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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
It's Late
Sheetmusicplus
Non classifié
1 212
Piano & claviers
Piano seul
608
Piano, Voix
196
Piano, Voix et Guitare
137
Piano Facile
137
Accompagnement Piano
71
Instruments en Do
64
Orgue
37
1 Piano, 4 mains
30
2 Pianos, 4 mains
11
Piano Quatuor: piano, violon, alto, violoncelle
10
Piano Trio: piano, violon, violoncelle
9
Piano Quatuor: piano, 2 violons, violoncelle
5
Piano (partie séparée)
3
2 Pianos, 8 mains
2
Piano grosses notes
2
Clavecin
2
Accordéon
2
Clavier
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Orgue, Trompette (duo)
1
+ 15 instrumentations
Retracter
Guitares
Guitare
67
Guitare notes et tablatures
46
Ligne De Mélodie, (Paroles) et Accords
25
Ukulele
18
Basse electrique
11
Piano, Guitare (duo)
9
2 Guitares (duo)
8
Guitare (partie séparée)
4
Paroles et Accords
4
Banjo
3
Mandoline, Guitare (duo)
1
Dobro
1
Mandoline
1
3 Guitares (trio)
1
Ensemble de guitares
1
+ 10 instrumentations
Retracter
Voix
Chorale SATB
229
Voix Tenor, Piano
71
Voix Alto, Piano
69
Voix Soprano, Piano
61
Chorale 3 parties
61
Chorale TTBB
45
Chorale 2 parties
43
Chorale SSAA
36
Voix Baryton, Piano
29
Chorale Unison
18
Voix haute
6
Voix moyenne, Piano
6
Voix duo, Piano
6
Voix Tenor
6
Voix seule
4
Chorale
3
Chorale SSATTB
1
Voix Soprano
1
Voix duo
1
+ 14 instrumentations
Retracter
Vents
Flûte traversière et Piano
111
Quatuor de Saxophones: 4 saxophones
92
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
85
Clarinette et Piano
75
Hautbois, Piano (duo)
66
2 Saxophones (duo)
60
Saxophone Tenor et Piano
58
Quatuor de Clarinettes: 4 clarinettes
58
Saxophone Alto et Piano
58
Saxophone (partie séparée)
47
Quintette de Saxophone: 5 saxophones
45
Saxophone Soprano et Piano
40
Flûte, Hautbois, Clarinette, Basson
40
Saxophone Baryton, Piano
36
Cor anglais, Piano
32
2 Clarinettes (duo)
32
Flûte traversière
30
Clarinette
29
Ensemble de Clarinettes
27
2 Flûtes traversières (duo)
26
Hautbois (partie séparée)
24
Ensemble de Flûtes
23
Saxophone Alto
22
Clarinette Basse, Piano
20
Quatuor de Flûtes : 4 flûtes
20
Flûte, Clarinette (duo)
19
Saxophone Tenor
17
Quintette de Clarinettes: 5 clarinettes
16
3 Saxophones (trio)
16
Ensemble de saxophones
16
Quintette de Flûte : 5 flûtes
14
3 Clarinettes (trio)
14
Saxophone, Clarinette (duo)
13
Flûte à bec Soprano
10
2 Hautbois (duo)
10
Clarinette, Violon (duo)
9
Hautbois, Clarinette (duo)
8
Hautbois, Basson (duo)
8
Clarinette, Trompette (duo)
7
Clarinette, Basson (duo)
7
2 Flûte à bec (duo)
6
Trio de Flûtes: 3 flûtes
6
Clarinette et Alto
6
Flute (partie séparée)
5
Flûte, Saxophone (duo)
5
Flûte et Guitare
5
Flûte, Alto (duo)
5
Flûte, Violon
5
Quatuor de Flûtes à bec
5
Flûte, Trompette (duo)
4
Clarinette, Guitare (duo)
4
Clarinette, Violoncelle (duo)
4
Hautbois, Flûte
4
Flûte à Bec
4
Flûte à bec Alto, Piano
3
3 Flûtes à bec (trio)
3
Ensemble De Flûte à bec
3
Clarinette (partie séparée)
3
Hautbois
3
Flûte, Hautbois, Clarinette (trio)
3
Flûte à bec Tenor
3
Piccolo, Piano
3
Flûte, Violoncelle
3
Flûte à bec Soprano, Piano
3
Saxophone et Orgue
2
Saxophone Soprano
2
2 Flûtes traversières, Piano
2
Flûte à bec Alto
2
5 Flûtes à bec
2
Flûte, Violon, Violoncelle et Piano
2
Flûte, Hautbois, Piano (trio)
2
Flûte, Clarinette, Piano (trio)
2
2 Saxophones, Piano
1
Cor anglais et Harpe (duo)
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Flûte et Trio à cordes
1
Flûte, Violoncelle, Piano (trio)
1
Flûte, Violon, Piano
1
4 Hautbois
1
Hautbois, Violoncelle
1
Harmonica
1
2 Flûtes à bec, Guitare
1
Cor anglais, Guitare (duo)
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Hautbois et alto (duo)
1
Ensemble de Hautbois
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Clarinette, Violoncelle, Piano (trio)
1
Flute, harpe et violon
1
Flûte, Clarinette et Basson
1
Flûte, Basson et Piano
1
Flûte, Hautbois (duo)
1
Clarinette Basse
1
2 Clarinettes, Piano
1
+ 89 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
115
Trombone et Piano
62
Quatuor de Cuivres : 2 trompettes, trombone, tuba
56
Cor et Piano
41
Trompette
41
Trompette, Piano
37
Euphonium, Piano (duo)
36
Cor anglais, Piano
32
Trombone (partie séparée)
25
Trompette (partie séparée)
21
Quatuor de Cuivres: 2 trompettes, Cor, trombone
21
Trompette, Trombone (duo)
18
Tuba et Piano
17
2 Trompettes (duo)
15
2 Trombones (duo)
14
Trombone
14
Cor
13
Ensemble de Trombones
11
2 Cors (duo)
11
Tuba
11
Trompette, Saxophone (duo)
10
Quatuor de cuivres: 4 trombones
9
Quatuor de Cuivres
9
Ensemble de Trompettes
8
Trompette, Cor (duo)
6
Cor (partie séparée)
5
Quatuor de cuivres: 4 trompettes
4
Quatuor de cuivres: 4 cors
4
Ensemble de Cors
4
Trombone, Cor (duo)
4
3 Trombones (trio)
3
2 Tubas (duo)
3
Tuba (partie séparée)
3
3 Tubas (trio)
3
Euphonium
3
Tuba et Orgue
3
Trombone, Tuba (duo)
2
4 Tubas
2
Cor, Tuba (duo)
2
Trio de Cuivres
2
Trompette, Tuba (duo)
2
3 Cors (trio)
2
Cor anglais et Harpe (duo)
1
Cor anglais, Guitare (duo)
1
2 Euphoniums (duo)
1
Euphonium, Tuba (duo)
1
Trompette, Euphonium (duo)
1
3 Trompettes (trio)
1
2 Euphoniums et 2 Tubas
1
+ 44 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
175
Violon et Piano
101
Alto, Piano
63
Violoncelle, Piano
57
Violon
45
Harpe
38
Violon, Violoncelle (duo)
34
Violoncelle
31
2 Violons (duo)
27
Violon, Alto (duo)
21
Trio à Cordes: violon, alto, violoncelle
18
2 Violoncelles (duo)
15
Alto seul
15
Trio à Cordes: 2 violons, violoncelle
14
2 Altos (duo)
14
2 Harpes (duo)
10
Violon, Guitare (duo)
9
Alto (partie séparée)
8
4 Violoncelles
8
Alto, Violoncelle (duo)
6
Piano Trio: Violon, Alto, Piano
6
Contre Basse
6
Violon (partie séparée)
5
Ensemble de Violons
5
Quintette à cordes: 2 violons, alto, violoncelle, basse
5
Contrebasse, Piano (duo)
5
Trio à cordes: 3 violins
4
Trio à Cordes: 3 violoncelles
4
Contrebasse (partie séparée)
4
Ensemble d'Altos
4
Quatuor à cordes: 4 violons
4
Quatuor à cordes : 4 altos
3
Harpe, Voix
3
Violoncelle, Contrebasse (duo)
3
Trio à cordes: 3 altos
3
2 Contrebasses (duo)
2
Harpe, Flûte (duo)
2
Violon, Clarinette, Piano (trio)
1
Harpe et Piano
1
Violon, Basson (duo)
1
Violoncelle , Guitare (duo)
1
+ 36 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
277
Orchestre
95
Orchestre à Cordes
73
Ensemble de cuivres
41
Ensemble Jazz
36
Orchestre de chambre
31
Cloches
25
Jazz combo
13
Ensemble de Percussions
11
Fanfare
8
Batterie (partie séparée)
4
Piano et Orchestre
4
Marimba
3
Vibraphone
3
Batterie
3
Percussion (partie séparée)
2
Orchestre, Violon
1
Vibraphone (partie séparée)
1
+ 13 instrumentations
Retracter
Autres
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
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CORNET
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It's Late
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1
Mendelssohn: Wedding March for Piano Trio
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Piano Trio: piano, violon, violoncelle
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INTERMÉDIAIRE
#
Classique
#
Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Wedding March for
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jmsgu3
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SheetMusicPlus
Piano Trio - Level 3 - SKU: A0.549883 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Wedding. 33 pages. J...
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Piano Trio - Level 3 - SKU: A0.549883 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Wedding. 33 pages. Jmsgu3 #3601997. Published by jmsgu3 (A0.549883). Score: 18 pages, piano part: 6 pages, cello part: 4 pages, violin part: 4 pages. duration: ca. 5'. Register for free lifetime updates and revisions of this product at www.jamesguthrie.com This is the famous wedding march from Op. 61 composed in 1842 and commonly performed as a recessional march at the end of a wedding. The piece was originally composed for orchestra, then arranged for organ and performed by Mendelssohn himself. Mendelssohn: Wedding March Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic o.
$36.95
Amazing Grace • super easy violin and violoncello sheet music with piano accompaniment
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Piano Trio: piano, violon, violoncelle
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DÉBUTANT
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Musique Sacrée
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John Newton
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Benzaiten Editions
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Amazing Grace • super eas
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Benzaiten Editions
#
SheetMusicPlus
Instrumental Duet,Piano Cello,Instrumental Duet,Piano,Violin - Level 1 - SKU: A0.1232543 Composed by John Newton. Arranged by Benzaiten Editions. Christ...
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Instrumental Duet,Piano Cello,Instrumental Duet,Piano,Violin - Level 1 - SKU: A0.1232543 Composed by John Newton. Arranged by Benzaiten Editions. Christian,Early Music,Praise & Worship,Religious,Sacred. 6 pages. Benzaiten Editions #828206. Published by Benzaiten Editions (A0.1232543). The Benzaiten Editions Arrangement If you're looking for an easy violin and violoncello with easy piano accompaniment music sheet of the classic hymn Amazing Grace, look no further! I have created a simple yet beautiful version of this beloved song that is perfect for beginner violin and violoncello players or those who are just starting to learn how to play. With this arrangement of Amazing Grace, you'll be able to play this timeless melody with ease and grace. The simplified chords and melody make it easy to learn, while still retaining the emotional depth and spiritual resonance of the original hymn. So whether you're looking to add a new piece to your repertoire or share the gift of music with others, our easy/beginner violin and violoncello music sheet of Amazing Grace is sure to inspire and uplift. About the song Amazing Grace is a beloved hymn written by English poet and clergyman John Newton in the late 18th century. It reflects on his personal journey from a life of sin to one of faith and redemption. The melody's origin is unclear, but it's believed to have originated from an old Scottish folk tune. The hymn has been recorded and performed by countless musicians and artists over the years and has become a source of comfort and hope for people around the world in times of struggle and hardship.
$2.99
Amazing Grace • super easy violin & cello with intermediate piano accompaniment (and chords)
#
Piano Trio: piano, violon, violoncelle
#
DÉBUTANT
#
Musique Sacrée
#
John Newton
#
Benzaiten Editions
#
Amazing Grace • super eas
#
Benzaiten Editions
#
SheetMusicPlus
Instrumental Duet,Piano Cello,Instrumental Duet,Piano,Violin - Level 1 - SKU: A0.1232562 Composed by John Newton. Arranged by Benzaiten Editions. Christ...
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Instrumental Duet,Piano Cello,Instrumental Duet,Piano,Violin - Level 1 - SKU: A0.1232562 Composed by John Newton. Arranged by Benzaiten Editions. Christian,Early Music,Praise & Worship,Religious,Sacred. 6 pages. Benzaiten Editions #828217. Published by Benzaiten Editions (A0.1232562). The Benzaiten Editions Arrangement If you're looking for an easy violin and violoncello with intermediate piano accompaniment music sheet with chords of the classic hymn Amazing Grace, look no further! I have created a simple yet beautiful version of this beloved song that is perfect for beginner violin and violoncello players or those who are just starting to learn how to play. With this arrangement of Amazing Grace, you'll be able to play this timeless melody with ease and grace. The simplified chords and melody make it easy to learn, while still retaining the emotional depth and spiritual resonance of the original hymn. So whether you're looking to add a new piece to your repertoire or share the gift of music with others, our easy/beginner violin and violoncello music sheet of Amazing Grace is sure to inspire and uplift. About the song Amazing Grace is a beloved hymn written by English poet and clergyman John Newton in the late 18th century. It reflects on his personal journey from a life of sin to one of faith and redemption. The melody's origin is unclear, but it's believed to have originated from an old Scottish folk tune. The hymn has been recorded and performed by countless musicians and artists over the years and has become a source of comfort and hope for people around the world in times of struggle and hardship.
$2.99
Piano Trio in E flat major, Op. 2
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Piano Trio: piano, violon, violoncelle
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INTERMÉDIAIRE
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Classique
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Ferdinand Ries
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Dianne James
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Piano Trio in E flat major, Op
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Artaria Editions
#
SheetMusicPlus
Piano Trio Cello,Piano,Violin - Level 3 - SKU: A0.1488222 Composed by Ferdinand Ries. Arranged by Dianne James. Classical. 77 pages. Artaria Editions #1...
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Piano Trio Cello,Piano,Violin - Level 3 - SKU: A0.1488222 Composed by Ferdinand Ries. Arranged by Dianne James. Classical. 77 pages. Artaria Editions #1065108. Published by Artaria Editions (A0.1488222). The Piano Trio in E flat, Op.2 was published by Simrock in 1807 with a dedication to Monsieur le Comte de Browne, Brigadeur au Service de S.M.J. de toutes les Russies. It is a generously proportioned work in the usual three movements. The lengthy sonata-from first movement is prefaced by a slow introduction which begins on dominant seventh harmony (a nod perhaps to Beethoven's first symphony), slowly finding its way to the tonic by the start of the Allegro section. The brief development section modulates widely, including references to keys as distant as E minor and C major, while the substantially rewritten and varied recapitulation touches on both B and G majors. The slow movement, Andante un poco Allegretto , is cast in the key of C minor and features many solos and duets for the string instruments as well as further harmonic interest, especially in the central modulating episode from bar 46. The finale is a sonata-rondo design complete with all the usual tricks, including even a remote transposition of the refrain late in the movement to B major, a technique surely learned from Beethoven. The present edition reproduces as faithfully as possible the text of the trio as transmitted in Simrock's edition of the work, a copy of which is preserved in the Staatsbibliothek in Berlin. The piano part is most successfully realised on an instrument extending as far as c4, although since such instruments were by no means standard in the first decade of the 19th century, Ries has notated the part carefully to cater for instruments without an extended treble compass. Any alternative readings have been incorporated into the current edition exactly as they appear in the Simrock print. In an instance such as bars 298-309 of the finale for example, instruments with the extended compass should follow the small print in bars 298 and 309, and in between read the notes an octave higher according to the composer's 8ve marking. Instruments with a limited compass should play the notes as written, without the octave transposition of bars 299-309. The cello part contains several passages written in the treble clef. Evidence that these should sound an octave lower than written is provided by bars 74-80 of the first movement and 85-89 of the finale. In the first instance, awkward octave displacements would result if this passage were played literally; in the second instance, some unacceptable part crossing between violin and cello would result from a literal rendition of these two bars. Accordingly then, all passages written in the treble clef should be transposed down an octave. The style and notation of articulation and dynamic markings have been standardised throughout, and, where missing from the print, markings have been reconstructed from parallel passages. These are indicated by the use of dotted slurs or brackets where appropriate. Obvious wrong notes have been corrected without comment, and editorial emendations with no authority from the print are placed within brackets. Dianne James.
$37.00
Away In a Manger for Piano Trio
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Piano Trio: piano, violon, violoncelle
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DÉBUTANT
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Noël
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the 1880's the cradle song was
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Mueller
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James M
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Away In a Manger for Piano Tri
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jmsgu3
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SheetMusicPlus
Piano Trio - Level 1 - SKU: A0.548637 Composed by Mueller. Arranged by James M. Guthrie, ASCAP. Christmas. 6 pages. Jmsgu3 #3405971. Published by jmsgu3...
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Piano Trio - Level 1 - SKU: A0.548637 Composed by Mueller. Arranged by James M. Guthrie, ASCAP. Christmas. 6 pages. Jmsgu3 #3405971. Published by jmsgu3 (A0.548637). Arranged for Piano Trio with a re-harmonized final verse. Away in a Manger is a popular Christmas song published in the late 19th century and performed worldwide. In England, it is considered one of the two most popular carols of all time; a 1996 poll ranked it as a tie for second place. To begin with, many thought Martin Luther wrote it, but now the song is considered American. The most common musical arrangements are by William Kirkpatrick (1895) and James R. Murray (1887). The melody was first published as Luther's Cradle Hymn by James R. Murray. Then came a confusing series of explanations about how Martin Luther wrote the song. Murray even went so far as to suggest that Luther wrote it for his children. As a result, the music has become known as Mueller. Nobody knows who this Mueller is, but the name stuck. Popularity By the 1880's the cradle song was being performed in church. By the 1990's the song was becoming the most popular Christmas song ever. Nearly everyone sang it in school, in church, and at home. Other musical settings The first musical setting published with the lyrics appeared in the Little Children's Book for Schools and Families (1885). The title was Away in a Manger. This edition is the first one not attributing the song to Martin Luther. Charles H. Gabriel was the first arranger to present the third verse. He also composed and published many different arrangements of the song. In one of his settings, he supplies a chorus for each verse with asleep sung in canon. Another prevalent preparation uses the lyrics to the melody Flow Gently, Sweet Afton Yet another arrangement uses the songs to an old Normandy carol.Â
$24.95
First Love - 1st Movement
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Piano Trio: piano, violon, violoncelle
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INTERMÉDIAIRE
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Classique
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Blaze Scheuerman
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First Love - 1st Movement
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Blaze Scheuerman
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SheetMusicPlus
Piano Trio,String Ensemble Cello,Piano,Violin - Level 3 - SKU: A0.1047344 By Blaze Scheuerman. By Blaze Scheuerman. 20th Century,Classical,Contemporary,...
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Piano Trio,String Ensemble Cello,Piano,Violin - Level 3 - SKU: A0.1047344 By Blaze Scheuerman. By Blaze Scheuerman. 20th Century,Classical,Contemporary,Romantic Period. Score and parts. 29 pages. Blaze Scheuerman #651902. Published by Blaze Scheuerman (A0.1047344). First love is inspired by my experience with the first partner I ever loved. It is also slightly inspired by Johann Sebastian Bach’s fugues from the Well Tempered Clavier and Muse’s song “Butterflies and Hurricanes†from the album “Absolutionâ€. It is meant to show the ups and downs of the relationship, especially how the more developed it got the more problems arose. It starts with a cloud-like scene meant to depict mild attraction. It then develops into infatuation in measure 21 as the main character gets to enjoy his experiences with his partner. It lasts for a little while as he finds newer and newer aspects of his partner that he enjoys. He then returns to a moment of stability with the restatement of the opening theme, and then tries again to get back into those moments of bliss. But this time something goes wrong. The character doesn’t quite realize it until it is too late, but a rift appears in the relationship. This is shown in the D Minor section, as the main character is sad and longing for things to go back to how they were, but is just stuck. After a while of trying different things, a settlement is reached and the two get closer again in the relationship, seen in measure 174. Except this time things are different, they are close to the bond shown earlier, except not quite there. This can be seen with the rearrangement of voices in regards to the melody, such as the cello having the melody except the violin in measure 190. Although the two try their best, the relationship once again reaches a rift between the two, seen with the reemergence of the D Minor section. They try once again to patch things up, but end up becoming unsuccessful and breaking apart. The final sections starting at measure 246 depict the sadness and anger that follow, before eventually reaching a resolution back into the home key of F Major.
$5.99
Rise Up, Shepherd and Follow (Piano Trio): Violin, Cello and Piano
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Piano Trio: piano, violon, violoncelle
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INTERMÉDIAIRE
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Gospel Spirituel
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Traditional Spiritual
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John A
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Rise Up, Shepherd and Follow
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John A. Dempsey
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SheetMusicPlus
Piano Trio,String Ensemble Cello,Piano,Violin - Level 3 - SKU: A0.522796 Composed by Traditional Spiritual. Arranged by John A. Dempsey. Christian,Chris...
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Piano Trio,String Ensemble Cello,Piano,Violin - Level 3 - SKU: A0.522796 Composed by Traditional Spiritual. Arranged by John A. Dempsey. Christian,Christmas,Holiday,Sacred,Spiritual. Score and parts. 18 pages. John A. Dempsey #2917919. Published by John A. Dempsey (A0.522796). Reimagined as a trio for violin, cello and piano, this arrangement of Rise Up, Shepherd and Follow accentuates the dramatic message of hope, everlasting joy and intense emotion that's at the heart of this tuneful, traditional spiritual celebrating Jesus' birth.  Recommended for Christmas plays, pageants and programs, holiday recitals and Christmas concerts as well as traditional Christmas church services and other seasonal worship events, as a prelude, postlude, an offertory, interlude, Christmas play overture and special music.  14 pages of music (that includes separate two-page parts for violin and cello.  Key: B minor.  Violin/Cello Level:  Intermediate.  Piano Level: Late Intermediate   There's a star in the East on Christmas morn,   Rise up shepherd, and follow   It will lead to the place where the Christ was born   Rise up, shepherd and follow.   Follow, follow   Rise up, shepherd and follow   Follow the Star of Bethlehem   Rise up, shepherd and follow.    Â
$11.99
Fauré: Élégie Op. 24 for Piano Trio
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Piano Trio: piano, violon, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Gabriel Faure
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James M
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Fauré: Élé
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jmsgu3
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SheetMusicPlus
Piano Trio - Level 4 - SKU: A0.549721 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. Contemporary,Multicultural,Romantic Period,Standar...
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Piano Trio - Level 4 - SKU: A0.549721 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. Contemporary,Multicultural,Romantic Period,Standards,World. 31 pages. Jmsgu3 #3531323. Published by jmsgu3 (A0.549721). Duration: ca. 7:00, Score: 18 pages, violin: 3 pages, cello: 3 pages, piano: 7 pages. An epic choice for a recital or funeral.Fauré Background: In the first place, Gabriel Fauré 1845 –1924) was a famous French composer, musician, and educator. Furthermore, his musical ideas influenced numerous 20th-century composers. Therefore, historians regard him as one of the leading French composers of his time. Famous Works: Among his most famous compositions, by and large, are the Pavane, Elegie (op. 24), Requiem, Sicilienne, Nocturnes for piano and the songs Après un rêve and Clair de lune. Inasmuch as his early works are well-known and relatively easy to perform, Faure’s music seems to have become gradually more difficult during his later life. In other words, his later works are somewhat esoteric and complex. Early Home Life: Fauré was in fact born into a well-cultivated family. His aptitude for music became particularly clear early on - when he was still a boy. Under these circumstances, his parents sent him to a music institution in Paris. Consequently, the training he received there prepared him for a career as a church organist and choirmaster. Middle Life: It is important to realize that Fauré studied music composition with the French musical mastermind Camille Saint-Saëns, who became his lifelong friend. Fauré eventually graduated from college and earned a living as an organist and educator. During this period, he had, on the whole, little time to compose. He consequently became more successful in his middle age, becoming organist of the Église de la Madeleine and director of the Paris Conservatoire. However, he still needed time on balance for composing. Therefore, given these points, he withdrew to the countryside during the summer to focus on composing. Later Life: Fauré was, in the final analysis, recognized in France as the foremost French composer of his time. The French government held a national musical tribute particularly for him in Paris. The French President notably headed the ceremony. Elsewhere, on the contrary, Fauré's music was slow to become accepted, except of course, in England. Legacy: Historians often describe Fauré's music in general as a transition between the end of Romanticism and the beginning of modernism. As an illustration, when Fauré was born, Chopin was still composing. However, by the time of Fauré's death, jazz and atonal music, in particular, had come to fruition. Fauré, by all means, suffered from increasing deafness in his later years. Some musicologists believe this to be indeed the cause of the esoteric nature of Faure’s final works.
$37.95
Flashback of Ravel
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Piano Trio: piano, violon, violoncelle
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Jean Ahn
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Flashback of Ravel
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Jean Ahn
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SheetMusicPlus
Piano Trio,String Ensemble Cello,Piano,Violin - SKU: A0.949304 Composed by Jean Ahn. Concert,Contemporary. Score and parts. 21 pages. Jean Ahn #4786483....
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Piano Trio,String Ensemble Cello,Piano,Violin - SKU: A0.949304 Composed by Jean Ahn. Concert,Contemporary. Score and parts. 21 pages. Jean Ahn #4786483. Published by Jean Ahn (A0.949304). Suppose a composer had a glimpse of the first movement of Ravel's trio in a fast forward flash. Then she is left with images. I was trying to organize my impression on Ravel’s trio. The piece uses a loose Sonata form. The first theme and the second theme is somewhat related to Ravel’s, although it is not a direct quotation. The Development is focusing on not only the two themes, but the ornaments from the exposition. The Recapitulation starts in a conventional matter but quickly move onto an improvisatory coda which is a dream-like summarization of all the impressions. The fade out ending suggests that the composer's thought is ongoing.
$15.00
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