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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
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CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
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XYLOPHONE
Man On The Train
Non classifié
80
Piano & claviers
Piano seul
95
Piano, Voix et Guitare
22
Piano Facile
21
Orgue
17
Piano, Voix
6
Instruments en Do
5
2 Pianos, 4 mains
2
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1
1 Piano, 4 mains
1
Accordéon
1
Piano Trio: piano, violon, violoncelle
1
Piano Quatuor: piano, violon, alto, violoncelle
1
+ 7 instrumentations
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Guitares
Guitare notes et tablatures
22
Guitare
19
Basse electrique
2
Paroles et Accords
2
Banjo
1
Ligne De Mélodie, (Paroles) et Accords
1
3 Guitares (trio)
1
2 Guitares (duo)
1
+ 3 instrumentations
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Voix
Chorale SATB
15
Voix Alto, Piano
10
Voix Soprano, Piano
6
Chorale 2 parties
5
Chorale Unison
4
Chorale 3 parties
3
Chorale TTBB
2
Voix seule
1
Voix Baryton, Piano
1
Chorale SSAA
1
Voix basse, Piano
1
Voix duo
1
+ 7 instrumentations
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Vents
Saxophone Alto et Piano
7
3 Saxophones (trio)
4
Flûte traversière et Piano
3
Ensemble de Clarinettes
3
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
3
Quatuor de Saxophones: 4 saxophones
3
Flûte traversière
3
Saxophone Soprano et Piano
2
Ensemble de saxophones
2
Clarinette et Piano
2
Saxophone Tenor et Piano
2
Hautbois, Piano (duo)
2
Quatuor de Clarinettes: 4 clarinettes
1
3 Flûtes à bec (trio)
1
Flûte, Hautbois, Clarinette, Basson
1
Flûte, Hautbois, Clarinette (trio)
1
2 Flûtes traversières (duo)
1
Saxophone Baryton, Piano
1
Trio de Flûtes: 3 flûtes
1
3 Clarinettes (trio)
1
Clarinette
1
2 Saxophones (duo)
1
+ 17 instrumentations
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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
10
Trompette
7
Quatuor de cuivres: 4 trombones
2
3 Trompettes (trio)
2
Quatuor de Cuivres
2
Quatuor de Cuivres : 2 trompettes, trombone, tuba
2
Trio de Cuivres
1
Trombone basse
1
Trombone basse et Piano
1
Ensemble de Trombones
1
Trompette, Piano
1
Tuba
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Trombone et Piano
1
Euphonium
1
+ 10 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
19
Harpe
12
Violon
10
Violon et Piano
9
Violoncelle, Piano
5
Alto, Piano
4
Violoncelle
4
Trio à Cordes: violon, alto, violoncelle
3
Violoncelle (partie séparée)
2
2 Violons (duo)
2
Trio à cordes: 3 violins
2
Alto seul
1
Harpe et Piano
1
Violoncelle , Guitare (duo)
1
Trio à Cordes: 2 violons, violoncelle
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Violon (partie séparée)
1
Harpe, Voix
1
Violon, Clarinette, Piano (trio)
1
Violon, Guitare (duo)
1
2 Violoncelles (duo)
1
Contrebasse, Piano (duo)
1
+ 17 instrumentations
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44
Orchestre à Cordes
22
Orchestre de chambre
14
Orchestre
11
Ensemble Jazz
11
Ensemble d'École
4
Ensemble de cuivres
2
Cloches
1
Fanfare
1
+ 4 instrumentations
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--INSTRUMENTS--
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CHORALE - CHAN…
CITHARE
CLAIRON
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Vous avez sélectionné:
Man On The Train
Piano Trio: piano, violon, violoncelle
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Fauré: Élégie Op. 24 for Piano Trio
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Piano Trio: piano, violon, violoncelle
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Gabriel Faure
#
James M
#
Fauré: Élé
#
jmsgu3
#
SheetMusicPlus
Piano Trio - Level 4 - SKU: A0.549721 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. Contemporary,Multicultural,Romantic Period,Standar...
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Piano Trio - Level 4 - SKU: A0.549721 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. Contemporary,Multicultural,Romantic Period,Standards,World. 31 pages. Jmsgu3 #3531323. Published by jmsgu3 (A0.549721). Duration: ca. 7:00, Score: 18 pages, violin: 3 pages, cello: 3 pages, piano: 7 pages. An epic choice for a recital or funeral.Fauré Background: In the first place, Gabriel Fauré 1845 –1924) was a famous French composer, musician, and educator. Furthermore, his musical ideas influenced numerous 20th-century composers. Therefore, historians regard him as one of the leading French composers of his time. Famous Works: Among his most famous compositions, by and large, are the Pavane, Elegie (op. 24), Requiem, Sicilienne, Nocturnes for piano and the songs Après un rêve and Clair de lune. Inasmuch as his early works are well-known and relatively easy to perform, Faure’s music seems to have become gradually more difficult during his later life. In other words, his later works are somewhat esoteric and complex. Early Home Life: Fauré was in fact born into a well-cultivated family. His aptitude for music became particularly clear early on - when he was still a boy. Under these circumstances, his parents sent him to a music institution in Paris. Consequently, the training he received there prepared him for a career as a church organist and choirmaster. Middle Life: It is important to realize that Fauré studied music composition with the French musical mastermind Camille Saint-Saëns, who became his lifelong friend. Fauré eventually graduated from college and earned a living as an organist and educator. During this period, he had, on the whole, little time to compose. He consequently became more successful in his middle age, becoming organist of the Église de la Madeleine and director of the Paris Conservatoire. However, he still needed time on balance for composing. Therefore, given these points, he withdrew to the countryside during the summer to focus on composing. Later Life: Fauré was, in the final analysis, recognized in France as the foremost French composer of his time. The French government held a national musical tribute particularly for him in Paris. The French President notably headed the ceremony. Elsewhere, on the contrary, Fauré's music was slow to become accepted, except of course, in England. Legacy: Historians often describe Fauré's music in general as a transition between the end of Romanticism and the beginning of modernism. As an illustration, when Fauré was born, Chopin was still composing. However, by the time of Fauré's death, jazz and atonal music, in particular, had come to fruition. Fauré, by all means, suffered from increasing deafness in his later years. Some musicologists believe this to be indeed the cause of the esoteric nature of Faure’s final works.
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Man On The Train
