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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Most of All
Non classifié
4 091
Piano & claviers
Piano grosses notes
3 296
Orgue
1 733
Piano seul
1 600
Piano, Voix
717
Piano Facile
558
Piano, Voix et Guitare
306
Instruments en Do
168
Accompagnement Piano
164
Clavier
60
Accordéon
52
1 Piano, 4 mains
49
Piano Trio: piano, violon, violoncelle
43
Piano Quatuor: piano, violon, alto, violoncelle
20
2 Pianos, 4 mains
14
Piano Quatuor: piano, 2 violons, violoncelle
12
Piano Quintette: piano, 2 violons, alto, violoncelle
6
Piano (partie séparée)
4
Orgue, Piano (duo)
3
Clavecin
3
Orgue, Trompette (duo)
3
1 Piano, 6 mains
1
2 Accordéons
1
Fake Book
1
2 Pianos, 8 mains
1
+ 19 instrumentations
Retracter
Guitares
Guitare
221
Guitare notes et tablatures
194
Ukulele
66
Ligne De Mélodie, (Paroles) et Accords
47
Basse electrique
30
2 Guitares (duo)
29
Dulcimer
20
Mandoline
18
4 Guitares (Quatuor)
12
Banjo
11
Piano, Guitare (duo)
10
Guitare (partie séparée)
6
Guitare, Violon, Violoncelle (trio)
4
3 Guitares (trio)
4
Ensemble de guitares
4
Paroles et Accords
3
Mandoline, Guitare (duo)
3
2 Mandolines (duo)
3
Ensemble de Ukulélés
1
Orchestre à Plectres
1
Guitare, Orchestre
1
+ 16 instrumentations
Retracter
Voix
Chorale SATB
725
Chorale 3 parties
251
Chorale 2 parties
226
Chorale TTBB
146
Chorale Unison
101
Chorale SSAA
62
Voix Soprano, Piano
58
Voix duo, Piano
54
Voix Tenor, Piano
49
Voix Alto, Piano
48
Voix duo
41
Voix haute
21
Voix seule
13
Voix Tenor
6
Voix Baryton, Piano
6
Voix moyenne, Piano
5
Soli, choeur mixte et accompagnement
4
Chorale SSATTB
4
Voix basse, Piano
3
Chorale SSAATTBB
3
Chorale
1
Voix Soprano
1
Chorale SSATB
1
+ 18 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
340
Quatuor de Saxophones: 4 saxophones
330
Flûte traversière et Piano
301
Clarinette et Piano
287
Saxophone Alto et Piano
240
Hautbois, Piano (duo)
240
2 Saxophones (duo)
232
Flûte, Hautbois, Clarinette, Basson
219
Quintette de Saxophone: 5 saxophones
204
Clarinette
188
Saxophone Tenor et Piano
186
Saxophone Soprano et Piano
181
Flûte traversière
176
Saxophone Alto
168
2 Flûtes traversières (duo)
168
Quatuor de Clarinettes: 4 clarinettes
167
Saxophone Tenor
114
Saxophone Baryton, Piano
110
2 Clarinettes (duo)
93
Ensemble de Clarinettes
92
Quatuor de Flûtes : 4 flûtes
91
Ensemble de saxophones
88
Saxophone (partie séparée)
84
Hautbois (partie séparée)
79
Flûte, Clarinette (duo)
68
3 Saxophones (trio)
61
Hautbois
60
Cor anglais, Piano
59
Saxophone, Clarinette (duo)
57
Ensemble de Flûtes
56
Quintette de Clarinettes: 5 clarinettes
55
Clarinette Basse, Piano
51
Saxophone Soprano
50
2 Hautbois (duo)
40
3 Clarinettes (trio)
40
Clarinette, Violon (duo)
38
Hautbois, Basson (duo)
38
Clarinette, Trompette (duo)
26
Flûte à bec Soprano
26
Hautbois, Flûte
25
Flûte, Violon, Piano
24
2 Flûte à bec (duo)
24
Quintette de Flûte : 5 flûtes
24
Saxophone Baryton
22
Trio de Flûtes: 3 flûtes
22
Cor Anglais
22
Clarinette et Alto
18
Hautbois, Clarinette (duo)
18
Flûte, Saxophone (duo)
18
Hautbois, Clarinette, Basson (trio d'anches)
17
Flûte, Violon
17
Hautbois, Violoncelle
14
Flûte, Trompette (duo)
14
Flûte, Alto (duo)
13
Flûte à Bec
13
Flûte et Guitare
13
Clarinette (partie séparée)
12
Flûte à bec Alto
12
Clarinette, Basson (duo)
11
Flûte, Hautbois, Clarinette (trio)
10
Quatuor de Flûtes à bec
10
Flûte irlandaise
10
Flute (partie séparée)
9
5 Flûtes à bec
8
Clarinette, Guitare (duo)
8
2 Saxophones, Piano
8
Piccolo, Piano
7
3 Flûtes à bec (trio)
7
Ocarina
7
Flûte, Clarinette et Basson
7
Flûte à bec Alto, Piano
6
Clarinette, Violoncelle, Piano (trio)
5
Flûte, Violoncelle, Piano (trio)
5
Flûte, Hautbois (duo)
5
Flûte, Violon, Violoncelle et Piano
4
Piccolo
4
Ensemble De Flûte à bec
4
Harmonica
4
Clarinette, Harpe (duo)
4
Saxophone et Orgue
3
Flûte, Violoncelle
3
Flûte à bec Tenor
3
Flûte, Hautbois, Basson
3
Flûte, Hautbois, Piano (trio)
3
Flûte à bec Soprano, Piano
3
Flûte et Trio à cordes
3
Clarinette, Violoncelle (duo)
2
Flute, harpe et violon
2
Flûte, Clarinette, Piano (trio)
2
Flûte à bec Alto, Basse continue
2
Flûte, Basson et Piano
2
Hautbois, Guitare (duo)
2
2 Cors Anglais Et Pianoforte
2
Flûte à bec, Guitare (duo)
2
Flûte, Violon et Violoncelle
2
Saxophone
2
Flûte, Alto et Piano
2
Saxophone et Harpe
2
Hautbois, Harpe
1
Flûte, Harpe et Violoncelle
1
Flûte à Bec, Piano
1
Clarinette, Alto et Piano (trio)
1
Clarinette Basse
1
Clarinette, Orgue
1
Flûte, alto et harpe
1
Cor anglais et Harpe (duo)
1
Flûte, trombone et piano
1
Ensemble de Hautbois
1
Flûte de Pan
1
Hautbois, Basson et Piano
1
2 Clarinettes, Piano
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Flûte, Clarinette, Violon (trio)
1
Clarinette, trompette et piano
1
Saxophone et Piano
1
Ensemble à vent
1
2 Flûtes traversières, Piano
1
Clarinette, Trombone (duo)
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
+ 114 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
364
Trombone et Piano
235
Trompette
220
Trompette, Piano
217
Quatuor de Cuivres : 2 trompettes, trombone, tuba
203
Cor et Piano
169
Trombone
132
Quatuor de Cuivres: 2 trompettes, Cor, trombone
87
Cor
87
Tuba et Piano
80
Euphonium, Piano (duo)
65
2 Trompettes (duo)
61
Cor anglais, Piano
59
Tuba
57
Ensemble de Trompettes
54
Ensemble de Trombones
50
2 Trombones (duo)
50
Trompette, Trombone (duo)
47
Quatuor de cuivres: 4 trombones
45
Trompette, Saxophone (duo)
43
Quatuor de Cuivres
39
Trompette (partie séparée)
37
Trombone (partie séparée)
29
Trompette, Cor (duo)
28
2 Cors (duo)
22
Cor Anglais
22
Quatuor de cuivres: 4 cors
21
Cor (partie séparée)
15
Quatuor de cuivres: 4 trompettes
13
Ensemble de Cors
10
Euphonium
9
2 Tubas (duo)
9
4 Tubas
9
2 Euphoniums et 2 Tubas
8
3 Trombones (trio)
7
3 Trompettes (trio)
7
Tuba (partie séparée)
7
Trio de Cuivres
5
Quatuor de cuivres: 2 trompettes, 2 trombones
4
Trombone basse et Piano
4
2 Trombones, Piano
3
2 Euphoniums (duo)
3
Trombone, Orgue
3
Trombone basse
3
Euphonium, Tuba (duo)
3
Trompette, Harpe
2
2 Cors Anglais Et Pianoforte
2
Tuba et Orgue
2
3 Tubas (trio)
2
Bass Clef Instruments
1
2 Trompettes, Clavier (piano ou orgue)
1
Cor anglais et Harpe (duo)
1
Cor et Harpe
1
Trombone et orchestre
1
Trompette, Trombone, Piano
1
Trombone, Cor (duo)
1
Cor et Orgue
1
Trombone, Tuba (duo)
1
3 Euphoniums
1
+ 54 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
794
Violon et Piano
354
Violon
330
Violon, Violoncelle (duo)
285
Violoncelle, Piano
267
Alto, Piano
251
Trio à Cordes: violon, alto, violoncelle
230
Violoncelle
222
Harpe
155
2 Harpes (duo)
125
Alto seul
112
2 Violons (duo)
93
Quintette à cordes: 2 violons, alto, violoncelle, basse
88
2 Violoncelles (duo)
86
Contre Basse
79
Violon, Alto (duo)
75
Contrebasse, Piano (duo)
59
Trio à Cordes: 2 violons, violoncelle
55
2 Altos (duo)
51
4 Violoncelles
32
Violon (partie séparée)
29
Piano Trio: Violon, Alto, Piano
27
Alto (partie séparée)
24
Contrebasse (partie séparée)
21
Alto, Violoncelle (duo)
18
Ensemble de Violons
14
Trio à cordes: 3 violins
14
Harpe, Flûte (duo)
14
Violon, Guitare (duo)
14
Trio à Cordes: 3 violoncelles
14
Trio à cordes: 3 altos
13
Ensemble d'Altos
12
Quatuor à cordes : 4 altos
12
Violoncelle, Contrebasse (duo)
11
Quatuor à cordes: 4 violons
9
Violoncelle , Guitare (duo)
8
Trio à Cordes: 2 violons, alto
8
Harpe, Voix
7
Harpe, Violon (duo)
7
Quintette à cordes: 2 violons, 2 altos, violoncelle
6
Alto, Guitare (duo)
5
Harpe, Violoncelle (duo)
4
Violoncelle (partie séparée)
4
Alto et Harpe
4
Violoncelle, Orgue
3
Ensemble de Violoncelles
3
2 Violoncelles, Piano
3
2 Contrebasses (duo)
3
Violoncelle, Orchestre
2
4 Contrebasses
1
Alto et Basson
1
Violon, Clarinette, Piano (trio)
1
Harpe, Quatuor à cordes
1
2 Violons, Piano
1
Autoharp
1
Alto et orchestre
1
3 Harpes
1
Harpe et Orgue
1
Violoncelle, Basse continue
1
+ 54 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
1 382
Orchestre à Cordes
444
Orchestre
286
Ensemble de cuivres
202
Orchestre de chambre
115
Ensemble Jazz
104
Cloches
89
Fanfare
70
Ensemble de Percussions
30
Jazz combo
21
Batterie
14
Xylophone, Piano
10
Percussion (partie séparée)
10
Marimba
8
Ensemble d'École
7
Instrumentation Flexible
5
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
4
Vibraphone
3
Batterie (partie séparée)
3
3 Marimbas
2
Vibraphone et Marimba
1
2 Marimbas
1
Quintette de Cuivres: autres combinaisons
1
Orchestre, Violon
1
Caisse Claire
1
Xylophone
1
Bongos
1
Marimba et Orgue
1
Marimba, Piano (duo)
1
+ 24 instrumentations
Retracter
Autres
Théorie de la musique
1
Partitions Gratuites
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
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CLARINETTE
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DULCIMER
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FLUTE A DIX…
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
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FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
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Most of All
Piano Trio: piano, violon, violoncelle
Partitions à imprimer
43 partitions trouvées
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1
26
The Love of God
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Piano Trio: piano, violon, violoncelle
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AVANCÉ
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Musique Sacrée
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Claudia Lehman Mays
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Jesse M
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The Love of God
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Jesse Boyd Music
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SheetMusicPlus
Instrumental Duet,Piano Cello,Instrumental Duet,Piano,Violin - Level 5 - SKU: A0.916809 Composed by Claudia Lehman Mays. Arranged by Jesse M. Boyd. Chri...
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Instrumental Duet,Piano Cello,Instrumental Duet,Piano,Violin - Level 5 - SKU: A0.916809 Composed by Claudia Lehman Mays. Arranged by Jesse M. Boyd. Christian,Praise & Worship,Sacred. Score and parts. 15 pages. Jesse Boyd Music #6421521. Published by Jesse Boyd Music (A0.916809). A beautiful, intricate arrangement of the beloved hymn The Love of God for Cello and Piano sets a wonderful, poetic Gospel presentation woven into a wonderful hymn of praise to God for His wonderful, perfect love for mankind. I pray this arrangement would elevate the text and most of all, glorify the Lord.This arrangement, while difficult, is quite rewarding to play. An optional ossia part is included if the pianist does not feel comfortable with fast arpeggios. This piece would be perfect for church services, sacred concerts, recitals, and even some competitions.
$10.00
O Come All Ye Faithful for Piano Trio
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Piano Trio: piano, violon, violoncelle
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DÉBUTANT
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Noël
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Wade
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James M
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O Come All Ye Faithful for Pia
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jmsgu3
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SheetMusicPlus
Piano Trio - Level 1 - SKU: A0.548647 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christmas. 7 pages. Jmsgu3 #3407487. Published by jmsgu3 (A...
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Piano Trio - Level 1 - SKU: A0.548647 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christmas. 7 pages. Jmsgu3 #3407487. Published by jmsgu3 (A0.548647). O Come, All Ye Faithful O Come, All Ye Faithful arranged for piano trio ( piano, violin & cello) featuring a thought-provoking re-harmonization of the final verse. O Come, All Ye Faithful is an English translation of the Latin Christmas carol Adeste Fideles. No one knows exactly who wrote it. One theory holds that King John IV of Portugal (1604–1656) wrote it. Another view says John F. Wade or John Reading wrote it. Nowadays, we usually attribute it to John Wade. It seems like Stonyhurst College in Lancashire owns the oldest manuscript. It is from the year 1751. Lyrics Frederick Oakeley, a Catholic priest in 1841, wrote the English translation. This translation is probably the most common in English-speaking states. To begin with, the hymn had only four verses. Later, the verses grew to eight. Music directors often cut various verses because otherwise, the song goes too long. Some believe that St. Bonaventure wrote the first Latin lyrics. Others hold that King John IV of Portugal is responsible. Yet even others think the Cistercian monks wrote them. King John IV His subjects called King John IV of Portugal The Musician King. He became king in 1640. In addition to performing the duties of a king, he composed and wrote as a music journalist. King John built an extensive music library. Unfortunately, the massive earthquake in Lisbon ruined the library in 1755. In addition to making his library, the king started a Music School that produced many accomplished musicians. The king also worked diligently to get instrumental music approved by the Vatican for use in his churches. Aside from his authorship of Adeste Fideles, he is famous for another popular choral setting of the Crux Fidelis, a prevalent Lenten hymn. Performance in Context Verses are sometimes left out because all eight verses would take too long to perform. More to the point, though, some of the poems may be unsuitable for whatever church calendar they are intended. The eighth verse deals with the Epiphany, so it makes sense to sing this on Epiphany Sunday but not on other Sundays. Similarly, other poems are used for whether the event is Midnight Mass or regular daytime Mass. Â
$24.95
O Sons And Daughters (with "Alleluia, Sing To Jesus) (Duet for Violin & Cello)
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Piano Trio: piano, violon, violoncelle
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INTERMÉDIAIRE
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Musique Sacrée
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Traditional, Rowland H
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Stephen DeCesare
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O Sons And Daughters
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Exultet Music
#
SheetMusicPlus
Instrumental Duet,Piano Cello,Instrumental Duet,Piano,Violin - Level 3 - SKU: A0.622617 Composed by Traditional, Rowland H. Prichard. Arranged by Stephe...
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Instrumental Duet,Piano Cello,Instrumental Duet,Piano,Violin - Level 3 - SKU: A0.622617 Composed by Traditional, Rowland H. Prichard. Arranged by Stephen DeCesare. Christian,Easter,Praise & Worship,Sacred. Score and parts. 18 pages. Exultet Music #3861439. Published by Exultet Music (A0.622617). Two of the most beloved Easter hymns have now been joined together in a joyful anthem that is scored as a duet for Violin and Cello with Piano accompaniment. Accessible and appropriate for any church or concert setting. Can be used throughout the entire Easter season. An accompaniment track is also available.
$4.99
Can't Help Falling In Love
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Piano Trio: piano, violon, violoncelle
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INTERMÉDIAIRE
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Mariage/Ballade
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Rock
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Elvis Presley
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Dico
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Can't Help Falling In Love
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Dico Ferreira
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SheetMusicPlus
Piano Trio,String Ensemble Cello,Piano,Violin - Level 3 - SKU: A0.805342 By Elvis Presley. By George David Weiss, Hugo Peretti, and Luigi Creatore. Arra...
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Piano Trio,String Ensemble Cello,Piano,Violin - Level 3 - SKU: A0.805342 By Elvis Presley. By George David Weiss, Hugo Peretti, and Luigi Creatore. Arranged by Dico. Pop,Wedding. Score and parts. 8 pages. Dico Ferreira #412380. Published by Dico Ferreira (A0.805342). WEDDING SERIES - A set of popular songs and wedding standards that I've been arranged for years (some aren't as standard, but still). The formations are varied, from duos to orchestras with chorus. Most are mixed/flexible sextets where some instruments can be replaced and, as a result, ensembles can be completely changed. Some arrangements have abbreviated versions (excerpts) and are in several keys to adapt to a wide range of voices. These options are available in my catalog.
$18.20
I Could Sing Of Your Love Forever
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Piano Trio: piano, violon, violoncelle
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FACILE
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Contemporain
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Delirious?
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Stephen DeCesare
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I Could Sing Of Your Love Fore
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Exultet Music
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SheetMusicPlus
Instrumental Duet,Piano Cello,Instrumental Duet,Piano,Violin - Level 2 - SKU: A0.625076 By Delirious? By Martin Smith. Arranged by Stephen DeCesare. Con...
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Instrumental Duet,Piano Cello,Instrumental Duet,Piano,Violin - Level 2 - SKU: A0.625076 By Delirious? By Martin Smith. Arranged by Stephen DeCesare. Contemporary. Score and parts. 11 pages. Exultet Music #4851965. Published by Exultet Music (A0.625076). What has been called a modern worship classic and is among the most-sung worship songs in the United States, has now been freshly arranged as a duet for Violin and Cello with Piano accompaniment. Accessible and appropriate for any church or concert setting. Can be used many times throughout the liturgical year.
$4.99
It's A Small World
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Piano Trio: piano, violon, violoncelle
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FACILE
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Film Walt Disney
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Richard M
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Stephen DeCesare
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It's A Small World
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Exultet Music
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SheetMusicPlus
Instrumental Duet,Piano Cello,Instrumental Duet,Piano,Violin - Level 2 - SKU: A0.630972 Composed by Richard M. Sherman and Robert B. Sherman. Arranged b...
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Instrumental Duet,Piano Cello,Instrumental Duet,Piano,Violin - Level 2 - SKU: A0.630972 Composed by Richard M. Sherman and Robert B. Sherman. Arranged by Stephen DeCesare. Contemporary. Score and parts. 11 pages. Exultet Music #6496113. Published by Exultet Music (A0.630972). One of the most recognizable songs in the Walt Disney catalogue, this song has been freshly arranged as a duet for a Violin and Cello with Piano accompaniment. Accessible and appropriate for any school or concert setting.
$4.99
Piano Trio in C minor, Op. 143
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Piano Trio: piano, violon, violoncelle
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INTERMÉDIAIRE
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Classique
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Ferdinand Ries
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Dianne James
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Piano Trio in C minor, Op. 143
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Artaria Editions
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SheetMusicPlus
Piano Trio Cello,Piano,Violin - Level 3 - SKU: A0.1487814 Composed by Ferdinand Ries. Arranged by Dianne James. Classical. 62 pages. Artaria Editions #1...
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Piano Trio Cello,Piano,Violin - Level 3 - SKU: A0.1487814 Composed by Ferdinand Ries. Arranged by Dianne James. Classical. 62 pages. Artaria Editions #1064752. Published by Artaria Editions (A0.1487814). The Piano Trio in C minor Op.143 was published by Schott in 1826, but could have been composed much earlier for Ries's personal use in the London concert halls. It is an imposing work, whose gruff tone and serious purpose recall Beethoven's use of this key. The first movement is an impressive sonata-form movement extending to a length of almost 250 bars. It contains two strikingly contrasted themes, one aggressively assertive, the other of a more lyrical, tender character (parallels to Beethoven's thematic tendencies in sonata-form movements are once again clearly apparent). The Adagio movement, cast in the rich colours of A flat major (the tonic minor - flat submediant major key relationship recalls Beethoven once again) contains some moments of real beauty and musical insight. The piano is often centrestage, its florid lines and ornamental flourishes reminiscent of another of Ries's contemporaries, Hummel. The technique of connected second and third movements seen in this work is not new but was a trend established in the piano trio genre by Joseph Haydn in the 1780s and 90s. The oasis of calm and tranquillity created in the Adagio is shattered dramatically by the jagged arpeggio figure which launches the finale. This extremely fast movement - the metronome marking indicates that the music should be felt in two, not in four - is characterised by the tarantella topos. It is a tremendously exciting movement, whose swirling energy and frantic pace is only reined in at the final cadence. The present edition reproduces as faithfully as possible the text of the trio as transmitted in Schott's 1826 edition of the work, a copy of which is preserved in the Staatsbibliothek in Berlin. The metronome markings at the head of each movement derive from this source. The piano compass extends from E flat 1 to a flat 4, a range of just over six octaves. Pedal markings indicated in the source have not been included in the current edition since these are generally very instrument-dependent. Minor rhythmic inconsistences between different statements of the same theme have been retained (e.g. first movement, second subject, bb.51-52, cello and 188-89, violin), as have some differences in phrasing between successive thematic statements (cf. finale, piano bb.3-6 and violin bb.18-21). The style and notation of articulation and dynamic markings have been standardised throughout, and, where missing from the print, markings have been reconstructed from parallel passages. These are indicated by the use of dotted slurs or brackets where appropriate. Obvious wrong notes have been corrected without comment, and editorial emendations with no authority from the print are placed within brackets. Dianne James.
$37.00
The First Noel for Piano Trio
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Piano Trio: piano, violon, violoncelle
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FACILE
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Noël
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Traditional
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James M
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The First Noel for Piano Trio
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jmsgu3
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SheetMusicPlus
Piano Trio - Level 2 - SKU: A0.549903 Composed by Traditional. Arranged by James M. Guthrie, ASCAP. Christmas,Standards. 9 pages. Jmsgu3 #3685139. Publi...
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Piano Trio - Level 2 - SKU: A0.549903 Composed by Traditional. Arranged by James M. Guthrie, ASCAP. Christmas,Standards. 9 pages. Jmsgu3 #3685139. Published by jmsgu3 (A0.549903). Arranged with new harmony for the final verse. Origins The First Noel is an English Christmas carol. Even more, it was probably written in the late Cornish Renaissance period. While other versions spell the title as Nowell, this is a colloquial variation. Furthermore, Noel is an older word meaning Christmas. Therefore the First Noel translates as the First Christmas. First of all, Gilbert and Sandy published the earliest version. As a result, this version appears in the Carols Ancient and Modern songbook of 1823. William Sandy edited and arranged the book. Similarly, his partner Davies Gilbert edited and added the familiar extra verses. Stainer Organist and composer Sir John Stainer published the most noteworthy customary arrangement in the 1870s.  Stainer is, above all, famous for his songbook entitled: Christmas Carols New and Old (1871). This volume served as an essential catalyst for reviving the English Christmas carol.  Other famous Stainer arrangements from this book include What Child Is This, God Rest Ye Merry Gentlemen, Good King Wenceslas, and I Saw Three Ships. Diatonic Function The melodic structure in the First Noel is uncommon among English folk tunes. It simply repeats one phrase twice and then follows a variation refrain. All three phrases of the song end on the mediant scale degree. This is unusual because the diatonic function of the mediant is non-final compared to the more usual tonic or even dominant degrees. Consequently, this gives the song an open-ended feeling – like maybe it never ends. Political Context The Catholic clergy sang carols outside of the church in Latin. After the Protestant Reformation, the reformers thought it would be better for everyone to sing carols. They decided to bring music back to the common folk. So, they translated the lyrics from Latin into a common language. Moreover, the Protestants wanted more control over the music in the church than what the Vatican allowed. Protestant composers such as William Byrd composed complex polyphonic Christmas music that they called carols. Nonetheless, some famous folk carols were composed in this era. Eminent composers in the nineteenth century began to revise and adapt them. Consequently, they revived the English carol.
$24.95
Piano Trio in E flat major, Op. 2
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Piano Trio: piano, violon, violoncelle
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INTERMÉDIAIRE
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Classique
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Ferdinand Ries
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Dianne James
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Piano Trio in E flat major, Op
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Artaria Editions
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SheetMusicPlus
Piano Trio Cello,Piano,Violin - Level 3 - SKU: A0.1488222 Composed by Ferdinand Ries. Arranged by Dianne James. Classical. 77 pages. Artaria Editions #1...
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Piano Trio Cello,Piano,Violin - Level 3 - SKU: A0.1488222 Composed by Ferdinand Ries. Arranged by Dianne James. Classical. 77 pages. Artaria Editions #1065108. Published by Artaria Editions (A0.1488222). The Piano Trio in E flat, Op.2 was published by Simrock in 1807 with a dedication to Monsieur le Comte de Browne, Brigadeur au Service de S.M.J. de toutes les Russies. It is a generously proportioned work in the usual three movements. The lengthy sonata-from first movement is prefaced by a slow introduction which begins on dominant seventh harmony (a nod perhaps to Beethoven's first symphony), slowly finding its way to the tonic by the start of the Allegro section. The brief development section modulates widely, including references to keys as distant as E minor and C major, while the substantially rewritten and varied recapitulation touches on both B and G majors. The slow movement, Andante un poco Allegretto , is cast in the key of C minor and features many solos and duets for the string instruments as well as further harmonic interest, especially in the central modulating episode from bar 46. The finale is a sonata-rondo design complete with all the usual tricks, including even a remote transposition of the refrain late in the movement to B major, a technique surely learned from Beethoven. The present edition reproduces as faithfully as possible the text of the trio as transmitted in Simrock's edition of the work, a copy of which is preserved in the Staatsbibliothek in Berlin. The piano part is most successfully realised on an instrument extending as far as c4, although since such instruments were by no means standard in the first decade of the 19th century, Ries has notated the part carefully to cater for instruments without an extended treble compass. Any alternative readings have been incorporated into the current edition exactly as they appear in the Simrock print. In an instance such as bars 298-309 of the finale for example, instruments with the extended compass should follow the small print in bars 298 and 309, and in between read the notes an octave higher according to the composer's 8ve marking. Instruments with a limited compass should play the notes as written, without the octave transposition of bars 299-309. The cello part contains several passages written in the treble clef. Evidence that these should sound an octave lower than written is provided by bars 74-80 of the first movement and 85-89 of the finale. In the first instance, awkward octave displacements would result if this passage were played literally; in the second instance, some unacceptable part crossing between violin and cello would result from a literal rendition of these two bars. Accordingly then, all passages written in the treble clef should be transposed down an octave. The style and notation of articulation and dynamic markings have been standardised throughout, and, where missing from the print, markings have been reconstructed from parallel passages. These are indicated by the use of dotted slurs or brackets where appropriate. Obvious wrong notes have been corrected without comment, and editorial emendations with no authority from the print are placed within brackets. Dianne James.
$37.00
Canon in D (Violin and Cello Duet) with Piano
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Piano Trio: piano, violon, violoncelle
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INTERMÉDIAIRE
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Classique
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Johann Pachelbel
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B
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Canon in D
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SheetMusicPlus
Composed by Johann Pachelbel (1653-1706). Arranged by B. C. Dockery. Baroque Period, Anniversary, Wedding, Graduation, Recital. Score, Set of Parts, S...
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Composed by Johann Pachelbel (1653-1706). Arranged by B. C. Dockery. Baroque Period, Anniversary, Wedding, Graduation, Recital. Score, Set of Parts, Sheet Music Single. 23 pages. Published by Ben Dockery
Johann Pachelbel's most famous composition; this canon is arranged for violin and cello duet with piano accompaniment. Great for weddings, recitals, graduation ceremonies, parties, and celebrations of all kind.
Includes score and parts.
$4.99
The Skye Boat Song (violin, cello and piano)
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Piano Trio: piano, violon, violoncelle
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FACILE
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Traditional
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Colin Kirkpatrick
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The Skye Boat Song
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Colin Kirkpatrick Publications
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SheetMusicPlus
Piano Trio Cello,Piano,Violin - Level 2 - SKU: A0.1373251 Composed by Traditional. Arranged by Colin Kirkpatrick. Celtic,Folk,Historic,Irish,Traditional...
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Piano Trio Cello,Piano,Violin - Level 2 - SKU: A0.1373251 Composed by Traditional. Arranged by Colin Kirkpatrick. Celtic,Folk,Historic,Irish,Traditional. 12 pages. Colin Kirkpatrick Publications #957596. Published by Colin Kirkpatrick Publications (A0.1373251). This is one of the most well-known of all British folksongs and refers to real historical events. It has been used in film and television programs and known to almost everyone in Britain. Skye (also known as “The Isle of Skyeâ€) is the largest island of the Inner Hebrides. With an area of about 640 square miles, the island is about sixty miles long and lies close to the Scottish mainland.   The boat in the song (“Speed bonny boatâ€) refers to a small sailing ship that in 1746 “carried the lad who was born to be king†to the Isle of Skye. The lad in question was Prince Charles Edward Stuart known affectionately as “Bonnie Prince Charlie.†The song also refers to the Battle of Culloden of April 1746, the last ever battle on British soil, fought between the British Army and the army of Bonnie Prince Charlie.   In June 1746 and disguised as a maid-servant, Charles was secretly transported from the Hebridean island of Benbecula to the more southerly Isle of Skye. This is the event to which the song refers. The string parts avoid technical challenges and the piano part is fairly easy. This beautiful folk song would make a spendid addition to your piano trio repertoire and aso make a pleasant encore number after a classical recital.
$5.95
Praise Him! Praise Him! (for Violin and Cello Duet with Piano Accompaniment)
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Piano Trio: piano, violon, violoncelle
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FACILE
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Sharon Wilson
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Sharon Wilson
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Praise Him! Praise Him!
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Sharon Wilson
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SheetMusicPlus
Piano Trio,String Ensemble Cello,Piano,Violin - Level 2 - SKU: A0.565984 By Sharon Wilson. By Fanny J. Crosby. Arranged by Sharon Wilson. Holiday,Praise...
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Piano Trio,String Ensemble Cello,Piano,Violin - Level 2 - SKU: A0.565984 By Sharon Wilson. By Fanny J. Crosby. Arranged by Sharon Wilson. Holiday,Praise & Worship,Romantic Period,Sacred,Traditional. Score and parts. 21 pages. Sharon Wilson #6676799. Published by Sharon Wilson (A0.565984). Here is an inspiring instrumental trio arrangement (for VIOLIN and CELLO duet with PIANO accompaniment) of the joyful hymn Praise Him! Praise Him! by Chester G. Allen. All three instruments lead with the melody at times, even the PIANO. The VIOLIN carries the melody for most of the first verse and then all three instruments alternate leading with the melody for the second verse. This upbeat and cheerful instrumental arrangement is an ideal selection for a church setting and a valuable addition to your sacred repertoire. Duration 2:45.The range for each part is as follows: VIOLIN – G4 to A5; CELLO – G2 to C4 (middle C). All notes for both the VIOLIN and CELLO are playable in the first position making this piece an excellent choice for early intermediate string players. The PIANO accompaniment is written for an intermediate player. The purchase price includes these printing options: 1. a grand staff (9 pages) with all parts on each page2. separate scores for the CELLO and VIOLIN (2 pages each) and PIANO (4 pages)3. a combined CELLO and VIOLIN score (3 pages)Cover Image Credit: captured by the arranger near San Francisco, California
$5.99
Away In a Manger for Piano Trio
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Piano Trio: piano, violon, violoncelle
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DÉBUTANT
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Noël
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the 1880's the cradle song was
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Mueller
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James M
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Away In a Manger for Piano Tri
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jmsgu3
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SheetMusicPlus
Piano Trio - Level 1 - SKU: A0.548637 Composed by Mueller. Arranged by James M. Guthrie, ASCAP. Christmas. 6 pages. Jmsgu3 #3405971. Published by jmsgu3...
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Piano Trio - Level 1 - SKU: A0.548637 Composed by Mueller. Arranged by James M. Guthrie, ASCAP. Christmas. 6 pages. Jmsgu3 #3405971. Published by jmsgu3 (A0.548637). Arranged for Piano Trio with a re-harmonized final verse. Away in a Manger is a popular Christmas song published in the late 19th century and performed worldwide. In England, it is considered one of the two most popular carols of all time; a 1996 poll ranked it as a tie for second place. To begin with, many thought Martin Luther wrote it, but now the song is considered American. The most common musical arrangements are by William Kirkpatrick (1895) and James R. Murray (1887). The melody was first published as Luther's Cradle Hymn by James R. Murray. Then came a confusing series of explanations about how Martin Luther wrote the song. Murray even went so far as to suggest that Luther wrote it for his children. As a result, the music has become known as Mueller. Nobody knows who this Mueller is, but the name stuck. Popularity By the 1880's the cradle song was being performed in church. By the 1990's the song was becoming the most popular Christmas song ever. Nearly everyone sang it in school, in church, and at home. Other musical settings The first musical setting published with the lyrics appeared in the Little Children's Book for Schools and Families (1885). The title was Away in a Manger. This edition is the first one not attributing the song to Martin Luther. Charles H. Gabriel was the first arranger to present the third verse. He also composed and published many different arrangements of the song. In one of his settings, he supplies a chorus for each verse with asleep sung in canon. Another prevalent preparation uses the lyrics to the melody Flow Gently, Sweet Afton Yet another arrangement uses the songs to an old Normandy carol.Â
$24.95
Fauré: Élégie Op. 24 for Piano Trio
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Piano Trio: piano, violon, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Gabriel Faure
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James M
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Fauré: Élé
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jmsgu3
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SheetMusicPlus
Piano Trio - Level 4 - SKU: A0.549721 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. Contemporary,Multicultural,Romantic Period,Standar...
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Piano Trio - Level 4 - SKU: A0.549721 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. Contemporary,Multicultural,Romantic Period,Standards,World. 31 pages. Jmsgu3 #3531323. Published by jmsgu3 (A0.549721). Duration: ca. 7:00, Score: 18 pages, violin: 3 pages, cello: 3 pages, piano: 7 pages. An epic choice for a recital or funeral.Fauré Background: In the first place, Gabriel Fauré 1845 –1924) was a famous French composer, musician, and educator. Furthermore, his musical ideas influenced numerous 20th-century composers. Therefore, historians regard him as one of the leading French composers of his time. Famous Works: Among his most famous compositions, by and large, are the Pavane, Elegie (op. 24), Requiem, Sicilienne, Nocturnes for piano and the songs Après un rêve and Clair de lune. Inasmuch as his early works are well-known and relatively easy to perform, Faure’s music seems to have become gradually more difficult during his later life. In other words, his later works are somewhat esoteric and complex. Early Home Life: Fauré was in fact born into a well-cultivated family. His aptitude for music became particularly clear early on - when he was still a boy. Under these circumstances, his parents sent him to a music institution in Paris. Consequently, the training he received there prepared him for a career as a church organist and choirmaster. Middle Life: It is important to realize that Fauré studied music composition with the French musical mastermind Camille Saint-Saëns, who became his lifelong friend. Fauré eventually graduated from college and earned a living as an organist and educator. During this period, he had, on the whole, little time to compose. He consequently became more successful in his middle age, becoming organist of the Église de la Madeleine and director of the Paris Conservatoire. However, he still needed time on balance for composing. Therefore, given these points, he withdrew to the countryside during the summer to focus on composing. Later Life: Fauré was, in the final analysis, recognized in France as the foremost French composer of his time. The French government held a national musical tribute particularly for him in Paris. The French President notably headed the ceremony. Elsewhere, on the contrary, Fauré's music was slow to become accepted, except of course, in England. Legacy: Historians often describe Fauré's music in general as a transition between the end of Romanticism and the beginning of modernism. As an illustration, when Fauré was born, Chopin was still composing. However, by the time of Fauré's death, jazz and atonal music, in particular, had come to fruition. Fauré, by all means, suffered from increasing deafness in his later years. Some musicologists believe this to be indeed the cause of the esoteric nature of Faure’s final works.
$37.95
Clair de Lune (Violin and Cello Duet) with piano accompaniment
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Piano Trio: piano, violon, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Claude Debussy
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B
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Clair de Lune
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Ben Dockery
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SheetMusicPlus
Piano Trio,String Ensemble Cello,Piano,Violin - Level 4 - SKU: A0.694522 Composed by Claude Debussy. Arranged by B. C. Dockery. 20th Century,Classical,C...
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Piano Trio,String Ensemble Cello,Piano,Violin - Level 4 - SKU: A0.694522 Composed by Claude Debussy. Arranged by B. C. Dockery. 20th Century,Classical,Concert,Graduation,Wedding. Score and parts. 21 pages. Ben Dockery #6420559. Published by Ben Dockery (A0.694522). One of Claude Debussy's most famous pieces, this is Clair de Lune arranged for violin and cello duet with optional piano accompaniment. Great for weddings, lessons, recitals, and celebrations of all kinds.
$4.99
Rudolph The Red-nosed Reindeer
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Piano Trio: piano, violon, violoncelle
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FACILE
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Rock
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John Denver
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Stephen DeCesare
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Rudolph The Red-nosed Reindeer
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Exultet Music
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SheetMusicPlus
Instrumental Duet,Piano Cello,Instrumental Duet,Piano,Violin - Level 2 - SKU: A0.627698 By John Denver. By Johnny Marks. Arranged by Stephen DeCesare. R...
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Instrumental Duet,Piano Cello,Instrumental Duet,Piano,Violin - Level 2 - SKU: A0.627698 By John Denver. By Johnny Marks. Arranged by Stephen DeCesare. Rock. Score and parts. 12 pages. Exultet Music #6042033. Published by Exultet Music (A0.627698). One of the most popular Christmas songs of all time has been arranged as a duet for Violin and Cello with Piano accompaniment. Accessible and appropriate for any school or concert setting. .
$4.99
Prelude No.1 from The Well-Tempered Clavier Book 1 BWV 846 (Violin and Cello Duet) with optional pia
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Piano Trio: piano, violon, violoncelle
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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B
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Prelude No.1 from The Well-Tem
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Ben Dockery
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SheetMusicPlus
Piano Trio,String Ensemble Cello,Piano,Violin - Level 3 - SKU: A0.694298 Composed by Johann Sebastian Bach. Arranged by B. C. Dockery. Baroque,Concert,G...
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Piano Trio,String Ensemble Cello,Piano,Violin - Level 3 - SKU: A0.694298 Composed by Johann Sebastian Bach. Arranged by B. C. Dockery. Baroque,Concert,Graduation,Holiday,Wedding. Score and parts. 16 pages. Ben Dockery #6359079. Published by Ben Dockery (A0.694298). One of Bach's most beloved and famous keyboard compositions, this prelude has been arranged for violin and cello duet with optional piano accompaniment. Great for weddings, graduation ceremonies, recitals, and celebrations of all kind.Includes score and parts.
$4.99
Fur Elise (Violin and Cello Duet with Piano Accompaniment)
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Piano Trio: piano, violon, violoncelle
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INTERMÉDIAIRE
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Classique
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Ludwig van Beethoven
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B
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Fur Elise
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Ben Dockery
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SheetMusicPlus
Instrumental Duet,Piano Cello,Instrumental Duet,Piano,Violin - Level 3 - SKU: A0.1233741 Composed by Ludwig van Beethoven. Arranged by B. C. Dockery. 19...
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Instrumental Duet,Piano Cello,Instrumental Duet,Piano,Violin - Level 3 - SKU: A0.1233741 Composed by Ludwig van Beethoven. Arranged by B. C. Dockery. 19th Century,Classical,Romantic Period. 6 pages. Ben Dockery #829310. Published by Ben Dockery (A0.1233741). Perhaps Ludwig van Beethoven's most famous composition: this is Fur Elise arranged for violin and cello duet with optional piano accompaniment. Great for lessons, recitals, and public performances of all kinds. Intermediate level. Includes score and parts.
$4.99
Brahms's Lullaby (Violin and Cello Duet with Piano Accompaniment)
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Piano Trio: piano, violon, violoncelle
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FACILE
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Classique
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Johannes Brahms
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B
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Brahms's Lullaby
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Ben Dockery
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SheetMusicPlus
Instrumental Duet,Piano Cello,Instrumental Duet,Piano,Violin - Level 2 - SKU: A0.1238268 Composed by Johannes Brahms. Arranged by B. C. Dockery. 19th Ce...
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Instrumental Duet,Piano Cello,Instrumental Duet,Piano,Violin - Level 2 - SKU: A0.1238268 Composed by Johannes Brahms. Arranged by B. C. Dockery. 19th Century,Children,Classical,Romantic Period. 5 pages. Ben Dockery #833746. Published by Ben Dockery (A0.1238268). Perhaps Johannes Brahms's most famous composition: this is Lullaby (Wiegenlied) arranged for violin and cello duet with optional piano accompaniment. Great for lessons, recitals, and public performances of all kinds. Easy intermediate level. Includes score and parts.
$4.99
Handel: Seven Pieces from Water Music for Piano Trio
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Piano Trio: piano, violon, violoncelle
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INTERMÉDIAIRE
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George Friderick Handel
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James M
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Handel: Seven Pieces from Wate
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jmsgu3
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SheetMusicPlus
Piano Trio - Level 3 - SKU: A0.552118 Composed by George Friderick Handel (1685-1756). Arranged by James M. Guthrie. Baroque,Instructional,Standards,Wed...
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Piano Trio - Level 3 - SKU: A0.552118 Composed by George Friderick Handel (1685-1756). Arranged by James M. Guthrie. Baroque,Instructional,Standards,Wedding. 32 pages. Jmsgu3 #6121129. Published by jmsgu3 (A0.552118). Seven popular pieces from Handel's Water Music - most often requested for weddings. Score: 16 pages, Duration 12:15. Players may read from the score, or from the included instrumental parts.Contents:1. Air2. Minuet3. Bourrée4. Hornpipe5. Rigaudon6. Minuet7. AndanteHandel's Water Music is one of his most famous compositions. It was written for King George I's pleasure barge trip along the River Thames in 1717. The Water Music is divided into three suites, each containing a variety of movements. The music features a mix of dance rhythms such as minuets, bourrees, and hornpipes, along with lively fanfares and slower, more stately airs. Its combination of light and playful music with grandeur and pomp has made it one of the most beloved pieces of classical music. Water Music has been performed by many orchestras and is a popular choice for special occasions, such as coronations and weddings. Its enduring popularity has helped to make it one of Handel's most famous and beloved compositions.Weddings during the time of Handel were usually quite extravagant affairs. The ceremony was typically held in a church and was accompanied by a full orchestra. Handel's own compositions were frequently used to provide the music for the ceremony. This was especially true in London, where Handel was based and where his music was extremely popular. Handel wrote a number of pieces specifically for use at weddings, including the popular Wedding Anthem and the Wedding Anthem in D Major. Handel's music provided a sense of grandeur and elegance to the proceedings and was often used to give the wedding an extra special touch.The festivities following the ceremony were also often quite lavish, with a large feast and plenty of dancing. Handel's music was often used to provide the background music for the dancing, and he wrote many dance suites that were specifically designed for this purpose. The bride and groom would often have a special dance to the music of Handel's Water Music, a particularly popular piece for the occasion. Guests at the wedding would be treated to a variety of Handel's works, ranging from his operas to his oratorios, which often had a spiritual or religious theme. Handel's music provided a sense of joy and celebration to the wedding and helped make it an occasion to remember.
$36.95
10 Wedding Duets for Violin and Cello with Piano
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Piano Trio: piano, violon, violoncelle
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INTERMÉDIAIRE
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Mariage/Ballade
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Mariage/Ballade
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Various
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10 Wedding Duets for Violin an
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Ben Dockery
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SheetMusicPlus
Composed by Various. Arranged by B. C. Dockery. Romantic Period, Classical Period, Baroque Period, Impressionistic, Wedding. Score, Set of Parts. 122 page...
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Composed by Various. Arranged by B. C. Dockery. Romantic Period, Classical Period, Baroque Period, Impressionistic, Wedding. Score, Set of Parts. 122 pages. Published by Ben Dockery
With ten of the most popular pieces for wedding ceremonies, this intermediate-level collection is perfect for aspiring and professional musicians alike. Arranged for violin and cello duet with optional piano accompaniment.
Air on the G String
Bridal Chorus
Canon in D
Clair de Lune
The Four Seasons (Spring)
Jesu, Joy of Man's Desiring
Ode to Joy
Prelude No. 1 from the Well-Tempered Clavier Bk 1
Trumpet Voluntary
Wedding March
Includes all scores and parts.
$11.99
Piano Trio in B flat major, Op. 28
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Piano Trio: piano, violon, violoncelle
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INTERMÉDIAIRE
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Classique
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Ferdinand Ries
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Dianne James
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Piano Trio in B flat major, Op
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Artaria Editions
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SheetMusicPlus
Piano Trio Cello,Piano,Violin - Level 3 - SKU: A0.1488223 Composed by Ferdinand Ries. Arranged by Dianne James. Classical. 64 pages. Artaria Editions #1...
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Piano Trio Cello,Piano,Violin - Level 3 - SKU: A0.1488223 Composed by Ferdinand Ries. Arranged by Dianne James. Classical. 64 pages. Artaria Editions #1065109. Published by Artaria Editions (A0.1488223). Ferdinand Ries (1784-1838) was one of the greatest pianists of his time and a composer of exceptional abilities. Ries studied pianoforte (but not composition) with Beethoven in Vienna and the two men remained on cordial terms for the rest of their lives. In the last year of his life Ries co-wrote a book of Beethoven reminiscences that remain one of the most valuable sources of information about his life and character. The place and date of composition of the Sonate Sentimentale is uncertain in spite of the apparently conclusive evidence to the contrary: Ries's autograph score is dated 'Godesberg 1814' but by this time Ries was living in London. The discrepancy is probably due to the fact that Ries added the date to this manuscript, as he did to many others, in the 1820s. One of the most intriguing aspects of this work is the difference between Ries's original conception and the work as it appeared in its first published edition in 1834. The extent of the changes points to a substantial authorial revision of the work made prior to publication rather than a garbled transmission of the original text. Among the most striking of these changes is the inclusion of a brief introduction to the first movement; but other passages are extensively rewritten and in some instances lengthened by the inclusion of additional material. As with all Ries's works for flute, the Sonate Sentimentale is exceptionally well written for the instrument and yet perhaps even more impressive is the way in which Ries balances the musical texture and exploits the full potential of both the flute and piano. The beautiful work is arguably the most impressive flute sonata of the early 19th century. Allan Badley.
$37.00
An Elegy for Hopes and Dreams
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Piano Trio: piano, violon, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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William Heath
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An Elegy for Hopes and Dreams
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William Heath
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SheetMusicPlus
Piano Trio Cello,Piano,Violin - Level 4 - SKU: A0.1142148 Composed by William Heath. Classical,Contemporary,Film/TV,Thriller. 19 pages. William Heath #7...
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Piano Trio Cello,Piano,Violin - Level 4 - SKU: A0.1142148 Composed by William Heath. Classical,Contemporary,Film/TV,Thriller. 19 pages. William Heath #742526. Published by William Heath (A0.1142148). A Piano Trio, written for the Leeds University Union Music Society Winter Concert Series. Performed by the Hughes Trio featuring Christopher Hughes (Piano), Amy Howe (Violin), and Nikki Kemp (Cello) Programme Notes: This is a rather melodramatic piece that follows the Five Stages of Grief. I first sketched the piece for string quartet after an absolutely horrific interview at the Royal Northern College of Music. Feeling disheartened and dejected, I got home and messily scribbled on some manuscript paper An Elegy for Hopes and Dreams, and started writing this extremely over-dramatic and self-indulgent piece. I had abandoned this piece for an entire year before reviving it and writing the whole piece in just over a week and a half, now reimagined for Piano Trio. The piece starts with an atonal representation of grief before quickly moving into an upbeat Denial section which features a sort of fragile and manic sense of repression as a theme that initially sounds upbeat quickly unravels with whole-tone scales and chromatic movement. A representation of Anger is then seen with the whole trio playing the same melody with a jarring Bb in the harmony. The denial and anger sections repeat and regress before abruptly moving to a Bargaining section in which the original theme, ominously played in the lower piano and cello registers, is juxtaposed with a conjunct, major variation of the same theme in the violin. The Depression section takes the form of a cello solo as I find it to be one of the most emotive and expressive instruments and I take inspiration from Elgar's Cello Concerto, which I angstily listened to on the flight home from my aforementioned interview. A lilting and lamenting cello solo is contrasted with an atonal, aimless piano accompaniment which reflects the topic of depression. The bargaining theme reprises slightly with both strings performing the major variation before leading to the final climax. The Acceptance section sees the principal theme finally fully resolved in a major mode and with diatonic harmony. This is an expressive section as the whole trio plays the same melody with very simple yet emotive harmonic accompaniment underneath. Here the depression theme pairs with the principal theme coming to a final resolution. For individual parts for performance please contact owhcomposer@gmail.com.
$27.99
180 Shift for piano trio
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Piano Trio: piano, violon, violoncelle
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AVANCÉ
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Contemporain
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Robert M
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180 Shift for piano trio
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Robert M. Greenberg
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SheetMusicPlus
Piano Trio,String Ensemble Cello,Piano,Violin - Level 5 - SKU: A0.987846 Composed by Robert M. Greenberg. 20th Century,Contemporary. Score and parts. 69...
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Piano Trio,String Ensemble Cello,Piano,Violin - Level 5 - SKU: A0.987846 Composed by Robert M. Greenberg. 20th Century,Contemporary. Score and parts. 69 pages. Robert M. Greenberg #90269. Published by Robert M. Greenberg (A0.987846). Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Video: https://www.youtube.com/watch?v=dZvxnzZ1oA8 Duration: ca. 18 minutes Year of composition: 2013 Program Note: I. Elegy and Variations II. Song and Dance (Shake, Rattle and Roll) III. Re-Invention (Toccatissima) Aside from being an obvious (if hackneyed) reference to the commissioning ensemble, Trio 180, the title 180 Shift well describes the large-scale dramatic action of the piece: from beginning to end, it traverses an expressive distance of 180 degrees, from elegiac sorrow to hot-footed sizzle. 180 Shift is cast in three movements. Each movement is based on the same thematic material, although that material is transformed continuously across the span of the piece. Movement one, Elegy and Variations consists of a series of a theme, six free variations of the theme and a quiet intermezzo before the sixth and final variation. The movement is melancholy, reflective, and generally subdued in tone. Movement two, entitled Song and Dance (Shake, Rattle, and Roll) sees materials introduced in the Elegy transformed first into a introspective song and finally into a vigorous, gigue-like dance. The three parts of the movement are characterized, respectively, by shakes (tremolos), rattles (in the piano; we’ll know them when we hear them) and rolls (arpeggios). Movement three – Re-Invention (Toccatissima) is fast and virtuosic, a (mostly) two-part invention that sees the basic thematic material re-invented once again. 180 Shift is dedicated, with great affection and respect, to Trio 180: Ann Miller, Nina Flyer, and Sonia Leong.
$32.00
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