Page d'accueil
Parcourir Free-scores.com
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
ONE FOR M
Non classifié
2 531
Piano & claviers
Piano seul
1 046
Piano, Voix
615
Piano, Voix et Guitare
302
Piano Facile
206
Instruments en Do
118
Orgue
111
1 Piano, 4 mains
19
Piano Quatuor: piano, violon, alto, violoncelle
18
Accompagnement Piano
15
Piano Trio: piano, violon, violoncelle
11
Piano grosses notes
9
2 Pianos, 4 mains
9
Accordéon
6
Piano (partie séparée)
4
Clavier
3
Orgue, Trompette (duo)
2
Piano Quatuor: piano, 2 violons, violoncelle
2
Clavecin
1
Orgue, Piano (duo)
1
2 Pianos, 8 mains
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Ligne De Mélodie, Piano
1
+ 17 instrumentations
Retracter
Guitares
Ligne De Mélodie, (Paroles) et Accords
1 429
Guitare
199
Guitare notes et tablatures
111
Basse electrique
26
Paroles et Accords
23
Ukulele
19
Ukulele Baryton
12
Guitare (partie séparée)
10
Piano, Guitare (duo)
7
2 Guitares (duo)
7
Dulcimer
3
4 Guitares (Quatuor)
3
Ensemble de Ukulélés
2
3 Guitares (trio)
1
Orchestre à Plectres
1
Mandoline, Guitare (duo)
1
Guitare, Violon, Violoncelle (trio)
1
+ 12 instrumentations
Retracter
Voix
Chorale SATB
372
Chorale 3 parties
114
Chorale TTBB
82
Voix seule
76
Chorale 2 parties
49
Pack Instrumental pour Chorale
42
Chorale SSAA
35
Chorale Unison
14
Voix Baryton, Piano
14
Voix duo, Piano
12
Voix duo
8
Voix haute
8
Voix Soprano, Piano
8
Chorale
6
Voix Tenor, Piano
5
Voix moyenne, Piano
5
Voix basse, Piano
5
Voix Alto, Piano
3
Voix Soprano
1
Voix basse
1
Chorale SSATB
1
Voix Moyenne
1
+ 17 instrumentations
Retracter
Vents
Saxophone Alto et Piano
288
2 Saxophones (duo)
266
Flûte traversière et Piano
227
Saxophone
221
Quatuor de Saxophones: 4 saxophones
190
Saxophone Tenor et Piano
178
Saxophone (partie séparée)
171
Saxophone Alto
166
Quintette de Saxophone: 5 saxophones
164
Saxophone Tenor
160
Saxophone Soprano et Piano
148
Hautbois, Piano (duo)
139
Clarinette et Piano
125
Saxophone Baryton, Piano
120
Ensemble de saxophones
115
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
91
Hautbois
60
Clarinette
59
2 Flûtes traversières (duo)
43
Flûte, Hautbois, Clarinette, Basson
43
3 Saxophones (trio)
42
Ensemble de Clarinettes
39
Cor anglais, Piano
39
Flûte traversière
38
Quatuor de Clarinettes: 4 clarinettes
36
Clarinette Basse, Piano
30
2 Flûtes traversières, Piano
25
Saxophone Soprano
24
Ensemble de Flûtes
22
Quatuor de Flûtes : 4 flûtes
20
2 Clarinettes (duo)
19
Quintette de Flûte : 5 flûtes
16
Hautbois (partie séparée)
13
3 Clarinettes (trio)
10
Hautbois, Basson (duo)
10
Saxophone, Clarinette (duo)
10
2 Hautbois (duo)
10
Flute (partie séparée)
9
Flûte à bec Soprano
9
Flûte, Violoncelle
9
Clarinette (partie séparée)
8
Clarinette et Alto
8
Flûte, Alto (duo)
8
Trio de Flûtes: 3 flûtes
7
Clarinette, Violon (duo)
7
Flûte, Clarinette (duo)
7
Piccolo, Piano
6
Flûte, Violon, Piano
6
Instruments en Mib
6
2 Flûte à bec (duo)
6
Quintette de Clarinettes: 5 clarinettes
5
Ocarina
5
Flûte, Violon
5
Clarinette, Trompette (duo)
4
Saxophone et Piano
4
Saxophone et Guitare
4
Hautbois, Clarinette (duo)
4
Hautbois, Violoncelle
4
Clarinette, Basson (duo)
3
Flûte, Saxophone (duo)
3
Quatuor de Flûtes à bec
3
Flûte, Hautbois (duo)
3
Saxophone Baryton
3
Saxophone et violoncelle
3
Hautbois, Flûte
3
Clarinette, Violoncelle (duo)
3
Clarinette, Harpe (duo)
2
Flûte, Hautbois, Basson
2
2 Cors Anglais Et Pianoforte
2
Saxophone, Basson (duo)
2
Saxophone et Harpe
2
2 Saxophones, Piano
2
Flûte, Trompette (duo)
2
Flûte et Guitare
2
Flûte à bec Alto
2
Flûte, Violoncelle, Piano (trio)
1
Clarinette Basse
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Cor Anglais
1
Ensemble De Flûte à bec
1
Hautbois, Harpe
1
Clarinette, Orchestre
1
Flute, harpe et violon
1
Saxophone et Orgue
1
Flûte et Trio à cordes
1
Flûte à bec Soprano, Piano
1
Flûte, Violon, Violoncelle et Piano
1
Flûte traversière, Orgue (duo)
1
Flûte à Bec
1
Hautbois et alto (duo)
1
Clarinette, Guitare (duo)
1
Flûte, Violon et Violoncelle
1
Flûte, Clarinette et Basson
1
+ 88 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
277
Trombone et Piano
219
Trombone
197
Quatuor de Cuivres : 2 trompettes, trombone, tuba
185
Trombone (partie séparée)
180
2 Trombones (duo)
75
Euphonium, Piano (duo)
72
Cor et Piano
62
Trompette
58
Trompette, Piano
55
Quatuor de Cuivres: 2 trompettes, Cor, trombone
52
Ensemble de Trompettes
45
Ensemble de Trombones
42
Cor anglais, Piano
39
Quatuor de Cuivres
33
Trompette, Trombone (duo)
29
Trompette (partie séparée)
28
Trio de Cuivres
16
Tuba et Piano
14
Trompette, Saxophone (duo)
11
2 Cors (duo)
11
Cor
11
Tuba
11
Quatuor de cuivres: 4 trombones
10
2 Trompettes (duo)
10
Instruments en Sib
7
Tuba (partie séparée)
7
Cor (partie séparée)
5
Ensemble de Cors
5
3 Trombones (trio)
5
Bass Clef Instruments
5
2 Euphoniums (duo)
5
Trombone basse et Piano
5
Trompette, Cor (duo)
4
Quatuor de cuivres: 2 trompettes, 2 trombones
4
2 Tubas (duo)
3
Tuba et Orgue
3
Trombone, Tuba (duo)
3
Trombone, Cor (duo)
3
Trombone, violoncelle (duo)
2
Euphonium, Tuba (duo)
2
Euphonium
2
2 Cors Anglais Et Pianoforte
2
Quatuor de cuivres: 4 cors
2
Trompette, Trombone, Piano
1
Cor Anglais
1
Trompette, Euphonium (duo)
1
Trompette, Tuba (duo)
1
Cor, Violoncelle (duo)
1
Trombone basse
1
Trompette, Violoncelle et Piano
1
2 Euphoniums et 2 Tubas
1
+ 47 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
440
Violon et Piano
270
Violon, Violoncelle (duo)
236
Trio à Cordes: violon, alto, violoncelle
181
Violon
175
Violoncelle, Piano
89
Alto, Piano
77
Violoncelle
72
Trio à Cordes: 2 violons, violoncelle
57
Harpe
41
Violon, Alto (duo)
39
Quintette à cordes: 2 violons, alto, violoncelle, basse
33
2 Violons (duo)
31
2 Violoncelles (duo)
28
Ensemble de Violons
19
Ensemble d'Altos
19
Alto seul
18
2 Altos (duo)
18
4 Violoncelles
12
Trio à Cordes: 2 violons, alto
10
Violoncelle, Contrebasse (duo)
7
Trio à cordes: 3 violins
7
Contrebasse, Piano (duo)
6
Flûte, Contrebasse (duo)
5
2 Contrebasses (duo)
5
Contrebasse (partie séparée)
5
Quintette à cordes: 2 violons, 2 altos, violoncelle
5
Contre Basse
4
Piano Trio: Violon, Alto, Piano
4
Alto (partie séparée)
4
Harpe, Flûte (duo)
4
Violon (partie séparée)
4
Violon, Guitare (duo)
3
Alto, Violoncelle (duo)
3
Trio à Cordes: 3 violoncelles
3
Alto, Guitare (duo)
3
Harpe, Violon (duo)
2
Quatuor à cordes : 4 altos
2
5 Harpes
2
3 Harpes
2
Violon, Clarinette, Piano (trio)
1
Trio à cordes
1
Quatuor à cordes: 4 violons
1
Violoncelle , Guitare (duo)
1
Violoncelle (partie séparée)
1
Alto et Harpe
1
4 Harpes
1
Violoncelle, Orgue
1
Ensemble de Violoncelles
1
+ 44 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
388
Orchestre à Cordes
170
Orchestre
120
Ensemble Jazz
113
Ensemble de cuivres
88
Orchestre de chambre
58
Batterie
41
Jazz combo
33
Fanfare
27
Marimba
20
Cloches
14
Ensemble de Percussions
13
Batterie (partie séparée)
5
Xylophone
5
Percussion (partie séparée)
4
Vibraphone
3
2 Xylophones
2
Timbales (partie séparée)
1
Percussion
1
3 Percussions
1
Xylophone, Piano
1
Quintette de Cuivres: autres combinaisons
1
Orchestre, Violon
1
+ 18 instrumentations
Retracter
Autres
Partitions Gratuites
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Instrumentations
Top Téléchargements
Compositeurs
Nouveautés
Partitions de Noël
Genres Musicaux
Genres Musicaux
Autres Services
Autres Services
Top 100
Annuaire Web
Portées musicales
Metronome
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
€
€
EUR €
USD $
GBP £
CAD $
CNY ¥
English
Partitions Gratuites
1
Partitions Numériques
11
Librairie Musicale
0
Matériel de Musique
11 405
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Vous avez sélectionné:
ONE FOR M
Piano Trio: piano, violon, violoncelle
Partitions à imprimer
11 partitions trouvées
<
1
180 Shift for piano trio
#
Piano Trio: piano, violon, violoncelle
#
AVANCÉ
#
Contemporain
#
Robert M
#
180 Shift for piano trio
#
Robert M. Greenberg
#
SheetMusicPlus
Piano Trio,String Ensemble Cello,Piano,Violin - Level 5 - SKU: A0.987846 Composed by Robert M. Greenberg. 20th Century,Contemporary. Score and parts. 69...
(+)
Piano Trio,String Ensemble Cello,Piano,Violin - Level 5 - SKU: A0.987846 Composed by Robert M. Greenberg. 20th Century,Contemporary. Score and parts. 69 pages. Robert M. Greenberg #90269. Published by Robert M. Greenberg (A0.987846). Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Video: https://www.youtube.com/watch?v=dZvxnzZ1oA8 Duration: ca. 18 minutes Year of composition: 2013 Program Note: I. Elegy and Variations II. Song and Dance (Shake, Rattle and Roll) III. Re-Invention (Toccatissima) Aside from being an obvious (if hackneyed) reference to the commissioning ensemble, Trio 180, the title 180 Shift well describes the large-scale dramatic action of the piece: from beginning to end, it traverses an expressive distance of 180 degrees, from elegiac sorrow to hot-footed sizzle. 180 Shift is cast in three movements. Each movement is based on the same thematic material, although that material is transformed continuously across the span of the piece. Movement one, Elegy and Variations consists of a series of a theme, six free variations of the theme and a quiet intermezzo before the sixth and final variation. The movement is melancholy, reflective, and generally subdued in tone. Movement two, entitled Song and Dance (Shake, Rattle, and Roll) sees materials introduced in the Elegy transformed first into a introspective song and finally into a vigorous, gigue-like dance. The three parts of the movement are characterized, respectively, by shakes (tremolos), rattles (in the piano; we’ll know them when we hear them) and rolls (arpeggios). Movement three – Re-Invention (Toccatissima) is fast and virtuosic, a (mostly) two-part invention that sees the basic thematic material re-invented once again. 180 Shift is dedicated, with great affection and respect, to Trio 180: Ann Miller, Nina Flyer, and Sonia Leong.
$32.00
Fauré: Élégie Op. 24 for Piano Trio
#
Piano Trio: piano, violon, violoncelle
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Gabriel Faure
#
James M
#
Fauré: Élé
#
jmsgu3
#
SheetMusicPlus
Piano Trio - Level 4 - SKU: A0.549721 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. Contemporary,Multicultural,Romantic Period,Standar...
(+)
Piano Trio - Level 4 - SKU: A0.549721 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. Contemporary,Multicultural,Romantic Period,Standards,World. 31 pages. Jmsgu3 #3531323. Published by jmsgu3 (A0.549721). Duration: ca. 7:00, Score: 18 pages, violin: 3 pages, cello: 3 pages, piano: 7 pages. An epic choice for a recital or funeral.Fauré Background: In the first place, Gabriel Fauré 1845 –1924) was a famous French composer, musician, and educator. Furthermore, his musical ideas influenced numerous 20th-century composers. Therefore, historians regard him as one of the leading French composers of his time. Famous Works: Among his most famous compositions, by and large, are the Pavane, Elegie (op. 24), Requiem, Sicilienne, Nocturnes for piano and the songs Après un rêve and Clair de lune. Inasmuch as his early works are well-known and relatively easy to perform, Faure’s music seems to have become gradually more difficult during his later life. In other words, his later works are somewhat esoteric and complex. Early Home Life: Fauré was in fact born into a well-cultivated family. His aptitude for music became particularly clear early on - when he was still a boy. Under these circumstances, his parents sent him to a music institution in Paris. Consequently, the training he received there prepared him for a career as a church organist and choirmaster. Middle Life: It is important to realize that Fauré studied music composition with the French musical mastermind Camille Saint-Saëns, who became his lifelong friend. Fauré eventually graduated from college and earned a living as an organist and educator. During this period, he had, on the whole, little time to compose. He consequently became more successful in his middle age, becoming organist of the Église de la Madeleine and director of the Paris Conservatoire. However, he still needed time on balance for composing. Therefore, given these points, he withdrew to the countryside during the summer to focus on composing. Later Life: Fauré was, in the final analysis, recognized in France as the foremost French composer of his time. The French government held a national musical tribute particularly for him in Paris. The French President notably headed the ceremony. Elsewhere, on the contrary, Fauré's music was slow to become accepted, except of course, in England. Legacy: Historians often describe Fauré's music in general as a transition between the end of Romanticism and the beginning of modernism. As an illustration, when Fauré was born, Chopin was still composing. However, by the time of Fauré's death, jazz and atonal music, in particular, had come to fruition. Fauré, by all means, suffered from increasing deafness in his later years. Some musicologists believe this to be indeed the cause of the esoteric nature of Faure’s final works.
$37.95
Mendelssohn: Wedding March for Piano Trio
#
Piano Trio: piano, violon, violoncelle
#
INTERMÉDIAIRE
#
Classique
#
Felix Bartholdy Mendelssohn
#
James M
#
Mendelssohn: Wedding March for
#
jmsgu3
#
SheetMusicPlus
Piano Trio - Level 3 - SKU: A0.549883 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Wedding. 33 pages. J...
(+)
Piano Trio - Level 3 - SKU: A0.549883 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Wedding. 33 pages. Jmsgu3 #3601997. Published by jmsgu3 (A0.549883). Score: 18 pages, piano part: 6 pages, cello part: 4 pages, violin part: 4 pages. duration: ca. 5'. Register for free lifetime updates and revisions of this product at www.jamesguthrie.com This is the famous wedding march from Op. 61 composed in 1842 and commonly performed as a recessional march at the end of a wedding. The piece was originally composed for orchestra, then arranged for organ and performed by Mendelssohn himself. Mendelssohn: Wedding March Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic o.
$36.95
The First Noel for Piano Trio
#
Piano Trio: piano, violon, violoncelle
#
FACILE
#
Noël
#
Traditional
#
James M
#
The First Noel for Piano Trio
#
jmsgu3
#
SheetMusicPlus
Piano Trio - Level 2 - SKU: A0.549903 Composed by Traditional. Arranged by James M. Guthrie, ASCAP. Christmas,Standards. 9 pages. Jmsgu3 #3685139. Publi...
(+)
Piano Trio - Level 2 - SKU: A0.549903 Composed by Traditional. Arranged by James M. Guthrie, ASCAP. Christmas,Standards. 9 pages. Jmsgu3 #3685139. Published by jmsgu3 (A0.549903). Arranged with new harmony for the final verse. Origins The First Noel is an English Christmas carol. Even more, it was probably written in the late Cornish Renaissance period. While other versions spell the title as Nowell, this is a colloquial variation. Furthermore, Noel is an older word meaning Christmas. Therefore the First Noel translates as the First Christmas. First of all, Gilbert and Sandy published the earliest version. As a result, this version appears in the Carols Ancient and Modern songbook of 1823. William Sandy edited and arranged the book. Similarly, his partner Davies Gilbert edited and added the familiar extra verses. Stainer Organist and composer Sir John Stainer published the most noteworthy customary arrangement in the 1870s.  Stainer is, above all, famous for his songbook entitled: Christmas Carols New and Old (1871). This volume served as an essential catalyst for reviving the English Christmas carol.  Other famous Stainer arrangements from this book include What Child Is This, God Rest Ye Merry Gentlemen, Good King Wenceslas, and I Saw Three Ships. Diatonic Function The melodic structure in the First Noel is uncommon among English folk tunes. It simply repeats one phrase twice and then follows a variation refrain. All three phrases of the song end on the mediant scale degree. This is unusual because the diatonic function of the mediant is non-final compared to the more usual tonic or even dominant degrees. Consequently, this gives the song an open-ended feeling – like maybe it never ends. Political Context The Catholic clergy sang carols outside of the church in Latin. After the Protestant Reformation, the reformers thought it would be better for everyone to sing carols. They decided to bring music back to the common folk. So, they translated the lyrics from Latin into a common language. Moreover, the Protestants wanted more control over the music in the church than what the Vatican allowed. Protestant composers such as William Byrd composed complex polyphonic Christmas music that they called carols. Nonetheless, some famous folk carols were composed in this era. Eminent composers in the nineteenth century began to revise and adapt them. Consequently, they revived the English carol.
$24.95
Away In a Manger for Piano Trio
#
Piano Trio: piano, violon, violoncelle
#
DÉBUTANT
#
Noël
#
the 1880's the cradle song was
#
Mueller
#
James M
#
Away In a Manger for Piano Tri
#
jmsgu3
#
SheetMusicPlus
Piano Trio - Level 1 - SKU: A0.548637 Composed by Mueller. Arranged by James M. Guthrie, ASCAP. Christmas. 6 pages. Jmsgu3 #3405971. Published by jmsgu3...
(+)
Piano Trio - Level 1 - SKU: A0.548637 Composed by Mueller. Arranged by James M. Guthrie, ASCAP. Christmas. 6 pages. Jmsgu3 #3405971. Published by jmsgu3 (A0.548637). Arranged for Piano Trio with a re-harmonized final verse. Away in a Manger is a popular Christmas song published in the late 19th century and performed worldwide. In England, it is considered one of the two most popular carols of all time; a 1996 poll ranked it as a tie for second place. To begin with, many thought Martin Luther wrote it, but now the song is considered American. The most common musical arrangements are by William Kirkpatrick (1895) and James R. Murray (1887). The melody was first published as Luther's Cradle Hymn by James R. Murray. Then came a confusing series of explanations about how Martin Luther wrote the song. Murray even went so far as to suggest that Luther wrote it for his children. As a result, the music has become known as Mueller. Nobody knows who this Mueller is, but the name stuck. Popularity By the 1880's the cradle song was being performed in church. By the 1990's the song was becoming the most popular Christmas song ever. Nearly everyone sang it in school, in church, and at home. Other musical settings The first musical setting published with the lyrics appeared in the Little Children's Book for Schools and Families (1885). The title was Away in a Manger. This edition is the first one not attributing the song to Martin Luther. Charles H. Gabriel was the first arranger to present the third verse. He also composed and published many different arrangements of the song. In one of his settings, he supplies a chorus for each verse with asleep sung in canon. Another prevalent preparation uses the lyrics to the melody Flow Gently, Sweet Afton Yet another arrangement uses the songs to an old Normandy carol.Â
$24.95
O Come All Ye Faithful for Piano Trio
#
Piano Trio: piano, violon, violoncelle
#
DÉBUTANT
#
Noël
#
Wade
#
James M
#
O Come All Ye Faithful for Pia
#
jmsgu3
#
SheetMusicPlus
Piano Trio - Level 1 - SKU: A0.548647 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christmas. 7 pages. Jmsgu3 #3407487. Published by jmsgu3 (A...
(+)
Piano Trio - Level 1 - SKU: A0.548647 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christmas. 7 pages. Jmsgu3 #3407487. Published by jmsgu3 (A0.548647). O Come, All Ye Faithful O Come, All Ye Faithful arranged for piano trio ( piano, violin & cello) featuring a thought-provoking re-harmonization of the final verse. O Come, All Ye Faithful is an English translation of the Latin Christmas carol Adeste Fideles. No one knows exactly who wrote it. One theory holds that King John IV of Portugal (1604–1656) wrote it. Another view says John F. Wade or John Reading wrote it. Nowadays, we usually attribute it to John Wade. It seems like Stonyhurst College in Lancashire owns the oldest manuscript. It is from the year 1751. Lyrics Frederick Oakeley, a Catholic priest in 1841, wrote the English translation. This translation is probably the most common in English-speaking states. To begin with, the hymn had only four verses. Later, the verses grew to eight. Music directors often cut various verses because otherwise, the song goes too long. Some believe that St. Bonaventure wrote the first Latin lyrics. Others hold that King John IV of Portugal is responsible. Yet even others think the Cistercian monks wrote them. King John IV His subjects called King John IV of Portugal The Musician King. He became king in 1640. In addition to performing the duties of a king, he composed and wrote as a music journalist. King John built an extensive music library. Unfortunately, the massive earthquake in Lisbon ruined the library in 1755. In addition to making his library, the king started a Music School that produced many accomplished musicians. The king also worked diligently to get instrumental music approved by the Vatican for use in his churches. Aside from his authorship of Adeste Fideles, he is famous for another popular choral setting of the Crux Fidelis, a prevalent Lenten hymn. Performance in Context Verses are sometimes left out because all eight verses would take too long to perform. More to the point, though, some of the poems may be unsuitable for whatever church calendar they are intended. The eighth verse deals with the Epiphany, so it makes sense to sing this on Epiphany Sunday but not on other Sundays. Similarly, other poems are used for whether the event is Midnight Mass or regular daytime Mass. Â
$24.95
Handel: Seven Pieces from Water Music for Piano Trio
#
Piano Trio: piano, violon, violoncelle
#
INTERMÉDIAIRE
#
George Friderick Handel
#
James M
#
Handel: Seven Pieces from Wate
#
jmsgu3
#
SheetMusicPlus
Piano Trio - Level 3 - SKU: A0.552118 Composed by George Friderick Handel (1685-1756). Arranged by James M. Guthrie. Baroque,Instructional,Standards,Wed...
(+)
Piano Trio - Level 3 - SKU: A0.552118 Composed by George Friderick Handel (1685-1756). Arranged by James M. Guthrie. Baroque,Instructional,Standards,Wedding. 32 pages. Jmsgu3 #6121129. Published by jmsgu3 (A0.552118). Seven popular pieces from Handel's Water Music - most often requested for weddings. Score: 16 pages, Duration 12:15. Players may read from the score, or from the included instrumental parts.Contents:1. Air2. Minuet3. Bourrée4. Hornpipe5. Rigaudon6. Minuet7. AndanteHandel's Water Music is one of his most famous compositions. It was written for King George I's pleasure barge trip along the River Thames in 1717. The Water Music is divided into three suites, each containing a variety of movements. The music features a mix of dance rhythms such as minuets, bourrees, and hornpipes, along with lively fanfares and slower, more stately airs. Its combination of light and playful music with grandeur and pomp has made it one of the most beloved pieces of classical music. Water Music has been performed by many orchestras and is a popular choice for special occasions, such as coronations and weddings. Its enduring popularity has helped to make it one of Handel's most famous and beloved compositions.Weddings during the time of Handel were usually quite extravagant affairs. The ceremony was typically held in a church and was accompanied by a full orchestra. Handel's own compositions were frequently used to provide the music for the ceremony. This was especially true in London, where Handel was based and where his music was extremely popular. Handel wrote a number of pieces specifically for use at weddings, including the popular Wedding Anthem and the Wedding Anthem in D Major. Handel's music provided a sense of grandeur and elegance to the proceedings and was often used to give the wedding an extra special touch.The festivities following the ceremony were also often quite lavish, with a large feast and plenty of dancing. Handel's music was often used to provide the background music for the dancing, and he wrote many dance suites that were specifically designed for this purpose. The bride and groom would often have a special dance to the music of Handel's Water Music, a particularly popular piece for the occasion. Guests at the wedding would be treated to a variety of Handel's works, ranging from his operas to his oratorios, which often had a spiritual or religious theme. Handel's music provided a sense of joy and celebration to the wedding and helped make it an occasion to remember.
$36.95
The One I Love
#
Piano Trio: piano, violon, violoncelle
#
FACILE
#
Rock
#
R
#
Rob Barnes
#
The One I Love
#
Rob Barnes
#
SheetMusicPlus
Instrumental Duet,Piano Cello,Instrumental Duet,Piano,Violin - Level 2 - SKU: A0.924680 By R.E.M. By Michael Mills, Michael Stipe, Peter Buck, and Willi...
(+)
Instrumental Duet,Piano Cello,Instrumental Duet,Piano,Violin - Level 2 - SKU: A0.924680 By R.E.M. By Michael Mills, Michael Stipe, Peter Buck, and William Berry. Arranged by Rob Barnes. Pop,Rock. Score and parts. 12 pages. Rob Barnes #4985031. Published by Rob Barnes (A0.924680). A piano trio arrangement (piano, violin and cello) of the R.E.M. song 'The One I Love'. Separate piano, cello and violin parts are included. The piece follows the structure of the original song, but some dynamics and ornamentation have been added for interest. This arrangement would be perfect for a wedding or other ceremonial occasion, but it would also suit a recital where an arrangement of a more contemporary piece is needed.
$12.99
Romanze Op. 10, No. 1 for piano trio (vln/fl, vc, pno)
#
Piano Trio: piano, violon, violoncelle
#
INTERMÉDIAIRE
#
Classique
#
C
#
Klas Krantz
#
Romanze Op. 10, No. 1 for pian
#
Amadeus Music
#
SheetMusicPlus
Piano Trio,String Ensemble Cello,Piano,Violin - Level 3 - SKU: A0.532568 Composed by C.M. Von Weber. Arranged by Klas Krantz. Classical,Romantic Period....
(+)
Piano Trio,String Ensemble Cello,Piano,Violin - Level 3 - SKU: A0.532568 Composed by C.M. Von Weber. Arranged by Klas Krantz. Classical,Romantic Period. Score and parts. 5 pages. Amadeus Music #6472141. Published by Amadeus Music (A0.532568). Carl Maria von Weber (1786 –1826) was a German composer, conductor, pianist, guitarist and critic, one of the first significant composers of the Romantic school.
$6.95
It's A Small World
#
Piano Trio: piano, violon, violoncelle
#
FACILE
#
Film Walt Disney
#
Richard M
#
Stephen DeCesare
#
It's A Small World
#
Exultet Music
#
SheetMusicPlus
Instrumental Duet,Piano Cello,Instrumental Duet,Piano,Violin - Level 2 - SKU: A0.630972 Composed by Richard M. Sherman and Robert B. Sherman. Arranged b...
(+)
Instrumental Duet,Piano Cello,Instrumental Duet,Piano,Violin - Level 2 - SKU: A0.630972 Composed by Richard M. Sherman and Robert B. Sherman. Arranged by Stephen DeCesare. Contemporary. Score and parts. 11 pages. Exultet Music #6496113. Published by Exultet Music (A0.630972). One of the most recognizable songs in the Walt Disney catalogue, this song has been freshly arranged as a duet for a Violin and Cello with Piano accompaniment. Accessible and appropriate for any school or concert setting.
$4.99
Piano Trio in E flat major, Op. 2
#
Piano Trio: piano, violon, violoncelle
#
INTERMÉDIAIRE
#
Classique
#
Ferdinand Ries
#
Dianne James
#
Piano Trio in E flat major, Op
#
Artaria Editions
#
SheetMusicPlus
Piano Trio Cello,Piano,Violin - Level 3 - SKU: A0.1488222 Composed by Ferdinand Ries. Arranged by Dianne James. Classical. 77 pages. Artaria Editions #1...
(+)
Piano Trio Cello,Piano,Violin - Level 3 - SKU: A0.1488222 Composed by Ferdinand Ries. Arranged by Dianne James. Classical. 77 pages. Artaria Editions #1065108. Published by Artaria Editions (A0.1488222). The Piano Trio in E flat, Op.2 was published by Simrock in 1807 with a dedication to Monsieur le Comte de Browne, Brigadeur au Service de S.M.J. de toutes les Russies. It is a generously proportioned work in the usual three movements. The lengthy sonata-from first movement is prefaced by a slow introduction which begins on dominant seventh harmony (a nod perhaps to Beethoven's first symphony), slowly finding its way to the tonic by the start of the Allegro section. The brief development section modulates widely, including references to keys as distant as E minor and C major, while the substantially rewritten and varied recapitulation touches on both B and G majors. The slow movement, Andante un poco Allegretto , is cast in the key of C minor and features many solos and duets for the string instruments as well as further harmonic interest, especially in the central modulating episode from bar 46. The finale is a sonata-rondo design complete with all the usual tricks, including even a remote transposition of the refrain late in the movement to B major, a technique surely learned from Beethoven. The present edition reproduces as faithfully as possible the text of the trio as transmitted in Simrock's edition of the work, a copy of which is preserved in the Staatsbibliothek in Berlin. The piano part is most successfully realised on an instrument extending as far as c4, although since such instruments were by no means standard in the first decade of the 19th century, Ries has notated the part carefully to cater for instruments without an extended treble compass. Any alternative readings have been incorporated into the current edition exactly as they appear in the Simrock print. In an instance such as bars 298-309 of the finale for example, instruments with the extended compass should follow the small print in bars 298 and 309, and in between read the notes an octave higher according to the composer's 8ve marking. Instruments with a limited compass should play the notes as written, without the octave transposition of bars 299-309. The cello part contains several passages written in the treble clef. Evidence that these should sound an octave lower than written is provided by bars 74-80 of the first movement and 85-89 of the finale. In the first instance, awkward octave displacements would result if this passage were played literally; in the second instance, some unacceptable part crossing between violin and cello would result from a literal rendition of these two bars. Accordingly then, all passages written in the treble clef should be transposed down an octave. The style and notation of articulation and dynamic markings have been standardised throughout, and, where missing from the print, markings have been reconstructed from parallel passages. These are indicated by the use of dotted slurs or brackets where appropriate. Obvious wrong notes have been corrected without comment, and editorial emendations with no authority from the print are placed within brackets. Dianne James.
$37.00
<
1
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
ONE FOR M
