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ACCORDEON
ALTO
AUTOHARPE
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BASSE
BASSON
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CLAIRON
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76
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42
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23
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7
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6
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5
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2
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1
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1
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1
1 Piano, 4 mains
1
Accompagnement Piano
1
2 Pianos, 4 mains
1
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4
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3
4 Guitares (Quatuor)
2
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2
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2
Guitare
2
Paroles et Accords
1
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Voix
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56
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26
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10
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10
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5
Chorale Unison
5
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5
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2
Chorale SSAA
2
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1
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1
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Vents
Saxophone (partie séparée)
10
2 Flûtes traversières (duo)
7
Quatuor de Clarinettes: 4 clarinettes
7
Clarinette et Piano
6
Flûte traversière et Piano
6
Flûte traversière
5
Saxophone Tenor et Piano
5
Saxophone Alto et Piano
4
Saxophone Baryton, Piano
4
Saxophone Soprano et Piano
3
Flûte, Trompette (duo)
2
Quintette de Clarinettes: 5 clarinettes
2
Ensemble de Flûtes
2
2 Saxophones (duo)
2
Hautbois, Piano (duo)
2
Ensemble de Clarinettes
2
2 Clarinettes (duo)
2
Hautbois, Basson (duo)
2
Flûte, Hautbois, Clarinette, Basson
2
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
2
Clarinette, Basson (duo)
2
Clarinette (partie séparée)
1
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1
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1
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1
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1
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1
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1
Hautbois (partie séparée)
1
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1
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7
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6
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5
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3
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2
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2
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1
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1
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1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Trio de Cuivres
1
Quatuor de cuivres: 4 trombones
1
Tuba et Orgue
1
2 Euphoniums et 2 Tubas
1
Tuba et Piano
1
Quatuor de Cuivres : 2 trompettes, trombone, tuba
1
+ 11 instrumentations
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7
Quatuor à cordes: 2 violons, alto, violoncelle
6
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4
Violon, Violoncelle (duo)
4
Alto, Piano
3
Violon, Alto (duo)
2
Alto, Violoncelle (duo)
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Violon
2
Contrebasse (partie séparée)
1
Quintette à cordes : 2 violons, alto et 2 violoncelles
1
Harpe, Flûte (duo)
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
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18
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6
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5
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1
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1
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1
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Fauré: Élégie Op. 24 for Piano Trio
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Piano Trio: piano, violon, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Gabriel Faure
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James M
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Fauré: Élé
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jmsgu3
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SheetMusicPlus
Piano Trio - Level 4 - SKU: A0.549721 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. Contemporary,Multicultural,Romantic Period,Standar...
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Piano Trio - Level 4 - SKU: A0.549721 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. Contemporary,Multicultural,Romantic Period,Standards,World. 31 pages. Jmsgu3 #3531323. Published by jmsgu3 (A0.549721). Duration: ca. 7:00, Score: 18 pages, violin: 3 pages, cello: 3 pages, piano: 7 pages. An epic choice for a recital or funeral.Fauré Background: In the first place, Gabriel Fauré 1845 –1924) was a famous French composer, musician, and educator. Furthermore, his musical ideas influenced numerous 20th-century composers. Therefore, historians regard him as one of the leading French composers of his time. Famous Works: Among his most famous compositions, by and large, are the Pavane, Elegie (op. 24), Requiem, Sicilienne, Nocturnes for piano and the songs Après un rêve and Clair de lune. Inasmuch as his early works are well-known and relatively easy to perform, Faure’s music seems to have become gradually more difficult during his later life. In other words, his later works are somewhat esoteric and complex. Early Home Life: Fauré was in fact born into a well-cultivated family. His aptitude for music became particularly clear early on - when he was still a boy. Under these circumstances, his parents sent him to a music institution in Paris. Consequently, the training he received there prepared him for a career as a church organist and choirmaster. Middle Life: It is important to realize that Fauré studied music composition with the French musical mastermind Camille Saint-Saëns, who became his lifelong friend. Fauré eventually graduated from college and earned a living as an organist and educator. During this period, he had, on the whole, little time to compose. He consequently became more successful in his middle age, becoming organist of the Église de la Madeleine and director of the Paris Conservatoire. However, he still needed time on balance for composing. Therefore, given these points, he withdrew to the countryside during the summer to focus on composing. Later Life: Fauré was, in the final analysis, recognized in France as the foremost French composer of his time. The French government held a national musical tribute particularly for him in Paris. The French President notably headed the ceremony. Elsewhere, on the contrary, Fauré's music was slow to become accepted, except of course, in England. Legacy: Historians often describe Fauré's music in general as a transition between the end of Romanticism and the beginning of modernism. As an illustration, when Fauré was born, Chopin was still composing. However, by the time of Fauré's death, jazz and atonal music, in particular, had come to fruition. Fauré, by all means, suffered from increasing deafness in his later years. Some musicologists believe this to be indeed the cause of the esoteric nature of Faure’s final works.
$37.95
Piano Trio in B flat major, Op. 28
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Piano Trio: piano, violon, violoncelle
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INTERMÉDIAIRE
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Classique
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Ferdinand Ries
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Dianne James
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Piano Trio in B flat major, Op
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Artaria Editions
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SheetMusicPlus
Piano Trio Cello,Piano,Violin - Level 3 - SKU: A0.1488223 Composed by Ferdinand Ries. Arranged by Dianne James. Classical. 64 pages. Artaria Editions #1...
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Piano Trio Cello,Piano,Violin - Level 3 - SKU: A0.1488223 Composed by Ferdinand Ries. Arranged by Dianne James. Classical. 64 pages. Artaria Editions #1065109. Published by Artaria Editions (A0.1488223). Ferdinand Ries (1784-1838) was one of the greatest pianists of his time and a composer of exceptional abilities. Ries studied pianoforte (but not composition) with Beethoven in Vienna and the two men remained on cordial terms for the rest of their lives. In the last year of his life Ries co-wrote a book of Beethoven reminiscences that remain one of the most valuable sources of information about his life and character. The place and date of composition of the Sonate Sentimentale is uncertain in spite of the apparently conclusive evidence to the contrary: Ries's autograph score is dated 'Godesberg 1814' but by this time Ries was living in London. The discrepancy is probably due to the fact that Ries added the date to this manuscript, as he did to many others, in the 1820s. One of the most intriguing aspects of this work is the difference between Ries's original conception and the work as it appeared in its first published edition in 1834. The extent of the changes points to a substantial authorial revision of the work made prior to publication rather than a garbled transmission of the original text. Among the most striking of these changes is the inclusion of a brief introduction to the first movement; but other passages are extensively rewritten and in some instances lengthened by the inclusion of additional material. As with all Ries's works for flute, the Sonate Sentimentale is exceptionally well written for the instrument and yet perhaps even more impressive is the way in which Ries balances the musical texture and exploits the full potential of both the flute and piano. The beautiful work is arguably the most impressive flute sonata of the early 19th century. Allan Badley.
$37.00
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