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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Miss Ann
Non classifié
284
Piano & claviers
Piano seul
335
Piano, Voix
165
Piano Facile
50
Piano, Voix et Guitare
28
Orgue
12
Instruments en Do
8
Piano Trio: piano, violon, violoncelle
6
1 Piano, 4 mains
4
Piano grosses notes
2
Accompagnement Piano
1
2 Pianos, 4 mains
1
+ 6 instrumentations
Retracter
Guitares
Guitare
15
Guitare notes et tablatures
10
Ligne De Mélodie, (Paroles) et Accords
7
2 Guitares (duo)
4
2 Ukuleles
2
Ukulele
2
Paroles et Accords
1
Banjo
1
Basse electrique
1
Dulcimer
1
+ 5 instrumentations
Retracter
Voix
Chorale SATB
127
Chorale 3 parties
43
Chorale 2 parties
23
Chorale TTBB
11
Chorale Unison
9
Chorale SSAA
6
Voix haute
2
Chorale SSATTB
2
Voix duo
2
Voix seule
1
Voix Alto, Piano
1
Chorale SSAATTBB
1
Soli, choeur mixte et accompagnement
1
+ 8 instrumentations
Retracter
Vents
2 Saxophones (duo)
41
Clarinette
35
Flûte traversière
29
Clarinette et Piano
29
Flûte traversière et Piano
23
Quatuor de Saxophones: 4 saxophones
23
Saxophone Alto
22
Hautbois, Piano (duo)
20
Saxophone Alto et Piano
18
Saxophone Tenor et Piano
18
Flûte, Hautbois, Clarinette, Basson
18
Hautbois
16
Saxophone Baryton, Piano
15
Saxophone Soprano et Piano
15
Saxophone Tenor
15
Saxophone Baryton
15
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
13
Quintette de Saxophone: 5 saxophones
13
Saxophone Soprano
13
2 Clarinettes (duo)
11
Flûte à bec Soprano
11
Hautbois (partie séparée)
11
Quatuor de Flûtes : 4 flûtes
10
2 Flûte à bec (duo)
10
2 Hautbois (duo)
10
2 Flûtes traversières (duo)
10
3 Saxophones (trio)
9
Flûte, Clarinette (duo)
7
Ensemble de Clarinettes
7
Saxophone (partie séparée)
6
Ensemble de saxophones
5
Piccolo
5
Cor anglais, Piano
4
Hautbois, Clarinette (duo)
4
Piccolo, Piano
4
Cor Anglais
4
Flûte à bec Alto, Piano
4
Flûte à Bec, Piano
4
Flûte à bec Tenor
4
Ensemble De Flûte à bec
4
Quatuor de Clarinettes: 4 clarinettes
4
Quatuor de Flûtes à bec
3
Flûte, Hautbois, Basson
3
3 Clarinettes (trio)
3
Hautbois, Basson (duo)
3
Quintette de Clarinettes: 5 clarinettes
3
Flûte, Hautbois (duo)
2
Flûte et Guitare
2
Instruments en Mib
2
Flûte, Hautbois, Piano (trio)
2
3 Flûtes à bec (trio)
2
Trio de Flûtes: 3 flûtes
2
Flûte, Clarinette, Cor, Basson (Quartet)
2
Ensemble de Flûtes
2
Clarinette, Basson (duo)
2
Hautbois, Clarinette, Basson (trio d'anches)
2
Hautbois, Violoncelle
1
Flûte à Bec
1
Flute (partie séparée)
1
Clarinette Basse, Piano
1
Clarinette, Violoncelle (duo)
1
Quintette de Flûte : 5 flûtes
1
Flûte et Trio à cordes
1
Flûte à bec Alto
1
+ 59 instrumentations
Retracter
Cuivres
Trompette
37
Trompette, Piano
29
Trombone et Piano
27
Cor
26
Trombone
24
Tuba et Piano
24
Cor et Piano
22
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
22
Tuba
21
Quatuor de Cuivres: 2 trompettes, Cor, trombone
14
2 Trombones (duo)
10
2 Trompettes (duo)
10
2 Cors (duo)
9
Quatuor de cuivres: 4 cors
7
Quatuor de cuivres: 4 trombones
7
Quatuor de Cuivres : 2 trompettes, trombone, tuba
7
Trompette, Trombone (duo)
7
2 Tubas (duo)
6
Quatuor de cuivres: 4 trompettes
6
Quatuor de Cuivres
5
Trompette, Cor (duo)
4
Trombone basse
4
Cor anglais, Piano
4
Cor Anglais
4
Bass Clef Instruments
3
4 Tubas
2
Trombone, Cor (duo)
2
Trombone basse et Piano
2
3 Trombones (trio)
2
3 Trompettes (trio)
2
Instruments en Sib
2
Cor, Tuba (duo)
2
Euphonium
1
Tuba et Orgue
1
+ 29 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
46
Violon
29
Violoncelle
25
Violoncelle, Piano
23
Alto, Piano
23
Violon et Piano
21
Alto seul
20
Contrebasse, Piano (duo)
19
Contre Basse
16
2 Violons (duo)
12
Quintette à cordes: 2 violons, alto, violoncelle, basse
11
2 Altos (duo)
10
2 Violoncelles (duo)
10
Violon, Violoncelle (duo)
10
Violon, Alto (duo)
7
4 Violoncelles
6
Trio à Cordes: violon, alto, violoncelle
6
Harpe
6
Alto (partie séparée)
5
Quatuor à cordes: 4 violons
4
Quatuor à cordes : 4 altos
4
2 Contrebasses (duo)
4
Violon (partie séparée)
4
Alto, Violoncelle (duo)
3
Trio à cordes: 3 violins
2
Trio à cordes: 3 altos
2
Trio à Cordes: 3 violoncelles
2
Harpe, Trombone (duo)
1
Trio à Cordes: 2 violons, violoncelle
1
Quintette à cordes : 2 violons, alto et 2 violoncelles
1
+ 25 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
55
Orchestre à Cordes
12
Ensemble Jazz
7
Orchestre
6
Cloches
6
Ensemble de cuivres
5
Fanfare
4
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
4
Orchestre de chambre
3
Jazz combo
2
Batterie
1
Quintette de Cuivres: autres combinaisons
1
+ 7 instrumentations
Retracter
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FLUTE A DIX…
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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BLUEGRASS
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CHRISTIAN (contempor…
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COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
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Miss Ann
Piano Trio: piano, violon, violoncelle
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180 Shift for piano trio
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Piano Trio: piano, violon, violoncelle
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AVANCÉ
#
Contemporain
#
Robert M
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180 Shift for piano trio
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Robert M. Greenberg
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SheetMusicPlus
Piano Trio,String Ensemble Cello,Piano,Violin - Level 5 - SKU: A0.987846 Composed by Robert M. Greenberg. 20th Century,Contemporary. Score and parts. 69...
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Piano Trio,String Ensemble Cello,Piano,Violin - Level 5 - SKU: A0.987846 Composed by Robert M. Greenberg. 20th Century,Contemporary. Score and parts. 69 pages. Robert M. Greenberg #90269. Published by Robert M. Greenberg (A0.987846). Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Video: https://www.youtube.com/watch?v=dZvxnzZ1oA8 Duration: ca. 18 minutes Year of composition: 2013 Program Note: I. Elegy and Variations II. Song and Dance (Shake, Rattle and Roll) III. Re-Invention (Toccatissima) Aside from being an obvious (if hackneyed) reference to the commissioning ensemble, Trio 180, the title 180 Shift well describes the large-scale dramatic action of the piece: from beginning to end, it traverses an expressive distance of 180 degrees, from elegiac sorrow to hot-footed sizzle. 180 Shift is cast in three movements. Each movement is based on the same thematic material, although that material is transformed continuously across the span of the piece. Movement one, Elegy and Variations consists of a series of a theme, six free variations of the theme and a quiet intermezzo before the sixth and final variation. The movement is melancholy, reflective, and generally subdued in tone. Movement two, entitled Song and Dance (Shake, Rattle, and Roll) sees materials introduced in the Elegy transformed first into a introspective song and finally into a vigorous, gigue-like dance. The three parts of the movement are characterized, respectively, by shakes (tremolos), rattles (in the piano; we’ll know them when we hear them) and rolls (arpeggios). Movement three – Re-Invention (Toccatissima) is fast and virtuosic, a (mostly) two-part invention that sees the basic thematic material re-invented once again. 180 Shift is dedicated, with great affection and respect, to Trio 180: Ann Miller, Nina Flyer, and Sonia Leong.
$32.00
Piano Trio in C minor, Op. 143
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Piano Trio: piano, violon, violoncelle
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INTERMÉDIAIRE
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Classique
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Ferdinand Ries
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Dianne James
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Piano Trio in C minor, Op. 143
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Artaria Editions
#
SheetMusicPlus
Piano Trio Cello,Piano,Violin - Level 3 - SKU: A0.1487814 Composed by Ferdinand Ries. Arranged by Dianne James. Classical. 62 pages. Artaria Editions #1...
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Piano Trio Cello,Piano,Violin - Level 3 - SKU: A0.1487814 Composed by Ferdinand Ries. Arranged by Dianne James. Classical. 62 pages. Artaria Editions #1064752. Published by Artaria Editions (A0.1487814). The Piano Trio in C minor Op.143 was published by Schott in 1826, but could have been composed much earlier for Ries's personal use in the London concert halls. It is an imposing work, whose gruff tone and serious purpose recall Beethoven's use of this key. The first movement is an impressive sonata-form movement extending to a length of almost 250 bars. It contains two strikingly contrasted themes, one aggressively assertive, the other of a more lyrical, tender character (parallels to Beethoven's thematic tendencies in sonata-form movements are once again clearly apparent). The Adagio movement, cast in the rich colours of A flat major (the tonic minor - flat submediant major key relationship recalls Beethoven once again) contains some moments of real beauty and musical insight. The piano is often centrestage, its florid lines and ornamental flourishes reminiscent of another of Ries's contemporaries, Hummel. The technique of connected second and third movements seen in this work is not new but was a trend established in the piano trio genre by Joseph Haydn in the 1780s and 90s. The oasis of calm and tranquillity created in the Adagio is shattered dramatically by the jagged arpeggio figure which launches the finale. This extremely fast movement - the metronome marking indicates that the music should be felt in two, not in four - is characterised by the tarantella topos. It is a tremendously exciting movement, whose swirling energy and frantic pace is only reined in at the final cadence. The present edition reproduces as faithfully as possible the text of the trio as transmitted in Schott's 1826 edition of the work, a copy of which is preserved in the Staatsbibliothek in Berlin. The metronome markings at the head of each movement derive from this source. The piano compass extends from E flat 1 to a flat 4, a range of just over six octaves. Pedal markings indicated in the source have not been included in the current edition since these are generally very instrument-dependent. Minor rhythmic inconsistences between different statements of the same theme have been retained (e.g. first movement, second subject, bb.51-52, cello and 188-89, violin), as have some differences in phrasing between successive thematic statements (cf. finale, piano bb.3-6 and violin bb.18-21). The style and notation of articulation and dynamic markings have been standardised throughout, and, where missing from the print, markings have been reconstructed from parallel passages. These are indicated by the use of dotted slurs or brackets where appropriate. Obvious wrong notes have been corrected without comment, and editorial emendations with no authority from the print are placed within brackets. Dianne James.
$37.00
Piano Trio in E flat major, Op. 2
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Piano Trio: piano, violon, violoncelle
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INTERMÉDIAIRE
#
Classique
#
Ferdinand Ries
#
Dianne James
#
Piano Trio in E flat major, Op
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Artaria Editions
#
SheetMusicPlus
Piano Trio Cello,Piano,Violin - Level 3 - SKU: A0.1488222 Composed by Ferdinand Ries. Arranged by Dianne James. Classical. 77 pages. Artaria Editions #1...
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Piano Trio Cello,Piano,Violin - Level 3 - SKU: A0.1488222 Composed by Ferdinand Ries. Arranged by Dianne James. Classical. 77 pages. Artaria Editions #1065108. Published by Artaria Editions (A0.1488222). The Piano Trio in E flat, Op.2 was published by Simrock in 1807 with a dedication to Monsieur le Comte de Browne, Brigadeur au Service de S.M.J. de toutes les Russies. It is a generously proportioned work in the usual three movements. The lengthy sonata-from first movement is prefaced by a slow introduction which begins on dominant seventh harmony (a nod perhaps to Beethoven's first symphony), slowly finding its way to the tonic by the start of the Allegro section. The brief development section modulates widely, including references to keys as distant as E minor and C major, while the substantially rewritten and varied recapitulation touches on both B and G majors. The slow movement, Andante un poco Allegretto , is cast in the key of C minor and features many solos and duets for the string instruments as well as further harmonic interest, especially in the central modulating episode from bar 46. The finale is a sonata-rondo design complete with all the usual tricks, including even a remote transposition of the refrain late in the movement to B major, a technique surely learned from Beethoven. The present edition reproduces as faithfully as possible the text of the trio as transmitted in Simrock's edition of the work, a copy of which is preserved in the Staatsbibliothek in Berlin. The piano part is most successfully realised on an instrument extending as far as c4, although since such instruments were by no means standard in the first decade of the 19th century, Ries has notated the part carefully to cater for instruments without an extended treble compass. Any alternative readings have been incorporated into the current edition exactly as they appear in the Simrock print. In an instance such as bars 298-309 of the finale for example, instruments with the extended compass should follow the small print in bars 298 and 309, and in between read the notes an octave higher according to the composer's 8ve marking. Instruments with a limited compass should play the notes as written, without the octave transposition of bars 299-309. The cello part contains several passages written in the treble clef. Evidence that these should sound an octave lower than written is provided by bars 74-80 of the first movement and 85-89 of the finale. In the first instance, awkward octave displacements would result if this passage were played literally; in the second instance, some unacceptable part crossing between violin and cello would result from a literal rendition of these two bars. Accordingly then, all passages written in the treble clef should be transposed down an octave. The style and notation of articulation and dynamic markings have been standardised throughout, and, where missing from the print, markings have been reconstructed from parallel passages. These are indicated by the use of dotted slurs or brackets where appropriate. Obvious wrong notes have been corrected without comment, and editorial emendations with no authority from the print are placed within brackets. Dianne James.
$37.00
Hungarian Dance No. 5 by Brahms for Violin and Cello Duet with Piano
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Piano Trio: piano, violon, violoncelle
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FACILE
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Classique
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Johannes Brahms
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Rika K
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Hungarian Dance No. 5 by Brahm
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Rika K.
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SheetMusicPlus
Instrumental Duet,Piano Cello,Instrumental Duet,Piano,Violin - Level 2 - SKU: A0.1396867 Composed by Johannes Brahms. Arranged by Rika K. 19th Century,C...
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Instrumental Duet,Piano Cello,Instrumental Duet,Piano,Violin - Level 2 - SKU: A0.1396867 Composed by Johannes Brahms. Arranged by Rika K. 19th Century,Chamber,Folk,Romantic Period,Traditional. 4 pages. Rika K. #980209. Published by Rika K. (A0.1396867). We present the sheet music for the arrangement of Johannes Brahms’ Hungarian Dance No. 5, adapted for Violin and Cello Duet with Piano.This piece, one of Brahms’ most popular, was inspired by the Hungarian folk dance Czárdás. It has now been simplified to cater to a variety of musicians and settings. Ideal for music teachers looking for enriching teaching material, parents wishing to introduce their children to this classic repertoire, or professional musicians looking for a practical piece for quick performances. This arrangement is also perfect for academic recitals or public events. Take this opportunity to delve into the rich history of classical music and experience the joy of playing a work by one of the world’s greatest composers.Don’t miss the chance to add this essential sheet music to your musical collection. Get your arrangement of Hungarian Dance No. 5 now!
$5.99
Hungarian Dance No. 5 by Brahms for Violin and Cello Duet with Piano
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Piano Trio: piano, violon, violoncelle
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FACILE
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Classique
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Johannes Brahms
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Rika K
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Hungarian Dance No. 5 by Brahm
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Rika K.
#
SheetMusicPlus
Instrumental Duet,Piano Cello,Instrumental Duet,Piano,Violin - Level 2 - SKU: A0.1396865 Composed by Johannes Brahms. Arranged by Rika K. 19th Century,C...
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Instrumental Duet,Piano Cello,Instrumental Duet,Piano,Violin - Level 2 - SKU: A0.1396865 Composed by Johannes Brahms. Arranged by Rika K. 19th Century,Chamber,Folk,Romantic Period,Traditional. 4 pages. Rika K. #980207. Published by Rika K. (A0.1396865). We present the sheet music for the arrangement of Johannes Brahms’ Hungarian Dance No. 5, adapted for Violin and Cello Duet with Piano.This piece, one of Brahms’ most popular, was inspired by the Hungarian folk dance Czárdás. It has now been simplified to cater to a variety of musicians and settings. Ideal for music teachers looking for enriching teaching material, parents wishing to introduce their children to this classic repertoire, or professional musicians looking for a practical piece for quick performances. This arrangement is also perfect for academic recitals or public events. Take this opportunity to delve into the rich history of classical music and experience the joy of playing a work by one of the world’s greatest composers.Don’t miss the chance to add this essential sheet music to your musical collection. Get your arrangement of Hungarian Dance No. 5 now!
$5.99
Piano Trio in B flat major, Op. 28
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Piano Trio: piano, violon, violoncelle
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INTERMÉDIAIRE
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Classique
#
Ferdinand Ries
#
Dianne James
#
Piano Trio in B flat major, Op
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Artaria Editions
#
SheetMusicPlus
Piano Trio Cello,Piano,Violin - Level 3 - SKU: A0.1488223 Composed by Ferdinand Ries. Arranged by Dianne James. Classical. 64 pages. Artaria Editions #1...
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Piano Trio Cello,Piano,Violin - Level 3 - SKU: A0.1488223 Composed by Ferdinand Ries. Arranged by Dianne James. Classical. 64 pages. Artaria Editions #1065109. Published by Artaria Editions (A0.1488223). Ferdinand Ries (1784-1838) was one of the greatest pianists of his time and a composer of exceptional abilities. Ries studied pianoforte (but not composition) with Beethoven in Vienna and the two men remained on cordial terms for the rest of their lives. In the last year of his life Ries co-wrote a book of Beethoven reminiscences that remain one of the most valuable sources of information about his life and character. The place and date of composition of the Sonate Sentimentale is uncertain in spite of the apparently conclusive evidence to the contrary: Ries's autograph score is dated 'Godesberg 1814' but by this time Ries was living in London. The discrepancy is probably due to the fact that Ries added the date to this manuscript, as he did to many others, in the 1820s. One of the most intriguing aspects of this work is the difference between Ries's original conception and the work as it appeared in its first published edition in 1834. The extent of the changes points to a substantial authorial revision of the work made prior to publication rather than a garbled transmission of the original text. Among the most striking of these changes is the inclusion of a brief introduction to the first movement; but other passages are extensively rewritten and in some instances lengthened by the inclusion of additional material. As with all Ries's works for flute, the Sonate Sentimentale is exceptionally well written for the instrument and yet perhaps even more impressive is the way in which Ries balances the musical texture and exploits the full potential of both the flute and piano. The beautiful work is arguably the most impressive flute sonata of the early 19th century. Allan Badley.
$37.00
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Miss Ann
