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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Mozart Symphony
Non classifié
116
Piano & claviers
Piano seul
105
Piano Facile
34
Accordéon
8
Piano, Voix
5
Piano, Voix et Guitare
5
Piano Quintette: piano, 2 violons, alto, violoncelle
3
Accompagnement Piano
3
1 Piano, 4 mains
3
2 Pianos, 4 mains
2
Piano Trio: piano, violon, violoncelle
2
Piano (partie séparée)
1
Instruments en Do
1
Orgue
1
+ 8 instrumentations
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Guitares
Guitare
9
Guitare notes et tablatures
5
Piano, Guitare (duo)
2
Ukulele
2
2 Guitares (duo)
2
Ligne De Mélodie, (Paroles) et Accords
2
Guitare (partie séparée)
2
2 Ukuleles
1
Basse electrique
1
Banjo
1
+ 5 instrumentations
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Voix
Chorale SATB
4
Chorale 2 parties
1
Chorale TTBB
1
Chorale Unison
1
Vents
Flûte traversière et Piano
21
Clarinette (partie séparée)
19
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
16
Saxophone (partie séparée)
14
Clarinette
13
Saxophone Alto et Piano
11
Flûte, Hautbois, Clarinette, Basson
11
Flûte traversière
10
Clarinette et Piano
10
Hautbois, Piano (duo)
10
2 Saxophones (duo)
9
Saxophone Tenor et Piano
9
2 Hautbois (duo)
7
Quatuor de Saxophones: 4 saxophones
7
Quatuor de Flûtes : 4 flûtes
7
2 Flûtes traversières (duo)
6
Quintette de Saxophone: 5 saxophones
6
Flute (partie séparée)
6
Ensemble de Clarinettes
6
Saxophone Baryton, Piano
5
Hautbois (partie séparée)
5
Ensemble de Flûtes
5
Quatuor de Clarinettes: 4 clarinettes
5
Saxophone Alto
5
Hautbois
4
Saxophone Tenor
4
Saxophone Soprano et Piano
4
Clarinette Basse, Piano
4
2 Clarinettes (duo)
3
Quatuor de Flûtes à bec
3
Ensemble de saxophones
2
3 Clarinettes (trio)
2
Quintette de Clarinettes: 5 clarinettes
2
Cor anglais, Piano
2
3 Flûtes à bec (trio)
1
Flûte, Clarinette et Basson
1
Flûte, Violoncelle
1
Saxophone, Violon (duo)
1
5 Flûtes à bec
1
Quintette de Flûte : 5 flûtes
1
Flûte, Violon, Piano
1
2 Flûte à bec (duo)
1
Flûte, Trompette (duo)
1
Hautbois, Basson (duo)
1
Flûte, Clarinette (duo)
1
Flûte, Violon et Violoncelle
1
Clarinette, Basson (duo)
1
Hautbois, Clarinette (duo)
1
Flûte, Trombone (duo)
1
Clarinette, Violon (duo)
1
Flûte, Violon
1
Flûte, Saxophone (duo)
1
Piccolo, Piano
1
+ 48 instrumentations
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Cuivres
Cor
28
Trompette
19
Trombone (partie séparée)
19
Trompette (partie séparée)
14
Cor (partie séparée)
13
Trombone et Piano
10
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
7
Trombone
6
Trompette, Piano
5
Tuba (partie séparée)
4
2 Trombones (duo)
3
Quatuor de Cuivres
3
2 Cors (duo)
3
Euphonium, Piano (duo)
3
Quatuor de Cuivres : 2 trompettes, trombone, tuba
3
Cor et Piano
2
Quatuor de cuivres: 4 cors
2
2 Euphoniums (duo)
2
Cor anglais, Piano
2
3 Trombones (trio)
1
Trompette, violon (duo)
1
Trompette, Violoncelle (duo)
1
Quatuor de cuivres: 4 trombones
1
2 Tubas (duo)
1
Ensemble de Trompettes
1
Trio de Cuivres
1
Tuba et Piano
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Trompette, Saxophone (duo)
1
3 Trompettes (trio)
1
4 Tubas
1
Ensemble de Cors
1
2 Trompettes (duo)
1
Quatuor de cuivres: 4 trompettes
1
+ 29 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
46
Violon (partie séparée)
32
Alto seul
15
Violon
13
Violon et Piano
12
Contrebasse (partie séparée)
11
Violoncelle
10
Alto, Piano
9
Violoncelle, Piano
9
Violoncelle (partie séparée)
8
Alto (partie séparée)
6
Contre Basse
5
4 Violoncelles
5
Violon, Alto (duo)
4
Violon, Violoncelle (duo)
4
Trio à Cordes: violon, alto, violoncelle
4
Quatuor à cordes: 4 violons
3
Trio à Cordes: 3 violoncelles
2
Quatuor à cordes : 4 altos
2
2 Violons (duo)
2
2 Altos (duo)
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
2 Violoncelles (duo)
2
Trio à cordes: 3 violins
1
Violoncelle, Contrebasse (duo)
1
2 Contrebasses (duo)
1
Piano Trio: Violon, Alto, Piano
1
Violon, Guitare (duo)
1
Contrebasse, Piano (duo)
1
Flûte, Contrebasse (duo)
1
Alto, Violoncelle (duo)
1
Trio à cordes
1
+ 27 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
69
Orchestre à Cordes
62
Orchestre
58
Orchestre de chambre
9
Ensemble Jazz
7
Percussion (partie séparée)
4
Timbales (partie séparée)
4
Ensemble de cuivres
4
Cloches
4
2 Xylophones
2
Percussion
1
Xylophone
1
Batterie (partie séparée)
1
+ 8 instrumentations
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Autres
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ACCORDEON
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
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TROMPETTE
TUBA
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LATIN - BOSSA - WORL…
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MARIAGE - AMOUR - BA…
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Mozart Symphony
Piano Trio: piano, violon, violoncelle
Partitions à imprimer
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Wolfgang Amadeus Mozart - Theme from Symphony No. 40 for Piano Trio
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Piano Trio: piano, violon, violoncelle
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FACILE
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Classique
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Wolfgang Amadeus Mozart
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George N
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Wolfgang Amadeus Mozart - Them
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GNG Music
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SheetMusicPlus
Instrumental Duet,Piano Cello,Instrumental Duet,Piano,Violin - Level 2 - SKU: A0.1012484 Composed by Wolfgang Amadeus Mozart. Arranged by George N. Gian...
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Instrumental Duet,Piano Cello,Instrumental Duet,Piano,Violin - Level 2 - SKU: A0.1012484 Composed by Wolfgang Amadeus Mozart. Arranged by George N. Gianopoulos. Classical. Score and parts. 7 pages. GNG Music #4320223. Published by GNG Music (A0.1012484). Mozart's evocative theme from his Symphony No. 40 arranged from Violin, 'Cello and Piano for children.This is a perfect introduction to chamber music on a beloved theme for young, intermediate musicians.
$10.00
Mendelssohn: Wedding March for Piano Trio
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Piano Trio: piano, violon, violoncelle
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INTERMÉDIAIRE
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Classique
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Wedding March for
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jmsgu3
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SheetMusicPlus
Piano Trio - Level 3 - SKU: A0.549883 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Wedding. 33 pages. J...
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Piano Trio - Level 3 - SKU: A0.549883 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Wedding. 33 pages. Jmsgu3 #3601997. Published by jmsgu3 (A0.549883). Score: 18 pages, piano part: 6 pages, cello part: 4 pages, violin part: 4 pages. duration: ca. 5'. Register for free lifetime updates and revisions of this product at www.jamesguthrie.com This is the famous wedding march from Op. 61 composed in 1842 and commonly performed as a recessional march at the end of a wedding. The piece was originally composed for orchestra, then arranged for organ and performed by Mendelssohn himself. Mendelssohn: Wedding March Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic o.
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