenne, Piano
2
Voix Alto, Piano
1
Voix basse
1
Voix Baryton, Piano
1
Chorale SSAB a cappella
1
Voix duo, Piano
1
+ 8 instrumentations
Retracter
Vents
Hautbois, Piano (duo)
200
Clarinette et Piano
186
Flûte traversière et Piano
175
Saxophone Alto et Piano
131
Saxophone Tenor et Piano
126
2 Saxophones (duo)
61
2 Clarinettes (duo)
49
2 Flûtes traversières (duo)
43
3 Clarinettes (trio)
24
Clarinette
24
Hautbois (partie séparée)
20
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
19
Flûte traversière
19
Flûte, Hautbois, Clarinette, Basson
16
Quatuor de Saxophones: 4 saxophones
14
Quatuor de Clarinettes: 4 clarinettes
11
Flûte, Violoncelle
11
Hautbois, Basson (duo)
10
3 Saxophones (trio)
8
Flûte, Clarinette (duo)
8
Quatuor de Flûtes : 4 flûtes
8
Trio de Flûtes: 3 flûtes
8
Ensemble de Clarinettes
7
3 Flûtes à bec (trio)
7
Clarinette, Basson (duo)
6
Saxophone Baryton, Piano
5
Flute (partie séparée)
5
Flûte à Bec
4
2 Flûte à bec (duo)
4
Hautbois, Clarinette (duo)
4
Flûte, Hautbois (duo)
4
Ensemble de Flûtes
4
Flûte, Saxophone (duo)
4
Saxophone Alto
4
Clarinette (partie séparée)
3
2 Hautbois (duo)
3
Flûte, Alto (duo)
3
Flûte, Violon
3
Quintette de Saxophone: 5 saxophones
2
Flute, Cor (duo)
2
Flûte, Trombone (duo)
2
Flûte, Trompette (duo)
2
Flûte et Guitare
2
Saxophone (partie séparée)
2
Saxophone Tenor
2
Saxophone Soprano et Piano
2
Hautbois, Clarinette, Basson (trio d'anches)
2
Clarinette, Violon (duo)
2
5 Flûtes à bec
2
Flûte et Quatuor à Cordes
1
Hautbois, Flûte
1
Clarinette, Guitare (duo)
1
Ensemble à vent
1
Saxophone et violoncelle
1
Piccolo
1
Saxophone, Clarinette (duo)
1
Quintette de Clarinettes: 5 clarinettes
1
Hautbois, Violoncelle
1
Clarinette, Violoncelle (duo)
1
Saxophone et Guitare
1
Clarinette, Trombone (duo)
1
Flûte, Hautbois, Clarinette (trio)
1
Clarinette Basse, Piano
1
Flûte, Hautbois, Piano (trio)
1
Cor Anglais
1
2 Clarinettes, Basson
1
2 Saxophones, Piano
1
Saxophone, Basson (duo)
1
Flûte irlandaise
1
Cor anglais, Piano
1
Saxophone
1
+ 66 instrumentations
Retracter
Cuivres
Trombone et Piano
144
Trompette
85
Trompette, Piano
65
Trombone
19
Trompette (partie séparée)
19
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
19
Quatuor de Cuivres : 2 trompettes, trombone, tuba
16
2 Trompettes (duo)
10
Cor
8
Trombone (partie séparée)
7
Quatuor de Cuivres: 2 trompettes, Cor, trombone
6
Trompette, Trombone (duo)
5
Quatuor de Cuivres
5
2 Trombones (duo)
5
3 Trombones (trio)
5
Tuba et Piano
3
Quatuor de cuivres: 4 trombones
3
Cor, Tuba (duo)
3
2 Cors (duo)
3
Trompette, Tuba (duo)
2
2 Tubas (duo)
2
Euphonium, Piano (duo)
2
Tuba (partie séparée)
2
Cor (partie séparée)
2
Trompette, Cor (duo)
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Tuba
1
Trio de Cuivres
1
Cor et Piano
1
2 Euphoniums et 2 Tubas
1
Cor Anglais
1
Cor anglais, Piano
1
3 Euphoniums
1
+ 28 instrumentations
Retracter
Cordes
Alto, Piano
168
Violon et Piano
154
Violoncelle, Piano
137
Quatuor à cordes: 2 violons, alto, violoncelle
88
Violon, Violoncelle (duo)
73
2 Violoncelles (duo)
54
Violon, Alto (duo)
39
Violon
29
Trio à Cordes: violon, alto, violoncelle
27
Violoncelle
22
Violoncelle et Marimba
15
2 Violons (duo)
15
Alto (partie séparée)
10
Alto seul
9
Harpe
6
Contrebasse (partie séparée)
5
Violon (partie séparée)
5
2 Altos (duo)
5
Trio à Cordes: 2 violons, violoncelle
4
Trio à Cordes: 3 violoncelles
4
Alto, Violoncelle (duo)
4
4 Violoncelles
2
Alto et Basson
2
Violon, Guitare (duo)
2
Contre Basse
2
Trio à cordes
1
Trio à cordes: 3 violins
1
Violoncelle, Orgue
1
Violon, Basson (duo)
1
Alto, Guitare (duo)
1
Violoncelle (partie séparée)
1
Violoncelle , Guitare (duo)
1
Harpe, Flûte (duo)
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Violoncelle, Contrebasse (duo)
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
2 Harpes (duo)
1
+ 32 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
90
Orchestre à Cordes
28
Orchestre
25
Marimba
15
2 Marimbas
15
Ensemble de cuivres
12
Orchestre de chambre
8
Ensemble Jazz
7
Percussion
4
Ensemble de Percussions
2
Jazz combo
2
Cloches
2
Batterie
2
Percussion (partie séparée)
1
Vibraphone
1
Vibraphone et Marimba
1
+ 11 instrumentations
Retracter
Autres
Formation musicale - Solfège
2
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
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BASSE
BASSON
BATTERIE
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BUGLE
CHANT - CHO…
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COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
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FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
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MANDOLINE
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OUD
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
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Piano Trio: piano, violon, violoncelle
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Mendelssohn: Wedding March for Piano Trio
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Piano Trio: piano, violon, violoncelle
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INTERMÉDIAIRE
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Classique
#
Felix Bartholdy Mendelssohn
#
James M
#
Mendelssohn: Wedding March for
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jmsgu3
#
SheetMusicPlus
Piano Trio - Level 3 - SKU: A0.549883 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Wedding. 33 pages. J...
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Piano Trio - Level 3 - SKU: A0.549883 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Wedding. 33 pages. Jmsgu3 #3601997. Published by jmsgu3 (A0.549883). Score: 18 pages, piano part: 6 pages, cello part: 4 pages, violin part: 4 pages. duration: ca. 5'. Register for free lifetime updates and revisions of this product at www.jamesguthrie.com This is the famous wedding march from Op. 61 composed in 1842 and commonly performed as a recessional march at the end of a wedding. The piece was originally composed for orchestra, then arranged for organ and performed by Mendelssohn himself. Mendelssohn: Wedding March Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic o.
$36.95
180 Shift for piano trio
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Piano Trio: piano, violon, violoncelle
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AVANCÉ
#
Contemporain
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Robert M
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180 Shift for piano trio
#
Robert M. Greenberg
#
SheetMusicPlus
Piano Trio,String Ensemble Cello,Piano,Violin - Level 5 - SKU: A0.987846 Composed by Robert M. Greenberg. 20th Century,Contemporary. Score and parts. 69...
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Piano Trio,String Ensemble Cello,Piano,Violin - Level 5 - SKU: A0.987846 Composed by Robert M. Greenberg. 20th Century,Contemporary. Score and parts. 69 pages. Robert M. Greenberg #90269. Published by Robert M. Greenberg (A0.987846). Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Video: https://www.youtube.com/watch?v=dZvxnzZ1oA8 Duration: ca. 18 minutes Year of composition: 2013 Program Note: I. Elegy and Variations II. Song and Dance (Shake, Rattle and Roll) III. Re-Invention (Toccatissima) Aside from being an obvious (if hackneyed) reference to the commissioning ensemble, Trio 180, the title 180 Shift well describes the large-scale dramatic action of the piece: from beginning to end, it traverses an expressive distance of 180 degrees, from elegiac sorrow to hot-footed sizzle. 180 Shift is cast in three movements. Each movement is based on the same thematic material, although that material is transformed continuously across the span of the piece. Movement one, Elegy and Variations consists of a series of a theme, six free variations of the theme and a quiet intermezzo before the sixth and final variation. The movement is melancholy, reflective, and generally subdued in tone. Movement two, entitled Song and Dance (Shake, Rattle, and Roll) sees materials introduced in the Elegy transformed first into a introspective song and finally into a vigorous, gigue-like dance. The three parts of the movement are characterized, respectively, by shakes (tremolos), rattles (in the piano; we’ll know them when we hear them) and rolls (arpeggios). Movement three – Re-Invention (Toccatissima) is fast and virtuosic, a (mostly) two-part invention that sees the basic thematic material re-invented once again. 180 Shift is dedicated, with great affection and respect, to Trio 180: Ann Miller, Nina Flyer, and Sonia Leong.
$32.00
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